In Celebration of the Human Voice - The Essential Musical Instrument
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Jersey based group from the 60's had a loyal following in the area but never enjoyed the national success they desereved. Combining elements of doo-wop and soul, the Royal Counts were produced by Relic Record's Stan Krause, as were his later discovery, the Persuasions, and the sound of the two groups is similar.
Rumors, the 1999 International Champion Quartet of Sweet Adelines International has been singing together for five years, but have known each other for more than 20. When they were jailed in 1993 for falsely representing themselves as sane individuals, they found that singing together didn't make them deathly ill, just mildly dizzy, sometimes nauseated. This was an acceptable trade off for ringing chords now and then.
All four are career women in very diverse fields. In a field in Richardson Texas, the baritone, Dale Syverson, is the entertainment director for a nudist community. She has donned clothes especially for the publicity picture and, as their contract specifies, for all show performances. Any afterglow performance should be viewed as an "attend at your own risk" proposition. Lead Judy Baxter, a north Dallas outfielder, is a crisis counselor at the same community. She is the top ranked professional in the field for creating crisis in a controlled atmosphere. Only Hurricane Andrew has a higher ranking..
When the Rural Route 4 won the international quartet championship in 1986, they did not exactly qualify as an overnight sensation. Organized in 1971 by four residents of Cass County MO., the quartet would not win the gold until 15 years and two personnel changes later. Along the way were dozens of contests, from the chapter to international level, and years of hard work. But there was fun too, ar the RR4 gradually built a reputation as on of the most entertaining show quartets around.
Brothers Calvin and Willard Yoder, lead and bass respectively, and the owners of a dairy farm, plus bari Rufus Kenagy, also a farmer, and tenor Everett Roth, a carpenter, were the original members of the group. They qualified for their first international contest in 1976 in San Francisco, finishing in 21st place. The next eight years were a roller coaster - in the top ten three times, out of the twice and laying out three years when the wives proclaimed, "We're not spending this vacation at a contest!" Meanwhile, Rufus had dropped out in 1977 and was replaced by Jim Bagby, an Associated Press newsman from Kansas City who had coached the quartet since 1972. Everett was replaced by Don Kahl, a respiratory therapist in 1983. Finally in 1985 at the Minneapolis convention, the RR4 earned fifth-place bronze medals. The following year, to their own suprise more than anyone else's, they jumped to the number one spot.
The vocal jazz program at Sacramento State is under the direction of Kerry Marsh. The program consists of the Jazz Singers, C-Sus and Vox 2, all of which are formed by audition. The sounds of Sac State Vocal Jazz are influenced by the great vocal jazz groups of the past and present: The Hi-Lo's, Singers Unlimited, Take 6, New York Voices, The Real Group, Manhattan Transfer and others. However, the program strives to explore.
Although much of the study focuses on group sound, improvisation and solo singing are also important aspects of the program, with a thriving bachelor's program in jazz studies/voice. Jazz voice majors (currently eleven in the program) study privately with the outstanding jazz vocal artist Julia Dollison./
Saint Mary's College Women's Choir, a select 40-voice ensemble, regularly commissions and performs new works for women's voices. An outgrowth of this emphasis is the publication of the Saint Mary's College Choral Series, a collection of new works for women's voices, published by earthsongs of Corvallis, Oregon. The Choir has performed throughout the United States and has appeared before state and division conventions of the Music Educators National Conference and the American Choral Directors Association. In February 2005, the Choir appeared before the national convention of the American Choral Directors Association in Los Angeles, performing in Wilshire Christian Church and the new Walt Disney Concert Hall. Each November the Choir hosts the annual Saint Mary's College High School Women's Choir Festival, in which 20 choirs from neighboring states perform for each other and a panel of commentators. The Choir tours nationally every other year, and regularly performs with the University of Notre Dame Glee Club in joint performances of major works with the South Bend Symphony Orchestra. They have appeared in concert at Carnegie Hall in 1999 and 2001, and returned there in November 2005 to perform music by Gwyneth Walker for women's voices and orchestra.
Music is at the heart of our mission, one of the primary ways in which we worship, love and serve our Lord Jesus Christ.
Each year, the Saint Thomas Choir of Men and Boys, under the direction of John Scott, sing at nearly 200 choral worship services, including Choral Liturgies on Sunday mornings, Choral Evensong on Sunday evenings and on many Tuesday, Wednesday and Thursday evenings (September through May). The choir also sings at special liturgies throughout the year, including the Solemn Liturgy of Good Friday.
We are delighted to welcome visitors from all over the world to these worship services. We hope you will join us during your next visit to New York City. If you are unable to worship with us in person, you may do so via the webcasts from your home.
The Salt Lake Children's Choir, founded in the fall of 1979 by Ralph B. Woodward, as long regarded as one of the finest ensembles of its kind in the nation. The choir consists of boys and girls, generally between the ages of 8 and 15, who hail from the Salt Lake Valley and nearby communities. It emphasizes natural vocal production and works of the immortal masters, as well as oustanding folk and contemporary music from around the world. The children have sung music from the countries of Sweden, Norway, Finland, Slovakia, the Czech Republic, Hungary, Poland, Ukraine, Russia, Bulgaria, France, Germany, Austria, Switzerland, Namibia, Zambia, Mexico, Venezuela, Chile, Bolivia, Brazil, Spain, Portugal, Japan, Korea, China, and Native and African America. A prize winner in international competition, the choir has appeared with many internationally celebrated artists and organizations -- including Grant Johannessen, Frederica von Stade, Marvin Hamlisch, Pete Seeger, Kurt Bestor, and on numerous occasions with The Mormon Tabernacle Choir and the Utah Symphony, with whom it has also recorded. The choir has been featured at several conventions of the American Choral Directors' Association, and has been heard on Public Radio International and PBS. Its singers are also regularly requested for major sound-tracks and promotions, including projects for CBS, NBC, and Walt Disney Productions).
SAVAE (San Antonio Vocal Arts Ensemble) is a unique ancient world music ensemble that accompanies ancient vocal music on a diverse collection of early and traditional instruments from the Middle East, Europe, and North and South America.
The San Diego Chorus is comprised of women ages 18 to 80, with a variety of musical education and experience.
We're just like you! Members come from all over San Diego. (We even have members that travel from Arizona, Hawaii and Great Britain!) to sing and enjoy the lasting friendships made here. We are doctors, nurses, homemakers, teachers, IT professionals, etc., and come from all musical backgrounds. We invite all singers who are looking for a place to be a part of a wonderful sisterhood filled with music, laughter and camaraderie to join us for an open audition.
Under the direction of Master Director, Kim Hulbert, each rehearsal is a lesson in vocal and performance skills.
The Grammy award winning San Francisco Boys Chorus (SFBC) was founded by Gaetano Merola and Madi Bacon in 1948 to provide trained boy singers for the San Francisco Opera, and is today led by Artistic Director, Ian Robertson.
Maestro Robertson, who also serves as Chorus Director for the San Francisco Opera, has since 1996 built SFBC to over 220 singers from 50 Bay Area cities and more than 120 schools at campuses in San Francisco, Oakland, and San Rafael in California.
The SFBC recently performed at the inauguration of President Barack Obama in Washington, D.C., and has performed for His Majesty King Gustav of Sweden; HRH Queen Elizabeth II of England; HRH Prince of Wales and Camilla, Duchess of Cornwall; Mikhail Gorbachev, President of the former Soviet Union; the late Pope John Paul II; General Colin Powell; Congresswoman Nancy Pelosi; Senator Dianne Feinstein; Senator Barbara Boxer; Governor Arnold Schwarzenegger; and San Francisco Mayor Gavin Newsom.
Established in 1989, the San Francisco Choral Society is a nonprofit organization dedicated to the performance of beautiful, inspiring choral music. To date, we have shared our joy and enthusiasm for choral music with more than 60,000 concertgoers.
Since 1984, nationally-recognized San Francisco Choral Artists has inspired and delighted audiences with innovative, eclectic programming and stunning performances. Specializing in new music and the works of living composers, we present both vibrant premieres and choral masterpieces of the last 600 years.
To fulfill our mission to inspire a love of choral music among young people, we engage with local high schools and colleges. In the past five years the Choral Artists have partnered with the SF School of the Arts, UC Berkeley New Music Project, SF Conservatory of Music, St. Mary's College of California, and San Joaquin Office of Education Tenth Annual Fine Arts Day. And we touched over 1000 students as invited guests at the American Choral Directors Association convention in Anaheim, CA. Other musical partnerships have included performances with ensembles such as Philharmonic Baroque Orchestra, The Whole Noyse, Sonos, and Ateneo Chamber Singers of the Philippines.
For more than 30 years, the San Francisco Girls Chorus has been recognized as one of the world's most respected vocal ensembles. Its level of training, performance, quality, range, and leadership in commissioning music for treble voices are lauded by musicians, critics, and audiences. San Francisco Symphony Music Director Michael Tilson Thomas says, "The San Francisco Girls Chorus is a treasure. Their training, musicality, and vibrant spirit are evident whenever they perform. I have enjoyed our long association and look forward to many years of collaboration."
SFGC's 30th Anniversary season, 2008-2009, culminated in a performance in President Barack Obama's swearing-in ceremony, and a debut concert at Alice Tully Hall at New York's Lincoln Center.
2010 marks the 28th consecutive year of performances in northern New Mexico by the Santa Fe Desert Chorale, one of the premier professional chamber choirs in the United States, and the debut of the Chorale's fourth music director Joshua Habermann. Each summer, and again during the December holiday season, some of the finest singers from around the country come to Santa Fe to perform works from the rich choral tradition. Our audience consists of a mix of New Mexico residents as well as national and international visitors. Each year we present to nearly 10,000 adults and children - 70 percent of which are New Mexicans.
The Santa Fe Women's Ensemble offers quality performances of choral music for women's voices, presenting innovative and inspiring music from many centuries. The Ensemble encourages the writing of new music for women's voices by commissioning compositions, promotes the recognition and appreciation of women's choral repertoire, and develops the performance opportunities and musical skills of its members with its commitment to excellence.
This year, the Santa Fe Women's Ensemble celebrates our 30th consecutive season with the 2010 Christmas Offering concerts. The singers will perform music inspired by the season in the exquisite historic Loretto Chapel. The program will feature the world premiere of Two Andalusian Songs by internationally renowned composer Stephen Paulus, who will be present for the opening concert.
The quartet hails from Colorado Springs, Colorado.The Saturday Evening Post are proud members of the Southwest District (District of Champions) with Allen, Johnny and Bobby being members of the Town North Plano Chapter and Brian being a member of the Dallas Vocal Majority. They also are the music team for the Colorado Springs Chapter of the Barbershop Harmony Society. The quartet is currently ranked as one of the top 10 in the World of Barbershop having finished 9th in the 2002 International Competition held in Portland, Oregon.
Allen Gasper, a former professional opera singer with Masters degree in Voice is the Lead singer. Allen is a renowned attorney in the Colorado Springs area, although we don't hold that against him. He is a certified "Singing" Category Judge and is a member of the Plano, Texas and Colorado Springs, Co. Chapter. Allen is the quartet's only bonafide "Cajun".
1951 Championship quartet, who went on to appearances on the Ed Sullivan show, Arthur Godfrey and more, continuing to tour and perform into the 1980's! They have selected their favorite performances for this digitally remastered CD. With a marked emphasis on the classics of the era, including 'Red Red Robin' and 'Side By Side,' the Schmitt Brothers have a honeyed tone that exemplifies barbershop's sentimental best.
Scottsdale Chorus claimed the title of 2011 International Champion Chorus at the Sweet Adelines International Convention and Competition held October 19 - 23, 2010 in Seattle, Washington. Director, Lori Lyford, led the chorus of 116 competing members to a record-breaking total of 3077 points in a competition that included 32 other choruses from around the world.
The Scottsdale Chorus has been entertaining audiences for over 40 years. Their exuberant Director, Lori Lyford, a life-time music educator, is the choral director at Chandler High School. In the Sweet Adeline organization, Lori has earned Master Director status, shares her expertise as an International Music Faculty member and has coached choruses throughout the United States and abroad.
In 1997, director Kris Mason and the board of Seattle Children's Chorus pursued an opportunity to serve the Puget Sound area children's choir community by hosting a festival for young, newly formed children's choirs The Seattle Children's Chorus hosted the Puget Sound Children's Choral Festival at Fort Worden in Port Townsend, Washington, in June, 1997, which included a grand performance in the McCurdy Performing Arts Pavilion.
In June of 1998, the Chorus fulfilled one of its long time dreams as they embarked on their first overseas tour to England , performing in London and southern England and participating in a week of concerts and events at the MusicMakers Festival in Bournemouth, England . The Chorus (with choristers ages 10-18) received top honors as Senior Youth Choir of the Year, competing against all-high school groups.
Founded in 1982, SGC provides a comprehensive and progressive choral education with an emphasis on classical music and ensemble performance, music theory and composition for girls in the Puget Sound region between the ages of 6 and 18. During their years with the choir, the girls gradually acquire musical and performance skills appropriate for their level of development, from the youngest singers in our Dolcine choir, ages 6-7, to our most accomplished high school aged Prime Voci choir. The choir regularly collaborates with other Seattle area arts organizations and performs at some of the most prestigious national and international choral festivals and competitions.
Named "among America's very best choirs" by American Record Guide, Seattle Pro Musica embarks on its 38th season in 2010-2011 with a trio of magical performances.
Established in 1972 as a small but ambitious chamber choir, today's distinguished ensemble consists of 70 talented singers with diverse backgrounds and a shared passion for beautiful and precise expressions of classical music. Seattle Pro Musica also has two smaller ensembles, the 24-voice Madrigalia chamber ensemble and the 15-voice women's Schola. They perform under the direction of award-winning conductor and artistic director, Karen P. Thomas.
In late summer 1986, The Second Edition quartet formed. A few months later, they entered the fall Barbershop Harmony Society (BHS) (S.P.E.B.S.Q.S.A., Inc. at that time) Cardinal District (CAR) Quartet Contest and won. Shortly thereafter, tenor Allen Hatton left the group due to t In the summer of 1988, the quartet once again placed 2nd at the BHS International contest this time held in San Antonio, TX. One year later in Kansas City, MO, The Second Edition won the 1989 BHS International Quartet Championship! They were 20 (Doug), 21 (David), 22 (Fred) and 24 (Jamie). The quartet performed together all over the world, until retiring in the early 1990's.
The Sensational Nightingales were assembled in the '40s. In 1957 they appeared on the Gospel Train tour with The Clara Ward Singers and five other big-name gospel acts. Members included Julius Cheeks (lead), Carl Coates (bass), JoJo Wallace (tenor), Howard Carroll (baritone), and Paul Gwens (tenor). Their noted hit was "See How They Done My Lord." One of the earliest gospel quintets, they recorded and toured throughout the 1990s. Many of their '50s and '60s sides (found on MCA reissues) feature the stunning vocals of Rev. Julius Cheeks. As with Archie Brownlee, Cheeks reaches an intensity that distorts the actual recordings, and his style has been heavily "borrowed" by Bobby Bland, Wilson Pickett, and others. The later recordings by Charles Johnson are smoother and slicker, but still top-notch. ~ Bil Carpenter & Billy C. Wirtz, All Music Guide
In the Shenandoah Valley Children's Choir great music of all styles and historic periods is performed. The repertoire includes classical music, contemporary music, folk songs of many cultures, newly-composed works and sacred and secular songs with emphasis on love, peace, and friendship. Concerts are given both locally and in major centers of the United States and the world. Rehearsals are conducted with strict discipline with emphasis on regular attendance, preparation, punctuality, and excellence. Technical knowledge is imparted through practice and performance. Solfege-inspired teaching is at the heart of the rehearsals. Because learning to read music is an important part of SVCC participation, choristers receive weekly solfege instruction and will complete solfege memorization, practice sight-singing, and homework based on these lessons. Children with treble voices in grades 3-12 who have passed an audition may participate. Financial assistance is provided to qualified, interested children who would not otherwise be able to participate.
The Sheps are without a doubt one of the most popular acappella groups in the N.Y.- N.J. circuit today. We have the credentials to prove it! The five part vocal group consists of original members, Tommie Shider and Richie Camacho, along with Charles Coleman and Johnnie Barlow. All residing in New Jersey. Tommy Lockhart, the fifth member lives in New York. All five members have "paid their dues" so to speak, as in gaining experience to form one of the most unique blends of harmony today! They are all committed to singing many songs that other groups won't even touch. It is for the fact that they do these obscure songs so well, that it is no wonder that a fan club was formed immediately after their very first performance! Upon receiving awards and plaques over the years, this has not changed the way the guys feel about 'really keeping the music alive!" Also these fellows have one of the highest reputations for being back-up forces for such greats as Pirkle Lee Moses, leader of the Eldorados, Otis Williams leader of the legendary Charms, Ray Wooten, leader of the Mellow Moods, Johnny Bragg, leader of the Prisonaires, Ray Pollard, leader of the Wanderers, the incredible Ruth McFadden, Bobby Mansfield, leader of the Wrens, Harvey Fuqua of the Moonglows, along with an impressive list of many more. With all this going for them, they still find the time to create their original songs in which they are constantly turning out.
The Ramblers won the International Gold Medal in Seattle in 1983 after several years of competing. In 1975, Stage Door Four baritone Dennis Malone's company transferred him to California although he wanted to continue singing in a Dallas quartet . That left two other members of the disbanded Stage Door Four, tenor Keith Houts, and super lead, Jim Law looking for a bass. One night in late 1975, 6'5" Earl Hagn appeared at a Vocal Majority rehearsal. With very obvious 6'3' bass vocal chords, Earl was approached by many three man quartets. As luck would have it, Earl agreed to audition for a quartet whose bari was in California and might not return. Lead Jim Law decided to retire from his law practice and moved to New Mexico and they had to step down from the competition. Losing a lead singer would kill almost any quartet, but not the Ramblers. This was just about the time the Dealer's Choice were breaking up and lead Bill Thornton (also the Rambler's coach) was looking for another quartet. Mter passing the audition, they picked up where they left off Their championship year included several special events. In addition to attending the Int'l Mid-Winter convention (that year in Hawaii - nice timing, guys) they also toured Europe. In 1984 they made an appearance on the Phil Donahue Show.
Saturday, June 27, 1964, undoubtedly was the happiest day in the history of the Riverside, CA chapter. On that day the Riverside Citrus Belters chorus won 5th place bronze medals in its first International competition. And four chapter leaders, a group known as the Sidewinders, became the new International quartet champions. Some championship quartets, by necessity or by choice, have not always been strong members of the chapters to which they belonged. Not the Sidewinders. Tenor Jerry Fairchild had long been chorus director. Lead Joe Daniels had been president and was about to be named to that post again. Bass Jay Wright was three-term secretary. Bari Gene Boyd was past membership vice president, show chairman, and perennial committee member.
Silk City is one of Manhattan's finest acappella vocal groups specializing in the group harmony sound of the 50's and early 60's. This dynamic doo-wop group has performed throughout the metropolitan area at a variety of nightclubs, restaurants, oldies shows, and every type of private, public, and corporate function. Not only have the New York Times, New York Newsday, the Bergen Record, the Star-Ledger, and the Hartford Courant written about this exciting group, but Silk City has also been the subject of a television news segment on WABC-TV. Of special note, this group has had the distinct honor of being the first acappella doo-wop group to perform in the Grand Ballroom of the Waldorf-Astoria Hotel. And back some twenty-plus years ago, when the group was first establishing itself in the group harmony scene, SILK CITY also had the honor of being presented with the Gus Gossert Memorial Award after being voted the best new vocal group by the members of the United in Group Harmony Association (U.G.H.A.), the largest organization of doo-wop music enthusiasts in the country.
The Singers Unlimited were born out of a strange combination of stark commercialism and rare innovation that somehow yielded some pretty high art. Gene Puerling was the vocal arranger as well as a singer with The Hi-Lo's, and later moved into jingle singing and arranging in Chicago. Don Shelton had been a Hi-Lo as well, and joined Puerling in the commercial field. Along the way they joined with Len Dresslar (the voice of the Jolly Green Giant) and vocalist/voiceover artist Bonnie Herman. This led to the formation in 1967 of a ready-to-go jingle-singing quartet. Then Puerling began experimenting with the new technology of multi-track recording, and the Singers expanded their four voices into eight, twelve, sixteen, and later into practically a hundred or more! The Singers produced around 15 LP's in the period between 1971 and 1981.
The motto for the Singing Men is "A Ministry That Makes A Difference". Our sincerest desire is to utilize the gift of music received from God to make a difference in our own lives as well as the lives of those with whom we share our ministry.
In 1977, a quartet was formed at then Oakwood College in Huntsville, Alabama comprised of Leroy Hampton, Elverton Mapp, Clinton Williams, and Douglas Bell. Providing music for the weekly Bible radio program "Your Bible Speaks", hosted by Dr. Elder Richard Tottress, they became known as "The Your Bible Speaks Men of Music".
Word of the quartet spread quickly and, within a year, other men joined and the quartet eventually grew into a male chorus. As the notoriety of the male chorus expanded, their performances became much sought after events.
The Singing Sergeants, the official chorus of the United States Air Force, is one of the world's most versatile and traveled choral organizations. It is also one of a select few singing groups internationally recognized for its commitment to excellence in vocal performance. Originally formed in 1945 from within the ranks of The United States Air Force Band, the chorus is now composed entirely of professional vocalists who have come from leading colleges, universities and music conservatories throughout the world; and who are all sergeants in the United States Air Force. Available positions are filled by audition only and are reserved for those singers who demonstrate the finest qualities of musicianship and vocal production..
The Singing Sergeants have appeared before every chief executive of the United States since President Truman, as well as with the New York Philharmonic, the Philadelphia, Cleveland, Houston and National Symphony Orchestras, and both the Boston and Cincinnati Pops. The group has performed at White House, State Department, Supreme Court, Congressional, Department of Defense and high-level civilian functions. The Singing Sergeants have performed at the New York World's Fair, in Carnegie Hall, Lincoln Center, the Dorothy Chandler Pavilion and the John F. Kennedy Center for the Performing Arts..
The Singing Statesmen is an all male choral ensemble from the University of Wisconsin-Eau Claire. Started in 1967 by Morris Hayes, the Statesmen is comprised of 57 students from various academic backgrounds and is currently under the direction of Dr. Gary R. Schwartzhoff. Because The Singing Statesmen promise to deliver songs with utmost musicality, they enjoy a healthy attendance at each concert they perform. Annually, the Statesmen participate in the Homecoming Varsity Show, and the Viennese Ball. As the years progress, the choir continues to release new albums while offering a new variety of music at each performance.
The Sirens are one of New York City's premiere female a cappella groups, dedicated to musical excellence and quality performance. A group of fabulous and talented women, they strive to break new music ground by choosing songs that have never been attempted by others in the cappella world in order to challenge themselves and surprise the audience. They balance fresh and innovative songs with numerous well-known and recognizable favorites. The result is a diverse repertoire including contemporary, pop, jazz, rock classics and oldies, ensuring that there is something for everyone.
Sistrum, Lansing Women's Chorus, is a women's community chorus that has been making music for over 25 years. Founded on ideas of social justice, feminism, and creating beautiful music for both ourselves and our community, Sistrum can be found singing at many area events and celebrations as well as traveling across the US to choral events and conferences. Winner of a special Joy of Music citation from The American Prize for artistic vision and infectious performances, Dancing Naked at the Edge of Dawn is Sistrum's second CD and presents their first commissioned piece of music. Our name comes from a musical instrument, a rattle used in ancient Egypt. It was kept in constant motion as a symbol of Isis, the sacred and ever-changing Life Force. Likewise, we draw upon the words, music, and energy of women composers, arrangers and poets to inspire, empower, and entertain our audiences.
Is Six Appeal a comedy group, a vocal ensemble, or a rock band? Audiences have been trying to answer that question for years. Swearing off instruments, Six Appeal uses a cappella singing to span decades of classic oldies, current chart toppers, and catchy original tunes. Featuring vocal dexterity and adventurous song selection, the group explores all genres with a far-reaching repertoire that will surprise and captivate audiences regardless of the setting.
Despite their cheeky group name, the antics of these six young gentlemen provide a good natured atmosphere for their electrifying performance. A Six Appeal show will split your sides, feed your musical sweet tooth, and leave you wondering how in the world they pulled it off just with voices.
With members formally instructed in singing and musical composition, and over 70 combined years of musical training and experience, Six Appeal utilizes a diverse arsenal of style and entertainment. In addition, Six Appeal has a passion for spreading their a cappella music to every audience, and an essential aspect of their mission is to empower young singers in their educational outreach program. What makes these Six stand out from the crowd? Their Appeal.
January 2005 brought on a season of change for us, as Amy Fogerson left the group and was replaced by Jennifer Barnes. Shortly thereafter, both Gerald White and Gary Rosen also made the decision to leave the group to pursue other ventures, which created openings filled by tenor Greg Whipple and baritone Greg Jasperse. This 50% new group is now eagerly working towards the goal of being a powerful and cohesive musical unit, adding exciting new repertoire while maintaining the spirit and integrity for which Sixth Wave has always been known. Please keep checking back for new and exciting news and updates as things progress.....
Slammin All Body Band is a powerhouse sextet from Oakland, CA, performing a fresh mix of a cappella singing, beatboxing and body music. Deeply rooted in Jazz, Funk, R&B and World Music grooves, this ferociously talented ensemble creates soulful sounds infused with infectious harmonies and lightening-fast improvisations, percussively punctuated by beatboxing and body music -- the kinetic component that sets SLAMMIN apart and on the cutting edge of a cappella performance.
Slavyanka is a men's a cappella chorus based in San Francisco, California, and made up of amateur musicians from varied professions, including computer programmers, scientists, lawyers, and businessmen. The musical demands placed on the Chorus are quite high both because of technical content of the music and the nearly four octave range often required to sing it. We perform most of our music in Russian, though most of us do not speak Russian. Our chorus consists of 25 singers united by a common interest in the choral music of the peoples of Russia and Eastern Europe. Over the years we have compiled an enviable record of achievement.
So Rare is an award-winning women's a cappella quartet singing smooth sounds and intricate harmonies. No vocal percussion here, just perfectly blended chords in a varied repertoire including swing, jazz, modern and contemporary. Brought together by their love of close harmony, these talented ladies have been entertaining audiences for six years. SoRare! has been 1st runner up in the Boston Area Harmony Sweepstakes Competition for 1998, 1999, and 2000 before becoming this year's winners. They are a five-time medalist quartet in the North Atlantic Regional Quartet Competition of Sweet Adelines International. They have performed extensively throughout New England including, Worcester's 1st Night Celebrations, Bridgewater's 4th of July featured entertainers and performer of the National Anthem, Stellar A Cappella, A Cappella Gold, opening night for the Boston Celtics where they performed for Bill Russell, several area shows, clubs and private parties.
Founded in 1996, Solstice is a female vocal ensemble specializing in music written by women or for women's voices. Our music spans many different genres with an emphasis on world, classical, pop, and jazz. We are also committed to performing new works for women's voices and regularly compose, commission, and arrange new songs.
Solstice has performed in many Bay Area venues including Freight and Salvage, La Pena, the San Francisco Community Music Center, Music on the Hill, the Berkeley Arts Center, Trinity Chamber Music series, and Villa Montalvo. Solstice has also performed on KALW's Folk Music and Beyond On-Air Folk Festival. Solstice was a featured performer at the 2001 West Coast A Cappella Summit along with nationally known groups such as the Bobs and M-pact. At the 2007 San Francisco Regional Harmony Sweepstakes, Solstice was awarded 1st Place and Becca Burrington's arrangement of Joni Mitchell's "Blue" won Best Original Arrangement. Solstice ranked 3rd at the 2007 Harmony Sweepstakes National Competition.
Song of Atlanta Chorus has a wonderful history. Some of our performers are even beginning to make membership a family tradition, by also recruiting their daughters! We've come a long way along our journey with many interesting highlights and we look forward to our bright future.
The "Atlanta Chapter" was chartered in 1957 as a chapter chorus of Sweet Adelines International. This original chapter, consisting of about 20 women, met weekly for the purpose of becoming educated while singing and performing the barbershop style of harmony. In 1970, two small chapters (The "Atlanta Chapter" and "Song of the South Chapter") decided to merge and became the "Song of Atlanta Chorus" and voila, an amazing chorus was born!.
In December 2008, Los Angeles vocal collective Sonos debuted at the Hotel Cafe with an "intimate, yet scorching performance... brimming with fiery fervor, major dynamics and sexual tension" (Deli Magazine LA ). The group breathes new life into a cappella , giving the genre "a contemporary makeover... prepare to be stunned" (The Guardian UK) on their debut SONOSings, available September 15 on Verve Forecast, on which the group combines a rich, classically choral sensibility with their ultra-modern repertoire and sonic toolkit.
Sonos's imaginative approach has already won plaudits from such tastemakers as Chris Douridas of L.A. bellwether station KCRW-FM, who praised Sonos's "innovative vocal arrangements" and "inspired repertoire, supremely delivered."
It's amazing - even today the Sons of the Pioneers are still mesmerizing long-term fans and creating new ones. They still have sell out crowds and standing ovations. New fans are attracted by the current members' musical ability, by their songs which haunt you long after the concert and by the mystique of the great American West. "It's not something that is connected to hit records and charts and fads. It's just an eternal interest in the American West and they sing about it beautifully and it's written beautifully and that's something that just will never go out of style." as summed up by Doug Green.
The first Soul Stirrers 78 to feature Cooke, "Jesus Gave Me Water," was a major hit, and with his good looks the young singer made an instant impact with female audiences, in the process becoming the gospel circuit's first sex symbol. The group's popularity continued to soar, but as the Soul Stirrers entered their third decade, the daily grind began to wear on its members, and soon Bruster retired; he was replaced by baritone Bob King, who also doubled as a guitarist, becoming their first-ever steady instrumentalist. In 1954, the Soul Stirrers briefly added Julius Cheeks to their roster; after lending his raspy vocals to a recording of "All Right Now," however, contractual obligations forced him to exit almost as quickly as he arrived. In 1956, Cooke finally crossed over to the pop market, and was replaced by ex-Highway QC Johnnie Taylor; while Taylor himself would also enjoy pop success in the years to follow, he failed to command the same devotion as his predecessor. Lineup changes continued regularly in the years to follow, but the Soul Stirrers forged on, with new, younger members keeping the group afloat into the 1990s.
Sound Celebration consists of two members of Sweet Adelines International and two members of SPEBSQSA, the Society for Preservation and Encouragement of Barbershop Quartet Singing in America. Formed in March of 2000, Sound Celebration has been entertaining the Southern Tier of New York at barbershop performances and shows, fundraisers, community concerts, corporate events, banquets, and private parties. Their repertoire includes country, blues, folk, spiritual, doo-wop and novelty selections. The quartet is a member of Mixed Harmony Barbershop Quartet Association, and in March of 2003 stretched their skills by competing in the Harmony Sweepstakes a cappella contest in Arlington, VA.
Sound Circle, based in Boulder, Colorado, was founded in 1994 and has performed with many local artists, including choreographer Mary Wohl Haan, Helander Dance Theater, and the the Colorado Music Festival, and in support of numerous local organizations. Sound Circle has released two CDs, Sound Circle, and Stick Around. Committed to the creation of new music that is relevant to our lives, musically innovative, and of the highest quality, Sound Circle has commissioned many new works, developed percussion/improvisation/movement pieces, performed original music by members of the ensemble, and created new arrangements of many works.
The Mile High Chapter is home to Sound of the Rockies chorus and is a member of the world's largest all-male singing organization, the Barbershop Harmony Society, an organization of over 30,000 men of all ages, from all walks of life, who love to sing a cappella harmony.
Sound of the Rockies actively participates in and promotes a variety of singing activities along the Front Range of the Rocky Mountains.
We produce two shows each year, a Spring Show (typically in April), and a Christmas Show in December.
Quartets composed of members from the chorus spread Valentine cheer to sweethearts throughout the Metro area during our Singing Valentine program.
SoundStage constantly impresses audiences both at home and abroad with their tight, unexpected harmonies and passionate delivery. Founded in 2006, their 2008 win of the LA Regional Harmony sweepstakes has catapulted them to appear on ABC's "The View" as well as a touring headline performance for the 2009 International Contemporary A Cappella Festival in Taipei, Taiwan. Their consistent jazz sensibility (with an infusion of funk) has taken them from shopping malls, to professional sporting events, to international conferences, to high school auditoriums, to county fairs, and local churches, where they have been described as "the white, suburban step-child of Take 6 and Earth, Wind, and Fire."
The South Bay Children's Choir (SBCC) is a select group of talented young singers sponsored by El Camino College (ECC) in Torrance, California. Comprised of over 125 boys and girls ranging in age from 7 to 17, these young singers come from over 25 communities in the Los Angeles and South Bay areas, from Long Beach to the south and Santa Monica to the north.
Co-founded in 1996 by Artistic Director Diane Simons and the late Dr. Jane Hardester, the choir performs annually in the Marsee Auditorium at El Camino College, and has appeared at many other venues throughout the southland, including Royce Hall at UCLA, the Dorothy Chandler Pavilion in the Los Angeles Music Center, Segerstrom Hall in Orange County, and the Armstrong Theater in Torrance.
In response to requests for a child-focused organization, the Southern California Children's Chorus was founded in 1996 as an independent, nonprofit organization dedicated to "enriching children's lives through distinguished choral music education and world-class performance."
Over 300 children are enrolled in a sequential choral program consisting of seven choirs: Ensemble, Concert, Advanced, Intermediate, Apprentice, Primary and Kinder levels. Guided by a talented and diverse Board of Directors and a highly-skilled musical and administrative staff, choral members perform locally throughout the year at special events and venues like the Orange County Performing Arts Center. Auditions are held in May, August, and early September.
Page 1 = 'Round Midnight-Bach Children's Chorus Page 2 = Backbeats-Charioteers Page 3 = Cherokee National Youth Choir-DeMarco Sisters Page 4 = Denver A Cappella Project-Fred Waring and his Pennsylvanians Page 5 = Fretless-Indiana University Children's Choir Page 6 = Indianapolis Children's Choir-Luther College Aurora Page 7 = Luther College Nordic Choir-Mormon Tabernacle Choir Page 8 = Moscow Boys Choir-Peninsula Women's Chorus Page 9 = Pentatonix-Rounders Page 10 = Royal Counts-Southern California Children's Chorus Page 11 = SoVoSo-US Navy Sea Chanters Page 12 = Vocal Arts Ensemble of Cincinnati -Zulal