In Celebration of the Human Voice - The Essential Musical Instrument
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The Ink Spots' story begins in Indianapolis, Indiana in 1932, when four young men - Deek Watson, Charles Fuqua, Orville "Hoppy" Jones and Jerry Daniels - formed the first version of the group. The quartet performed as the Riff Brothers and the Percolating Puppies before settling on the Ink Spots name. In search of a recording contract, the group headed to New York City, where they met up with singer Bill Kenny, who replaced Daniels as the group's lead tenor in 1936. Three years later, The Ink Spots had their first million-selling record, "If I Didn't Care'. The song, which would be their biggest hit, ultimately sold 19 million copies.
Over the years, their unique style, sound and elegant stage presence have delighted audiences worldwide. The Ink Spots continue to delight audiences with the wonderful harmonies and arrangements that have made the group a musical legend around the world.
With over 80 hit records and numerous million sellers, audiences .return again and again. Such presenters as the London Palladium, Harlem's Apollo Theater, the Houston and Atlanta Symphonies, colleges and leading venues around the world have brought the high energy and all-around professionalism of the famous Ink Spots to their stage.
Inner Voicesare Los Angeles-based session singers led by vocal arranger Morgan Ames. They have been performing together since the 80s. They have been profiled on CBS Sunday Morning, have toured Japan, performed on KCET, KTLA Morning News, the Jim Belushi Show and many others. They have recorded albums for Rhino, Laurel, Song River and Japanese Victor. They have performed for the Juvenile Diabetes Association, the Betty Ford Center, the Society of Singers, the AME Church and twice for President Reagan. They have sung and/or recorded with Kenny Loggins, David Benoit, Dave Grusin, Johnny Mathis, Dori Caymmi, Smokey Robinson and others. Each Christmas season they perform their highly acclaimed, sold out a cappella show in Los Angeles.
Between them, they have performed, recorded and/or toured with almost every major artist in the business.
As the 1976 SPEBSQSA International Champions, The Innsiders climaxed a storied career which included several top 10 finishes in the competition. This quartet's love of singing and their steadfast devotion to their art along with a strong work ethic and lots of talent took them to greatness. This compilation of their master works has been released under the watchful eyes of former member Brian Beck, so you are sure to hear the best that The Innsiders had to offer. Some of our favorite songs include 'Bridge Over Troubled Water,' 'Ghost Riders In The Sky,' and 'Till We Meet Again.'
Based in Minneapolis/St. Paul, Minnesota, InPulse is a rocking vocal band whose five members are all classically trained vocalists. They entertain all kinds of audiences with an energetic concert performance that includes famous vocal percussionist Paul Donnelly. The ensemble has won the National Harmony Sweepstakes Denver competition. InPulse also endeavors to advance the art of a cappella through original music, and the education of young singers. The group has worked with nearly 3,000 students in the past year with its educational outreach clinic to teach and promote the art of vocal music through hands-on experience.
The six-man, all-vocal group, InsideOut, is rapidly establishing a reputation for exceptional entertainment. With their musical capability, surprising vocal percussion, and captivating performances, InsideOut has entertained both small and large audiences across the West.
Before becoming a part of InsideOut, each member of the group was involved in performing in other vocal groups, such as the well-known BYU Men's Chorus. The group had its beginning in the winter of 1997. Two brothers, Ben and Layne Haacke, pulled in Kimball Brown, a home town friend, Ryan Hinton, a "real" bass, and some other local singers to form InsideOut. It started as a hobby, and they performed for friends and the local a cappella club. A couple of members left the group at the end of the school semester, so InsideOut recruited the last two members of the current group to replace them. Paul Hatch was brought on as a high tenor, and Jason Smith filled in with his exceptional vocal percussion.
The Inspire Choir is a non-audition, heart-led, joy-based community chorus based in Monterey and Big Sur, CA. This diverse group of 40+ members sings uplifting group harmony songs and chants learned by oral tradition from around the world. All voices are welcome and absolutely no music or singing experience is required. We are a non-performance-oriented group. We sing because we love to sing together.
Recipient of the 2011 Chorus America / ASCAP Award for Adventurous Programming, the International Orange Chorale of San Francisco (IOCSF), led by Artistic Director Zane Fiala, was founded in 2003. Named after the color of the Golden Gate Bridge, the International Orange Chorale of San Francisco is an auditioned all-volunteer chamber choir devoted to performing established repertoire of all periods, with particular attention to contemporary music, including newly commissioned works by promising composers.
1987 International Champions, the Rivals placed sixth in 1984, third in '85, and moved to second before topping the charts, so to speak. That they were the second youngest quartet ever to win the championship would seem to imply a lack of experience, but when they won they had 45 years barbershop singing among the four. Each of the Interstate Rivals went on to win another quartet championship, Joe Connelly with Keepsake in l992, Kip Buckner with the Gas House Gang in 1993, while Jay Hawkins and Paul Gilman were half of the 1995 Champions, Marquis. What a history! In their selection of a dozen songs they stick to beautiful barbershop singing only hamming it up a bit on 'Cecilia.'
The Iowa State Singers is a 72-member mixed choral ensemble comprised of students from all areas of study at Iowa State. This select ensemble performs the finest literature from Renaissance to contemporary. In addition to performing various concerts locally, the Iowa State Singers tour annually and present an authentic Madrigal Dinner every January.
Last year, the Iowa State Singers were honored with an invitation to perform at the 2009 ACDA (American Choral Directors Association) National Convention, Thursday, March 5, in the Civic Center Music Hall in Oklahoma City, OK. The Singers were one of just six collegiate choirs selected nationally to give solo performances. Thousands of choral conductors from the United States and abroad were in attendance. The Singers were last honored with an ACDA National Convention appearance in 2005, where they gave three performances before enthusiastic audiences in Los Angeles, CA.
The Iowa Statesmen, one of the region's leading men's choirs, was founded by Dr. Rodde in the fall of 2000. The ensemble meets three times per week, MWF, 1:10-2:00 p.m., and specializes in the performance of traditional and contemporary male chorus literature. The group gives various performances during the year and enjoys playing an active role in the Iowa State community. In addition to annual fall and spring concerts, the Statesmen annually join the other three ISU choirs to present both the Holiday and Masterworks Concerts, each with orchestra.
The choir also embarks on a brief regional tour every spring. In 2005 the men sang for large enthusiastic audiences in Davenport and Waterloo. Each concert closes with the rousing ISU School Songs -- a great tradition.
Intimate, witty and intelligent songsters, the award-winning Irrationals, are an a cappella ensemble acclaimed for their rich, complex vocal style. The delicious blending of their voices has been described as "cafe mocha for the ears." Singing together for almost twelve years, this six-member, Berkeley-based group is praised for its harmonic excellence and diverse repertoire. The Irrationals often perform songs about the unpredictable. They are dazzled by the irrationality of love, awed by the intuitive nature of life and intrigued by things that don't make sense.
The Irrationals' sound has an African American foundation that is used to explore pop, R&B, jazz, folk and rock. A core blend of three soulful women enhanced by bass, tenor and percussive vocal elements creates an exquisitely layered melodic mix. Whether it's Stevie Wonder with a rap twist, Annie Lennox, Talking Heads, the Neville Brothers or a romantic folk song, the Irrationals are playful, distinctive and sometimes irreverent.
The Isaacs, a multi-award winning family group who began singing 30 years ago, are based out of LaFollette, TN (30 min north of Knoxville). The vocalists are Lily Isaacs, Ben Isaacs, Sonya Isaacs and Rebecca Isaacs Bowman. Playing their own acoustic instruments and joined by other band members, The Isaacs have a unique style that blends tight, family harmony with contemporary acoustic instrumentation that appeals to a variety of audiences. Their musical influences immerge from all genres of music including bluegrass, rhythm and blues, folk, and country, contemporary acoustic and southern gospel. They perform frequently at the Grand Ole Opry, are active members on the Gaither Homecoming Videos and Concert Series and travel throughout the year performing internationally. Concert venues include civic centers, auditoriums, arenas, fair grounds, parks, churches and other locations. They have performed the National Anthem for many sporting events, including a Cincinnati Bengal's football game, several Nashville Predators Hockey games, an Astros/ Braves pre-season baseball game as well as various political gatherings. They also received a standing ovation for their patriotic performance at Carnegie Hall.
The Isthmus Vocal Ensemble comprises a temporary community of Madison's finest singers. Gathered around a single event, for a chance to work with our guest conductor, this group brings a high level of individual skill, and a remarkable ability to quickly bond together.
It started as a strange thought: Why not bring Madison's best choral singers together with a gifted conductor for two intensive weeks, and harness that collective creative energy for a single performance?
Kay, Gina, Joanie and Jan - Winter Park, Florida's Jackpot! Quartet, has been together for over 6 years now and are the 2009 Sweet Adelines International 2nd place finalists. These 12 rock-solid Sweet Adelines standards show us what was clear to the judges this quartet has big voices, big harmonies and the kind of wonderful, ringing chords rarely heard in a Sweet Adelines group. Favorites are 'Taking a Chance on Love,' 'Unforgettable,' 'For Once in My Life,' 'Almost Like Being in Love,' 'Easy Street,' 'Money Medley,' 'I'll Take Romance' and 'How Deep is the Ocean.' The debut CD 'Can You Hear Me Now' has the good stuff, certainly one of the best Sweet Adelines recordings we've heard in a long time, by one of Sweet Adelines' top quartets!
This group sings a cappella doo-wop on the streets of New Orleans, Louisiana in the French Quarter for hundreds of thousands of tourists per year. The group also appeared in the Paramount Motion Picture "Double Jeopardy" as the "Jackson Square Singers." The cameo comes up about mid-movie, when Ashley Judd's character reaches New Orleans by plane and "Amazing Grace" can be heard in the background. Then during the next scene, Ashley Judd takes a brief stroll in Jackson Square in search of her treacherous husband's whereabouts and passes in front of the group as they continue singing Amazing Grace for a few bars.
The members consist of Jerome Alexander, Arzia Harris, Barth Phillips, and Reginald Ringo. The group has been singing a cappella since the Summer of 1994. The group performs as a trio, quartet, and occasionally a quintet with alternate vocalists Joseph Maize and/or Avist Martin. The group traveled to London as ambassadors for Southern Comfort recently. They constantly perform for visiting corporate conventions and destination planners; doing everything from singing people off and on tour busses, to opening meetings and getting corporate executives out of their seats to the Motown sound or an Elvis tune.
Pacific Chorale's professional chamber choir, the John Alexander Singers, is an independently contracted vocal ensemble of 24 singers. While most of these singers also serve as part of the paid core to Pacific Chorale's 140-voice ensemble, their work with the John Alexander Singers focuses on specialized repertoire appropriate for a professional chamber chorus.
Artistic Director of Pacific Chorale since 1972, John Alexander is one of America's most respected choral conductors. His inspired leadership both on the podium and as an advocate for the advancement of the choral art has garnered national and international acclaim throughout a long and distinguished career that has encompassed conducting hundreds of choral and orchestral performances nationally and in 27 countries around the globe. Equally versatile whether on the podium or behind the scenes, Alexander has also prepared choruses for many of the world's most outstanding orchestral conductors.
The '60s pop outfit Brooklyn Bridge was led by Johnny Maestro, the former frontman of the Crests. The group was formed on Long Island in 1968 from the ashes of local rivals the Del-Satins (a vocal quartet including Maestro, Fred Ferrara, Mike Gregorio and Les Cauchi) and the Rhythm Method (musical director Tom Sullivan, guitarist Jim Macioce, organist Carolyn Woods, bassist Jim Rosica, trumpeter Shelly Davis, saxophonist Joe Ruvio and drummer Artie Cantanzarita). Upon joining forces as the Brooklyn Bridge, the group issued their self-titled debut album in 1969, scoring their first Top Five hit with the Jimmy Webb composition "Worst that Could Happen." Subsequent singles like "Blessed Is the Rain" and "Your Husband--My Wife" failed to recapture the debut's success, however, and albums like The Second Brooklyn Bridge and 1970's Day Is Done also fared poorly; while the group's contract with the Buddah label ended in the wake of 1972's Bridge in Blue, they continued performing live throughout the decades to follow, although by the 1990s only Maestro and Ferrara remained from the original lineup.
Johnny Mann is best known for the forty-two albums he arranged and conducted for his Johnny Mann Singers resulting in five Grammy Award nominations and two Grammy Awards.
He is a composer, arranger, conductor, entertainer and recording star. His group of super-talented young singers appeared with him in Chevrolet's weekly syndicated series, "Stand Up And Cheer," which enjoyed a three-year run on national TV and many tours around the country.
Born August 30, 1928, in Baltimore, MD, Johnny got his start in Hollywood arranging scores for seven full-length motion pictures for Warner Brothers, Twentieth Century Fox and Columbia Studios. He then became the choral director of the "NBC Comedy Hour," which led to the formation of The Johnny Mann Singers and a record contract.
Sea music may well have been the first "world music." Ships were often melting pots, with crew members from many countries who were heavily influenced by the music they heard while traveling around the world and from other crew members. These sailors incorporated into their work songs and other shipboard music the different rhythms and styles from their own often diverse cultures as well as those they encountered during their voyages. Each of The Johnson Girls was captivated by this music at different times in their lives, and came together in 1997 following the Mystic Seaport Sea Music festival to burst through the barrier of this previously male dominated genre. The Johnson Girls is an energetic all-woman mostly a cappella group performing folk music with an emphasis on songs of the sea and shore. Each member of the group brings a specialty and style to the ensemble. The Johnson Girls' extensive repertoire of both traditional and contemporary music includes songs with an Afro-Caribbean influence, of the inland waterways, of fishing, mining, Irish, Anglo-American, Italian and French Canadian ballads and work songs, and much more.
Consider a deck of cards for a moment... The Ace is always the best, followed by the King and so on down the line. But when it comes to Barbershop Quartets, it's possible to be an Ace and King at the same time! How, you say? Simple. You just apply the card that can make anything happen... the Joker!
Joker's Wild was formed in August of 1990 when the original four members met informally at the Buckeye Invitational in Columbus, Ohio and harmonized together. The sound and enthusiasm of the evening convinced them to form a quartet to showcase their natural blend.
Jon Hendricks (born September 16, 1921) is an American jazz lyricist and singer. He is considered one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists (such as the big band arrangements of Duke Ellington and Count Basie). Furthermore, he is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. For his work as a lyricist, jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz" while Time dubbed him the "James Joyce of Jive." Al Jarreau has called him "pound-for-pound the best jazz singer on the planet-maybe that's ever been".
Born in 1921 in Newark, Ohio, young Jon and his 14 siblings were moved many times, following their father's assignments as an A.M.E. pastor, before settling permanently in Toledo. As a teenager, Jon's first interest was in the drums, but before long he was singing on the radio regularly with another Toledo native, pianist Art Tatum.
Four uniquely talented and musically successful vocalists from the West Coast, each with independent careers in the music industry, were thrust together at several Northwest jazz festivals in 1993, and a quartet emerged! Just 4 Kicks' Kirby Shaw, from Ashland, Oregon, is one of the most well-known choral and vocal jazz composers/arrangers of our time. Randy Crenshaw is among the first-call studio singers and arrangers in Los Angeles. Four Freshmen alumnus Kirk Marcy directs the internationally-acclaimed vocal jazz ensemble Soundsation at Edmonds Community College, just north of Seattle. Vijay Singh, widely known for his versatility as a composer, arranger, soloist, and director of the vocal jazz program at Central Washington University in Ellensburg, Washington, rounds out the quartet.
The Kansas City Chorale is a professional vocal ensemble that enriches the local, national and international communities through its dedication to excellence in performing music from diverse historical periods. In its twenty-ninth season, the Chorale will present nine concerts as part of their subscription series as well as seven non-subscription concerts.
The Chorale, along with the Phoenix Chorale, has signed a recording agreement with Chandos Records, and in October 2006, released their first recording on this label, Eternal Rest. Their recording of Grechaninov's Passion Week was released in February 2007, and The Sacred Music of Josef Rheinberger in November 2007.
We are a fun loving group of over 100 women who gather each Monday evening to sing and learn the musical art form of barbershop harmony. Made up of women of all ages and backgrounds, during the day we are mothers, nurses, business professionals, teachers, bus drivers, etc. But on Monday evenings we're just "us" having a great time preparing for shows, competitions, and performances when we become "stars"!!
Since our first meeting in 1945, the Kansas City Chorus has had a long tradition of striving for excellence in the craft of barbershop-style singing. We have the distinction of being the second oldest chapter in the International organization and of being the Champions of the very first Regional Competition held in Topeka, Kansas in 1952. For many years after that, winning a first place medal eluded the chorus. But in 1980, a new era began: Jo Kraut became director of the chorus, and since that time, the chorus has grown both musically and numerically! After Jo's retirement in 2008, Stacy Schumacher was chosen as the Kansas City Chorus Director. Under Stacy's direction, the chorus is continuing our quest for success.
Kantorei, or singers, formed in 1997 under the leadership of 6 friends who decided to form a choir capable of singing a broad range of a cappella choral music. With the addition of Richard Larson as artistic director and a handful of additional singers, the group quickly found a footing in the cultural fabric of Denver, Colorado.
Now in its 13th full season of performing, the group has expanded into an auditioned ensemble of 54 volunteer singers who meet weekly to rehearse. Many of the singers come from schools with strong choral music programs, such as Augustana, Brigham Young, Concordia, Luther, St. Olaf, Wartburg, and the University of Northern Colorado.
Hailing from Florida, the much-acclaimed Keepsake are an exciting addition to our catalog. They have dedicated this recording to Charles "Bub" Thomas of Walt Disney World's "Dapper Dans," and a marvelous tribute it is. Winners of the 1992 Quartet Championships, the group's stellar sound is sublime. The group's use of dynamics, the arrangements (by a who's-who of arranging talent) and their choice of material-most impressive all. Their exquisite "Lost In the Stars" (written by Kurt Weill and Maxwell Anderson) is a fondant of perfect notes. "Blue Velvet" is similarly rendered and has a signature coda; speaking of which, the ending of "How Deep Is the Ocean" is a show-stopper. The traditional barbershop fare, including "Make 'Em Laugh," "I Love a Piano" and "The Entertainer," is of course flawless. Don't miss this one!
Key Of She started in 2001 and a year later won the coveted "Audience Favorite" title and runner-up at the 11th Annual New York Harmony Sweepstakes. Since then, they've been on quite a ride. In May 2002, they opened for Ray Charles at the 1400-seat Union County Arts Center in Rahway, NJ. In December 2004, they appeared on the nationally-syndicated Jane Pauley Show. In between, Key of She has performed at Philadelphia's Annual Paradigm Award Luncheon, the United Way of Southeastern Pennsylvania's Women's Initiative, Philadelphia's Heart Ball Patrons Party, Phoenixville PA's A Cappella Jam, New Hope, PA's Bastille Day Celebration, Philadelphia's Annual Women of Distinction Awards Dinner, Montgomery Township's Cultural Arts Center. and annual fundraisers for Princeton Friends School and The Princeton Girlchoir. On New Year's Eves 2002, 2003 and 2004, Key of She took center stage at Newtown, PA's annual First Night.
Kickshaw has been performing in the Northwest for about five years now. They have been involved in hundreds of shows, where each audience is a part of a unique mouth-music experience.
In early 1997, Kickshaw won first place in the Regional Harmony Sweepstakes competition. This is a title only awarded to nine groups throughout the nation each year. Following the 1997 competition, Kickshaw decided that they were ready to pursue music full time.
In search of their own sound, Kickshaw began working with some effects to extend their already eclectic repertoire. This addition was an instant hit with their audiences as they were able to create the sounds of a full band, effects and all, with just their voices giving Kickshaw a sound all their own.
Originally christened "America's First Family of Song" in the 1960's, The King Family, comprised of "big band era" greats The King Sisters, guitar virtuoso Alvino Rey and the 32 sisters, brothers, husbands, wives, aunts, uncles and children that made up their extended musical family, catapulted to fame following just two dazzling appearances on ABC-TV's The Hollywood Palace to become one of the most popular and beloved television, recording and concert acts of the 1960's and 70's.
Acclaim from audiences and critics alike for their 'Palace' appearances led to their first headlining television special, The Family is King, in 1964. That special's ratings-topping popularity landed the musical group its own weekly ABC-TV showcase, The King Family Show, during 1965 and 1966. An audience favorite, the series featured the entire musical family in various groupings --The King Sisters - who'd already established themselves as one of the nation's top vocal groups, and the next generation's contingent The King Cousins, featuring Tina Cole who went on to star as "Katie Douglas" on CBS' My Three Sons, along with the irrepressible King Kiddies whose musical talent and effortless comedic timing were a staple of these tune-filled hours.
Thirty men have been a part of the King's Heralds since its founding in 1927. They've recorded over 100 albums in thirty different languages in a variety of musical styles, making them a favorite with audiences of all ages. The rich blend, harmony and balance of their a cappella style has been enjoyed not only the United States, but also in over 50 countries including the islands of the Caribbean, all of Latin America, the South Pacific, Australia, Asia and Africa. Their audiences have included heads of state, governors, ambassadors and other dignitaries.
The quartet sang at the First Invitational Symposium on the Christian Church in China, sponsored by the US/China Education Foundation. This gave them the distinction of being the first Christian gospel group from the West to tour the Peoples Republic of China since 1949. Another notable event was when The King's Heralds, along with the Spanish Christian Radio Broadcast La Voz de la Esperanza, presented 19 concerts in the Republic of Cuba.
With a phenomenal performance record that includes an Off-Broadway show, an extended run in Vegas, two feature films, seven albums and appearances throughout the US, Canada, Mexico, Europe and Australia, the Kinsey Sicks hardly need an introduction. For over 16 years America's Favorite Dragapella Beautyshop Quartet has served up a feast of music and comedy to audiences at performing arts centers, music venues and comedy festivals in every kind of town you can imagine, in over 40 states! Their award-winning a cappella singing, sharp satire and over-the-top drag have earned the Kinsey Sicks a diverse and devoted following.
The Kirby Stone Four were one of those ubiquitous white vocal ensembles that seemed to pop up everywhere in the 1950s, drawing on several musical genres and melding them into an attractive pop sound -- they displayed a harder, more complex, and occasionally provocative edge than most of their rivals, which, along with their selection of repertoire, helped distinguish them from the pack. Though never as conspicuously successful as, say, the Four Freshmen, the Kirby Stone Four generated a series of singles and a small number of albums that evoke their era about as well as those of the Four Freshmen, the Lettermen, et al., with a very upbeat, swinging sound not too far removed from the music that Frank Sinatra was making around the same time -- though Sinatra would probably never have stood still for the occasional novelty-type tunes that they recorded.
Kitka is an American women's vocal arts ensemble inspired by traditional songs and vocal techniques from Eastern Europe. Dedicated to developing new audiences for music rooted in Balkan, Slavic, and Caucasian women's vocal traditions, Kitka also strives to expand the boundaries of folk song as a living and evolving expressive art form. Kitka's activities include an Oakland-based home series of concerts and vocal workshops; regional, national, and international touring; programs in the schools; recording, publication, and broadcast projects; master artist residencies; commissioning; community service work; and adventuresome collaborations.
Founded in 1979, Kitka began as a grassroots group of amateur singers from diverse backgrounds who met regularly to share their passion for the stunning dissonances, asymmetric rhythms, intricate ornamentation, lush harmonies, and resonant strength of Eastern European women's vocal music. Under the direction of Bon Singer from 1981 to 1996, Kitka blossomed into a refined professional ensemble earning international renown for its artistry, versatility, and mastery of the demanding techniques of traditional and contemporary Balkan, Slavic, and Caucasian vocal styling.
SIX are six real brothers. They actually come from a family of ten brothers, no sisters and are the six oldest in the family. Apparently their mom and dad (Arnold and Joyce Knudsen) wanted a girl.
Barry Knudsen is the eldest and was born in Davenport, Iowa. Kevin Knudsen is second and was born in Farmington, New Mexico. Lynn Knudsen is third and was born in Mesa, Arizona. Jak Knudsen is fourth and was born in El Paso, Texas. Owen Knudsen is fifth and was born in Seattle, Washington and Curtis Knudsen, number six, was born in Seattle as well. Their father worked where he could to support his family which explains their nomadic beginnings.
The four younger brothers are a huge support to their six older performing brothers and play an important part behind the scenes.
The La Pena Community Chorus has been singing songs of peace, justice, and hope since it began in 1978. Started by the Chilean exile community who founded La Pena Cultural Center in Berkeley in 1975, the original mission of the Chorus was one of solidarity with the resistance against the dictatorship in Chile. But over the years our focus has expanded to other countries, including the struggles of people in El Salvador, Nicaragua, Mexico, Cuba, and to various labor, community, and women's struggles closer to home. Our music includes not only the Nueva Cancion (or "New Song Movement") of Chile, but styles based in the folk and social justice movements of all of Latin America. We sing in nursing homes, elders' residences, hospitals, migrant labor camps, juvenile halls, rehabilitation centers, and schools, in addition to our public concerts and performances.
In 1962 Ross, tired of touring, called it quits. Lambert and Hendricks choose Yolande Bavan for the impossible job of replacing Ross. Lambert, Hendricks & Bavan recorded three albums for RCA. None were as successful as those of the previous trio, and the group broke up in 1964. Sadly, Dave Lambert was killed in a car accident in 1966. Jon Hendricks continues to perform. Annie Ross also continued singing and working in films. Though they only graced the musical landscape for a few short years, Lambert, Hendricks & Ross left an indelible mark in the world of vocal jazz that has yet to be equaled to this day.
As a young Marine on weekend liberty almost a half-century ago, Craig Carmody-Anderson accompanied a friend-reluctantly!-one day in 1962 to hear the Vienna Boys' Choir. By intermission he knew that, though he had scant musical training or experience, this is what he wanted to do one day. A chance encounter the following year with a suddenly director-less choir at the Minneapolis Boys' Club ("Well, they were not the Vienna Boys' Choir," he notes dryly) led him to learn the rudiments of directing-on the job, from the accompanist. But soon other obligations and interests intervened-family responsibilities (he had married the accompanist), the Boys' Club, a career as police officer and coaching boys' gymnastics. For years, having a choir of his own remained just a dream. Finally, in 1976, "Andy" was asked to form a choir to sing at a celebration of the country's bicentennial in his native Elk River, Minnesota. He agreed-on condition that it be a boy choir. An ad in a local newspaper and in church bulletins drew 18 boys to the first rehearsals, and when the celebration was unceremoniously cancelled, parents convinced the director to continue, and the Land of Lakes Choirboys was born.
The Lawrence Children's Choir was founded in the fall of 1991 by Janeal Crabb Krehbiel and her sister Marilyn Crabb Epp. The original choir consisted of 40 singers from 4th - 8th grade and was supported by the Lawrence Arts Center for the first two years. In September of 1993 the choir incorporated as a not-for-profit organization. Since then, LCC has further refined its repertoire and attracted national attention.
The Lawrence Children's Choir includes the Tour Choir (5th through 9th grade), membership held by audition each spring. Choristers (3rd through 6th grade) welcomes all singers who have the ability to match pitch. Cadenza (1st through 3rd grade) is a choir open to all children who enjoy singing.
Legacy is a nationally known Christian vocal group that is based out of Lubbock, TX. Their sound has been compared to many world renowned groups such as Take 6, Acappella, Gaither Vocal Band and Rockapella. The group consists of John Paul Sheppard, Clint Dickerson, Josh Wheeler and Jake Lierman.
Legacy originally got their start in the fall of 2002 while in college together, but the group only lasted for about a year. After a summer tour in 2003 and recording a CD together, the guys felt that God was calling them to do other things with their lives and they decided to put the group on hold for a while.
They were a young, crisply harmonic quartet of sisters who called themselves simply The Lennon Sisters and they made their singing TV debut in 1955 on Lawrence Welk's old-fashioned variety show with sixteen-year-old Dianne (Dee Dee), fourteen-year-old Peggy, twelve-year-old Kathy, and nine-year-old Janet Lennon on board. Their a cappella version of "He" proved a scene-stealing success and America fell hard for these four attractive little innocents and their angelic blend. Welk professionally adopted the girls and The Lennon Sisters became regulars on his show every Saturday night for the next thirteen years. Dubbed "America's Sweethearts of Song," they recorded their first of many albums entitled "Let's Get Acquainted" in May of 1957. So popular were the girls that they became a merchandising factory with coloring books, lunch boxes and doll collections all doing very brisk business.
Celebrating all sexual orientations and gender identities, LGCSF provides an open and artistic environment for singers committed to musical excellence. Our performances entertain, educate, and inspire audiences with the spirit of inclusion and harmony.
The most famous line-up of this very successful US close-harmony pop trio comprised Tony Butala (20 November 1940, Sharon, Pennsylvania, USA), Bob Engemann (b. 19 February 1936, Highland Park, Michigan, USA), and Jim Pike (b. 6 November 1938, St. Louis, Missouri, USA). Pike, a letterman at Utah's Brigham Young University, released an unsuccessful single on Warner Brothers Records in 1959. In 1960, he and fellow student and ex-Mormon missionary Engemann formed a trio with Los Angeles-based supper-club singer Butala, who had recorded previously on Topic and Lute and had been using the Lettermen name since 1958.
takes its name from a 10th century Moorish woman, who was a poet, philosopher, and musician, symbolically representing women's creativity and vision throughout time. The group was founded by its Artistic Director, Susan Robbins in 1979, with the idea of exploring and performing music and dance which reflect women's often undocumented creative contributions to their cultures. For the past 29 years, they have taken audiences throughout North America and Europe on inspiring and celebratory musical journeys, weaving together the songs, dances and instrumental music of the world's cultures, especially as handed down through the artistic traditions of women.
Their repertoire of ancient melodies and contemporary tunes is performed a cappella and with a vast array of instruments including guitar, dumbek, accordion, oud, naqqara, clarinet and double bass. Their music is drawn from the divergent cultural expressions of the Mediterranean, the Balkans, the Middle East, Europe, Africa, Asia and South America. Libana's music and dance go directly to the heart, inspiring audiences with wonder in the commonality of the global community.
Lionheart is one of America's leading ensembles in vocal chamber music. Acclaimed for its "smoothly blended and impeccably balanced sound" (Allan Kozinn, The New York Times), Lionheart (Jeffrey Johnson, Lawrence Lipnik, John Olund, Richard Porterfield, Kurt-Owen Richards, and Michael Ryan-Wenger) is best known for its interpretation of medieval and Renaissance a cappella music, with Gregorian Chant as the keystone of its repertoire. The ensemble also collaborates with instrumental ensembles, dance companies, and contemporary composers, and was recently selected for inclusion on the Star Spangled Touring Roster, the first year of an initiative by Early Music America.
Listen Up! has delivered harmony, humor and vocal pyrotechnics for 22 years as the "house band" (sans instruments) of the Greater Chicago Jewish Folk Arts Festival. The quartet brings warmth and sheer vocal power with a confident, easy manner that wins hearts (and ears) of audiences of all ages. "Our music creates a special connection", says musical director, Steve Singer. "We are building that relationship from the first note... to energize and inspire. By the end of the show, we're family." With wit, humor and diverse Jewish musical traditions, Listen Up! leaves no audience unaffected by their performance.
Little Anthony and the Imperials were one of the finest vocal groups to emerge from the talent-rich New York scene. Moreover, they enjoyed unusual longevity for an act of that type, having hits in both the doo-wop Fifties and the soul-music Sixties. They outlasted their peers by virtue of "Little Anthony" Gourdine's powerful, beseeching vocals and the consummate professionalism of the Imperials, who mastered a broad range of material and knew how to work a stage.v
It all started in Brooklyn, where Gourdine and friends grew up in the throes of the vocal-group craze. His first groups were called the Duponts (after the chemical company) and the Chesters. The latter group got signed to music-biz impresario George Gouldner's End Records. Wanting a name more regal than the Chesters, the label rechristened them the Imperials. It was Alan Freed, then an influential New York disc jockey and concert promoter, who christened Gourdine "Little Anthony," for the youthful quality in his voice. Both Freed and fellow deejay/promoter Murray Kaufman (a.k.a. "Murray the K") liked Little Anthony and the Imperials and helped launch their career with airplay and concert bookings.
Los Angeles Chamber Singers & Cappella are one of L.A.s premier professional chamber choirs. Founded in 1990, Chamber Singers is a mixed choir of 24 voices performing primarily contemporary American choral literature in the a cappella tradition, with a specific dedication to Angeleno composers. The early music ensemble Cappella was added in 1993 and performs primarily sacred music written between 1350-1650 in period vocal style, with emphases on 16th century European music, 17th century colonial Mexican music (especially Padilla), and 18th century colonial American music (especially Billings). On 11th February 2007, Cappella won the 2006 GrammyAward in Best Small Ensemble Performance for their latest release, PADILLA - Sun of Justice (RCM 12006). Chamber Singers' latest disc, EVENING WIND: Choral Music of J.A.C. Redford (Clarion 916), features both a cappella and accompanied works by Los Angeles-based veteran concert, film, and television composer Redford. Both ensembles have regularly appeared on national and local radio broadcasts and won the ASCAP-Chorus America Award for Adventurous Programming in 2001.
Now celebrating its 25th anniversary season, Los Angeles Children's Chorus under Artistic Director Anne Tomlinson is recognized throughout the country for its exceptional artistic quality and technical ability. Founded in Pasadena in 1986, LACC performs frequently with leading music ensembles including the LA Phil, Hollywood Bowl Orchestra, Los Angeles Master Chorale, Los Angeles Chamber Orchestra, Calder Quartet and Pasadena Symphony. LACC also assists Los Angeles Opera by training and providing children for its opera productions that require children's chorus or child soloists.
Giving a voice to Walt Disney Concert Hall, the Grammy-nominated Los Angeles Master Chorale (LAMC), considered one of the world's leading choirs, is led by Music Director Grant Gershon. The Los Angeles Times proclaims, "Under Gershon, the Master Chorale seems to be able to master anything," The New York Times calls the choir "inspired," and The New York Observer declares it "a superb vocal ensemble." The Chorale is currently in its 47th season as a resident company of the Music Center of Los Angeles County and its 8th as the resident chorus at Disney Hall.
Love Notes - (the artists formerly known as UnderAge) are a group of four young ladies (ages 18-21) singing a cappella 4-part harmony, mostly in the barbershop style. They have been working, competing, and performing together for six years. They have had performing opportunities beyond their years. As UnderAge they became the 2005 International quartet champions for the Young Women in Harmony division of the Sweet Adelines organization. As champions, they have been guest performers all over the country from Oregon to Detroit to Rhode Island. They have shared the stage with the Kingston Trio, sung the National Anthem for numerous professional sporting teams, participated in America's Got Talent in both Los Angelas and Las Vegas, and were guest performers in Germany this last Spring for BING (Barbershop in Germany) festival. LoveNotes also performs for numerous local events throughout the year. As of 2008 they have matured into young ladies over 18 hence the name change to LoveNotes which expresses their love of music. They are exploring numerous a cappella styles which they very much enjoy. They are very commited to excellence in their craft and hope you enjoy them.
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