In Celebration of the Human Voice - The Essential Musical Instrument
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Saint Mary's College Women's Choir, a select 40-voice ensemble, regularly commissions and performs new works for women's voices. An outgrowth of this emphasis is the publication of the Saint Mary's College Choral Series, a collection of new works for women's voices, published by earthsongs of Corvallis, Oregon. The Choir has performed throughout the United States and has appeared before state and division conventions of the Music Educators National Conference and the American Choral Directors Association. In February 2005, the Choir appeared before the national convention of the American Choral Directors Association in Los Angeles, performing in Wilshire Christian Church and the new Walt Disney Concert Hall. Each November the Choir hosts the annual Saint Mary's College High School Women's Choir Festival, in which 20 choirs from neighboring states perform for each other and a panel of commentators. The Choir tours nationally every other year, and regularly performs with the University of Notre Dame Glee Club in joint performances of major works with the South Bend Symphony Orchestra. They have appeared in concert at Carnegie Hall in 1999 and 2001, and returned there in November 2005 to perform music by Gwyneth Walker for women's voices and orchestra.
Music is at the heart of our mission, one of the primary ways in which we worship, love and serve our Lord Jesus Christ.
Each year, the Saint Thomas Choir of Men and Boys, under the direction of John Scott, sing at nearly 200 choral worship services, including Choral Liturgies on Sunday mornings, Choral Evensong on Sunday evenings and on many Tuesday, Wednesday and Thursday evenings (September through May). The choir also sings at special liturgies throughout the year, including the Solemn Liturgy of Good Friday.
We are delighted to welcome visitors from all over the world to these worship services. We hope you will join us during your next visit to New York City. If you are unable to worship with us in person, you may do so via the webcasts from your home.
The Salt Lake Children's Choir, founded in the fall of 1979 by Ralph B. Woodward, as long regarded as one of the finest ensembles of its kind in the nation. The choir consists of boys and girls, generally between the ages of 8 and 15, who hail from the Salt Lake Valley and nearby communities. It emphasizes natural vocal production and works of the immortal masters, as well as oustanding folk and contemporary music from around the world. The children have sung music from the countries of Sweden, Norway, Finland, Slovakia, the Czech Republic, Hungary, Poland, Ukraine, Russia, Bulgaria, France, Germany, Austria, Switzerland, Namibia, Zambia, Mexico, Venezuela, Chile, Bolivia, Brazil, Spain, Portugal, Japan, Korea, China, and Native and African America. A prize winner in international competition, the choir has appeared with many internationally celebrated artists and organizations -- including Grant Johannessen, Frederica von Stade, Marvin Hamlisch, Pete Seeger, Kurt Bestor, and on numerous occasions with The Mormon Tabernacle Choir and the Utah Symphony, with whom it has also recorded. The choir has been featured at several conventions of the American Choral Directors' Association, and has been heard on Public Radio International and PBS. Its singers are also regularly requested for major sound-tracks and promotions, including projects for CBS, NBC, and Walt Disney Productions).
SAVAE (San Antonio Vocal Arts Ensemble) is a unique ancient world music ensemble that accompanies ancient vocal music on a diverse collection of early and traditional instruments from the Middle East, Europe, and North and South America.
The San Diego Chorus is comprised of women ages 18 to 80, with a variety of musical education and experience.
We're just like you! Members come from all over San Diego. (We even have members that travel from Arizona, Hawaii and Great Britain!) to sing and enjoy the lasting friendships made here. We are doctors, nurses, homemakers, teachers, IT professionals, etc., and come from all musical backgrounds. We invite all singers who are looking for a place to be a part of a wonderful sisterhood filled with music, laughter and camaraderie to join us for an open audition.
Under the direction of Master Director, Kim Hulbert, each rehearsal is a lesson in vocal and performance skills.
Founded in 1937, the San Francisco Bach Choir is a group of skilled avocational singers dedicated to furthering the choral art by expanding the repertoire with rare early works and offering fresh perspectives on the masterpieces. Engaging modern sensibilities with the spirit of musical discovery, the Choir uses period styles and instruments to bring new ideas from old music, and offers professional level performances to Bay Area audiences.
The San Francisco Bay Area Chamber Choir was founded in 1978 and sings under the direction of Anthony Pasqua, who was named the choir's new Music DIrector in May 2011. Since its origin, the choir has been highly acclaimed for its sensitive and exciting performances of extremely varied and demanding literature. The choir continues to specialize in a cappella works of masters of the past and significant modern composers. The group has also performed large-scale works with orchestra and a variety of lighter works including American folk songs and spirituals.
The Grammy award winning San Francisco Boys Chorus (SFBC) was founded by Gaetano Merola and Madi Bacon in 1948 to provide trained boy singers for the San Francisco Opera, and is today led by Artistic Director, Ian Robertson.
Maestro Robertson, who also serves as Chorus Director for the San Francisco Opera, has since 1996 built SFBC to over 220 singers from 50 Bay Area cities and more than 120 schools at campuses in San Francisco, Oakland, and San Rafael in California.
The SFBC recently performed at the inauguration of President Barack Obama in Washington, D.C., and has performed for His Majesty King Gustav of Sweden; HRH Queen Elizabeth II of England; HRH Prince of Wales and Camilla, Duchess of Cornwall; Mikhail Gorbachev, President of the former Soviet Union; the late Pope John Paul II; General Colin Powell; Congresswoman Nancy Pelosi; Senator Dianne Feinstein; Senator Barbara Boxer; Governor Arnold Schwarzenegger; and San Francisco Mayor Gavin Newsom.\
Established in 1989, the San Francisco Choral Society is a nonprofit organization dedicated to the performance of beautiful, inspiring choral music. To date, we have shared our joy and enthusiasm for choral music with more than 60,000 concertgoers.
Since 1984, nationally-recognized San Francisco Choral Artists has inspired and delighted audiences with innovative, eclectic programming and stunning performances. Specializing in new music and the works of living composers, we present both vibrant premieres and choral masterpieces of the last 600 years
>To fulfill our mission to inspire a love of choral music among young people, we engage with local high schools and colleges. In the past five years the Choral Artists have partnered with the SF School of the Arts, UC Berkeley New Music Project, SF Conservatory of Music, St. Mary's College of California, and San Joaquin Office of Education Tenth Annual Fine Arts Day. And we touched over 1000 students as invited guests at the American Choral Directors Association convention in Anaheim, CA. Other musical partnerships have included performances with ensembles such as Philharmonic Baroque Orchestra, The Whole Noyse, Sonos, and Ateneo Chamber Singers of the Philippines.
Inspired by the joy of singing and hearing choral music, the San Francisco Choral Society strives to be a premier symphonic chorus through the outstanding performance of choral masterpieces and new commissioned works. Infused with a commitment to excellence and education, our professional artistic and administrative staff, soloists, and orchestras work collaboratively with our all-volunteer auditioned singers to foster a vibrant, diverse, and interactive choral community, educate our singers and audiences, and extend our reach to youth.
The San Francisco City Chorus, founded in 1979, is a self-supported, non-profit community arts and education organization that reflects the wonderful diversity of the Bay Area. We are an intergenerational group of 50-60 singers from various ethnic, economic and musical backgrounds that share a love for music, for singing and for our community. We are led by esteemed Bay Area musician Larry Marietta and accompanied by acclaimed organist John R. S. Walko.
During the fall of 1978, a call went out to men in and around the Castro who liked to sing inviting them to a gathering with the purpose of possibly creating a chorus. The driving force was Jon Sims, the conductor of the Freedom Band. October 30 was chosen as the date of the first "rehearsal" to be held at Everett Middle School. The word went out, flyers posted around the neighborhood. Interest mounted leading up to that first gathering held at Everett Middle School. Around 100 men showed up on the first night. The atmosphere of excitement was described as palpable. The men sang "If They Could See Me Now" and "Stouthearted Men"! Little did the men who gathered those 35 years ago know they were actually giving birth to a world-wide LGBT Choral phenomenon that now boasts hundreds of choruses around the globe.
For more than 30 years, the San Francisco Girls Chorus has been recognized as one of the world's most respected vocal ensembles. Its level of training, performance, quality, range, and leadership in commissioning music for treble voices are lauded by musicians, critics, and audiences. San Francisco Symphony Music Director Michael Tilson Thomas says, "The San Francisco Girls Chorus is a treasure. Their training, musicality, and vibrant spirit are evident whenever they perform. I have enjoyed our long association and look forward to many years of collaboration."
San Francisco Lyric Chorus is an auditioned, medium-sized, mixed-voice chorus that performs a diverse repertoire with an emphasis on classical choral music and rarely performed works. We are an inclusive and welcoming community of singers, committed to excellent musicianship and creative programming.
San Francisco Renaissance Voices made their debut in 2004 with a "standing room only" performance of Victoria's Requiem and quickly became a favorite of Bay Area Early Music audiences. We have consistently earned praise for our "gossamer sound ... a sound something akin to spiritual levitation" as well as recognition for our imaginative programming and christened the Bay Area's "hipper than thou" Early Music ensemble by San Francisco Classical Voice. We are dedicated to performing and exploring the a cappella choral music of the Renaissance particularly lesser-known and rarely-performed works, as well as exploring music from this period outside of the traditional European canon.
The Santa Clara Chorale is a non-profit, 501(c)(3) arts organization dedicated to enhancing the skills of choral singers and extending the knowledge and appreciation of choral singing and its tradition to new singers and audiences. The Chorale brings together knowledgeable, amateur singers from a range of ages and backgrounds to study, rehearse and perform major choral works. We strive for a quality of performance that challenges the chorus, attracts outstanding soloists and develops an appreciative audience.
The Santa Cruz Chorale, a non-profit organization founded in 1983, performs a wide-ranging repertory including works from the 15th century through music of our time. It was founded and initially directed by Mary Lynn Place Badarak, Lecturer for the Department of Music at UC Santa Cruz, as a community based volunteer adult chorus, as it continues today. In addition, the Chorale has made two international tours: the first to Northern Italy and Croatia, and the second to Spain, both under the leadership of Paul Vorwerk.
Our chorus is made up of folks just about like you. We support our activities and expenses with season-long pledges. Dues are on a sliding scale; no one is turned away due to finances or experience. We are a non-auditioned mixed-voice community chorus of peace and justice activists. People who have trouble hearing/matching pitch may be asked to do extra work or confer with the director for determination of appropriate learning tools/environment.
2010 marks the 28th consecutive year of performances in northern New Mexico by the Santa Fe Desert Chorale, one of the premier professional chamber choirs in the United States, and the debut of the Chorale's fourth music director Joshua Habermann. Each summer, and again during the December holiday season, some of the finest singers from around the country come to Santa Fe to perform works from the rich choral tradition. Our audience consists of a mix of New Mexico residents as well as national and international visitors. Each year we present to nearly 10,000 adults and children - 70 percent of which are New Mexicans.
The Santa Fe Women's Ensemble offers quality performances of choral music for women's voices, presenting innovative and inspiring music from many centuries. The Ensemble encourages the writing of new music for women's voices by commissioning compositions, promotes the recognition and appreciation of women's choral repertoire, and develops the performance opportunities and musical skills of its members with its commitment to excellence.
This year, the Santa Fe Women's Ensemble celebrates our 30th consecutive season with the 2010 Christmas Offering concerts. The singers will perform music inspired by the season in the exquisite historic Loretto Chapel. The program will feature the world premiere of Two Andalusian Songs by internationally renowned composer Stephen Paulus, who will be present for the opening concert.
Fifty-five girls and boys are currently members of the Santa Rosa Children's Chorus, under the artistic direction of Carol Menke. The children are divided into three groups- Training, Intermediate and Concert. Selected by audition from all of Sonoma County, these choristers meet once a week to study and rehearse. They concentrate on the basics. . . theory, sight-reading and consummate vocal technique. The Training and Intermediate Groups receive music theory instruction under the guidance of Claire Frydenlund. The remainder of the rehearsal time is spent on vocal training and repertoire to be performed under the direction of Carol Menke. Once fundamentally prepared, they advance by audition to the Concert group, where they concertize and tour annually.
Founded by Artistic Director George Hernandez, the group started as a chamber choir at the University of the Philippines and rapidly gained recognition as one of the best choirs in the country. Soon after, the choir trained primarily for competitions and embarked on several European concert tours participating in choral festivals, winning in distinguished choral competitions against many of the best choirs in the world, and reaping critical reviews from European critics thereby establishing an undisputable international reputation.
The quartet hails from Colorado Springs, Colorado.The Saturday Evening Post are proud members of the Southwest District (District of Champions) with Allen, Johnny and Bobby being members of the Town North Plano Chapter and Brian being a member of the Dallas Vocal Majority. They also are the music team for the Colorado Springs Chapter of the Barbershop Harmony Society. The quartet is currently ranked as one of the top 10 in the World of Barbershop having finished 9th in the 2002 International Competition held in Portland, Oregon.
Allen Gasper, a former professional opera singer with Masters degree in Voice is the Lead singer. Allen is a renowned attorney in the Colorado Springs area, although we don't hold that against him. He is a certified "Singing" Category Judge and is a member of the Plano, Texas and Colorado Springs, Co. Chapter. Allen is the quartet's only bonafide "Cajun".
1951 Championship quartet, who went on to appearances on the Ed Sullivan show, Arthur Godfrey and more, continuing to tour and perform into the 1980's! They have selected their favorite performances for this digitally remastered CD. With a marked emphasis on the classics of the era, including 'Red Red Robin' and 'Side By Side,' the Schmitt Brothers have a honeyed tone that exemplifies barbershop's sentimental best.
Founded in 1964 by the late Royal Stanton, the chorus has commissioned and performed numerous premieres, including works by Alva Henderson, Dirk Damonte, Joseph Jennings, Libby Larsen, Kirke Mechem and Theodore Toews. Collaborations with more than 30 musical organizations have included the Vince Guaraldi Trio, Wesla Whitfield and Michael Greensill, Chanticleer, The Albert McNeil Jubilee Singers, Coro Hispano de San Francisco, Rejoice Gospel Ensemble, The Nuclear Whales Saxophone Orchestra, The Whole Noyse, Menlo Brass Quintet, the San Francisco Symphony, Master Sinfonia Chamber Orchestra and Redwood Symphony - a testament to the group's versatility and professionalism.
Scottsdale Chorus claimed the title of 2011 International Champion Chorus at the Sweet Adelines International Convention and Competition held October 19 - 23, 2010 in Seattle, Washington. Director, Lori Lyford, led the chorus of 116 competing members to a record-breaking total of 3077 points in a competition that included 32 other choruses from around the world.
The Scottsdale Chorus has been entertaining audiences for over 40 years. Their exuberant Director, Lori Lyford, a life-time music educator, is the choral director at Chandler High School. In the Sweet Adeline organization, Lori has earned Master Director status, shares her expertise as an International Music Faculty member and has coached choruses throughout the United States and abroad.
In 1997, director Kris Mason and the board of Seattle Children's Chorus pursued an opportunity to serve the Puget Sound area children's choir community by hosting a festival for young, newly formed children's choirs The Seattle Children's Chorus hosted the Puget Sound Children's Choral Festival at Fort Worden in Port Townsend, Washington, in June, 1997, which included a grand performance in the McCurdy Performing Arts Pavilion.
In June of 1998, the Chorus fulfilled one of its long time dreams as they embarked on their first overseas tour to England , performing in London and southern England and participating in a week of concerts and events at the MusicMakers Festival in Bournemouth, England . The Chorus (with choristers ages 10-18) received top honors as Senior Youth Choir of the Year, competing against all-high school groups.
Founded in 1982, SGC provides a comprehensive and progressive choral education with an emphasis on classical music and ensemble performance, music theory and composition for girls in the Puget Sound region between the ages of 6 and 18. During their years with the choir, the girls gradually acquire musical and performance skills appropriate for their level of development, from the youngest singers in our Dolcine choir, ages 6-7, to our most accomplished high school aged Prime Voci choir. The choir regularly collaborates with other Seattle area arts organizations and performs at some of the most prestigious national and international choral festivals and competitions.
Named "among America's very best choirs" by American Record Guide, Seattle Pro Musica embarks on its 38th season in 2010-2011 with a trio of magical performances.
Established in 1972 as a small but ambitious chamber choir, today's distinguished ensemble consists of 70 talented singers with diverse backgrounds and a shared passion for beautiful and precise expressions of classical music. Seattle Pro Musica also has two smaller ensembles, the 24-voice Madrigalia chamber ensemble and the 15-voice women's Schola. They perform under the direction of award-winning conductor and artistic director, Karen P. Thomas.
In late summer 1986, The Second Edition quartet formed. A few months later, they entered the fall Barbershop Harmony Society (BHS) (S.P.E.B.S.Q.S.A., Inc. at that time) Cardinal District (CAR) Quartet Contest and won. Shortly thereafter, tenor Allen Hatton left the group due to t In the summer of 1988, the quartet once again placed 2nd at the BHS International contest this time held in San Antonio, TX. One year later in Kansas City, MO, The Second Edition won the 1989 BHS International Quartet Championship! They were 20 (Doug), 21 (David), 22 (Fred) and 24 (Jamie). The quartet performed together all over the world, until retiring in the early 1990's.
The Sensational Nightingales were assembled in the '40s. In 1957 they appeared on the Gospel Train tour with The Clara Ward Singers and five other big-name gospel acts. Members included Julius Cheeks (lead), Carl Coates (bass), JoJo Wallace (tenor), Howard Carroll (baritone), and Paul Gwens (tenor). Their noted hit was "See How They Done My Lord." One of the earliest gospel quintets, they recorded and toured throughout the 1990s. Many of their '50s and '60s sides (found on MCA reissues) feature the stunning vocals of Rev. Julius Cheeks. As with Archie Brownlee, Cheeks reaches an intensity that distorts the actual recordings, and his style has been heavily "borrowed" by Bobby Bland, Wilson Pickett, and others. The later recordings by Charles Johnson are smoother and slicker, but still top-notch. ~ Bil Carpenter & Billy C. Wirtz, All Music Guide
In the Shenandoah Valley Children's Choir great music of all styles and historic periods is performed. The repertoire includes classical music, contemporary music, folk songs of many cultures, newly-composed works and sacred and secular songs with emphasis on love, peace, and friendship. Concerts are given both locally and in major centers of the United States and the world. Rehearsals are conducted with strict discipline with emphasis on regular attendance, preparation, punctuality, and excellence. Technical knowledge is imparted through practice and performance. Solfege-inspired teaching is at the heart of the rehearsals. Because learning to read music is an important part of SVCC participation, choristers receive weekly solfege instruction and will complete solfege memorization, practice sight-singing, and homework based on these lessons. Children with treble voices in grades 3-12 who have passed an audition may participate. Financial assistance is provided to qualified, interested children who would not otherwise be able to participate.
The Sheps are without a doubt one of the most popular acappella groups in the N.Y.- N.J. circuit today. We have the credentials to prove it! The five part vocal group consists of original members, Tommie Shider and Richie Camacho, along with Charles Coleman and Johnnie Barlow. All residing in New Jersey. Tommy Lockhart, the fifth member lives in New York. All five members have "paid their dues" so to speak, as in gaining experience to form one of the most unique blends of harmony today! They are all committed to singing many songs that other groups won't even touch. It is for the fact that they do these obscure songs so well, that it is no wonder that a fan club was formed immediately after their very first performance! Upon receiving awards and plaques over the years, this has not changed the way the guys feel about 'really keeping the music alive!" Also these fellows have one of the highest reputations for being back-up forces for such greats as Pirkle Lee Moses, leader of the Eldorados, Otis Williams leader of the legendary Charms, Ray Wooten, leader of the Mellow Moods, Johnny Bragg, leader of the Prisonaires, Ray Pollard, leader of the Wanderers, the incredible Ruth McFadden, Bobby Mansfield, leader of the Wrens, Harvey Fuqua of the Moonglows, along with an impressive list of many more. With all this going for them, they still find the time to create their original songs in which they are constantly turning out.
The Ramblers won the International Gold Medal in Seattle in 1983 after several years of competing. In 1975, Stage Door Four baritone Dennis Malone's company transferred him to California although he wanted to continue singing in a Dallas quartet . That left two other members of the disbanded Stage Door Four, tenor Keith Houts, and super lead, Jim Law looking for a bass. One night in late 1975, 6'5" Earl Hagn appeared at a Vocal Majority rehearsal. With very obvious 6'3' bass vocal chords, Earl was approached by many three man quartets. As luck would have it, Earl agreed to audition for a quartet whose bari was in California and might not return. Lead Jim Law decided to retire from his law practice and moved to New Mexico and they had to step down from the competition. Losing a lead singer would kill almost any quartet, but not the Ramblers. This was just about the time the Dealer's Choice were breaking up and lead Bill Thornton (also the Rambler's coach) was looking for another quartet. Mter passing the audition, they picked up where they left off Their championship year included several special events. In addition to attending the Int'l Mid-Winter convention (that year in Hawaii - nice timing, guys) they also toured Europe. In 1984 they made an appearance on the Phil Donahue Show.
Saturday, June 27, 1964, undoubtedly was the happiest day in the history of the Riverside, CA chapter. On that day the Riverside Citrus Belters chorus won 5th place bronze medals in its first International competition. And four chapter leaders, a group known as the Sidewinders, became the new International quartet champions. Some championship quartets, by necessity or by choice, have not always been strong members of the chapters to which they belonged. Not the Sidewinders. Tenor Jerry Fairchild had long been chorus director. Lead Joe Daniels had been president and was about to be named to that post again. Bass Jay Wright was three-term secretary. Bari Gene Boyd was past membership vice president, show chairman, and perennial committee member.
The main purpose of Sierra Gold Chorus is to get out and sing for our community. We sing at annual shows, a number of community events, and at annual competitions. We are available to sing at your next function or event. In addition to sharing our music with others, another great passion of ours is learning more about the art of a cappella singing. Vocal instruction is a regular part of chorus rehearsals, and a very important component of the chorus experience.
The Silicon Valley Boychoir for boys (ages 7 and up) rehearses in downtown Palo Alto and consists of four levels: beginner through high school. Mission statement: To train boys in the choral art with an emphasis on music literacy and the highest artistic standards. Boys will learn life-long skills and go forth into the world as skilled tenors and basses and leaders in their future choirs. Silicon Valley Boychoir offers boys an opportunity for excellent vocal training, music literacy, and artistic achievement while supporting families with flexible scheduling. Each singer receives personal coaching in a supportive environment. Begun in September 2010, SVB has become a local treasure singing on stage with West Bay Opera, in concert with Schola Cantorum, and appearing at the Palo Alto Summer Twilight Series concert. In addition, the choir has sung locally at churches and senior homes as well as presenting their own concerts locally.
The Silicon Valley Gay Men's Chorus (SVGMC) was originally called the Liedermann Gay Men's Chorus of San Jose. A group of ten men formed the Chorus on June 29, 1983. The Chorus sang its first full-length performance under the direction of Robert B.Welton on June 16, 1984 as part of San Jose's Gay Pride Celebration. SVGMC takes great pride in its record of community appearances, and has proudly performed at GALA Festivals in 1989, 1992, 1996, 2000 (Co-Host), 2004, 2008 and 2012. The Chorus is happy to support the fine efforts of other non-profit organizations and government bodies in our communities.
Silk City is one of Manhattan's finest acappella vocal groups specializing in the group harmony sound of the 50's and early 60's. This dynamic doo-wop group has performed throughout the metropolitan area at a variety of nightclubs, restaurants, oldies shows, and every type of private, public, and corporate function. Not only have the New York Times, New York Newsday, the Bergen Record, the Star-Ledger, and the Hartford Courant written about this exciting group, but Silk City has also been the subject of a television news segment on WABC-TV. Of special note, this group has had the distinct honor of being the first acappella doo-wop group to perform in the Grand Ballroom of the Waldorf-Astoria Hotel. And back some twenty-plus years ago, when the group was first establishing itself in the group harmony scene, SILK CITY also had the honor of being presented with the Gus Gossert Memorial Award after being voted the best new vocal group by the members of the United in Group Harmony Association (U.G.H.A.), the largest organization of doo-wop music enthusiasts in the country.
The Napa Valley Choral Society (NVCS) is the umbrella organization for Sing Napa Valley! and the Napa Valley Children's Chorus. Since its inception in 1963 NVCS has performed a wide variety of choral music ranging from standard classics to contemporary works. Sing Napa Valley! is the new name of the auditioned, intergenerational community chorus formerly called Napa Valley Chorale. Vocal artists in Sing Napa Valley! range from high school age to senior citizens. Members are accepted by audition and attend weekly rehearsals during the performance season. Sing Napa Valley! is a vibrant presence in the Napa Valley offering talented singers the opportunity to perform great works of choral literature throughout the community.
The Singers Unlimited were born out of a strange combination of stark commercialism and rare innovation that somehow yielded some pretty high art. Gene Puerling was the vocal arranger as well as a singer with The Hi-Lo's, and later moved into jingle singing and arranging in Chicago. Don Shelton had been a Hi-Lo as well, and joined Puerling in the commercial field. Along the way they joined with Len Dresslar (the voice of the Jolly Green Giant) and vocalist/voiceover artist Bonnie Herman. This led to the formation in 1967 of a ready-to-go jingle-singing quartet. Then Puerling began experimenting with the new technology of multi-track recording, and the Singers expanded their four voices into eight, twelve, sixteen, and later into practically a hundred or more! The Singers produced around 15 LP's in the period between 1971 and 1981.
Founded in 1987 by Artistic Director, Jan Pedersen Schiff as a women's chorus, Wings of Song, Singers Marin today is an association of choruses for amateur and professional singers, including youth and adults, that provides expert training in vocal skills and musicianship, while presenting charitable performances and high quality concerts for the local community and beyond.
The motto for the Singing Men is "A Ministry That Makes A Difference". Our sincerest desire is to utilize the gift of music received from God to make a difference in our own lives as well as the lives of those with whom we share our ministry.
In 1977, a quartet was formed at then Oakwood College in Huntsville, Alabama comprised of Leroy Hampton, Elverton Mapp, Clinton Williams, and Douglas Bell. Providing music for the weekly Bible radio program "Your Bible Speaks", hosted by Dr. Elder Richard Tottress, they became known as "The Your Bible Speaks Men of Music".
Word of the quartet spread quickly and, within a year, other men joined and the quartet eventually grew into a male chorus. As the notoriety of the male chorus expanded, their performances became much sought after events.
The Singing Sergeants, the official chorus of the United States Air Force, is one of the world's most versatile and traveled choral organizations. It is also one of a select few singing groups internationally recognized for its commitment to excellence in vocal performance. Originally formed in 1945 from within the ranks of The United States Air Force Band, the chorus is now composed entirely of professional vocalists who have come from leading colleges, universities and music conservatories throughout the world; and who are all sergeants in the United States Air Force. Available positions are filled by audition only and are reserved for those singers who demonstrate the finest qualities of musicianship and vocal production..
The Singing Sergeants have appeared before every chief executive of the United States since President Truman, as well as with the New York Philharmonic, the Philadelphia, Cleveland, Houston and National Symphony Orchestras, and both the Boston and Cincinnati Pops. The group has performed at White House, State Department, Supreme Court, Congressional, Department of Defense and high-level civilian functions. The Singing Sergeants have performed at the New York World's Fair, in Carnegie Hall, Lincoln Center, the Dorothy Chandler Pavilion and the John F. Kennedy Center for the Performing Arts..
The Singing Statesmen is an all male choral ensemble from the University of Wisconsin-Eau Claire. Started in 1967 by Morris Hayes, the Statesmen is comprised of 57 students from various academic backgrounds and is currently under the direction of Dr. Gary R. Schwartzhoff. Because The Singing Statesmen promise to deliver songs with utmost musicality, they enjoy a healthy attendance at each concert they perform. Annually, the Statesmen participate in the Homecoming Varsity Show, and the Viennese Ball. As the years progress, the choir continues to release new albums while offering a new variety of music at each performance.
The Sirens are one of New York City's premiere female a cappella groups, dedicated to musical excellence and quality performance. A group of fabulous and talented women, they strive to break new music ground by choosing songs that have never been attempted by others in the cappella world in order to challenge themselves and surprise the audience. They balance fresh and innovative songs with numerous well-known and recognizable favorites. The result is a diverse repertoire including contemporary, pop, jazz, rock classics and oldies, ensuring that there is something for everyone.
Sistrum, Lansing Women's Chorus, is a women's community chorus that has been making music for over 25 years. Founded on ideas of social justice, feminism, and creating beautiful music for both ourselves and our community, Sistrum can be found singing at many area events and celebrations as well as traveling across the US to choral events and conferences. Winner of a special Joy of Music citation from The American Prize for artistic vision and infectious performances, Dancing Naked at the Edge of Dawn is Sistrum's second CD and presents their first commissioned piece of music. Our name comes from a musical instrument, a rattle used in ancient Egypt. It was kept in constant motion as a symbol of Isis, the sacred and ever-changing Life Force. Likewise, we draw upon the words, music, and energy of women composers, arrangers and poets to inspire, empower, and entertain our audiences.
Is Six Appeal a comedy group, a vocal ensemble, or a rock band? Audiences have been trying to answer that question for years. Swearing off instruments, Six Appeal uses a cappella singing to span decades of classic oldies, current chart toppers, and catchy original tunes. Featuring vocal dexterity and adventurous song selection, the group explores all genres with a far-reaching repertoire that will surprise and captivate audiences regardless of the setting.
Despite their cheeky group name, the antics of these six young gentlemen provide a good natured atmosphere for their electrifying performance. A Six Appeal show will split your sides, feed your musical sweet tooth, and leave you wondering how in the world they pulled it off just with voices.
With members formally instructed in singing and musical composition, and over 70 combined years of musical training and experience, Six Appeal utilizes a diverse arsenal of style and entertainment. In addition, Six Appeal has a passion for spreading their a cappella music to every audience, and an essential aspect of their mission is to empower young singers in their educational outreach program. What makes these Six stand out from the crowd? Their Appeal.
Six Rivers Choral Artists (formerly Arcata Choral Artists) was created for serious singers in Humboldt County to participate in a short intense rehearsal process creating a meaningful music experience through the study and performance of the choral arts as a choral ensemble. Singers from all walks of life enjoy experiencing an interesting and challenging repertoire each season. The repertoire is addressed in our eight rehearsal workshop and culminates in an exciting performance for family, friends, and our community.
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