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Music Arrangements for 6 Mixed Voice Parts
| A selection of music songbooks and sheet music arrangements for mixed voice 6 parts. |
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Songbooks, Arrangements and/or Media
Displaying 1-13 of 13 items.
Anthony G. Petti : The Chester Book of Motets - Volume 13 The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Ad Te Levavi (White) -Adolescentulus Sum Ego (Mundy) - Aspice Domine (Byrd, William) - Four Rounds From Pammellia (Ravenscroft) - Jubilate Deo (Dering) - Laboravi In Gemitu (Morley) - O Lux Beata Trinitas (Byrd). 
Elena Kats-Chernin : Doo Doo was commissioned by the Fourth International Choral Symposium held in Sydney. The themes of this piece was inspired by a documentary on children in Bosnia during the war. They were playing on the exciting but dangerous side of the street while their mothers called them to go home to comparative safety. Nonsense syllables were chosen for the children's games while strong rhythms in the mixed chorus represent the war. The six solo voice ensemble is used to express the calling of the mothers. The location is not specific as war continues in many parts of the world with children suffering the most.
John Sheppard : Missa Cantate This practical performing edition is based on the single extant manuscript preserved at the Bodleian Library. The beautiful and well-written Missa Cantate (Gloria, Credo, Sanctus, and Agnus Dei) follows the well-established technique of drawing some material, usually the cantus firmus, from a pre-existing work. Songlist: Missa Cantate, Gloria, Credo, Sanctus, Agnus Dei
John Tavener : Funeral Ikos A sacred work for unaccompanied SSATBB choir, using text from The Order for the Burial of Dead Priests, translated from Greek by Isabel Hapgood. Vocal score with piano accompaniment for rehearsal purposes.
King's Singers : Postcards In their travels, the King's Singers have amassed a wonderful collection of songs from countries around the world that they regularly visit. Featured on their album, Postcards, here are several of their favorites. Bon voyage! Includes: Arirang (Korea), Pokarekare Ana (New Zealand), The Oak and the Ash (England), Botany Bay (Australia), Es dunkelt schon in der Heide (Germany), O My Love Is Like a Red, Red Rose (Scotland), El Vito (Andalusia), Little David, Play on Your Harp (America). Songlist: Arirang, Pokarekare Ana, The Oak and the Ash, Botany Bay, Es dunkelt schon in die Heide, O My Love Is Like A Red, Red Rose, El Vito, Little David, Play On Your Harp
King's Singers : Sing Mika From their successful concert performances with the British pop star Mika, here are the King's Singers' settings of several of his most popular songs. Imaginative, joyful and empowering, this music is unique in the world of a cappella! Songlist: Any Other World, By The Time, Grace Kelly, Lady Jane, Lollipop, Over My Shoulder, Rain, Toy Boy
King's Singers : More from 'The Beatles Connection' From the King's Singers' Beatles album, 'Penny Lane' has been one of the most requested by choir directors. The excellent writing of Chilcott breathes new life into this favorite. From the King's Singers and the Cincinnati Pops Orchestra "Music of the Beatles" album, 'When I'm 64' is a fun and swinging arrangement of the Lennon and McCartney classic. Featuring inventive jazz band-style vocal accompaniments throughout, everyone gets their turn singing the clever lyrics of the melody. From their recording, Beatles Connection, the often-requested arrangement of 'Ob-La-Di, Ob-La-Da' is available for the first time. The setting of the heart-felt Lennon and McCartney ballad, 'Here, There and Everywhere' is featured on the King's Singers and the Cincinnati Pops Orchestra "Music of the Beatles" album. In this Paul Hart arrangement, the melody is supported by gentle rhythms and countermelodies in the other voices. A perfect opportunity to feature soloists. Songlist: Penny Lane, When I'm Sixty-Four, Ob-La-Di, Ob-La-Da, Here, There And Everywhere
Marion Linton : Cole Porter A Cappella Beginning as a waltz, "I Get A Kick Out Of You," this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. "Let's Do It" is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! "Love For Sale" is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout "What Is This Thing Called Love" as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart. Songlist: I Get A Kick Out of You, Let's Do It (Let's Fall in Love), Love For Sale, What Is This Thing Called Love?
Philip Lawson : Five Renaissance Editions Here are five representative works of Josquin des Prez, probably the most famous European composer of the high Renaissance style of polyphonic vocal music in a value priced collection for mixed choirs and madrigal groups. Songlist: Allegez Moi, Mille Regretz, Nymphes Des Bois, Petite Camusette, Scaramella
Take 6 : The Official Scores From their seminal, self-titled album, an a cappella masterpiece, these songs have been painstakingly transcribed and edited into a complete collection of the album's arrangements. Dive into the group that changed a cappella singing for generations to come. This unique blend of Gospel, Jazz, R&B, Pop and Soul can only be described as Take 6. Songlist: Mary, Gold Mine, Spread Love, If We Ever (Needed The Lord Before), David And Goliath, Get Away Jordan, He Never Sleeps, Milky White Way, Let The Words, A Quiet Place
Various Arrangers : Simon and Garfunkel A Cappella Vol 2 "April Come She Will" - The King's Singers setting of the famous Simon and Garfunkel song explores the seasons through a gentle vocal tapestry of rhythm and rich harmony with a smooth lead floating above it all. "Bridge Over Troubled Water" - The phenomenal Simon & Garfunkel #1 hit from 1970 in a powerful a cappella setting! From the wistful opening phrases, this iconic song builds to a full-voiced forte, alternating between rich homophonic choral textures and solo melodies with vocal accompaniment sections, before its quiet and gentle closing tones. "Mrs. Robinson" - Hailed as one of the most underrated guitar players on the planet, Paul Simon and his writing/singing partner Art Garfunkel were tasked with creating the soundtrack to 1967's coming-of-age film The Graduate. Vocal percussion, sensitive guitar licks, and the duo's signature harmony all coalesce in this stunning a cappella arrangement from Philip Lawson! Songlist: April Come She Will, Bridge Over Troubled Water, Mrs. Robinson
Various Arrangers : Musicals This a cappella ballad version of "If I Only Had A Brain" was inspired by Harry Connick, Jr.'s vocal/piano treatment of the hit from The Wizard of Oz. Tight voicings and substitute harmonies make this ideal for jazz concert/festival programming. The rubato styling provides a strong musical showcase for the full choir. This spirited, a cappella, medium swing arrangement of the old silver screen classic, "Singin' In The Rain," will challenge your singers and delight your audiences. An interesting reharmonization and clever scat section provide a wonderful contrast to the delightful melody. It is high energy, it swings and it's fun! "Over The Rainbow," the time-honored standard tune, is given a lush a cappella treatment. There is a feature solo for a soprano or tenor throughout the arrangement, and a very strong and powerful ending. In this sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard, "Alice In Wonderland" ranges from unison opening to lush six-part harmony and features a tenor solo. One of the most popular charts. Songlist: Alice In Wonderland, If I Only Had A Brain, Singin' In The Rain, Over The Rainbow, Alice In Wonderland
Various Arrangers : Crosby, Stills, Nash & Young A Cappella Here is the 1970 pop hit by Crosby, Stills, Nash & Young "Teach Your Children" in an a cappella setting that is fresh and unique! Rhythmically free and expansive, the melody harmonized in triads is juxtaposed against long accompanying vocal lines to highlight the powerful message inherent in the text. The Crosby, Stills and Nash song from their debut 1969 album "Helplessly Hoping" translates perfectly to the signature vocal style of the King's Singers. "After The Gold Rush" is the haunting song by Neil Young in a richly expressive a cappella setting. Audiences love these pop classics and great for the parents to sing along with. Songlist: Helplessly Hoping, After The Gold Rush, Teach Your Children |
Displaying 1-50 of 137 items.
This traditional Irish folk song, sub-titled The Wealthy Woman, has reached worldwide popularity thanks to the popular folk ensemble Celtic Woman. Desmond Earley has created this arrangement using vocal whispers, body percussion and divisi choir to create a vocal orchestra that will bring the house down. Baritone and soprano solo sections give your singers a change to really shine.
Arranger: Desmond Earley
Composer: Donald Waxman
Composer: Donald Waxman
Rich harmonies abound in this traditional Scottish ballad with a text by Robert Burns in a King's Singers arrangement that perfectly captures all the emotion and longing of a lost love. Duration: ca: 4:15.
Arranger: Philip Lawson | Poetry By: Robert Burns Performed By: King's Singers
The 1983 #1 hit makes a great a cappella feature in this Philip Lawson arrangement with great harmonies and vocal effects.
Arranger: Philip Lawson | Composers: David Paich and Jeff Porcaro Performed By: Toto
The haunting song by Neil Young in a richly expressive a cappella setting.
Arranger: Peter Knight | Composer: Neil Young Performed By: Neil Young
With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs looking to expand their contemporary a cappella repertoire!
Composer: Stephanie Dietz
A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.
Composer: Cecilia McDowall
A moving setting of original words dealing with the loss of a beloved friend and lover of music.
Composer: Robert Kyr
In 7/8 time, and set in the mixolydian mode, this is a colorful setting of this favorite carol.
Composer: Drew Collins
Composer: Matthew Samson
The King's Singers setting of the famous Simon and Garfunkel song explores the seasons through a gentle vocal tapestry of rhythm and rich harmony with a smooth lead floating above it all.
Arranger: Philip Lawson | Composer: Paul Simon | Lyricist: Paul Simon Performed By: Simon and Garfunkel
To Shiver the Sky is an oratorio about the history of flight, and mankind's quest to conquer the heavens. Told through the words of 11 of our greatest astronomers, inventors, visionaries and pilots, it charts our relentless need to explore the universe, defy our earthly bonds, reach for the face of God, and ultimately claim our place among the stars. It is sung in English, Latin, Italian, German, French, Polish, Russian, and Sanskrit. This is the fifth movement of the work entitled, Astronomy.
Composer: Christopher Tin
This piece was commissioned by Merton College, Oxford as part of the Merton Choirbook, a collection of music being assembled to celebrate Merton College's 750th anniversary in 2014.
Composer: Judith Weir
Using 14th-century plainsong as a point of departure, Richard Burchard masterfully crafts a stunning new SSATTB setting of the Latin text. This gorgeous hymn was written for Michelle Jensen's Sterling Ensemble, and is suitable for advanced ensembles in sacred and secular environments alike.
Arranger: Richard Burchard | Composer: Richard Burchard
Translated from the words of the Lord's Prayer. this Grammy-winning 2005 composition from the fourth entry in the award-winning video game franchise Civilization is a watershed moment in video game composition. Becoming the first piece of video game music to ever be even nominated for a Grammy, this epic piece is presented for the first time at Hal Leonard. The Closer Look pane on this product page contains pronunciation guides and an introduction to the language of Swahili by linguist and Kiswahili expert Peter M. Mhunzi.
Composer: Christopher Tin Performed By: Soweto Gospel Choir
Arranger: Ysaye Barnwell | Composer: Ysaye Barnwell Performed By: Sweet Honey In The Rock
The phenomenal Simon & Garfunkel #1 hit from 1970 in a powerful a cappella setting! From the wistful opening phrases, this iconic song builds to a full-voiced forte, alternating between rich homophonic choral textures and solo melodies with vocal accompaniment sections, before its quiet and gentle closing tones. Duration: ca. 5:15.
Arranger: Philip Lawson | Composer: Paul Simon Performed By: Simon and Garfunkel
Here's the smash hit from Barbie in a contemporary a cappella setting by popular aca-pop arranger Rob Dietz. The driving adaptation gives every section of the choir a chance to shine, with no soloists required. For even more fun, simple body percussion kicks it up a notch, and optional vocal percussion may be improvised. "Dance the night away!"
Arranger: Michael Story Performed By: Dua Lipa | Musical: Barbie
Within his lifetime, Ludwig Senfl composed numerous German lieder, Das Glaut zu Speyer being one of them. One can truly hear the sound of the bells of Speyer as this arrangement speeds along, each voice part getting the chance to mimic the sounds of the bells. Performance of this arrangement will require sensitivity to the Renaissance choral style and will be a fun challenge for your singers. Length: 1:15 Das Glaut Zu Speyer Pronunciation and Translation Ę
Arranger: Tom Shelton | Composer: Ludwig Senfl | Country: Germany
Perhaps the spiritual closest associated with Norman Luboff's arranging style, this is a classic across the world. Requires the fine singing of a well trained choir and an exceptional soloist. Moderately difficult.Ę MP3 recording: FromĘThe Healing Power of Heaven: In Paradisum.ĘGothic Records G-49279. (gothic-catalog.com)Ę (p) 2012, Loft Recordings, LLC, All rights reserved.Ę
Arranger: Norman Luboff
The brevity and joy of this piece make it a great choice for an introit or during occasions of thanksgiving. Whether sung in Latin or English, the meaning will come through to the assembly via the homophonic writing (which gives way to beautifully florid passages). The second tenor part is likely accessible to any baritones in the group.
Composer: Gottfried August Homilius
Composer: Clayton White
From the smooth layered opening to the spectacular jazz conclusion, this is a King's Singers arrangement to bring down the house! Full of rhythmic, melodic and lyric twists, it is a challenge, but definitely worth it!
Arranger: Robert Rice Performed By: King's Singers
A classic Appalachian folk song as only the King's Singers could perform it! Wonderful harmonies accent the moving lyric. Performance Time: Approx. 2:35
Arranger: Philip Lawson Performed By: King's Singers | Country: Appalachia
Framed by the bucolic scenery from an Asian hillside, this traditional Chinese song describes the peaceful beauty of the region. This accesible setting programs easily into concert programs. The poem is notated in phonetic Chinese with English translation of the text.
Arranger: Rollo Fisher | Country: China
Ben Bram is known for his work on The Sing-Off and Pitch Perfect, and for arranging for groups such as The Backbeats and Pentatonix. This wellcrafted treatment of the Katy Perry hit will make your pop a cappella group come alive. Recording provided by Kettering High School's Eleventh Hour, directed by Brody McDonald
Arranger: Ben Bram | Composers: Mikkel Eriksen and Ester Dean
Recorded by the English alternative band Coldplay, this song explores themes of grief and comfort as it gradually builds to an emotional high point. This a cappella setting intensifies the emotion through powerful vocal writing. A challenging work, but impressive! Duration: ca. 4:20.
Arranger: Philip Lawson | Composer: Chris Martin Performed By: Coldplay
This collection of four variations, one for each of the four winds, is the first in a set of pieces based on Carl Sandburg poems. The piece is stormy and sometimes gently, ending with a burst of wind.
Arranger: Imant Raminsh | Poetry By: Carl Sandburg
Anthem for SSAATB Choir edited by Watkins Shaw. With note values halved.
Composer: William Croft
The grand and expansive accompaniment forms the harmonic basis of this choral setting of Sara Teasdale's famous poem, with rich choral textures unfolding for a wonderful expression of gratitude. An excellent concert closer for mixed choirs in high school, community and beyond.
Composer: Patti Drennan | Poetry By: Sara Teasdale
This childhood favorite still delights listeners of all ages. Cleverly arranged, it makes a great closer or encore.
Arranger: Philip Lawson Performed By: King's Singers | Country: United States
This amazing work, premiered by the Los Angeles Master Chorale, Grant Gershon, director, is a contrast of homophonic refrains against polyphonic verses. Beginning with the austere Sacred Harp tune Heavenly Home, California composer Kirchner sets hallelujahs leaping and plunging and circling through the choir to thrilling results. Duration: ca. 3:30.
Composer: Leonard Cohen
This choral is an artful setting of a profoundly important text by the famous physician, explorer and philosopher, Albert Schweitzer. Set as a through-composed tone poem, the words rise and fall with the text creating a reverent frame to display this great humanitarian's view of faith and the Divine.
Composer: Joseph Martin
The Crosby, Stills and Nash song from their debut 1969 album translates perfectly to the signature vocal style of the King's Singers.
Arranger: Philip Lawson Performed By: Crosby, Stills, Nash & Young
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