Composed to mark the Platinum Jubilee of Her Majesty The Queen in 2022. First performed at a Service of Thanksgiving for Her Majesty The Queen at St Paul's Cathedral, London, on 3rd June 2022 by the choirs of St Paul's Cathedral and Her Majesty's Chapel Royal conducted by Andrew Carwood, with William Fox, organ. Amongst many ancient writings which examine the importance of Wisdom in our life on earth is the Old Testament Book of Proverbs. The short selection of verses (from Proverbs, Chapter 3) set to music in this anthem celebrate 'the one who finds wisdom, the one who gains understanding'.

This work was commissioned by the Master and Fellows of St. John's College, Cambridge, to mark the 500th anniversary of the founding of the college. The Magnificat was first performed by Andrew Nethsingha and the Choir of St. John's College on October 30, 2011, and the Nunc Dimittis (as part of a complete performance) on February 5, 2012.

Songlist: Magnificat, Nunc Dimittis

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visual arts and music, the composer decided to write about colour.

Day by Day was written for the Chamber Choir of Burntwood School and their conductor Debbie Lammin. It was first performed by them on 25th March 2019 at the Royal Festival Hall, London, as part of A Brighter Sound 2019, a concert presented by Wandsworth Schools' Music. Texts are by the Japanese poets, Matsuo Basho, Yosa Buson, and Kobayashi Issa, translated from The Essential Haiku by Robert Hass.

A short setting of Shakespeare's sonnet 116, Let me not to the marriage of true minds, for baritone and piano, first performed in Smithfield in July 2017.

Commissioned in 2014 by Welsh National Opera, Ffilm Cymru Wales and The Space as part of WMO's Occupation: Five songs that shook the world, directed by Margaret Constantas.

Scored for mixed voice choir SATB with organ accompaniment. Text by Hildebert of Lavardin (1056-1133), Bishop of Le Mans and Archbishop of Tours. Commissioned by the St Albans International Organ Festival 1983. Duration 7 minutes.

Three short choral settings of peoms by George Herbert, commissioned by The Spitalfields Festival in memory of Peter Lerwill, a generous supporter of the festival. The first performance of the set took place in June 2005 at Christ Church, Spitalfields, by The Cardinall's Musick with Andrew Carwood. The textures of Weir's settings range from the clarity of the Madrigal and Hymn to more complex writing with the choir splitting into as many as eight parts.

All The Ends Of The Earth is a choral motet written for a Europe-wide radio broadcast on Millennium Day 1st January, 2000. It is based on Perotin's organum Viderunt Omnes. Scored for S.A.T.B. chorus, percussion and harp.

This short setting of Rorate Coeli a text associated with the Matins service at Advent was written in 1983 and first performed by the Choir of Trinity College Cambridge, as part of the Advent Carol Service held every year in Trinity College Chapel. Arranged for mixed voice choir, SATB. Duration 2 minutes.

Songs from the Exotic were commissioned by Josephine Nendick, who gave the first performance with Michael Finnissy on 7th October 1987 in Cambridge. These four songs were inspired by folk traditions of Serbia, Spain and Scotland. In each case the text comes from a folksong source but the music is entirely invented. The duration is approximately 10 minutes.

This work takes its name from a poem by Emily Dickinson and includes 5 verses by different poets. Composed for mezzo-soprano and chamber ensemble.

Composed for the state funeral of Her Majesty Queen Elizabeth II at Westminster Abbey, London, on 19 September 2022, Like as the hart is a setting of verses from Psalm 42 for four-part choir with occasional divisi. The words and music speak at first of the soul's great sadness and thirst for reassurance; but as the psalm progresses, the mood becomes calmer and more resolved, culminating in consolation, with the words Put thy trust in God.

A short, simple setting of a poem by Julia Darling which builds to a climax to the words we all matter. Originally composed for youth singers and first performed at BBC Proms concert from Sage Gateshead, the piece is also suitable for choirs where a limited number of male singers are available.

This work for mixed voices and organ setting text from the First Epistle of St John and Psalm 107 was commissioned by the Department for Digital, Culture, Media and Sport for a Service to commemorate the centenary of the end of the First World War, held in Westminster Abbey on 11th November 2018, and first performed by the Choir of Westminster Abbey with Peter Holder (organ) conducted by James O'Donnell.