The Songs of the World Series has been perhaps the most popular series in the Pavane catalog. Angels We have Heard on High, a French carol, is part of the series' Collection #6, which also includes the Spanish Dance carol, Fum, Fum, Fum, and the English carol, How Far Is It to Bethlehem? Tastefully arranged as always! For church, school or community youth choir. Available: 2-Part.

Arranger: Sara Glick

This flowing piece describes autumn in a lovely, captivating way. The music is captivating and lovely.

Composer: Keith Loftis

The third number in the Songs of the World trilogy may be the most fun of all. The text is a familiar Irish one and so is the tune, but the arrangement is fresh and new. Includes opt. flute and drum.

Arranger: Sara Glick

The title is a bit deceiving because this Rossetti text is lauding the clouds of the sky over the boats and ships. Selected for the Judith Herrington series, this is a delightful song for children's choirs. A lilting 6/8 meter carries the flowing message steadily. Easy in difficulty.

Composer: Barbara Poulshock

The Songs of the World Series has been perhaps the most popular series in the Pavane catalog. Fum, Fum, Fum, a Spanish Dance carol, is part of the series' Collection #6, which also includes the French carol, Angels We Have Heard on High, and the English carol, How Far Is It to Bethlehem? Tastefully arranged as always! For church, school or community youth choir. Available: 2-Part.

Arranger: Sara Glick

The first "Solfege Suite" consists of three pieces of contrasting styles: "March," "Bolero," and "Gallop." The names give away the character, but the truly fabulous part is that the text is all solfege. Singers learn about musical names, intervals and solfege, while singing programmable music written for the 2006 ACDA Young Voices Boys Choir, directors have been begging for the music's release since its premiere.

Composer: Ken Berg

This joyful, buoyant friendship song is from French Canada. With both English and French texts to choose from, this is the perfect middle number for the Songs of the World trilogy, but like the others, can stand alone just as well.

Composer: Sara Glick

The Songs of the World Series has been perhaps the most popular series in the Pavane catalog. How Far Is It to Bethlehem?, a traditional English carol, is part of the series' Collection #6, which also includes the French carol, Angels We Have Heard on High, and the Spanish carol, Fum, Fum, Fum. Tastefully arranged as always! For church, school or community youth choir. Available: 2-Part.

Arranger: Sara Glick

Respected writer Donna Gartman Schultz has written a delightful setting of this familiar Christmas carol. The brass quintet accompaniment is absolutely wonderful, and the piano version works as well. Available: 2-Part, Instrumental Pak.

Arranger: Donna Gartman Schultz

Commissioned for the 2010 Washington Music Educators Convention, Judith Herrington has composed a wonderful piece for children's choir. Already acclaimed as a specialist for young voices, and music arranger, her compositional skills are now rising to the surface. Excellent for festival use, the text celebrates singing and friendship.

Composer: Judith Herrington

Commissioned for the 2010 Washington Music Educators Convention, Judith Herrington has composed a wonderful piece for children's choir. Already acclaimed as a specialist for young voices, and music arranger, her compositional skills are now rising to the surface. Excellent for festival use, the text celebrates singing and friendship.

Arranger: Judith Herrington | Composer: Judith Herrington

Arranger Ken Berg (Birmingham Boys Choir) has given us a superb setting of the Howard Walter I Would Be True poem that is often set to the Scottish-Irish folk song Londonderry. An optional flute (C instrument) part is provided. The alternate text enables this edition to work well in church or school.

Arranger: Ken Berg

Selected for the Judith Herrington Choral Series, this piece uses the melody from The Rakes of Mallow and the text from The Galway Piper and serves us with a charming tune. The story of Piping Tim and his infectious flute give way to delightful tu-ku-tu duet before the story resumes. Children's and middle school choirs will enjoy the fun and learn about Tim and some well crafted music at the same time.

Arranger: Keith Loftis

From the Songs of the World collection by the Judith Herrington and Sara Glick team, this selection describes the thrill of riding swiftly over the snow-covered countryside in a troika; a sleigh pulled by three horses.

Arranger: Sara Glick

One of Shirley McRae's greatests gifts is capturing the essence of other cultures in song. This Inner Mongolian Folk Song is no exception. Incorporating a few handbells, a bell tree and an oboe bring an authentic color to the arrangement.

Arranger: Shirley W. McRae

Commissioned by the Manhattan Concert Productions, this piece was premiered at Carnegie Hall in 2017. The use of Tibetan bells and wind chimes provides an ethereal atmosphere that is echoed in the music and text. Originally written for young voices, this piece would also be effective by a treble choir of older voices. Its festival use has already become popular for any season. Easy to Medium in difficulty.

Composer: Judy Herrington

Ash Grove has been a favorite English folk song for many years. Poulshock's setting is tasteful and beckoning. A superb performance and teaching song for young voices.

Arranger: Barbara Poulshock

The birch tree is deeply rooted in the soil and this Russian folksong setting captures the essence of the imagery: graceful, tenderly sad, lost, but ultimately recovered and remembered. Well-crafted, this work will provide an expressive showcase for your young voices.

Arranger: Shirley McRae

Commissioned for the 20th Anniversary of the Tacoma Youth Chorus, this accessible work features flowing vocal lines, interesting harmonies and an embellishing flute obbligato, making it a wonderful selection for 2-part children's choirs.

Composer: Keith Loftis

This Southern Folk Song has been selected for the Judy Herrington Choral Series. Collegiate music teacher Barbara Poulshock demonstrates her arranging skills with this wonderful setting. Available: 2-Part.

Arranger: Barbara Poulshock

This Russian folk song setting provides the metaphor of the mountain ash and oaktrees, separated by a river, poignantly portraying the sadness of ill-fated love. As always the craftsmanship is first rate, with a descriptive keyboard and well-written vocal lines. Excellent for young voices, school or concert.

Arranger: Sarah Glick

Joseph Shabalala is best known for his work with Ladysmith Black Mambazo and Paul Simon. This delightful multicultural piece incorporates body percussion and some very fun words to say. Leanne Macdonnell's setting makes it a joyful number for childrens choirs everywhere.

Arranger: Leanne McDonnell | Composer: Paul Simon

This piece sounds exactly like its title: time. This wonderful children's song tells how time marches on and you can feel it pacing steadily forward with a dynamic piano part (available separately, is even more fun). Children will enjoy singing this selection and it will be a favorite at any school concert.

Composer: D. Farrell Smith

This famous work by Rachmaninoff is known for its beautiful, wandering melody over a luscious chamaeleon-like harmonic foundation. In this arrangement, the accompaniment has been simplified somewhat and a second vocal line added to complement the primary theme. An excellent introduction to the Romantic era!

Arranger: Allan Robert Petker

From the Songs of the World series, this Scandinavian folksong is beautifully constructed and the accompaniment, with optional clarinet, is artfully solid. Scandinavian and English texts provided.

Composer: Sara Glick

Emily John, harpist and elementary choral director, offers us an absolutely delightful setting of this absurd and playful nursery rhyme. Selected for the Judith Herrington Choral Series, historical and performance notes are provided. The nonsensical words which are part of the folk song add to the fun.

Composer: Emily John

In this setting of the famous poem written for her choir's Japan tour, Judith Herrington has given this setting has a hint of an Asian flavor. An ideal musical greeting of good will, this work demonstrate the craftsmanship you've come to expect in the Herrington/Glick series.

Composer: Sara Glick