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Tomas Luis de Victoria
The dominating figure of sixteenth century Spanish music, Tomas Luis de Victoria was born in Avila. He was sent to Rome to study, possibly for a time under Palestrina during the latter's years at the Roman Seminary. In 1571 he succeeded Palestrina there as choirmaster, a post he also subsequently occupied at the Jesuit Order's German College. Later he became active as a priest, working at St. Girolamo della Carita. Following his return to Spain in 1585, Victoria served the Empress Maria and her daughter as teacher, organist, and choirmaster until his death in 1611. |
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Songbooks, Arrangements and/or Media
Displaying 1-3 of 3 items.
Tomas Luis de Victoria : Masses and Motets This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for SATB chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony, this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity, with the devout grandeur of the Mass set against the modesty of the original Motet. Songlist: MISSA O QUAM GLORIOSUM, MOTET O QUAM GLORIOSUM EST REGNUM 
Tomas Luis de Victoria : 52 Motets - Volume 4 Tomás Luis de Victoria (1548-1611) was one of the last representatives of the 'prima prattica', the polyphonic style which was dominant in the period music history has labelled the 'renaissance'. Vol. 4 of these 52 motets for voice.
Tómas Luis de Victoria : 52 Motets - Volume 1 Tomás Luis de Victoria (1548-1611) was one of the last representatives of the 'prima prattica', the polyphonic style which was dominant in the period music history has labelled the 'renaissance'. Vol. 1 of these 52 motets for voice. |
Displaying 1-14 of 14 items.
This beautiful chant antiphon, paired with Victoria's Renaissance setting, is perfect for Palm Sunday. In Latin with a singing English translation. Recorded on Let All Together Praise, CD-335.
Arranger: Richard Proulx
Victoria, one of Spain's finest composers of the Renaissance, has been immortalized for his combination of melodic lines which weave beautiful tonal tapestries. This work, in our Easy Choral Masterworks series, is very short and accessible for young voices. Perfect for concert or contest.
Arranger: Audrey Snyder
This choral staple of the Christmas repertoire is given in an edition that omits the modern bar lines- except for light, dashed barlines through the top line of each staff-bringing the appearance closer to authentic Renaissance vocal music. Light editorial brackets over each voice part help the singer visualize the phrasing. A pedagogic edition with pronunciation and interpretation guides.
Glorious polyphony soars in this edition of Victoria's O Magnum Mysterium. Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use.
Rich harmony and passionate feeling in the music is brought forth through long arched phrases in this motet by one of the masters of the High Renaissance. The sorrowful text from Lamentations was used on solemn church days. In Latin, with English translation provided. Duration: ca. 3:00.
Composer: Tomás Luis de Victoria
Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomás Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.
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