Tijs Krammer : Harmonic Warm-Ups

Review: Does this sound familiar? "I'm bored with the warm-ups. We always sing the same exercises." Yes, many singers regard warm-ups as a monotonous requirement, a trivial exercise, or an unnecessary delay before the actual rehearsal starts. But it doesn't have to be this way! Reinvent your routine with this innovative approach that leads the way to more meaningful and diversified warm-ups. This book is filled with uncomplicated melodies that are quickly learned, and then turned into multiple-part exercises by singing in canon or stacked parallels. An exemplary practice that invites developed groups to focus on higher listening and ensemble skills. Online access to MP3 demos of every exercise is included.

Chapters: Walking, Jumping, Stacking, Crawling, Old and New, Happy and Sad, Together and Apart, Hand in Hand, Taking Turns

Emily Crocker : Music in the Air (Collection for the Tenor-Bass Chorus)

Review: Here is a collection of songs curated to appeal to young men. The ranges are perfect, the texts appropriate and the results are extremely positive. This is a real value.

Chapters: I Want To Be Ready, The Colorado Trail, Over My Head, Turn The Glasses Over, Pack Up Your Troubles In Your Old Kit Bag And Smile, Smile, Smile

Jay Rouse : Medallion A Cappella: Christmas, Volume One

Review: This small collection of a cappella carols is a fantastic resource for choirs looking for unaccompanied options and small groups looking for Christmas repertoire. Featuring four carols of contrasting styles, these arrangements are beautifully executed.

Chapters: See Amid The Winter's Snow, Angels We Have Heard On High, Lo! How A Rose E'er Blooming, Go, Tell It On The Mountain

Lizzo : Cuz I Love You

Review: A dozen songs from the 2019 breakthrough album by this singer, songwriter, rapper, actress, and flautist. This matching folio includes piano/vocal/guitar arrangements of the songs: Better in Color - Crybaby - Cuz I Love You - Exactly How I Feel - Heaven Help Me - Jerome - Juice - Like a Girl - Lingerie - Soulmate - Tempo - Truth Hurts.

Chapters: Juice, Heaven Help Me, Crybaby, Tempo, Truth Hurts, Better In Color, Exactly How I Feel, Lingerie, Jerome, Cuz I Love You, Like A Girl, Soulmate

Mel Brooks : The Mel Brooks Songbook

Review: Twenty-three songs from the brilliant career of Mel Brooks in arrangements for piano, voice and guitar. Songs are included from the following Broadway musicals and movies: Blazing Saddles, High Anxiety, History of the World Part I, The Producers, Robin Hood: Men in Tights, Spaceballs, To Be or Not to Be, The Twelve Chairs, Young Frankenstein. Includes a preface by Mel Brooks.

Chapters: Alone, I'm Tired, I Wanna Be A Producer, Keep It Gay, When You Got It, Flaunt It, That Face, Springtime For Hitler, 'Til Him, Theme From Blazing Saddles, There's Nothing Like A Show On Broadway, High Anxiety (Main Title), Men In Tights, Listen To Your Heart, Deep Love, Frederick's Soliloquy, Spaceballs (The Animated Series Theme), Hope For The Best, Expect The Worst, It Could Work, Ladies, Marian, The French Mistake, Retreat, The Inquisition

Various Arrangers : Barbershop Elvis

Review: Sing the king! Here's some certain fun to add in your repertoire by including these classic songs of the great Elvis Presley. Bring out your inner Elvis impersonation and you will have yourself a crowd pleaser! Just like the king.

Chapters: Elvis Medley, Love Me Tender, Blue Moon of Kentucky

Various Arrangers : Barbershop Men Sing The Everly Brothers

Review: The Everly Brothers are one of the greatest vocal harmony groups and their songs are sure to be timeless. Arranged by some of barbershop's top arrangers these songs are a treat for singers and audiences alike.

Chapters: All I Have To Do Is Dream, Bye Bye Love, When Will I Be Loved?

Various Arrangers : Doo Wop Barbershop for Ladies

Review: Here's a great collection of 1950's doo wop classics that will add a touch of nostalgia to your concert. Smooth a cappella harmonies will delight your audience and the arrangements are super fun to rehearse and perform.

Chapters: Goodnight, Sweetheart, Goodnight, In The Still of the Nite, Sh-boom, Silhouettes

Greg Gilpin : Let the Men Sing MORE!

Review: Let the Men Sing MORE! is the follow up to the best-selling collection Let the Men Sing! Folksongs, holiday music, Latin settings, spirituals, patriotic and multicultural works fill this 10 choral REPRODUCIBLE collection for TB voices. A budget-stretcher, the book includes piano/vocal arrangements and an Enhanced StudioTrax CD with accompaniment and performance audio tracks, along with reproducible and projectible PDF files of the men's vocal parts, instrumental pages and choreography. Male singers and audiences alike will enjoy this excellent choral literature for many years to come.

Chapters: Kyrie, The Star-Spangled Banner, Loch Lomond, Little Wheel A-Turnin', Sing A Mighty Song!, Oh What A Wonderful Child, A Merry Christmas Medley, Ha Shalom, Didn't My Lord Deliver Daniel?, Sweet Betsy From Pike

John Purifoy : Holly and Ivy

Review: With the celebration of Advent more popular each year, this work by John Purifoy will be a welcome tool for the traditional Hanging of the Green service. You will find each title in this unique collection usable throughout December as well. Available separately: SATB, Preview CD, ChoirTrax CD, Chamber Orchestra Score and Parts (fl, ob, hp, timp, perc, vn 1, 2, va, vc, b), CD 10-Pak, Preview CD Pak. Duration: ca. 15:00.

Chapters: Angels We Have Heard On High, O Come, O Come, Emmanuel, Hark! The Herald Angels Sing, The Holly And The Ivy, Come, Thou Long-Expected Jesus, Lo, How A Rose E'er Blooming, He Is Born, Good Christian Men, Rejoice, O Come, Little Children, Peace, Hope, Light And Love

Donald Trott : Conducting Men's Choirs

Review: Inspired by Debra Spurgeon's pioneering book Conducting Women's Choirs, this companion resource, compiled and edited by Donald Trott, brings together the expertise of eighteen acknowledged authorities on men's choirs. Conducting Men's Choirs addresses the unique challenges, considerations, and joys of making music with male singers.

The book is organized into three major sections, the first of which contains historical essays on male choirs in the United States. The chapters in this section span a range of relevant topics, including glee clubs in colleges and universities, an examination of some of the nation's most esteemed and accomplished male choirs, and the role of male community choruses in America.

The second section explores key aspects of working with male singers that are vital to the success of any conductor of male choirs. A thorough discussion of repertoire for men's choirs rounds out this resource in the book's third and final section. Chapter authors explore men's choir repertoire from a variety of angles: Renaissance music, works by Schumann, Canadian repertoire, and the music of Veljo Tormis. Extensive repertoire listings with hundreds of titles for men's chorus are also provided for quick and easy reference.

Chapters: How to start a male choir and recruit male singers, Working with middle school boys, Developing adolescent voices, Pedagogical considerations for male voices, Procedures for improving intonation, Standing formations, Warm-ups, Women conductors of male choirs, How to arrange and compose for men's choirs

Jeffrey Agrell , Patrice Ward-Steinman : Vocal Improvisation Games

Review: Why don't classical musicians improvise? Why do jazz players get to have all the fun? And how do improvisers develop such fabulous technique and aural skills?

With this book, Jeffrey Agrell and Patrice Madura Ward-Steinman open the door to improvisation for all non-jazz musicians who thought it was beyond their ability to play extemporaneously. Gently, step by step, Agrell and Madura lead us through a series of games rather than exercises. The game format takes the pressure off of classically trained musicians, steering them away from their fixation on mistake-free performance and introducing the basic concepts of playing with music itself instead of obsessing over a perfect rendition of a written score.

States authors: "Playing duets from the ink is fun and full of musical vitamins, but it needs a complimentary aural approach to develop all-around musicianship." Vocal Improvisation Games for Singers and Choral Groups provide that complementary approach.

Chapters: Warm-Up Games, Rhythm Games, Melody Games, Harmony Games, Aural Games, Depiction Games, Style Games, Timbre Games, Dramatic Games, Text Games, Composition Games, Miscellaneous Games

Home Free : Warmest Winter

Review: Get snugly, light a fire and have a warm and toasty Christmas with a cappella favorites Home Free.

Chapters: Christmas Don't Be Late, Christmas in L.A., Tennessee Christmas, Warmest Winter, What Christmas Means to Me, Winter Song, Christmas in Dixie (feat. Alabama), Snow Globe, Run, Run Rudolph, Christmas Ain't For the Lonely, Cold Hard Cash, What We Need is Love

Libera : Christmas Carols With Libera

Review: Boys from South London with 65 million views on YouTube make up the choral group Libera and are normal kids aged 7 to 16 years. The music they produce is truly extraordinary. In addition to their annual tour to America, Libera appearances include The Today Show, Tonight Show, PBS, NBC, Kennedy Center Honors, Yankee Stadium Papal Mass and many more. Their new album 'Christmas Carols With Libera' is available on CD plus digital formats. Taking on the mellow and the more upbeat songs in this collection, the boys of Libera had great fun. The likes of 'Ding Dong Merrily On High' require real precision, as well as purity. Many of the tracks were recorded during a group 'retreat' to a rehearsal space in an old school, this allowed a true live feel to the process. The boy who took the lead vocal on 'The Snowman' had just turned 9 years old, whilst the introductions to the French 'Noel Nouvelet' and the Irish 'Wexford Carol' are both handled by native French and Gaelic speakers, Libera is as polyglot as ever. The distinctive sound of Libera has travelled the world in the last few years. The group's albums have topped both mainstream and classical charts in many countries, and their recordings hold their place in top 10s alongside major artists. Libera's unique sound has endeared the group to fans all over the world, particularly in the USA, the UK, the Philippines, South Korea and Japan, where their CDs top the mainstream and classical charts and where they pack concert halls appearing in their trademark flowing white robes on imaginatively lit stages. "When I heard them sing... It does remind me a lot of The Beach Boys, but actual boys" - Brian Wilson

Chapters: In Dulci Jubilo, Walking in the Air, Ding Dong Merrily on High, In the Bleak Mid-Winter, Noel Nouvelet, Once in Royal David's City, I Saw Three Ships, What Child Is This (Greensleeves), Sing Lullaby (The Infant King, Carol of the Bells, Wexford Carol, O Little Town of Bethlehem, The Angel Gabriel, Poor Little Jesus, Gaudete, Silent Night, Do You Hear What I Hear?

Pentatonix : We Need A Little Christmas

Review: Christmas with Pentatonix is always a treat!

Chapters: 12 Days of Christmas, Rudolf the Red-Nosed Reindeer, My Favorite Things, Amazing Grace, Thank You, Santa Tell Me, Jingle Bell Pop, When You Wish Upon A Star, Happy Holidays / The Holiday Seasson, White Christmas, We Need A Little Christmas, Seasons Of Love

Straight No Chaser : Social Christmasing

Review: 2020 holiday release. Straight No Chaser is an all-male a Capella group from Indiana. The group formed during their college years at Indiana University in 1996 and have been together ever since. In 2008, Atlantic Records noticed a video for their 12 Days Of Christmas and signed the group immediately. SNC has been releasing music on Atlantic ever since and has found success covering Top 40 songs as well as recording Christmas songs.

Chapters: Silver Bells, The First Noel, I'm Your Snowman, Frosty the Snowman, A Holly Jolly Christmas, The Cold Don't Bother Me, Please Come Home for Christmas, What Christmas Means, A Long December, Away in a Manger, What Are You Doing New Year's Eve?, Office Party Blues, Snow Globe, Holiday Season Medley, Come O Come Emmanuel, O Come All Ye Faithful093624887355

Vocal Majority : A Million Dreams

Review: This CD includes Vocal Majority and Voctave as they perform Jamey Ray's arrangement of "A Million Dreams." If you've seen the VM and Voctave video, or if you have seen the movie, "The Greatest Showman," you know how this song is inspiring.

Chapters: A Million Dreams, Raindrops Keep Falling on My Head, Carpenters Medley , Before the Parade Passes By, The Way We Were, New York, New York, Through the Years, Oh Shenandoah, When Johnny Comes Marching Home, The Impossible Dream

Chanticleer : Sings Christmas

Review: The Christmas concerts of Chanticleer are an institution in the USA, and international tours and recordings have made the brilliant male-voice ensemble, based in San Francisco, familiar to audiences all over the world. As Gramophone has written, "Chanticleer, it seems, can sing just about anything," and Chanticleer sings Christmas bears that out, embracing traditional carols and gospel numbers, plainsong, European and Mexican music of the 16th and 17th centuries, and composers and arrangers of the present day.

Chapters: Plainsong Quem Terra, Pontus aethera, Canite Tuba in Sion, Ne Timeas Maria, Gaudens Gaudebo, Away in a Manger, Ecce Virgo Concipiet, Ave Regina Caelorum, O Little Town of Bethlehem, D'o� Viens-Tu, Belen Va Un Burrico, la Virgen Lava Panales, Touro-Louro-Louro!, Quem Pastores, Reges Terrae, Susanni, Staffan Var en Stalledrang, Corpus Christi, Gaudete, Christmas Medley, Dulce Jesus

King's Singers : Finding Harmony

Review: Singing together binds us together. From the Protestant Reformation in Europe during the 1500s to the U.S. Civil Rights Movement, there have been countless moments in history when songs have united nations, cultures and causes. This is still the case in today's world. Finding Harmony is evidence that music has always been our common language. A unique collection of pieces that span the globe - including music that's too often forgotten - each song is the key to a powerful true story about who we are and how we've got here. Together, Finding Harmony proves how deeply we can be moved by all kinds of stories when songs connect us to them, and to each other.

Chapters: One Day, If I Can Help Somebody, S'dremlen Feygl, Tsintskaro, Bread and Roses, Heliseb Valjadel, Mu Isamaa on Minu Arm, Cielito Lindo, A Mighty Fortress, Ne Irascaris, Domine: Civitas Sancti Tui, Praying, Puirt a Beul, Mi Na M˜rbheanna, Shen Khar Venakhi, Ayihlome - Qula Kwedini, Nkosi Sikelel' Iafrika (God Bless Africa), One Last Time, Strange Fruit, This Little Light of Mine

Take 6 : The Official Scores

Review: From their seminal, self-titled album, an a cappella masterpiece, these songs have been painstakingly transcribed and edited into a complete collection of the album's arrangements. Dive into the group that changed a cappella singing for generations to come. This unique blend of Gospel, Jazz, R&B, Pop and Soul can only be described as Take 6.

Chapters: Mary, Gold Mine, Spread Love, If We Ever (Needed The Lord Before), David And Goliath, Get Away Jordan, He Never Sleeps, Milky White Way, Let The Words, A Quiet Place

Roger Emerson : Pop Rounds for Choir

Review: Singing rounds has always been an easy way to introduce harmony to young singers. Now they can enjoy rounds based on the hit pop songs by John Legend, Anna Kendrick, Camila Cabello, Justin Timberlake and more! Each Performance Kit comes with 8 books and a code to access Full performance and Accompaniment recordings. Audio is accessed online using the unique code inside the kit and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Chapters: All Of Me, Havana, Hallelujah, Secrets, Dynamite, Cups (When I'm Gone), Can't Stop The Feeling!, We Will Rock You

Review: "Dance of the Sugar-Plum Fairy" - Jeff Funk's choral adaptation of this selection from The Nutcracker Suite has been a huge success in its original SATB setting and will provide wonderful lighthearted programming for your next holiday concert. "Waltz of the Flowers" - Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting. "Parade of the Wooden Soldiers" - This traditional holiday favorite comes alive in an exceptionally creative a cappella setting from Jeff Funk. It's the perfect sequel to Jeff's highly successful "Dance of the Sugar Plum Fairy." Sure to be a hit with both singers and audiences! Also included is "Have Yourself a Merry Little Christmas", one of our most performed popular Christmas songs that is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite.

Chapters: Parade of the Wooden Soldiers, Dance of the Sugar-Plum Fairy, Waltz of the Flowers, Have Yourself a Merry Little Christmas

Review: Here's a perfect set of warm-ups for the vocal jazz ensemble that's designed to enhance and stimulate the growth of each member's vocal and choral ability. Thinking of the warm-up as a "mini voice lesson," you can reinforce concepts with consistent encouragement, criticism, problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing, Latin and Rock using solfege and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment with multiple modulations and professional recordings of a rhythm section and singers performing each drill on the enclosed CD.

Chapters: Swing with Scat Syllables, Latin feel with solfrege, Moderate swing with scat, Rock style, Chordial ballad, Moderate swing, Samba with with solfrege syllables, Warm-up exercises

Review: This CD is designed for young elementary school aged singers to learn how to warm up their voice in a healthy fun way. The volume begins with advice on healthy singing, including words on posture, breathing, and diction. Vocal warm ups follow in patterns broken up into three separate vocalizes: Singing numbers, Singing syllables and Singing solfege. Musical terms such as major scales, chords, octaves, staccato and legato are sung through and explained. The goal of Voice Lessons To Go for Kids is to develop good healthy confident voices as well as to develop children's theoretical knowledge about music, creating good singers on the road to being young musicians.

Chapters: Never Push, You will improve, Your Vocal Assessment, Posture, Diction, Breathing, Confidence, Vocal Warm-Ups

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: Preface, Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: Contains more than 200 vocal exercises under the following headings: mental readiness, physical readiness, posture alignment, breath management, tone production, vowels, articulation, range and register, intonation and balance/volume relations. This is an excellent resource for all singers of any style and along with the exercises and text are some excellent diagrams and photos that really does cover all the bases to insure getting the most from your voice in an effective and safe manner. Highly recommended.

Chapters: Mental Readiness, Physical Readiness, Posture / Allignment, Breath Management, Tone Production, Vowels, Dipthongs and Triphthongs, Articulation, Range and Register, Intonation, Balance / Volume Relationships, On To The Rehearsal

Review: Multiple excellent classical exercises, in six different chapters, to help flexibility in the Soprano voice.

Chapters: Exercises in two, three and four notes, Exercises in four, fix, six and seven notes, Scales of Octaves and Ninths ascending and descending, Figured Scales ascending and descending, Exercises in Studies of Embellishments, Progressive Exercises on the ascending chromatic Scale

Review: A collection of vocalise exercise created especially for the soprano voice.

Chapters: Vocalise for soprano voices

Review: This supplemental volume of part exercises follows the sequence of The Jenson Sight Singing Course, but can be used in conjunction with any sight singing method. It has been compiled to provide choral directors with graded material in parts for use with choral ensembles, and consists of predominantly 4-part exercises, along with rounds, 2-part and 3-part exercises. Ranges allow for flexibility in voicing for various groups.

Chapters: Heart Around The World, I See With My Heart, I'll Care, We Remember, Child of the World, Like A Mighty Stream, We Live the Dream, Silent Night, America, The Beautiful, Kumbaya

Review: First steps in a cappella part singing using Sol-fa and staff notation.

Chapters: 50 easy 2-part vocal exercises

Review: Warm Ups and Work Outs for the Developing Choir is designed to integrate the elements of good singing into the choral rehearsal. The exercises, each with a specific objective, are aimed toward the developing singer in upper elementary or middle school, but can be successfully used by choirs of any level.

Chapters: Warm Ups & Workouts Vol. 1, Warm Ups & Workouts Vol. 2

Review: 'Four Vocalises for Chorus' is a great collection of warm-ups for your choir.

Chapters: Four Vocalises

Review: This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Chapters: The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, Fundamental Exercises, The Covered Tone, Agility Studies, Sustained Tone Studies, Chromatic Studies, Messa Di Voce, The Head Voice, Style, Special Problems, English Diction, Foreign Language Diction, Glossary of Musical Terms, Songs for Baritone and Bass, Recordings of Great Singers

Review: This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Chapters: PART I, The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, PART II, Fundamental Exercises, The Turn, The Soprano Registers, Pianissimo Studies, Staccato Studies, Trill Studies, Messa Di Voce, Style , Special Problems, PART III, English, Foreign Language Diction, Italian, French, German, Spanish, Glossary of Musical Terms, Songs for Sopranos, Recordings of Great Singers

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for baritone voice.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for mezzo-soprano voices.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for soprano voices

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for tenor voices

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for alto voices.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Ten Easy Vocalises and Solfeggios for the baritone voice

Chapters: Ten Easy Vocalises and Solfeggios

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

Chapters: Thirty-Six Eight-Measure Vocalises

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

Chapters: Thirty-Six Eight-Measure Vocalises

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Altos, complete with solfege.

Chapters: Thirty-six Eight Measure Vocalises For Alto

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Basses, complete with solfege.

Chapters: Thirty-six Eight Measure Vocalises For Mezzo Soprano

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Sopranos, complete with solfege.

Chapters: Thirty-Six Eight-Measure vocalises for Sopranos

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Tenors, complete with solfege.

Chapters: Thirty-Six Eight-Measure vocalises for Tenors, complete with solfege.

Review: This text-book was received with such marked favor by the foremost musicians and singing teachers of the day, and attained such popularity, that this new and thoroughly revised edition has become a standard. This method can also be used with the careful guidance of an experienced teacher. The preface contains a series of important theoretical and practical suggestions which have in all cases proved to be an admirable basis of instruction in singing, and are recognized as such by the most eminent authorities, like Lamperti, Garcia, Panseron, and Sieber, to whose opinions the author had also occasionally referred to for vocal instruction. A classic!

Chapters: Production of Tone, Intervals, Exercises for the Cultivation of Fluency, Twenty Solfeggi, Twelve Exercises on Vocalization