Wonderfully introspective, this piece will be useful in times of communal prayer and worship. The harmonies are interesting, but not difficult. The words, based on Ignatius' "Prayer for Generosity," are composed in a way that allows for clarity and comprehension. Appropriate just about any time of year, there is a third verse provided that is especially germane to Lent.For cantor or soloist.Ê

Composer: Liam Lawton

A setting of Psalm 145 for solo and assembly, with choral backup. With its soft-rock feel, it is well suited to youth choirs and contemporary ensembles. The refrain is a bit extended, giving the assembly a larger than customary role for a verse-refrain song.For cantor or soloistÊ

Jaunty and joyous, this original psalm setting from Chris de Silva will put a smile on everyone's face. The music conveys the assurance that Jesus is reigning over all; why, therefore, wouldn't we want to shout with joy and sing "Alleluia"? The choir can hum or "oo" on the ostinato refrain while the verses are sung by a soloist.For cantor or soloist.

Chris de Silva's setting offers an alternative to settings of Psalm 98 that are more majestic. The use of flute on the C instrument part will enhance the tranquility of the laid-back melody. This is proof that a psalm of praise can be understated but still display a calm confidence in the saving power of God.For one or two cantors or soloists.

An encouraging text and upbeat tempo offer images of hope for this unpredictable journey called life. A theme of trust in the redeeming love of God makes this a suitable song for reconciliation or for any moments when comfort is needed.For cantor or soloist.Ê

A hymn addressed to Mary in a contemporary style. It addresses Mary's willingness to say yes to God's call. It calls upon Mary to teach us how to obey, to serve, to listen to God's voice.SATB refrain with unison verses, and a separate litany of petitions.An Advent piece.

While actually a solo with choir or small ensemble, this lovely and lyrical song of healing and hope proclaims the recurring and comforting phrase "don't be afraid"-words we all need to sing and hear these days! Try this piece using a male and female soloist for increased variety.For cantor or soloist.

Composer: Tony Alonso

In this setting of "Ave Maria" Lawton pairs a Latin refrain with English verses. The congregation-friendly refrain, thoughtful lyrics, soulful melody, and exquisite arrangement make this a piece you will want to use for all of your Marian feast days.For cantor or soloist.

Composer: Liam Lawton

Chris de Silva has adapted the words of Psalm 27 and I Corinthians 1 and paired them with a gentle and flowing setting. The option for a string quartet accompaniment is offered, and a lovely instrumental interlude is possible.

The choral writing for the verses and refrain of "Bethlehem Sky" is accessible for most choirs. The piece leads us to reflect on the mystery of the Incarnation. This lush setting for Christmastime might be most effective when sung by several soloists or a small ensemble.

Composer: Liam Lawton

For cantor or soloist.Ê

Composer: Tony Alonso

Liam Lawton's remarkable melody gently impels us to act as the body of Christ: to be his eyes, his hands, his feet. An effective setting that stirs us from our complacent selves to be forces for compassion in the world-a message that needs to be heard more than ever!For cantor or soloist.

Composer: Liam Lawton

Based on Matthew 11:28-30, Chris de Silva paraphrases the words of the Savior, who invites us to turn to him when all seems hopeless. This introspective setting assures us that Jesus will give us the rest we seek.

Few pieces are as flexible as this! There are two refrains-one for use in Ordinary Time and one for the season of Advent. There are five verses when the piece is used as a gathering song-AND another set of 5 verses for the Communion procession. Regardless of what time of year or at point during the Mass the song is sung, the message is still the same: Come, Lord Jesus.For cantor or soloist.

Scored in 3/4 but with directions to use a 9/8 feel, this soulful but rather simple setting of Psalm 34:2-7 is scored for SAB voices in the refrain and under the solo verses, and has the option of an added string quartet.For cantor or soloistÊ

The flowing accompaniment of this song creates a feeling of vastness within a palette of simplicity. The text (sung in English, Spanish, Korean, and Tagalog) underscores the universality of Psalm 51's plea for the presence of God in our hearts.For cantor or soloist

Composer: Tony Alonso

Based on Psalm 51, Chris de Silva's song of repentance will resonate with all who hear it. Optional parts for violin and cello are available separately, and reproducible material for the assembly is provided in the octavo.

This lively piece by Chris de Silva invites us to enter not only into the Sunday liturgy, but also into the liturgy of the world, where we are called to bring the good news of God's kingdom of peace, justice and freedom.For cantor or soloist.

For cantor or soloist.

Through the skills of both composer and arranger, we are able to aurally immerse ourselves in the comfort and warmth of God's love and mercy, which we sing about in the refrain.For cantor or soloist.

Composer: Liam Lawton

Another fine result of the collaboration of Liam Lawton and Chris de Silva! Lawton's words and melody are enhanced through de Silva's expert arranging. The ebullient melody of the refrain makes hearty congregational participation a sure thing in this song of praise.For cantor or soloist.The violin part is optional.

Composer: Liam Lawton

Solo or Duet

Composer: John L. Bell

The traditional 16th-century Christmas hymn "Gaudete" has been arranged by Chris de Silva for SAB voices, winds and percussion. At the center of this piece is the hymn itself surrounded by choral fanfares inviting listeners to rejoice at the birth of Christ, the Son of Mary.Percussion part is for snare drum.

The energetic refrain from this rousing piece based on Matthew 28:19-20 is infectious and will have the members of your assembly- no matter their age-eager to "tell all the good news!"

Discipleship and the mission to be and to bring the presence of Christ to the world is the main theme of this choral ballad. Based on writings of Teresa of Avila, the setting would work well with most contemporary ensembles.

This tender song of farewell incorporates Chris' original text with a modern harmonization of In paradisum (Mode VII) in Latin. A simple, arpeggiated accompaniment reflects the compassionate comfort of this graceful song for funerals. Optional string quartet and oboe parts are available separately and add to the expressiveness of this piece.For Cantor or Solo, SATB choir, and assembly this touching original work by Chris de Silva quotes the Latin chant In paradisum and offers solace and hope for those who have suffered loss.For cantor or soloist.

Quiet simplicity, profound petition, and unending hope characterize this piece in which the refrain concludes "Kyrie eleison, Christe eleison." The verses then take up a litanic form alternating between cantor invocations - e.g., "In the desert of despair" - and choir and assembly responses, "Be with us, Lord." A highly useful piece for Lent and reconciliation services.

Composer: Liam Lawton

Composer: Liam Lawton

Composer: Liam Lawton

Shirley Erena's Murray text invites the singer and listener to reflect on the plights of poor children throughout the world. Tony Alonso's hymn-anthem perfectly captures the sentiments of the text.For cantor or soloist.

Composer: Tony Alonso

The first half of the refrain of this song for baptism is in a quasi-call-and-response format. The Alleluias that are interjected throughout the cantor's verses are derived from the second half of the refrain. The result is a beautifully flowing composition that will be quickly learned by your choir and congregation.For cantor or soloist.

A joyful, energetic, and heavily syncopated setting of Psalm 111 that features a solid SATB sound over a highly rhythmic accompaniment. Core material for youth and contemporary choirs.

Inspired by Psalm 121 and the writings of Thomas Merton, this impassioned declaration rhythmically moves with stately confidence, building to a crescendo that conveys with unwavering certainty that God ever walks this path before us. The tender melody resonates deep within the soul while the choral writing supports and enhances without detracting from the power of this poignant text.For cantor or soloist.Ê

Composer: Tony Alonso

At its heart, this piece is a solid mantra that is capable of becoming a song of praise, prayer and journey for your community. Chorally, consider this as a call to prayer. Congregations might do well to sing this as a blessing song or concluding song at almost any service or celebration. Instrumental parts (within the pages of the edition) offer additional ways to bring flexibility to this simple setting. Two- and four-part choral textures are provided.

Composer: Tony Alonso

Composer Chris de Silva has set Psalm 95 with a voice for today, but one that will appeal to all ages. The accompaniment, which employs a C instrument, is flexible, depending on your available forces (guitar, bass and drums are recommended). Reproducible material for the congregation is included in the octavo.

This text, particularly the refrain, reminds us that all we have, all we are, is due to the power and providence of God (Acts 17:28). The piece is a great option for a reflection by a soloist or with the supporting choral parts. Either way, definitely try to include the cello, which will offer a warm, comforting sonority!

Composer: Liam Lawton

An easily singable setting of Psalm 118. Similar material is used for the psalm and for the Gospel acclamation. A part for 11 handbells is included in the octavo. Primarily for use at Easter, but appropriate for any festive occasion.

Featuring images of God calling us by name as he shows his great love for us, this edition can be used at various times throughout the year. The beautiful choral harmonies can be effectively performed by an SATB choir or by a smaller group of voices. The C instrument part may be used alone or in conjunction with the string quartet parts, bringing added texture and beauty to the piece.

Composer: Liam Lawton

A wonderful "bridge" piece of praise, "Laudamus te" celebrates and honors the traditions of different musical groups. It enables ensemble singers to experience linear, extended choral writing, while at the same time allowing the "traditional" choir to sing a simple Latin text over a piano/guitar accompaniment. The piece is rounded out by the use of strings and winds.

For cantor or soloist.Ê

It's a setting of Psalm 130, composed in a funky groove, for solo singer and backup choir. A fairly extended and somewhat complex setting. Probably more ideal as a processional or closing song than a responsorial.

Appropriate for any celebration of thanksgiving to God, this bright, rhythmic setting offers many options for cantor or soloist with two- and three-part choral texture interjected into the verses and the refrain. Try it as a song of thanksgiving at the end of a Eucharistic celebration.For cantor or soloist.

Energetic and filled with images of Christ's love, this piece is great for any time of the year. "Live in Love" begins with an SAB refrain and continues on to verses that can be sung as a solo or by unison choir. Perfect for use as a gathering or sending forth song.