Greg Gilpin : A Wreath of Holiday Chorals

Review: This musically diverse collection contains seven reproducible selections for Christmas, Hanukkah and December holidays, carefully arranged to be sung as unison or optionally as 2-part. A Wreath of Holiday Chorals works as a bridge to teaching harmony, giving less experienced choirs and younger singers quality literature with many performance options. As you rehearse, you will discover the many ways to incorporate the optional Part Two; perhaps by adding a simple harmony or selecting a section where both parts are sung instead of just unison. In addition to the physical book, it is also completely digital, granting you permission to print the entire book or singer-only PDF parts. Included are full performance and accompaniment MP3s as well as part-dominant recordings to help with individual learning, all downloadable for immediate use. Whether you incorporate one of or all the selections, you will love the versatility, quality, and budget-stretching punch for your music program.

Chapters: Adeste Fideles, Bethlehem Lullaby, Hear The Sleigh Bells Ring, The Holiday Tango, Over The River And Through The Wood, S'vivon, A Wreath Of Carols

Taylor Swift : The Life of a Showgirl

Review: Enter your Showgirl Era! Make space on your shelf for the official songbook of Taylor Swift's Life of a Showgirl. From the songs that break your heart to the ones you'll have on repeat, play or sing every moment of Taylor's latest release with the complete sheet music collection. All twelve pop tracks are expertly arranged for piano/vocal/guitar, feature guitar chord symbols, and complete lyrics. Step into the spotlight and bring the glamour home with these unforgettable songs: Actually Romantic - Cancelled! - Eldest Daughter - Elizabeth Taylor - Father Figure - Honey - Opalite - Ruin the Friendship - The Fate of Ophelia - The Life of a Showgirl - Wi$h Li$t - Wood. Your spotlight is waiting. Play Taylor's Life of a Showgirl now.

Chapters: Actually Romantic, CANCELLED!, Eldest Daughter, Elizabeth Taylor, The Fate Of Ophelia, Father Figure, Honey, The Life Of A Showgirl, Opalite, Ruin The Friendship, Wi$h Li$t, Wood

Various : K-Pop Sheet Music Collection

Review: Step into the global phenomenon that's redefining pop music! K-Pop Sheet Music Collection brings together today's biggest hits from chart-topping superstars like BTS, BLACKPINK, Stray Kids, NewJeans, TWICE, and more. From the viral sensation Gangnam Style to modern smashes like Golden, Butter, and Rock with You, this collection captures the sound, style, and energy that have made K-pop a worldwide obsession. Arranged for piano, vocal, and guitar, these accessible yet dynamic charts are perfect for keyboardists who want to: - Play the most in-demand contemporary repertoire - Explore signature K-pop textures, grooves, and chord progressions - Engage students and audiences with instantly recognizable hits Whether you're performing, teaching, or just playing for fun, this collection puts the pulse of global pop right at your fingertips.

Chapters: Apt., Butter, Dynamite, The Feels, Gangnam Style, Gee, Golden, Hollow, Jump, Magnetic, Replay, Rock With You, Soda Pop, Super Shy, Who

Various : KPop Demon Hunters

Review: KPop Demon Hunters has taken the world by storm, breaking streaming records on Netflix and sending its soundtrack to the top of the charts. Called charming, funny and artfully punchy and praised as a thrilling animated spectacle... full of bops, the film has become a true pop-culture phenomenon. This matching songbook features nine songs from the film arranged for piano and voice with guitar chords. Perfect for fans, musicians, and performers, this collection captures the excitement, heart, and unstoppable energy of the year's most talked-about film!

Chapters: Free, Golden, How It's Done, Love, Maybe, Soda Pop, Strategy, Takedown, What It Sounds Like, Your Idol

Dana Lentini : Songs and Lessons for the Beginning Singer

Review: Songs and Lessons for the Beginning Singer introduces foundational singing skills through engaging, age-appropriate repertoire for developing voices. Familiar and original songs support healthy vocal coordination and early musical understanding. Each lesson invites singers to explore technique through guided activities, building awareness of breath, tone, and expression while fostering curiosity and confidence. Piano accompaniment tracks and performances by child singers provide authentic, relatable models. Each song includes: - Activity-based lessons for technique exploration - Lyric page - Vocal lead sheet with words and melody - Piano/vocal score This book also includes access to audio tracks online for download or streaming of recorded performances by child singers and accompaniments for practice.

Chapters: Bingo, Catch A Falling Star, Cleaning!, Come On Get Happy, Do-Re-Mi, Growl And Howl, I Am A Robot, I Like To Sing My ABC's, Lavender's Blue, My Country, 'Tis Of Thee (America)

Dana Lentini : Songs and Lessons for the Progressing Singer

Review: Songs and Lessons for the Progressing Singer builds on foundational skills while guiding singers toward greater coordination, independence, and expression. Carefully selected repertoire, spanning familiar, newly composed, pop, and culturally diverse music, supports developing voices while introducing new musical and technical ideas that encourage cross-training of the voice. Using a spiraling approach, core skills are revisited and expanded, helping singers move from discovery to confident, consistent singing. Piano accompaniment tracks and performances by child singers provide realistic, relatable models. Each song includes: - Activity-based lessons for continued technical development - A notated vocal warm-up connected to each song - Piano/vocal score - Audio tracks available for download or streaming: - Recorded performances by child singers - Recorded accompaniments for practice

Chapters: Curiosity, Feelings, In Our Own Backyard, Jack Was Every Inch A Sailor, Just Passing By, Las Mananitas, Martin Luther King's Dream, Navrai Majhi, Ob-La-Di, Ob-La-Da, Rockin' Robin, Simple Gifts, The Ugly-Bug Ball, When Johnny Comes Marching Home

Various : Classic Hits for the Big Band Vocalist

Review: This book provides you with the chance to experience a rare treat: to sing in front of a big band! The book includes the music and lyrics with access two audio tracks: one with a recording that includes the big band with the vocalist for reference while you're learning the part and one that is just the big band, which is your time to step into the spotlight! You'll get the enjoy ten iconic standards and pop favorites: Autumn Leaves - Cheek to Cheek - Crazy Little Thing Called Love - It Had to Be You - The Nearness of You - Quiet Nights of Quiet Stars (Corcovado) - Sweet Home Chicago - Time After Time - Uptown Funk - Witchcraft. The accompanying audio is accessed through Hal Leonard's popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Chapters: Autumn Leaves, Cheek To Cheek, Crazy Little Thing Called Love, It Had To Be You, The Nearness Of You, Quiet Nights Of Quiet Stars (Corcovado), Sweet Home Chicago, Time After Time, Uptown Funk, Witchcraft

Roger Emerson : Pop Harmony Stacks for Choir

Review: The Grace Kelly challenge on TikTok involved users harmonizing to the hit 2007 Mika song using multilayered tracking to overlap their vocal lines one on top of the other, moving up the scale until the final, high notes which complete the exercise. This collection from Pop maestro Roger Emerson imagines nine more of these challenges with certified bangers, arranged in 3 to 8 parts for your choir! The Performance Kit includes 10 collections along with free access to the ChoralMix lessons for each song online (sharable with all members of the choir) for a complete digital interface with separate vocal lines for learning!

Chapters: Africa, Fireflies, Golden Hour, Grace Kelly, Peaches, Some Nights, Talking To The Moon, Titanium, Wellerman, White Winter Hymnal

Emily Crocker : A Cappella Songs for SSA Chorus

Review: This collection of songs and arrangements of folk tunes provides an excellent source of a cappella contest literature for the developing choir. Quality texts, careful attention to range and tessitura, along with thoughtful limits on melodic and harmonic complexity make these settings an ideal choice. Songs include: Gloria!; My True Love Hath My Heart; Sail Away, Ladies; Shenandoah; Teach Me, O Lord; Where Go the Boats?. For the Demonstration and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. To purchase, click on the cart icon and add to the Shopping Cart. HL01975895 Demonstration and Part Dominant Tracks

Chapters: Gloria!, My True Love Hath My Heart, Sail Away, Ladies, Shenandoah, Teach Me, O Lord, Where Go the Boats?

Louise Toppin : Black Composers in Art Song - Low Voice

Review: Vocal anthologies have been a staple in voice studios for many years, providing teachers and students with a wide array of repertoire at a reasonable cost. Teachers eagerly stocked their studios with these multi-composer volumes as well as those of the more popular single composers such as Schubert, Schumann, Debussy, Fauré, etc. There is a plethora of anthologies devoted to the Arie antiche, German lieder, French mélodie, and American art song. Missing from this landscape was an anthology with multiple composers devoted to the art songs of Black composers. Acknowledging that there have always been some anthologies by Black composers devoted to single composers of art songs, song cycles, and spirituals; there have been relatively few collections that offer singers a variety of songs by different Black composers. This new collection Black Composers in Art Song is designed with the studio teacher in mind. Its appealing repertoire meets technical, linguistic, and interpretive goals to make it easier for teachers to expand the musical canon they teach to include works by Black composers. The composers selected represent the United States, England and France and both male (9) and female (5) composers. The fourteen selected songs span the 18th to 21st centuries and utilize three of the singing languages (English, German, French and French creole). The book includes a thorough introduction along with composer bios. Songs include: The Butterfly upon the Sky (Jeremiah Evans) - Dans Un Bois Solitaire (Joseph Bologne) - Dream Variations (Richard Thompson) - Fais Do Do (Camille Nickerson) - Grief (William Grant Still) - Herz, Mein Herz, Sei Nicht Beklommen (Marques Garrett) - Hold Fast to Dreams (Forence Price) - Homesick Blues (Leslie Adams) - I Want to Die While You Love Me (Undine Smith Moore) - In the Springtime (Betty Jackson King) - Now Sleeps the Crimson Petal (Harry T. Burleigh) - Since You Went Away (J. Rosamond Johnson) - Thou Art the Soul of a Summer's Day (Adolphus Hailstork) - What Lips My Lips Have Kissed (Margaret Bonds) - The Willow Song (Samuel Coleridge-Taylor).

Chapters: The Butterfly Upon The Sky, Dans Un Bois Solitaire, Dream Variations, Fais Do Do, Grief, Herz, Mein Herz, Sei Nicht Beklommen, Hold Fast To Dreams, Homesick Blues, I Want To Die While You Love Me, In The Springtime, Now Sleeps The Crimson Petal, Since You Went Away, Thou Art The Soul Of A Summer's Day, What Lips My Lips Have Kissed, The Willow Song

Louise Toppin : Black Composers in Art Song - High Voice

Review: Vocal anthologies have been a staple in voice studios for many years, providing teachers and students with a wide array of repertoire at a reasonable cost. Teachers eagerly stocked their studios with these multi-composer volumes as well as those of the more popular single composers such as Schubert, Schumann, Debussy, Fauré, etc. There is a plethora of anthologies devoted to the Arie antiche, German lieder, French mélodie, and American art song. Missing from this landscape was an anthology with multiple composers devoted to the art songs of Black composers. Acknowledging that there have always been some anthologies by Black composers devoted to single composers of art songs, song cycles, and spirituals; there have been relatively few collections that offer singers a variety of songs by different Black composers. This new collection Black Composers in Art Song is designed with the studio teacher in mind. Its appealing repertoire meets technical, linguistic, and interpretive goals to make it easier for teachers to expand the musical canon they teach to include works by Black composers. The composers selected represent the United States, England and France and both male (9) and female (5) composers. The fourteen selected songs span the 18th to 21st centuries and utilize three of the singing languages (English, German, French and French creole). The book includes a thorough introduction along with composer bios. Songs include: The Butterfly upon the Sky (Jeremiah Evans) - Dans Un Bois Solitaire (Joseph Bologne) - Dream Variations (Richard Thompson) - Fais Do Do (Camille Nickerson) - Grief (William Grant Still) - Herz, Mein Herz, Sei Nicht Beklommen (Marques Garrett) - Hold Fast to Dreams (Forence Price) - Homesick Blues (Leslie Adams) - I Want to Die While You Love Me (Undine Smith Moore) - In the Springtime (Betty Jackson King) - Now Sleeps the Crimson Petal (Harry T. Burleigh) - Since You Went Away (J. Rosamond Johnson) - Thou Art the Soul of a Summer's Day (Adolphus Hailstork) - What Lips My Lips Have Kissed (Margaret Bonds) - The Willow Song (Samuel Coleridge-Taylor).

Chapters: The Butterfly Upon The Sky, Dans Un Bois Solitaire, Dream Variations, Fais Do Do, Grief, Herz, Mein Herz, Sei Nicht Beklommen, Hold Fast To Dreams, Homesick Blues, I Want To Die While You Love Me, In The Springtime, Now Sleeps The Crimson Petal, Since You Went Away, Thou Art The Soul Of A Summer's Day, What Lips My Lips Have Kissed, The Willow Song

Review: Here's a perfect set of warm-ups for the vocal jazz ensemble that's designed to enhance and stimulate the growth of each member's vocal and choral ability. Thinking of the warm-up as a "mini voice lesson," you can reinforce concepts with consistent encouragement, criticism, problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing, Latin and Rock using solfege and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment with multiple modulations and professional recordings of a rhythm section and singers performing each drill on the enclosed CD.

Chapters: Swing with Scat Syllables, Latin feel with solfrege, Moderate swing with scat, Rock style, Chordial ballad, Moderate swing, Samba with with solfrege syllables, Warm-up exercises

Review: This CD is designed for young elementary school aged singers to learn how to warm up their voice in a healthy fun way. The volume begins with advice on healthy singing, including words on posture, breathing, and diction. Vocal warm ups follow in patterns broken up into three separate vocalizes: Singing numbers, Singing syllables and Singing solfege. Musical terms such as major scales, chords, octaves, staccato and legato are sung through and explained. The goal of Voice Lessons To Go for Kids is to develop good healthy confident voices as well as to develop children's theoretical knowledge about music, creating good singers on the road to being young musicians.

Chapters: Never Push, You will improve, Your Vocal Assessment, Posture, Diction, Breathing, Confidence, Vocal Warm-Ups

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: Preface, Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Chapters: 20 Daily Exercises

Review: Contains more than 200 vocal exercises under the following headings: mental readiness, physical readiness, posture alignment, breath management, tone production, vowels, articulation, range and register, intonation and balance/volume relations. This is an excellent resource for all singers of any style and along with the exercises and text are some excellent diagrams and photos that really does cover all the bases to insure getting the most from your voice in an effective and safe manner. Highly recommended.

Chapters: Mental Readiness, Physical Readiness, Posture / Allignment, Breath Management, Tone Production, Vowels, Dipthongs and Triphthongs, Articulation, Range and Register, Intonation, Balance / Volume Relationships, On To The Rehearsal

Review: Multiple excellent classical exercises, in six different chapters, to help flexibility in the Soprano voice.

Chapters: Exercises in two, three and four notes, Exercises in four, fix, six and seven notes, Scales of Octaves and Ninths ascending and descending, Figured Scales ascending and descending, Exercises in Studies of Embellishments, Progressive Exercises on the ascending chromatic Scale

Review: This supplemental volume of part exercises follows the sequence of The Jenson Sight Singing Course, but can be used in conjunction with any sight singing method. It has been compiled to provide choral directors with graded material in parts for use with choral ensembles, and consists of predominantly 4-part exercises, along with rounds, 2-part and 3-part exercises. Ranges allow for flexibility in voicing for various groups.

Chapters: Heart Around The World, I See With My Heart, I'll Care, We Remember, Child of the World, Like A Mighty Stream, We Live the Dream, Silent Night, America, The Beautiful, Kumbaya

Review: First steps in a cappella part singing using Sol-fa and staff notation.

Chapters: 50 easy 2-part vocal exercises

Review: This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Chapters: The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, Fundamental Exercises, The Covered Tone, Agility Studies, Sustained Tone Studies, Chromatic Studies, Messa Di Voce, The Head Voice, Style, Special Problems, English Diction, Foreign Language Diction, Glossary of Musical Terms, Songs for Baritone and Bass, Recordings of Great Singers

Review: This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Chapters: PART I, The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, PART II, Fundamental Exercises, The Turn, The Soprano Registers, Pianissimo Studies, Staccato Studies, Trill Studies, Messa Di Voce, Style, Special Problems, PART III, English, Foreign Language Diction, Italian, French, German, Spanish, Glossary of Musical Terms, Songs for Sopranos, Recordings of Great Singers

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for baritone voice.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for mezzo-soprano voices.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for soprano voices

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for tenor voices

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for alto voices.

Chapters: 36 Eight-Measure Vocalises for Elementary Teaching

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Ten Easy Vocalises and Solfeggios for the baritone voice

Chapters: Ten Easy Vocalises and Solfeggios

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

Chapters: Thirty-Six Eight-Measure Vocalises

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

Chapters: Thirty-Six Eight-Measure Vocalises

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Altos, complete with solfege.

Chapters: Thirty-six Eight Measure Vocalises For Alto

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Basses, complete with solfege.

Chapters: Thirty-six Eight Measure Vocalises For Mezzo Soprano

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Sopranos, complete with solfege.

Chapters: Thirty-Six Eight-Measure vocalises for Sopranos

Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Tenors, complete with solfege.

Chapters: Thirty-Six Eight-Measure vocalises for Tenors, complete with solfege.

Review: This text-book was received with such marked favor by the foremost musicians and singing teachers of the day, and attained such popularity, that this new and thoroughly revised edition has become a standard. This method can also be used with the careful guidance of an experienced teacher. The preface contains a series of important theoretical and practical suggestions which have in all cases proved to be an admirable basis of instruction in singing, and are recognized as such by the most eminent authorities, like Lamperti, Garcia, Panseron, and Sieber, to whose opinions the author had also occasionally referred to for vocal instruction. A classic!

Chapters: Production of Tone, Intervals, Exercises for the Cultivation of Fluency, Twenty Solfeggi, Twelve Exercises on Vocalization

Review: Giovanni Battista Lamperti was a highly-regarded Italian singing teacher who was considered to one of the best of his era. Many of Giovanni's students became international opera stars. These vocalises are designed to prepare the soprano voice for performance. "I recommend the daily use of these Exercises, particularly to Soprano and Mezzo-soprano singing a melodramatic repertory; because exercises of this kind promote length of respiration, and delay the deterioration and undue vibration (tremolo) of the voice. Beginners should confine themselves to a regularly limited range, so as not to weaken the medium of the voice and should extend their compass according to individual progress and development." - G.B. Lamperti

Chapters: 30 Preparatory Vocalises

Review: Giovanni Battista Lamperti was a highly-regarded Italian singing teacher who was considered to one of the best of his era. Many of Giovanni's students became international opera stars. These vocalises are designed to prepare the soprano voice for performance. "I recommend the daily use of these Exercises, particularly to Alto singing a melodramatic repertory; because exercises of this kind promote length of respiration, and delay the deterioration and undue vibration (tremolo) of the voice. Beginners should confine themselves to a regularly limited range, so as not to weaken the medium of the voice and should extend their compass according to individual progress and development." - G.B. Lamperti

Chapters: Twenty Nine Preparatory Vocalises

Review: Giuseppe Concone, the famous Italian Master of Singing and Pianoforte, was born in Turin in the year 1810. His musical education was had in Turin, where he continued to live until he met with discouragement on the failure of his first opera, 'Un episodio di San Michel,' which was performed in 1836. In 1837 he moved to Paris, where he became famous as a teacher of the piano forte, singing, the theory of music and composition. While resident in Paris, Concone became very popular as a composer of Romanzas, Arias and Duettini; but his chief title to fame rests on a Series of Solfeggi which have a world-wide reputation and are everywhere in use - they are eminently practical and melodious, with a flowing accompaniment. Here is a collection of excellent exercises for sopranos.

Chapters: 15 Vocalises

Review: The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

Chapters: Fifteen Vocalises

Review: The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

Chapters: Fifteen Vocalises

Review: The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

Chapters: 50 exercises

Review: The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

Chapters: 50 exercises

Review: The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

Chapters: 50 exercises

Review: These Exercises For a Transition from the Grand Style to the Extreme Difficulties of Vocalisation. This collection comes complete with 30 daily exercises as well as instruction and tips on how to execute them properly.

Chapters: 30 Daily Exercises for High Voice

Review: Panofka (1807-1887) was one of the great 19th century voice teachers. His background as a choral composer greatly influenced these athletic bel canto vocalise compositions. This work presents 24 studies in The Art Of Singing and is suitable for Soprano, Mezzo-Soprano, or Tenor.

Chapters: Major Scales, Minor Scales, Agility, Triplets, Groups of 2 Slurred Notes, Portamento, Dotted Notes, Syncopation, Legato, Appoggitura, Gruppetto, Turn and Mordent, Preparatory Study for the Trill, Agility, Trills, Arpeggios, Chromatic Scales, Study on Chromatics, Intervals

Review: Panofka was one of the great 19th century voice teachers. His background as a violinist and composer greatly informed these athletic bel canto vocalise compositions. Op. 81 is for Alto, Baritone, or Bass.

Chapters: 24 Vocalises

Review: Panofka was one of the great 19th century voice teachers. His background as a violinist and composer greatly informed these athletic bel canto vocalise compositions. Op. 81 is for soprano, mezzo-soprano or tenor.

Chapters: 24 Vocalises

Review: Panofka was one of the great 19th century voice teachers. His background as a violinist and composer greatly informed these athletic bel canto vocalise compositions. Op. 81 is for alto or tenor.

Chapters: Twenty-four Progressive Vocalises

Review: Where in the World helps to develop the singing voices of children's choirs through fun warm-ups, based on folk tunes from many lands. Includes notes on how to use the song as a warm up, pronunciation guides, and suggested keys/vocal ranges for each song. For elementary choirs. Where in the World helps to develop the singing voices of children's choirs through fun warm-ups, based on folk tunes from many lands. Includes notes on how to use the song as a warm up, pronunciation guides, and suggested keys/vocal ranges for each song.

Chapters: Kum Ba Yah, Come To My Farm, Cuckoo, Sing an Aria, Cantad al Senor, A Zing-a Za, Mama Paquita, Ging Gong Gooli, Chumbara, Yangtze Boatman's Chantey, Stodola Pumpa, Hey Ho, Hey Ho, Blow the Man Down, Hauling Song, Sing Together, Gloria, I Have Lost the Bow for My Violin, Hear the Bagpipes Play, German Instrument Song, Hiking Song, The Scale, Sarasponda, Debka Hora, Toembai, Zum Gali Gali, Bella Bimba, Mi Gallo, Alabare, Alabare, Oh, How We Sing, A Ram Sam Sam, The Little Birch Tree, La Cucaracha, Do Remember Me, Polly Wolly Doodle, Old Chisholm Trail