Review: This valuable publication features easy a cappella vocal jazz arrangements from the pen of jazz educator Michele Weir. These holiday classics fare all arranged perfectly in a light jazz style for today's singers. Includes a second group of three Christmas numbers arranged in a light, a cappella, vocal jazz style. Excellent material for your show and jazz choirs. Appropriate for beginning or established groups.

Songlist: A Holiday Jazz Trio, I'll Be Home for Christmas, Jingle Bell Rock, A Christmas Jazz Trio, O Christmas Tree, Winter Wonderland, Let It Snow! Let It Snow! Let It Snow!, Santa Claus Is Comin' to Town

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: "When I'm 64" - This Lennon/McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. "Don't Know Why" - A ballad of the 40's in block harmonies. The tempo is medium. "My Funny Valentine" - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.

Songlist: When I'm Sixty-Four, My Funny Valentine

Voicing: sheet-music/female-voices/

Review: "Fum Fum Fum" is a traditional Christmas folk song from Catalan with bright tempo and traditional harmonies. Two verses are in Spanish and two in English. It is a straight four-part singing without solos. " O Come With Us" is an English carol with bright tempo and contrapuntal lines. A fun sing! Traditional carol " The Holly And The Ivy" with non-traditional rhythm setting in 6/8. Bright tempo, and several solo sections. "That You Gonna Call Your Pretty Little Baby/a Child Is Born" is a two-song blend of a traditional spiritual and a Thad Jones' jazz classic. Solos meant for free interpretation. Never more than 4-parts at once includig solos. These sophisticated arrangements willl add some sizzle to your Christmas program.

Songlist: Fum, Fum, Fum, The Holly and the Ivy, O Come With Us, What You Gonna Call Your Pretty Little Baby / A Child Is Born

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: The World War II classic, "I'll Be Seeing You", by Irving Kahal and Sammy Fain, evokes memories of the big band era, while staying in the a cappella realm. Rubato, mellow blends and dynamic shaping are keys to this Darmon Meader arrangement. It creates the melancholy feelings that are significant in time of war when loved ones are missed and longed for. A beautiful selection for the holidays and the New Year, as well as graduation. "Baby Driver" - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! The timeless Irish folk song "The Last Rose Of Summer" has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!

Songlist: I'll Be Seeing You, Baby Driver, The Last Rose Of Summer, Come Home

Voicing: a-cappella/arrangements/vocal-jazz/

Review: NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.

Songlist: Silence of Time, Caravan, The Sultan Fainted, To Dare The Moon, Sign of Spring, National Amnesia

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.

Songlist: Round Midnight, Baroque Samba, Now Or Never, Sassy Samba, Open Invitation

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.

Songlist: Stolen Moments, Do You Know Wanna Know What I Want, Street Party, Who Knows?

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.

Songlist: Overs, Me and Julio, Soon One Day

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.

Songlist: That's The Way of the World, Desafinado, Modinha

Voicing: a-cappella/arrangements/vocal-jazz/

Review: The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB

Songlist: Prelude / Interlude, Giant Steps, In a Mellow Tone, Cotton Tail

Voicing: a-cappella/arrangements/vocal-jazz/

Review: These Paul Simon classics has been dynamically arranged by Peter Eldridge and Darmon Meader and recorded by the venerable New York Voices. Smooth jazz vocals and solo lines play against a rhythmic percussion background making up these hot charts that were recorded on the CD New York Voices Sing the Songs of Paul Simon. For show choir or vocal jazz ensemble, this humorous and energetic arrangement features a Louisiana Cajun groove of "Why Don't You Write Me?," allows for a lot of solo lines interspersed with group vocals and includes a fun swing section as well. Fabulous! Piano accompanied.

Songlist: Mother and Child Reunion, Me & Julio Down by the School Yard, Loves Me Like A Rock, Why Don't You Write Me?

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Here Comes Santa Claus" - Gene Autry's famous Christmas song from 1948 is a bona fide holiday classic and gets a vocal jazz makeover in this swingin' setting that will showcase your singers at their best! Perfect for all kinds of concerts! "The Man With The Bag And Santa Baby" - These two holiday favorites are a perfect match! Add some swing to your performance with Kris Kringle and sing about that luxury gift list as well. This selection is pure fun with fantastic jazz arranging for mixed choirs and will be a blast for your women too! The jazzy Christmas standard "That's What I Want For Christmas" has been recorded by such artists as Ella Fitzerald, Nancy Wilson, and SheDaisy, just to name a few! With a gentle swing feel, romantic lyrics, and rich, accessible vocal harmonies, choirs of all kinds will love performing this arrangement. It's especially nice for the ladies!

Songlist: Here Comes Santa Claus, The Man With The Bag And Santa Baby, That's What I Want For Christmas

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Here's a collection from vocal jazz guru Phil Mattson. "Love For Sale" was written for Chanticleer in a gospel a cappella feeling featuring a female solo. "Dancing In The Dark" was arranged for the Swedish vocal jazz ensemble, The Real Group. It is written in an a cappella bossa nova groove with some quasi-funk sections. The arrangement, which treats text as a metaphor for human life, features vocal percussion opportunities. The classic Manhattan Transfer arrangement of "Body and Soul" includes lyrics about Coleman Hawkins and jazz singer Eddie Jefferson. "Love Lost" - An original piece by the Four Freshmen that was the title song from their beautiful album with strings. Has opportunities to feature both vocal and instrumental solos. SATB with rhythm section. "You Must Believe In Spring" - A lovely text beautifully set to music by Michel LeGrand with lyrics by Alan and Marilyn Bergman, featuring spots for three short solos. One of the most profound lyrics over the last fifteen years. With piano.

Songlist: Dancing In The Dark, Love For Sale, Body And Soul, Love Lost, You Must Believe In Spring

Voicing: a-cappella/arrangements/vocal-jazz/

Review: This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. A high, then low ending brings the piece to an impressive close. Requires good range by soprano and bass. First tenor part can be sung by alto if necessary. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.

Songlist: Naima, Love Is In Control, Stolen Moments, Take Five, I Belong to You, Stolen Moments

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the English version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool - there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' - their sense, their social role, and the varied ways they can be sung and spoken - which will intrigue jazz choirs at all levels. "Gota" - Pronounced 'geu-ta' (hard 'g') - has its name from the Faeroe Islands in the Northern Atlantic. The music line and wordless vocal jazz treatment fuses with ethnic folk music in a truly original way. A true 'performance piece' and favorite in the repertoire of Swedish vocal giants The Real Group, Gota has quickly gained recognition world wide. For vocal jazz oriented high school and beyond.

Songlist: Words, Heavenly Crystal, How Come It Is So Hard To Be The Way You Are, Gota

Voicing: a-cappella/arrangements/vocal-jazz/

Review: The CD 'Nothing But The Real Group' was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - 'Chili Con Carne,' Anders Edenroth's most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. 'As Rain,' another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of 'God Only Knows,' is a very worthy treatment of the Beach Boys' classic. Also included is 'A Cappella In Acapulco' another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled 'Unreal.' Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'

Songlist: Chili Con Carne, As Rain, A Cappella In Acapulco, God Only Knows, I Sing, You Sing

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "There Will Never Be Another You " is a sensitive treatment of the jazz standard that opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. "Come Sunday" - Careful voice leading makes the contemporary harmonic changes and chord voicings in this chart quite accessible in this SSATBB a cappella arrangement. It features a strong 5 and 6 part into featuring the first chorus with a pyramid background behind a soprano melody moving into spread harmonies. The second chorus is open for a improvised solo with a tag over a 3-part harmonized background with walking bass. The chart ends with a 6-way harmonized "quasi-shout" chorus moving back into the origianl melody. Stevie Wonder's "Sir Duke" never had it so good in this marvelous Edenroth arrangement.

Songlist: There Will Never Be Another You, Come Sunday, Sir Duke, Very Early

Voicing: a-cappella/arrangements/vocal-jazz/

Review: A timeless Burt Bacharach song "I'll Never Fall In Love Again" is brought to new life by Anders Edenroth. A straightforward and accessible arrangement that celebrates the classic sound of the late '60s. This challenging vocal jazz arrangement of "It Don't Mean a Thing" captures the energy and pizazz of Duke Ellington's original. For skilled singers - not a dull moment! "Since You've Been Gone" - A cheeky arrangement of an original song by Anders Edenroth and Emma Nilsdotter from The Real Group. A great chance to tell those past loves that "I'm better off without you!"

Songlist: I'll Never Fall In Love Again, It Don't Mean a Thing (If It Ain't Got That Swing), Since You've Been Gone

Real Group : The Real Group Christmas

Review: One of the most famous Christmas songs ever written, 'Silent Night' gets the Real Group treatment, this very challenging arrangement is breath-taking to say the least! 'Star Over Bethlehem' (In Swedish, 'Glans over sjo och strand') is the english version of a popular Swedish Christmas carol by Alice Tegner. 'Prepare the Way' (in Swedish, 'Bereden vag for Herran') is another heartwarming Christmas carol, soprano Margareta Jalkeus' arranges this beautiful piece. You can hear the swedish versions of all three of these songs on The Real Group's Christmas album, "En riktig jul". "The World for Christmas", title track of the Christmas CD release by The Real Group, is a timeless song for any season and carries a heartfelt wish for our world in the future. Fusing light vocal jazz with hints of chorale and folk music, this strictly SATB setting with an optional piano part is widely accessible for high school and beyond.

Songlist: Silent Night, Prepare The Way, Star Over Bethlehem, The World for Christmas

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: This TV special has become an American tradition and has been delighting kids for decades. Return to the simple joys of the Christmas season with Vince Guaraldi's jazz renditions of traditional carols and original music written for this classic holiday favorite. Celebrate the simplicity and charm of the Peanuts characters and Charlie Brown's little Christmas tree with "Just Like Me" originally recorded by Vanessa Williams in tribute to the 40th anniversary album for A Charlie Brown Christmas. This jazz-flavored miniature will delight your listeners with thoughtful lyrics and fresh harmonies.

Songlist: Christmas Time Is Here, A Charlie Brown Christmas (Medley), Just Like Me

Voicing: a-cappella/arrangements/christmas/2parts/

Review: All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Songlist: The Ash Grove, Bushes and Briars, Charlie is My Darling

Voicing: a-cappella/arrangements/8-parts/

Review: All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Songlist:

Voicing: a-cappella/arrangements/8-parts/

Review: Charts from the Swingle Singers' stellar christmas album, 'The Story of Christmas. These four, eight part arrangements are fun for the singers and the listeners. Especially exciting is Ben Parry's arrangement of Jingle Bells!

Songlist: And is it True?, Boar's Head Carol, Jingle Bells, Un Flambeau, Jeannette, Isabelle

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Who knew Jolly Old St. Nick was a jazzy cat? Swingin' rhythms, scat syllables, and ""instrumental"" new lyrics abound in the hip partner song "Jazzy Saint Nick" arranged by Russell Robinson. Equally accessible and educational. Oh my goodness, Santa, is 'zat really you knockin'? Audiences won't believe the fabulous rhythms and rhymes in this killer arrangement of "'Zat You, Santa Claus?"! A jazzy tune recorded by the likes of Louis Armstrong, Garth Brooks, and Harry Connick, Jr. Talk about change of pace! "It Came Upon a Midnight Clear, ""The Coventry Carol,"" and ""Angels We have Heard on High"" like you have never heard them before. This brief holiday medley delights with its jazzy harmonies and swingy waltz tempos that break only once in the balladic middle. It's here that Donald Moore weaves in two additional Christmas themes.

Songlist: Three Jazz Carols, Jazzy Old Saint Nick, I'll Be Home for Christmas, A Swingin' Christmas, 'Zat You, Santa Claus?

Voicing: a-cappella/arrangements/christmas/2parts/

Review: Let's Swing! Younger and developing groups will build important vocal jazz skills in this straight-ahead swing arrangement of Jingle Bells. Good voice-leading, well-voiced chords and a supportive and authentic accompaniment will make it right in the pocket for a successful experience! "Swing into Christmas" - Three Christmas favorites combine in a 3-minute mini-medley that will dress up your holiday concerts with some jazz style! Great for jazz, pop or concert choirs of all levels.

Songlist: Swing into Christmas, Swingle Bells!, Swing a Christmas Carol, Jingle Bell Swing

Voicing: a-cappella/arrangements/christmas/2parts/

Various Arrangers : Christmas Gems for Male Voices

Review: Spread a little Christmas cheer with the doo-wop-style arrangement of the classic '50s pop song " Rockin' Around The Christmas Tree". Works great in all the voicings. "A Holly Jolly Christmas" is easily transportable for carorling or other programming options, this doo-wop style a cappella setting of this holiday classic will be a favorite. "We Three Kings" is the exact arrangement from the chart-topping album "Christmas Cheers" by a cappella powerhouse Straight No Chaser. Wild and fun, complete with elements of Mission Impossible, Boys II Men and Reggae. 2 tenor and 1 bass solo. . Irving Berlin's classic " White Christmas " in an exquisite a cappella setting. " Run To The Manger" is an original a cappella Christmas spiritual and is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. " Follow That Star to Bethlehem" celebrates Christmas with an energized rhythmic drive, an optional soloist, and solid, well-crafted vocal harmonies. An excellent holiday feature!

Songlist: White Christmas, Rockin' Around the Christmas Tree, A Holly Jolly Christmas, We Three Kings

Voicing: a-cappella/arrangements/christmas/ttbb/

Review: Jazz educator, Michele Weir, has thoughtfully created a fresh new treatment of the timeless Alfred Burt classic, "Caroling, Caroling". The 5/4 meter creates a rhythmic and energetic feel. Michele's use of harmonic twists adds to the thrill of this unaccompanied work. A must for any choir that sings a cappella. "Have Yourself A Merry Little Christmas" - Tight jazz harmonies give new dimension to this traditional holiday favorite. This a cappella gem is a great way for high school, college, or community choirs; vocal jazz groups; or concert choirs to end their Christmas concerts. This new musical setting of "Bethlehem" the familiar hymn text with additional original text is the newest addition to our Jazz for Christmas Series. "Bethlehem" features an a cappella introduction and tight, jazz harmonies that build to a dramatic modulation in the piano accompaniment. The solo provides an opportunity for ad-libbing in pop/jazz style. The humorous a cappella work "New Dance for the Sugar Plum Fairy" is a reduction of the original orchestral work from The Nutcracker Suite. Michele Weir is known for her vocal jazz arrangements, but this choral is a departure from the familiar. Here Michele has crafted this familiar holiday favorite with adorable lyrics by Amy Engelhardt (The Bobs) into a choral work that is delightful and fun to learn and perform.

Songlist: Caroling, Caroling, Have Yourself A Merry Little Christmas, Bethlehem, New Dance for the Sugar Plum Fairy

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Your jazz, show, and concert choirs will all sound fantastic singing this classic Gershwin ballad "But Not for Me". This new a cappella arrangement offers beautiful lush harmonies with a female solo feature. Closes with one of Ira's most creative lyrics: "But there's no knot for me." The expressive ballad "When I Fall in Love" has been expertly arranged for a cappella mixed voices. A classic song plus a classic setting equals a memorable performance experience for all. Israel Kamakawiwo'ole's Hawaiian-style "Over the Rainbow" has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar. "The More I See You" - Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the rehearsal time! "Someone to Watch Over Me" - Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!

Songlist: But Not for Me, When I Fall in Love, Over the Rainbow, The More I See You, Someone to Watch Over Me

Voicing: sheet-music/vintage/

Review: Here's a collection of four classic songs that are fun to sing and guaranteed to be audience favorites. This perennially popular song "Chile con Carne" from The Real Group is now available for treble voices, allowing you to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn. "Alfie" is from songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson, this song is among the most meaningful in contemporary music. "I Have Dreamed" has rich harmonies highlight the powerful emotions inherent in the text. Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. "What a Wonderful World" was written for and first performed by Louis Armstrong, this popular standard rejoices in the simple enjoyment of everyday life. This lush setting is perfect for SSAA ensembles from high school and up.

Songlist: Chile Con Carne, I Have Dreamed, What A Wonderful World, Alfie

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Autumn Leaves" - A fresh take on a classic standard with intricate, yet accessible jazz harmonies and effortless voice leading. The vocals sing like falling and drifting leaves throughout the piece. A standout ballad for your jazz, show, or concert choir! "More Than You Know" - Originally published in 1929 this great song was subsequently included in three musical films: Hit the Deck (1955), sung by Tony Martin; Funny Lady (1975), sung by Barbra Streisand; and The Fabulous Baker Boys (1989) sung by Michelle Pfeiffer (in a memorable introductory scene for her character). "When Sunny Gets Blue" - Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery of rain beginning to fall or the wind stirring the trees. A beautiful, but challenging work, and well worth the effort! "Solitude" - Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet intensity.

Songlist: Autumn Leaves, More Than You Know, When Sunny Gets Blue, Solitude

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Baby, It's Cold Outside" - This wonderful Frank Loesser standard makes a great guy/girl feature! Recorded by such artists such as Ray Charles & Betty Carter and Steve Lawrence & Edie Gorme, this jazz-flavored setting by Kirby Shaw is great for holiday and other winter concerts. "A Charlie Brown Christmas" - Return to the simple joys of the Christmas season with Vince Guaraldi's jazz renditions of traditional carols and original music written for this classic holiday favorite. "The Christmas Waltz" - The classic holiday hit by Jule Styne and Sammy Cahn is crafted into a lovely arrangement for mixed and women's voices. Optional moments of a cappella singing and simple yet elegant harmonies keep the traditional sound of this holiday favorite while adding freshness for your singers and audience. "The Christmas Song" - From the master himself! Without doubt one of the most creative vocal jazz arrangers ever Gene delivers yet another gem.

Songlist: Baby, It's Cold Outside, A Charlie Brown Christmas (Medley), The Christmas Waltz, The Christmas Song

Review: "We Wish You a Merry Christmas (and All That Jazz)" - Here's the famous traditional holiday greeting set in an easy, laid-back swing style that is just the deal for younger choirs who want to learn jazz style! "Swingle Bells!" - Younger and developing groups will build important vocal jazz skills in this straight-ahead swing arrangement of Jingle Bells. Good voice-leading, well-voiced chords and a supportive and authentic accompaniment will make it right in the pocket for a successful experience!"Christmas Time Is Here" - The tender ballad from A Charlie Brown Christmas is a perfect jazz-flavored choice for younger choirs. Well-crafted vocal lines and a tasty piano accompaniment assure success.

Songlist: We Wish You a Merry Christmas (and All That Jazz), Swingle Bells!, Christmas Time Is Here

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: This close harmony version of the Simon and Garfunkel classic "The Sound Of Silence" works well for beginning groups looking for interesting material, or advanced groups interested in a beautiful mood piece allowing for emotional interpretation. Mixing close harmony with arpeggiated textures, this arrangement allows each voice a turn with the solo line, and plenty of opportunity for rubato and expressive dynamics. This upbeat finger snappin' pop version of the doo-wop classic " Rockin' Robin" will add some spark (and tweet) to your repertoire without being too difficult. The solo moves from part to part, allowing every singer a chance in the spotlight. "Goodbye Old Paint" is a delightful western classic using modern harmonies and approach and "I Don't Know Why I Love You Like I Do" is a ballad of the 40's in block harmonies. The tempo is medium. "Don't Get Around Much Anymore" is one of the many great Ellington songs, arranged here for treble voices. The singers can feel free to alter the scat if it works better that way. "Silent All These Years". Tori Amos broke onto the music scene with this introspective ballad, and this arrangement captures all of the original's delicate moodiness. The background voices weave smooth patterns and ring warm chords. This is an excellent showcase for an expressive soloist (can either be a soprano or alto 1). SSSAA a cappella (4 part with solo).

Songlist: Rockin' Robin, The Sound Of Silence, Goodbye Old Paint, I Don't Know Why I Love You Like I Do, Silent All These Years

Voicing: sheet-music/female-voices/

Review: 'Teach Me Tonight' is an excellent arrangement by Jason A. Smith. Lots of room for improvisation! "Stolen Moments' is an Oliver Nelson classic with lyrics by Mark Murphy. bittersweet clusters and quartal voicings are followed by a 12-bar minor blues solo vamp and out. 'He's Asleep' is a little known tune, written by Alf Clausen (composer for The Simpsons and Moonlighting), and the great lyricist, Tommy Wolf. The arrangement features contrapuntal vocal lines that weave around through mysterious text. Although the piece is harmonically sophisticated, when performed well, it has a feeling of simple innocence. This arrangement would be a worthy challenge for any experienced group. 'The Man I Love' is a 6-part arrangement with fresh reharmonizations. It features an alto soloist, who can stick to the score or embellish freely, depending on her character. 'How Do You Keep The Music Playing' is a beautiful ballad that was originally recorded by James Ingram and Patti Austin as the theme song for the movie, Best Friends. This four-part a cappella arrangement is sensitive to the melodic and lyrical development of the tune, and features the soprano section and/or a female solo throughout.

Songlist: How Do You Keep the Music Playing?, He's Asleep

Voicing: a-cappella/arrangements/vocal-jazz/

Review: This mournful arrangement of the Thelonius Monk ballad, 'Round Midnight' starts with a rubato intertwining intro, then spotlights tense cluster voicings supporting a female soloist throughout. With imaginative reharmonizations, yet good voice leading, this chart is extremely effective and accessible. 'If You Wanna Fly' is an Al Jarreau-style showcase for a strong tenor-baritone soloist. This up-tempo samba features hot choral backgrounds throughout doing horn section licks, an a cappella vocal/percussion break in the middle and some quick unison passages with choir and soloist. 'Not Like This' is another exquisite ballad made popular by Al Jarreau. Contemporary harmonies and recorded by Voice Trek for their CD 'At Last.' Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. The recording by Phil Mattson and the P.M. Singers (Jubilee album) features vocal percussion throughout, emulating a true drum part. If you have an experienced group and you're looking for a showcase piece to feature a talented bass singer and vocal percussionist, this arrangement is for you!

Songlist: Not Like This, Jubilee

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Some of the great vocal jazz arrangers and one of the greatest modern songwriters! "The Look Of Love" - A cool Latin groove and great vocal writing make this Zegree chart a real standout! "What The World Needs Now" - Opening with a soulful soprano sax, this setting moves into a jazz waltz and then a driving 4/4 groove, returning to the jazz waltz for the final vocal build on the lyric: for everyone! "I Say a Little Prayer" - Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment that is ideal for jazz, pop and concert choirs! Solo and group, cascading vocal phrases and a contemporary keyboard part add interest! "A House Is Not a Home" - Philip Lawson, former lead baritone and arranger for the King's Singers has used his experience and talents to set this powerful Burt Bacharach ballad for concert choirs. In the style of the Luther Vandross rendition, this is a powerful concert closer. "Alfie" - arranged by the acclaimed vocal jazz educator Phil Mattson, this song and text is among the most meaningful in contemporary music. Rich harmonies highlight the powerful emotions inherent in the text.

Songlist: The Look Of Love, What The World Needs Now, I Say a Little Prayer, A House Is Not a Home, Alfie

Review: Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. Steve Zegree's jazz harmonies in this classic ballad, "Try To Remember," from The Fantasticks simply shimmers in this warm a cappella setting! This beautifully lyrical classic ballad, "The Very Thought Of You," is expressively arranged in a lush a cappella setting. Varied choral textures and luscious harmonies make "Hello Young Lovers" an ideal selection for a cappella vocal groups. Also included is "Georgia On My Mind."

Songlist: Hello, Young Lovers, Georgia On My Mind, A Cappella

Voicing: a-cappella/arrangements/vocal-jazz/

Review: The unique six-voice a cappella orchestration of 'Toccata and Fugue in D Minor' is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. Matt Falker's arrangement of 'A Time For Love' (originally written by Johnny Mandel)' is a beautiful a cappella ballad. The chart is written for SSATBB voices and features a male/female duet in the latter part of the piece. Issa Sorensen's arrangement of Bobby McFerrins 'Good Lovin' will bring the house down with its awesome groove. Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers!

Songlist: Toccata and Fugue in D Minor, Good Lovin', A Time For Love, Rockapella

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'I Hold Your Hand In Mine' is a hilarious novelty song by famed satirist/songwriter, Tom Lehrer, gets a pseudo-sophisticated arrangement here, resulting in a subtle but very witty comic effect! Great change-of-pace in a jazz vocal program! A few words can be changed if needed. "I Don't Know Why I Do' is a hot ballad of the 40's in block harmonies. The tempo is medium. Jeremy Landig's arrangement of 'Pure Imagination' is five parts and is inspired by the sound of the Real Group. "Crunch" chords and interesting turns of harmony abound, making this a real showoff piece. Set mostly in a rubato ballad style, it shifts dramatically and unexpectedly between keys in the first section. The bridge leads into a sublime soli section bringing the melody back in a slow swing reminiscent of Lil Darlin' but in 7/4! The bridge returns briefly (this time in a Take 6-influenced swing) before the arrangement winds to a close in the original ballad feel. Whitney Houston made Dolly Parton's 'I Will Always Love You' the longest running #1 hit in the country's history, and this arrangement is true to her legendary version: opening simply with the trademark soprano soloist alone, adding a rich pulsing texture after the first verse and building gradually to a chilling climax.

Songlist: I Don't Know Why (I Just Do), I Hold Your Hand In Mine, I Don't Know Why (I Just Do), Pure Imagination, I Will Always Love You

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Jazz lovers will truly enjoy this sensitive a cappella setting of "My One and Only Love". Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. With "What A Wonderful World" Rene Clausen provides a most sensitive arrangement of this timeless standard. Beautiful harmonies entwine around the familiar melody captivating the listener. Kirby Shaw does a great job with "When I Fall In Love". Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Phil Mattson's a cappella arrangement of the vocal jazz standard "September Song" will leave your audience spellbound. Stunning! From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of the classic Kurt Weill song "Lost in the Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs.

Songlist: My One and Only Love, What A Wonderful World, September Song

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Smooth a cappella harmonies and unique choral textures make the Rodgers & Hart standard "My Romance" an exceptional choice for SSAA ensembles. The warm standard "When I Fall In Love" featured in the movie Sleepless in Seattle, in a stunning a cappella arrangement. The Irving Berlin chestnut : What'll I Do?" Is a delight and varied choral textures and luscious harmonies make "How Deep Is The Ocean?", another Berlin standard, an ideal selection for a cappella female groups. Ultimately romantic! Originally performed by Maxx Factor on The Sing Off Season One, this a cappella arrangement of Love Story is sweet, warm and easy to sing yet full and rich. The melody is in the soprano 2 part with duet and trio lines throughout.

Songlist: My Romance, How Deep is the Ocean (How High Is the Sky), Love Story

Voicing: sheet-music/female-voices/

Review: The arrangement of 'Bye, Bye, Blackbird' is a rubato ballad version of this pretty, old song. There is some re-harmonizaton, but overall the chords remain pretty square. You will find much opportunity to interpret phrasing as you like. The infectious original chart, 'Love Will Find a Way' starts out with a bed of close harmonies that explodes into a funk groove, highlighting a tenor solo. After the ensemble is featured in the bridge, the arrangement moves up a whole step. There is plenty of room for soloing as the tune moves through the chorus and ends with a thick-textured finish. The perfect showcase for your men. The 8-part arrangement of 'Eleanor Rigby' challenges the singer without detracting from the great lyrics. The first two verses can be baritone solos or the entire baritone section in unison. The third verse incorporates some unison and some unusual chord substitutions. The tenor 1 part is mostly in the falsetto range. The tenor 2 part usually falls in the head voice range and is all harmony. Works well as a showcase piece or closer for a male group with strong part-singing skills.

Songlist: Love Will Find A Way, Bye, Bye Blackbird, Eleanor Rigby

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "All On A Christmas Morning" is one of the least performed but most hauntingly beautiful of the Alfred Burt Christmas carols, this male chorus version features tight four-and five-part voicings and jazz reharmonizations throughout, a rare step-out solo for the second bass, followed by another step-out solo for the first tenor. Rangy, but worthy addition to any Christmas program. This arrangement of "Away In A manger" seeks to give the lyrics their proper focus. It very effectively catches the mood that was intended with the lyrics, alternating shimmering harmonies with unison lines. Each member of the quartet is featured with one verse per person. This jazz waltz arrangement of "We Wish You A Merry Christmas" is reminiscent of Blue Rondo a la Turk. The top tenor has the melody throughout, sung sweetly above the energetic rhythmic bed of the others. Other than a few slightly tongue twisting lines, this arrangement is not at all difficult, but it is very effective. "What Are The Signs?" This little Alfred Burt Christmas carol is effective on its own or as a prelude to other carols in the program, especially other Burt carols. It begins with a Gregorian chant effect with all voices in a very quiet, low unison, then opens into a beautiful four-part male chorale in its second half. Requires good low range in the second bass part.

Songlist: All On a Christmas Morning, What Are the Signs?, Away In a Manger, We Wish You a Merry Christmas

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers! The lush and comical a cappella arrangement of Tom Lehrer's famous parody, 'I Hold Your Hand in Mine,' is faithful to the original in length and tone. Harmonically, it recalls Gene Puerling with a nod to barbershop. The ranges are well within the limits of a good men's jazz group. Levine added four words after the last chord which should get a big laugh if the audience isn't already in hysterics. 'Rockin Robin' was made popular by Michael Jackson and the Jackson Five. This arrangement, written for four-part men's ensemble with a tenor solo, has tight harmonies and abrupt tempo changes that are sure to keep the audience's attention.

Songlist: Rockapella, Rockin' Robin, I Hold Your Hand In Mine

Voicing: a-cappella/arrangements/vocal-jazz/

Review: This is a nice, simple treatment of the Van Morrison favorite "Moondance". A solo in the second tenor range is true to the melody with some interesting chord subsititutions in the harmony parts. Beginning with a duet between solo and bass, there is plenty of room for some subtle, improvised vocal percussion from the other two voices. A bass part that doesn't get too low makes this a great choice for a young male quartet. An easy, yet effective arrangement of the all time Rodgers and Hart ballad "You Are Too Beautiful", that gives your men's section a chance to really shine! Here's a snappy, toe-tapping rendition of " Let's Get Away From It All". It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. "I've Got A Crush On You" starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending.

Songlist: Moondance, You Are Too Beautiful, Let's Get Away From It All

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Here's some jazzy takes on old holiday favorites. "Jazzy Old St. Nick" has surprise pauses and clever orchestration and make this the perfect novelty or concert closer. Who's that up there in the sky, singin' and swingin' as he flies by? Why it's Beboppin' Santa Claus, of course! This jazz original is perfect for show and jazz groups and makes a great opener for your holiday programs. Even your youngest singers will dig this jazzy Jingle Bells! With lots of unison and easy call-and-response vocal parts, this arrangement will practically sing itself.

Songlist: Jingle Jingle Jazz, Jazzy Jinglin' Bells, Jazz Tidings We Bring, Beboppin' Santa Claus, Jazzy Old Saint Nick

Voicing: a-cappella/arrangements/christmas/2parts/

Review: Sing some cool arrangements of the National anthem! Beginning with a beautiful unison, Tsunenori 'Lee' Abe's arrangement of 'The Star-Spangled Banner' goes into rich harmony without going too far away from the original. Mark Burnell's 'Star Spangled Banner' is an adventurous a cappella version as performed by Cooler by the Lake for the Chicago Bulls and White Sox. Kerry Marsh's 'Star Spangled Banner' uses some modal re-harmonization, some slight meter shifts and has a rousing finish, with some surprises. This chart sounds harder to sing than it is, as the voice leading is very logical and smooth but the chords are wonderful. Jason Heald's 'The Star-Spangled Banner' is a swinging version of the true "old standard". This is a very rhythmic a cappella SATB arrangement with a strong gospel feel. The chart opens with a soprano solo and concludes with bold sophisticated harmonies. A terrific opener or closer for any concert or event! America The Beautiful, by Mike Dana is a heartfelt arrangement set in a contemporary harmonic framework, and features brief solos for a soulful tenor, and after a modulation for the second verse, alto. The rubato a cappella setting allows for a naturally fluid interpretation that works equally well for jazz singers, chamber groups, and concert choirs at both high school and university levels

Songlist: The Star-Spangled Banner, The Star-Spangled Banner, The Star-Spangled Banner, The Star-Spangled Banner, America, The Beautiful

Voicing: patriotic/

Review: "How About You". This a cappella tour-de-force is designed to feature a quartet or the entire choir. This vocal adaptation of the Rosemary Clooney/Hi-Lo's recording will challenge the most adept vocalists and will likewise impress the haughtiest self-proclaimed vocal jazz aficionado. "For All We Know" is a lush four-voice a cappella ballad for soprano soloist. Written for and performed by UNC's SUS 4. The inclusion of the verse at the end is inspired by Mark Murphy's rendition. "Cielito Lindo" is a traditional tune with very unusual rhythm approach. Tempo: breakneck. Requires good, strong sopranos. This intense rubato arrangement of the Rogers & Hart classic " My Funny Valentine", though accessible to an upper-level high school SSAA group with some jazz experience, is challenging and muscially rewarding enough for the collegiate ensemble as well. Ranges are moderate: Soprano I extends up to F5, Alto II down to Bb3, keeping the harmonies close. A soprano solo is featured in the bridge over a three-part background, leading to a dramatic high point at "Stay, little Valentine, stay!" Suggestions for breaths, expressive markings and dynamics are detailed in the score.

Songlist: For All We Know, Cielito Lindo, My Funny Valentine

Review: One of the greatest songs of all time, Jerome Kern's classic romantic ballad "The Way You Look Tonight" shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in a superb arrangement by Kirby Shaw. "Smile" - This exquisitely lush a cappella setting of the familiar lyric, "smile though your heart is breaking", shares a wonderful message of hope and perseverance. An ideal closing selection. The beautifully lyrical Gershwin ballad "Love Walked In" has never before had such a well-crafted, fully textured setting! This gorgeous a cappella treatment is well suited to traditional concert and pop programs! Phil Mattson does a wonderful jazz arrangement of " I'll Be Seeing You" while "How Deep Is the Ocean" has varied choral textures and luscious harmonies that makes Irving Berlin standard an ideal selection for a cappella vocal groups. Ultimately romantic!

Songlist: The Way You Look Tonight, Smile, I'll Be Seeing You, Love Walked In

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Almost Like Being in Love" - This Lerner and Loewe hit is an American classic. It is set here as an updated a cappella version by Darmon Meader for the New York Voices - an amazing vocal jazz arrangement not to be missed. Beginning with solo and backing vocals, it soon takes off in a bright, happy bounce. "Tenderly" - Surround your audience in a tapestry of sound with this a cappella ballad setting of the great American standard from 1946. The jazz vocals are relatively accessible, but offer plenty of opportunities to develop blend, style and intonation. Wonderful competition piece or as an encore for a concert choir! "Never Let Me Go" - Made famous by the legendary Dinah Washington, this deeply expressive standard is richly arranged for unaccompanied jazz choir. Expanded ranges and divisi provide challenge, but offer rewards for the advanced group. "My One and Only Love" - Beautiful a cappella textures shape this classic Sinatra ballad into a fantastic vocal jazz showpiece! From full homophonic harmonies to solo lines with vocal accompaniment, this setting is a compelling spectrum of sound.

Songlist: Almost Like Being in Love, Tenderly, Never Let Me Go, My One and Only Love

Voicing: a-cappella/arrangements/vocal-jazz/