Review: This gently flowing setting of the traditional Scottish folksong "Loch Lomond" is a perpetual favorite in King's Singers' concerts. This arrangement by David Overton is simple and straightforward offering contrasts between the flowing interludes and the homophonic choruses. The haunting melody of the Canadian folk song " She's Like the Swallow" is accented by a lyric vocal accompaniment. Perfect for large group or ensemble use. This lilting English folksong " I Love My Love" is one of a group of great arrangements in the King'singers' repertoire. "Furusato (Homeland) is a tender tribute to home, this Japanese folk song's sentiment is touching to all. Includes Japanese and English lyrics. " Grandfather's Clock" - This childhood favorite still delights listeners of all ages. Cleverly arranged, it makes a great closer or encore.

Songlist: She's Like the Swallow, Grandfather's Clock, Loch Lomond, I Love My Love, Furusato (Homeland)

Voicing: a-cappella/arrangements/world-music/

Review: Mary Goetze presents here a setting of the most familiar variant of this traditional folk ballad, "Scarborough Fair," in which two lovers make impossible requests of each other. The texture shifts from homophonic to imitative counterpoint. Brief dissonances created and resolved by stepwise progression of the accompanying voices reflect the bittersweetness of the text. "Hold the Wind," a simple yet stirring melody in the mixolydian mode, was sung by a blacksmith. The simple harmonization highlights the beauty of the melody. "Shenandoah" is set with very simple ideas which complement and support the motion of the beautiful melody. The accompanying voices can be learned quickly, for they sing like melodies and progress by step. "Old Joe Clark," a familiar fiddle tune of our American heritage is arranged in a playful setting which captures the flavor of the jocular text.

Songlist: Scarborough Fair, Hold The Wind, Shenandoah, Old Joe Clark

Voicing: a-cappella/arrangements/world-music/

Review: Battant Son Plein is French slang, literally "hitting his fill," the equivalent of the English "in full swing." Written for Scala, a children's choir from Bruxelles, the title refers to what these children sound like when they sing, and the piece is a salute to their confidence and daring. Duration: ca. 5:10. Nukapianguaq presents Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition. "Rosebud in June" is drawn from the English tradition that brought blessings to crops and flocks, this Somerset melody is rousingly arranged for full chorus. Also included in this package is "Sida Rudaia," a traditional Ukranian song arranged by Stephen Hatfield 4-pt treble a cappella, and "Double Shot" as performed by Sweet Honey In The Rock.

Songlist: Nukapianguaq, Rosebud In June, Sida Rudaia, Battant Son Plein, Double Shot (Honey in the Rock)

Voicing: a-cappella/arrangements/world-music/

Review: "The Stone House Carol" is based on the old French Carol, "Noel Nouvelet" and has a beautiful melody and words. By joining this with the English Language Easter Carol version, it was possible to write a piece meditating on the Greatest Love (and Sacrifice) of all. After a short mysterioso introduction the main theme is stated three times, at first tentatively, then triumphantly. The final verse returns to the sense of awe and mystery of the introduction, ending with a musical question mark that is perhaps testing our response to the words being uttered. The two popular Swedish Christmas Carols, "Nu Ar Detv Jul Igen" and "Na Juldagsmorgon Glimmar", capture complementary aspects of the Christmas spirit. Nu Ar Detv Jul Igen is in the style of the Hambo, one of the most popular of Swedish folk dances. At Christmas time, the Hambo is danced around the Yule tree by children gaily singing these playful verses. Nar Juldagsmorgon Glimmar is a more expressive carol, filled with the magic of Jesus' birth in the humble manger. Throughout the arrangement, the dance carol should be sung lightly and accented, with a dancing buoyancy. Nar Juldagsmorgon Glimmar should be sung legato with expressive lines and should never be covered by the quicker carol. "Joulupuu on Rakennetu" is a Finnish carol and two Norman Lubuff arrangements makes this a great collection.

Songlist: Haitian Noel, Two Swedish Carols, Gloucestershire Wassail, Whence Comes This Rush Of Wings, Joulupuu on Rakennetu, The Stone House Carol

Voicing: a-cappella/arrangements/christmas/world-music/

Review: Some choral pieces speak for themselves! 'Salvation Is Created' is just such a work. Don Moore brings this song into the reach of many choirs who may have been unable to perform the original edition. All of the rich sonorities have been captured in this wonderful new edition. Don't miss this one! With "'Tis The Gift To Be Simple" Alice Parker combines her incredible arranging skill together with her knowledge and understanding of American hymnody to bring us this wonderful setting of the ever-popular Shaker tune. Robert DeCormier's highly successful SATB edition of "Let Me Fly" has been part of the choral repertoire for decades. Now he has provided us with a wonderful SSAA arrangement that is the perfect showcase for your women's ensemble. The strength of thes teady, walking-tempo spiritual "Keep Your Lamps Trimmed And Burning" comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythmic pulse. "Prayer Of The Children" - This extraordinary work by renowned composer Kurt Bestor has established itself as one of the truly remarkable additions to choral repertoire in the '90s. It has been performed by many of the finest choirs throughout the world. Now Andrea Klouse has scored it for your women's choir.

Songlist: Prayer Of The Children, Keep Your Lamps Trimmed and Burning, Let Me Fly, 'Tis the Gift to Be Simple, Salvation Is Created

Voicing: sheet-music/female-voices/

Review: The a cappella arrangement of 'Home on the Range' bursts with colorful harmonies and textures which expertly interpret the text. Described by some as a "perfect melody," this American standard gives your ensemble a chance to show off their impeccable tuning and blending abilities for concert, contest, or festival. 'Battle Hymn of the Republic' captures the triumphant sound of the original tune with great drum-like sounds coming from the men and the beautiful melody and harmony coming from the womens' voices. The legato feel and beautiful harmonies in 'My Old Kentucky Home' are breathtaking. This is a great tribute to Stephen Foster's original tune. The old southern tune 'Poor Wayfarin' Stranger' is simple but elegant. The unison sections add great contrast to the sections with more vocal harmony. John Biggs' 'Auction Cries' is a hillarious interpretation of text taken from auction advertisements in the Emporia Gazette (Kansas). This is a fast tune, with each voice part doing something totally different from the other. A great encore piece!

Songlist: Auction Cries, Battle Hymn of the Republic, Home On The Range, My Old Kentucky Home

Review: Kathleen McGuire has created an outstanding arrangement of the glorious song "Harriet Tubman", originally penned by Walter Robinson, about the famous leader of the famous Underground Railroad. A cappella vocals that build with a "come on up" followed by rhythmic vocals under the hypnotic melody. Optional cabaca part suggested. Layered under that is the sound of percussion imitating a train and vocal nuances resembling the sound of chains and also a train whistle. Incredibly powerful and moving! It's a must for every choir's library. Eric Lane Barnes has a very unique writing style and he has done it again with the choral, Glee! This creative a cappella gem is quite entertaining, hearkening back to the days of the glee club songs of Yale and Harvard. This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word, "glee." Novel, yet eloquent in its style and performance possibilities, Glee is "gleefully" a winner for any program. There is an early American feel to "Come, Thou Fount of Every Blessing" that coordinates wonderfully with the text and adds a sense of authenticity to the whole. This treatment is a welcome addition to other versions of this piece because of its unique approach. Use during Pentecost or for general use. For harvest time, consider this medley of Thanksgiving favorites arranged by Chuck Bridwell. Contrasting sections include We Gather Together set to the tune Ash Grove, a fresh harmonization of Now Thank We All Our God sung a cappella, and a lovely arrangement of Handel's Thanks Be to Thee. Gracious and festive, Songs of Thanksgiving is the perfect adoration medley for the season of gratitude. The sturdy American folksong "Meeting Is Over" has been given new life through the skillful arranging of James Clemens. Maintaining the hollow, open harmonies and steady rhythmic movement of Early American music, Clemens adds some fresh counterpoints and syncopations to really liven things up. Meeting Is Over is dynamic!

Songlist: Harriet Tubman, Glee, Coffee Grows On White Oak Trees, Cindy, Come, Thou Fount of Every Blessing

Voicing: a-cappella/arrangements/world-music/

Review: "Poor Lonesome Cowboy" is an original arrangement by Norman Luboff of this famous cowboy's lament. "All The Pretty Little Horses" is a traditional Southeastern American folksong featuring canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning. "Sacramento - Sis Joe" is a wiry, spiky combination of two American folk songs; one very well-known; one somewhat obscure. The better known is Stephen Foster's "Camptown Races" but it's appearance here, however, is with a completely different text that captures the excitement of a mid-1800's trip to California in search of gold! "Sis Joe" is a traditional railroad song that was used by Aaron Copland in "Rodeo".

Songlist: Poor Lonesome Cowboy, Sacramento Sis Joe, All The Pretty Little Horses

Review: Add a multi-cultural element to your Christmas concerts and celebrate the Navidad season. The Mexican tradition of ""La Fiesta de la Posada"" recreates the search for a room at an inn. This delightful number by Sally Albrecht recreates that tradition in song with an English text that tells the story ("when we light luminarias and swing at the pinata."). Features an optional solo/duet in each verse. "Cantemos" is a beautiful, rhythmic Venezuelan folk carol with an English/Spanish text. "Vamos todos a Belen" - A detailed translation/pronunciation guide makes it easy to master the Spanish text of this traditional Mexican-American Christmas song, or perform it in English. Lilting six-eight piano creates a gentle rocking motion as we sing about going to Bethlehem to see the baby. In the middle, a solo is briefly accompanied by only the chorus before a thrilling modulation and final flourish to the glorious end.

Songlist: La Fiesta de la Posada, El Pequeno Nino (The Tiny Baby), Cantemos, Vamos todos a Belen (Let Us Go to Bethlehem)

Voicing: a-cappella/arrangements/christmas/world-music/

Review: This reviewer is the owner of Primarily A Cappella and an ExPat Englishman living in the US and each of these songs are ones I remember fondly from my youth growing up in England. These are all very popular traditional songs that most every Englishman knows and are classics of their kind. They are highly enjoyable songs that will add lots of fun to your repertoire and certainly will be thoroughly enjoyed by not only any British folks in the audience.

Songlist: Teddy Bear's Picnic, I Do Like to be Beside the Seaside, The British Grenadiers, Dashing Away With The Smoothing Iron

Voicing: a-cappella/arrangements/choral-england/

Review: Share the rich culture of a Spanish Christmas with your students. These charming Spanish folk carols will bring joy to every performance. From a variety of cultures these creatively arranged songs will add a multi-cultural element to your concert and will be appreciated by the Spanish speakers in your audiences. Perform them in Spanish, English, or a combination of both.

Songlist: A La Nanita Nana, Three Spanish Carols (Collection), El Noi De La Mare (The Son of Mary), A la Puerta del Cielo, Spanish Allelu

Voicing: a-cappella/arrangements/christmas/world-music/

Review: Edwin Fissinger's music has a distinctly American sound, and his choral set "Dakota Prairies" uses poems that describe some of our north central states' most beautiful scenery. "The Wild Prairie Rose" uses a poem by Alice Sinclair Page. The madrigal-style writing is excellent for choirs of all sizes, from festival to chamber groups. "The Wind in the Wheat" is based on a poem by Jessamine Slaughter Burgum. One can almost smell the air of the northern plains through the poetry and music of this classic Fissinger selection, published here for the first time. "The Prairie" captures the essence of America's great open spaces in a text by Anne Murry Marius. "Night on the Prairies", a Walt Whitman setting, returns us to our American heritage roots and the thoughts and feelings the prairie invites. "Sing As The Prairie" was written by John Neihardt, who was revered by Nebraskans as their poet laureate. Because his love of nature is evident in each phrase, the music incorporates the enchanting sounds of nature and the prairie. Arrangement by Mary Goetz.

Songlist: The Wild Prairie Rose, The Wind in the Wheat, The Prairie, Night on the Prairies, Sing As The Prairie

Voicing: sheet-music/americana/

Review: A fine collection of unaccompanied Spanish Christmas carols with both English and Spanish text along with a pronunciation guide. The Emily Crocker arrangements, as always, are delightful and are most rewarding in performance. The King's Singers arrangements of three traditional carols are a special treat and the Norman Luboff arrangement of "A La Nanita Nana" is from his Holiday hit album "Songs of Christmas". Rounding out the collection are three arrangements of sixteenth century carols from the New York Pro Musica series.

Songlist: Three Spanish Carols, Three Spanish Carols, Pastores a Belen, Que Regalo? (What Shall I Bring?), Spanish Shepherds' Song, Over All The Land, E La Don Don Verges Maria, Riu, Riu, Chiu, Dadme albricias, hijos d'Eva, Riu, Riu, Chiu: El Lobo Rabioso, Adorar al Nino (Come Adore The Baby)

Voicing: a-cappella/arrangements/choral-latin-america/

Review: "Come, come, shepherds let us go! Let's run to Bethlehem." Written in the "Bambuco Fiestero" rhythm of the Andes Mountains of Columbia, the characteristic dance rhythm of 6/8 against 3/4 is the main feature of this a cappella setting. In Spanish, with English translation. "Canticos De Navidad" - Juan Orrego-Sala, a noted Latin American composer, is Professor Emeritis of Composition and Latin American Music at the Indiana University School of Music. This charming set of Christmas pieces reflects his native country, Chile, not only in the language, but in the characteristic rhythms and harmonies. The second of the three, Alleluya, can be extracted for year-round performance, and, although diminutive in length, deserves a place along side the well-known "Alleluia" by Randall Thompson with whom the composer studied. The original settings of "Four Spanish Lullabies" create the feeling of tenderness and sorrow so typical of the Spanish lullaby. A litling Brazilian style lullaby, a 3-part a cappella chorus, a flight of imagination and a comical nursery rhyme make up this compelling set. The energetic Colombian folksong "Maquerule" tells the tale of a friendly baker who learns the hard way to collect the cash upfront! Strong syncopation and a staccato singing section add to the fun. Includes suggestions for using optional percussion.

Songlist: Canticos De Navidad, Maquerule, Four Spanish Lullabies, Fum, Fum, Fum

Voicing: a-cappella/arrangements/choral-latin-america/

Review: "La Lluvia" is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing "Las Amarillas" it that the rhythms must be very incisive and exact, yet the precision must be combined with the devil-may-care festive attitude that prevents the precision from sounding clinical. Mangulina is a dance derived from Zapateado Espanol (a Spanish heel-tapping dance). "Guayacanal," originally written in the 1950's by Dominican songwriters Luis Kalaff and Bienvenido Brens, embodies what is known as the Mangulina today, and is so famous that when asked, people often think it's a folk song. This piece is best accompanied with tamborra (a double-headed drum from the Dominican Republic) and guira (a metal scraper from the Dominican Republic, scraped with a metal fork.) These delightful miniatures are wonderful for concert, contest and small ensembles. Careful part-writing and attention to range make these a good choice for younger treble groups. Includes: "A la puerta del cielo (At the Gate of Heaven)," "El Senor nacio en Belen (The Lord Was Born in Bethlehem)," and "Gloria a Dios en las Alturas (Glory to God in the Highest.)"

Songlist: La Lluvia, Gloria A Dios, Guayacanal, Las Amarillas

Voicing: a-cappella/arrangements/choral-latin-america/

Review: The arrangement of "The Virgin Mary Had A Baby Boy" explores the Caribbean style known as "Afro-Cuban": independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Every section of the choir is spot-lit; every section gets its turn to lead. The piece would especially suit a choir in search of something seasonal but upbeat which is not a "novelty number." The Basque carol "The Angel Gabriel" in an exuberant setting by Audrey Snyder can be performed a cappella or accompanied. A wonderful showcase for SSA voices. These a cappella works are a nice addition to the repertoire for women's chorus and includes "Jetzt ist die rechte Freudenzeit" and" Ecce Maria" (Praetorius) with German and English texts.

Songlist: The Virgin Mary Had A Baby Boy, Two Baroque Christmas Classics, The Angel Gabriel

Voicing: a-cappella/arrangements/christmas/world-music/

Review: Quite probably the busiest performing a cappella group in the country The Voices of Liberty are also one of the longest running professional a cappella groups as they perform several sets each and every day at Disney World in Orlando, Florida. The group follows in an even longing-running tradition of Regeneration, as both are almost the same as they were both directed by, and perform almost exclusively the arrangements of, the great Derric Johnson. The sheet music we've all been waiting for, finally some of Derric Johnson's finest Christmas arrangements have been printed for us to sing! Included are 3 Volumes of 4 songs each from the namesake recordings.

Songlist: A Cappella Christmas Vol. 1, Away in a Manger, Gesu Bambino, Go, Tell it on the Mountain, O Holy Night, A Cappella Christmas Vol. 2, Deck the Halls, Go Where I Send Thee, It Came Upon the Midnight Clear, Jingle Bells, A Cappella Christmas Vol. 3, Christmas In The Air, French Chorale of Praise, Pat-a-Pan, We Wish You A Merry Christmas

Voicing: a-cappella/arrangements/christmas/contemporary/

Review: This collection is consistent with Jay's innovative style but reaches a new level in creativity. Voice leadings are easily followed on the favorite Christ, We Do All Adore Thee (appropriate use as a benediction). My Jesus, I Love Thee Features A Prominent soprano solo, gorgeous key changes and creatively lush harmonies. The worshipful song of affirmation, My Faith Looks Up To Thee, provides an uplifting, strong ending. Finally, I Am Thine, O Lord is very elegant - a most appropriate setting for this classic text. The great strength of these timeless lyrics gains new fervor throughout Jay Rouse's innovative harmonization.

Songlist: He Hideth My Soul, Day by Day, Lead Me, Lord, He Leadeth Me, O Blessed Thought, Wonderful Words of Life, It Is Well With My Soul, Revive Us Again, Great is Thy Faithfulness, Let Us Break Bread Together, Nearer, Still Nearer, Take the Name of Jesus with You

Voicing: a-cappella/arrangements/contemporary-christian/

Review: Surely one of the greatest Disney musicals ever! Cristi Cary Miller does a wonderful job with clever and accessible arrangements of these classic songs that your kids (and their parents!) will love. The happy-go-lucky melody of "Let's Go Fly a Kite" is a sprightly salute to spring! The fun never stops with the light-hearted "I Love to Laugh". It's a smile-a-minute! Show off your best diction with this delightful arrangement of the favorite "Supercalifragilisticexpialidocious" that's just right for younger singers.

Songlist: Feed the Birds, A Spoonful of Sugar, Chim Chim Cher-ee, Supercalifragilisticexpialidocious, I Love to Laugh, Let's Go Fly a Kite, Step in Time

Review: "Seasons Of Love" - Rhythmic challenges will reward more advanced a cappella ensembles in this arrangement from the Broadway hit, RENT! "I Have Dreamed" - Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. "Sun & Moon" - Here is the tender ballad from Miss Saigon in a warm and expressive a cappella setting. The imploring melody emerges from the rich vocal accompaniment like a beacon. Stunning! "AllI Ask Of You" - The King's Singers give special treatment to this Andrew Lloyd Webber classic from The Phantom of the Opera!

Songlist: Sun And Moon, All I Ask Of You, I Have Dreamed, Seasons Of Love

Review: A collection of classic Broadway songs arranged in Anita's inimitable style.

Songlist: Anything You Can Do, My Favorite Things (from The Sound of Music), One, Singing in the Rain, What I Did for Love

Review: Get some "giddy up" to your repertoire by adding a classic cowboy folk song to your concert material. Evoke the life on the range with these fabulous arrangements by one of the most successful ever choral director. Lots of fun to sing and bound to please the audience! Some with piano accompaniment.

Songlist: Ghost Riders In The Sky, The Streets of Laredo, The Colorado Trail, Doney Gal, The Old Chisholm Trail, Poor Lonesome Cowboy

Voicing: sheet-music/cowboy-songs/

Review: Treat yourself to seven, rousing spirituals by Albert McNeil, who is well-known to the national choral community, having been honored on four occasions with "Command Performances" before the prestigious American Choral Directors Association in 1981 in New Orleans, in 1985 at their Salt Lake City Convention, at their 1997 convention in San Diego, California, and most recently in February, 2000, at Los Angeles during the ACDA Western Division Convention held on the campus of Loyola-Marymount University.

Songlist: Hold Out Your Light, He's Got the Whole World, Open the Window, Noah, John, The Revelator, My Long White Robe, All My Trials

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Hall Johnson was a noted violinist, conductor and arranger of spirituals. The slave songs and spirituals that he heard his grandmother sing were a catalyst for him founding the Hall Johnson Choir in 1925. Here are 7 of his beautiful a cappella arrangements.

Songlist: Fix me, Jesus, Oh, Freedom!, I've Been Buked, I Couldn't Hear Nobody Pray, When I Was Sinkin' Down, Ain't Got Time To Die, Elijah Rock

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: A fine collection of spirituals.

Songlist: Amen, Deep River, Dis Train, Don't Be Weary, Traveler, Give Me Jesus, I Want Jesus, It's All Over Me

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Another fine collection from Jester Hairston

Songlist: Live-A-Humble, Oh, Rocka My Soul, Poor Man Lazrus, Sometimes I Feel Like a Motherless Child, Steal Away, What Kind O'Shoes You Gonna Wear, Who'll Be A Witness For My Lord?, Joshua Fit De Battle Of Jericho

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: "This Little Light of Mine" - Originally composed for Anton Armstrong and the St. Olaf College Choir, this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA performance. A vibrant and accessible work! The multi-layered texture of this powerful original spiritual "I'm Gonna Sing .." is both challenging and invigorating. The Moses Hogan arrangement of "The Battle of Jericho" is an absolute showstopper, and has electrified audiences since its debut in 1996."Lily of the Valley" - From the expressive opening this builds to a great rhythmic chorus that will captivate your singers and audience. Filled with beautiful harmonic moments, this will surely become a concert favorite.

Songlist: This Little Light of Mine, I'm Gonna Sing 'Til the Spirit Moves in My Heart, The Battle of Jericho, Ride On, King Jesus, Music Down in My Soul, Lily of the Valley

Voicing: a-cappella/arrangements/spirituals/female/

Review: The iconic spiritual arrangement of "My Soul's Been Anchored in the Lord" by Moses Hogan has been masterfully adapted for men's voices by Peter Eklund. From the powerful opening chords to the exhilarating call and response sections, this is a work that will bring down the house! Using jazz articulation in an exuberant spiritual style, "Plenty Good Room" provides an exciting dimension to choral programming! John Parker and Greg Gilpin have combined their talents to create "Nothin' Gonna Stumble My Feet" an exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, Nothin' Gonna Stumble My Feet will be an outstanding festival, concert, or contest piece. Thrilling to sing and to hear. "Fire In The Furnace" recounts the tale of Shadrach, Meshach and Abegnego as they escape the mighty fiery furnace of King Nebuchadnezzar. A super showcase for men's groups!

Songlist: Fire In The Furnace, De Animals A-comin', Blow That Trumpet, Gabriel, Nothin' Gonna Stumble My Feet, Plenty Good Room, My Soul's Been Anchored in the Lord

Voicing: a-cappella/arrangements/spirituals/male/

Review: From the Mark Foster catalog, "Take My Mother Home" is an especially pictorial and dramatic spiritual for Holy Week. Craig Westendorf has chosen an expressive melody to recall Christ's concern for His mother. It is direct and powerful without sentimentality. Sung a cappella with baritone soloist, the repetitive use of the word "nailin'" beneath the second verse is particularly effective. Take My Mother Home could be used within the context of the passion reading by liturgical churches and is also suitable for Lent or Holy Week. All congregations will find this poignant and unique anthem to be a dramatic and moving addition to worship. A tremendously joyful anthem about "kingdom come"! Roy Belfield has artfully arranged this light and bouncy spiritual, "I Want To Be Raedy," with wonderful interplay between voices. Optional solos give soprano and/or tenor stars a chance to shine, and a middle section split between four-part women and four-part men gives each section a chance to really show what they've got! I Want to Be Ready has contagious energy, and such a wonderful picture of heaven-what unbridled happiness when we "walk in Jerusalem just like John." "Climbin' Up The Mountain," is newly arranged by Russell Robinson in a robust a cappella setting with solo opportunities. With its repetitive sections, this piece is not difficult; however, with the exciting key change and strong ending, the singer and listener are captured by the sound and energy of this great arrangement. This unusual, traditional spiritual is not often found. Phil Kern has arranged this exciting, version on "Don't Let Nobody Turn You" which makes its mark with a driving, hushed energy, fantastic solo lines and an ending that will set your audience on fire. This arrangement is smart, musically exciting and fresh. Also included in this package are "Hush! Somebody's Callin' My Name," "My Soul's Been Anchored In De Lord," and "Take My Mother Home."

Songlist: Climbin' Up The Mountain, Don't You Let Anybody Turn You Around, Hush! Somebody's Callin' My Name, I Want To Be Ready, My Soul's Been Anchored in the Lord, O Lord, Have Mercy, Take My Mother Home

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: The familiar portions of 'Dem Bones' dance delightfully and are surrounded by meaningful choral statements, especially the ending 'Breathe On Me Breath of God.' The title of 'Ain't That News' is a tribute to the superb Staple Singers, who dang a piece by that name, not otherwise quoted in this chart. The opening seven measures are an adaptation of an old Paul Robeson 78. The rest of the piece is original material intended to pay homage to both the black church and black popo music, just one of the many genres that owes its soul to the spiritual. The composer states, "My goal is to allow even the most demure chorister to have at least a little taste of what it would be like to be Aretha Franklin." Donald R. Frderick's arrangement of 'Deep River' is short but sweet with beautiful 4 part harmonies. The beautiful sound of 'Bright Mansions' is brought to life with great excitement in K. Lee Scott's arrangement. Multiple sections featuring only male voices and a soaring descant towards the end of the piece make this gospel tune a true gem. Rosephanye Powell has become one of the most popular new choral writers to burst on the scene. 'Drinking of the Wine' was commissioned by the Truman State University Chorus, conducted by R. Paul Crabb. The text weaves together stories from the Bible with images of the hardship of life. 'Swing Low, Sweet Chariot' is treated in an expressive, upbeat and playful manner in this arrangement. It is rhythmically challenging - a pervasive triplet feel with some interesting and unexpected twists.

Songlist: Ain't That News, Deep River, Bright Mansions, Drinkin' of the Wine, Swing Low, Sweet Chariot

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: The wonderful choral work "Prayer Of the Children" has been heard by audiences across the nation. The piece was featured by the Luther College Choir conducted by Weston Noble during their 1996 tour and was performed at the national MENC conference in Kansas City. Also recently performed by the Georgia All-State Choir, 'Prayer of the Children' is perfectly suited for concerts or festivals! Now men's choirs can enjoy the famous arrangement "Hark, I Hear The Harps Eternal" by Alice Parker, originally written for the Robert Shaw Chorale. The strong walking pulse and juxtaposed motives have made it exceptionally popular for over 40 years. Some choral pieces speak for themselves! 'Salvation Is Created' is just such a work. All of the rich sonorities have been captured in this wonderful new edition. Don't miss this one!

Songlist: Brothers, Sing On, Hark, I Hear The Harps Eternal, Salvation Is Created, Prayer Of the Children

Voicing: a-cappella/arrangements/contemporary-christian/

Review: Beginning choirs will love the imagery and contemporary harmonies in the a cappella original "A Pawnee Prayer". Perfect for contest or concert use, the optional hand drums provide additional rhythmic background. "Ezekiel Saw The Whee"l - An invigorating adaptation of one of the great spirituals! "Plenty Good Room" - Using jazz articulations in an exuberant spiritual style, this original provides an exciting dimension to choral programming! "When It Was Yet Dark" - Set to a beautiful old hymn tune from an 1855 collection, this piece offers much scope for phrasing and word painting as the singers recreate the setting from outside the tomb, and explore the psychology of one of the Bible's most famous and timeless characters, Mary Magdalene. "Who Rolled The Stone Away?" - This exciting arrangement of a traditional gospel swing is full of accents, scoops and body percussion that will challenge your choir to internalize the lively and spirited gospel style.

Songlist: Who Rolled The Stone Away?, When It Was Yet Dark, The Lord's Prayer, Ezekiel Saw De Wheel, A Pawnee Prayer

Voicing: a-cappella/arrangements/3-parts/

Review:

Songlist: I Hear a Voice A-Prayin', Deep River, Run To The Manger

Voicing: a-cappella/arrangements/contemporary-christian/

Review: A fine collection of traditional and modern spirituals that are bound to get your group swayin' and a prayin'. These stiring and heartfelt songs will inspire audience and singers alike.

Songlist: In That Great Gettin' Up Mornin', Keep In The Middle Of The Road, My Lord, What a Mornin', Old Arks A Moverin' / Steal Away, Don't Touch My Garment, Wade in the Water

Voicing: a-cappella/arrangements/spirituals/male/

Review: Experience this fiery work, "Every Time I Feel The Spirit" and "feel the Spirit" add vitality to any choral program. Hold on to your choir robes! This invigorating a cappella adaptation of "Sinner Man" will bring your audience to their feet! In keeping with Sister Rosetta Tharpe's stylistic blend, this arrangement of "Heaven Somewhere" has a funky doo-wop flavored middle section that reminds us just how many different rock styles go back to the gospel source. In , "Go Down, Moses," Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Perhaps the spiritual closest associated with Norman Luboff's arranging style is "Deep River." It requires the fine singing of a well trained a cappella choir, high school choir and beyond. Moderately difficult. Destined to become a standard this new setting of "Witness" for men's voices features the classic Moses Hogan style. Opening with a section of sustained close harmony, "Plenty Of Good Room," moves into a medium tempo jazz-flavored groove that's pure delight! An ideal showcase for men's chorus! From the quiet beginning to the joy-filled ending, your men will gladly proclaim, "Rise and Shine and Give God the Glory!"

Songlist: Sinner Man, Heaven Somewhere, Joshua, Rise an' Shine, Plenty Good Room, Witness

Voicing: a-cappella/arrangements/spirituals/male/

Review: 'Wait on the Lord' is based on the text in Psalm 27:14 and Isaiah 40:31, put together by Rosephanye Powell. This beautifully harmonized piece starts out with the basses, then builds, adding each voice one at a time until measure 13 when all voices are singing together. 'The Word Was God' is another text by Rospehanye Powell, based on John 1:1-3. In this piece, both the male voices and the female voices get their opportunities to shine. Each part is divisi at one point or another. Robert H. Young's 'Show Us Your Mercy, O Lord,' is based on the text in Psalm 85:7-11,13. In this piece, the women split up into gorgeous four-part harmony, the men's voices create a great vocal accompanyment throughout. Robert h. Young's other gem, 'The Christ-Child' is an excellently composed choral with a few divisi parts to sweeten-up the lush chords throughout. His 'Treasures in Heaven' is another piece not to be missed with ample amounts of soli men and women sections throughout. The challenging chord progressions and multiple dynamic changes will allow your large advanced choir to show their chops

Songlist: Treasures in Heaven, Show Us Your Mercy, O Lord, The Christ Child, The Word Was God, Wait on the Lord

Voicing: a-cappella/arrangements/sacred/

Review: The haunting melody of "No Room" is harmonized in the Dorian mode and captures the irony of the Son of Man having no place to lay his head. No Room has a spiritual-like quality, yet the modal tonalities and occasional "jazz" chords give it a unique, almost ethereal feel. Seamless, chilling, and very moving. "I Am the Vine" is a beautiful worship or concert octavo. Tight harmonies and a flowing mixed meter give this expressive anthem a smooth ebb-and-flow, give-and- take feeling, very much like the spiritual relationship described in the text. "When I Was A Child" - Larry Nickel takes texts from both the Old and New Testaments and touches them with his creative magic to produce a lush tapestry of choral color and sound. This challenging octavo gives thoughtful directors ample opportunity for expressive performance moments. A multi-use choral, it is well suited for use as an introit, benediction or theme anthem. "Grace Be With You" - Joel Phillips takes the words of John 2:3 and touches it with a cappella beauty in this fresh new anthem. Suitable as a benediction or as a general use anthem, this choral uses a lush tonal vocabulary that brings to the text warmth and expressiveness that are very compelling. "They Shall Soar On Wings Like Eagles" - The celebrated words of Isaiah 40:28-31 take wing in this Tim Rumsey choral setting. There are many beautiful moments in this work and larger ensembles will revel in the thick divided harmonies. The expressive palette of choral colors and textures build the work to an impressive climax. This inspiring affirmation of God's strength and care is appropriate for programming any time of year. There is a joyful spirit to this a cappella choral from this new Mark Foster composer with a gentle "islands" feel, making it the perfect sorbet for your menu of music this year. Use the optional percussion for an authentic festive touch.

Songlist: No Room, I Am The Vine, When I Was A Child, Grace Be With You, They Shall Soar On Wings Like Eagles, My Heart Is Steadfast, O God!

Voicing: a-cappella/arrangements/contemporary-christian/

Review: In Witness, the men and women start in a call and response fashion, the next change comes with a fun walkin bass line with the rest of the voices singing beautiful harmonies... this is a fun tune! The rhythmic and expressive setting of the well known Spiritual, 'Rockin' Jerusalem' is a tribute to the work of Dale Warland. This arrangement will make an inspiring concert work for a skilled A Cappella choir. Originally, 'Wade in the Water' was a code song of the African-American slave that cautioned slaves to travel by water on their journey to freedom. Powell's arrangement captures the drama with beautiful harmony and powerful dynamics. The light humming of harmonies that start 'Somebody's Knockin' At Yo' Do'' will give you an idea of how exciting this piece could become, and sure enough it doesn't faulter from that expectation once throughout the song, this is a fantastic arrangement!

Songlist: Witness, Rockin' Jerusalem, Wade in the Water, Somebody's Knockin' at Your Door

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: 'Down in the Valley to Pray' was featured in the film 'O Brother Where Art Thou?' (only it was titled 'Down in River to Pray'), workers in a field sang the song with great fervor as they swung their hoes plowing the land. The song is African-American in origin, perhaps with some Appalachian influence due to the use of the pentatonic scale. The piece should be sung with great energy, with an ever-strong pulse on the first beat of the measure. The ever-popular spiritual, 'Wade in the Water' is especially fun to sing in this arrangement. It lends itself to accompaniment well, or it can be sung a cappella. The great 3 part harmony mixed with the very expressive dynamics make it very fun to sing. The wonderful melody hardly needs decoration. At times, indeed, it seems that harmony merely gets in its way. This arrangement is intended to highlight the tune's effectiveness through its simple and straightforward persentation. With the possible exception of a slight slowing in the final few measures, the piece should remain in tempo thorughout, and dynamics should err on the side of comfortably soft. 'The 'river' figure should remain a background murmur with little or no change in dynamic. Joan Szymko's 'Amazing Grace' is very exciting, there isn't a boring line in any voice part. 'Simple Gifts' is one of 12.000 songs composed by the Shakers during the middle of the nineteenth century. Thought to be written by Shaker Elder Joseph Brackett, the song was both an instruction for like as well sa an instruction for dancing. This arrangement starts out unison before breaking off into glorious 4 part women's harmonies.

Songlist: Down in the Valley to Pray, Some of These Days, Amazing Grace, Simple Gifts

Voicing: a-cappella/arrangements/spirituals/female/

Review: "My Soul's Been Anchored In The Lord" - The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections, this is a work that will bring down the house! "Keep Yo' Lamps" - Renowned composer Rosephanye Powell takes a traditional "field shout" and presents it with care for an authentic sound. There is great passion in this approach and will provide an excellent opportunity to teach the history of the African American spiritual and its importance. "Hold Me, Rock Me" - Brian Tate cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish. Brian Tate has been composing and arranging a steady string of choral hits that deserves our attention."Roll, Jordan, Roll" - This great, rocking spiritual arranged by Brian Tate is simply fun to sing! A repeated ostinato section builds to the final ending.

Songlist: Hold Me, Rock Me, My Soul's Been Anchored in the Lord, Keep Yo' Lamps, Roll, Jordan, Roll, Good News!

Voicing: sheet-music/female-voices/

Review: Features 7spirituals as interpreted by acclaimed conductor and arranger Moses Hogan. "Moses Hogan provides a new voice for spirituals in America. His arrangements are exciting treatments that do not obscure the traditional essence of this music. His artistry as conductor, arranger and pianist is world-class!" - Craig Jessop, Director, Mormon Tabernacle Choir

Songlist: Hear My Prayer, Ride the Chariot, I Want To Be Ready, You Better Min' How You Talk, A Spiritual Reflection, Good News, The Chariot's Comin', We Shall Walk Through The Valley In Peace

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Here is a taste of some of his best work.

Songlist: The Battle of Jericho, Elijah Rock, Ev'ry Time I Feel the Spirit, God's Gonna Set This World on Fire, I Want To Thank You, Lord, I'm Gonna Sing 'Til The Spirit Moves In My Heart, Old Time Religion

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Here is a taste of some of his best work.

Songlist: Abide With Me, Didn't My Lord Deliver Daniel, Down By The Riverside, Give Me Jesus, I Can Tell The World, I Couldn't Hear Nobody Pray, I Got A Home In-a Dat Rock

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: More of Moses Hogan's most exciting arrangements.

Songlist: I Know The Lord's Laid His Hands On Me, Ride On, King Jesus, Standing In Need Of A Prayer, There Is A Balm In Gilead, Jesus Lay Your Head In The Window

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Jai Ho was written for the 2008 Oscar winning film Slumdog Millionaire. While this is a British movie, director Tony Boyle wanted to acknowledge Indian tradition. He asked A.R. Rahman to write a song in the style of his music for the Indian cinema to be choreographed and performed during the ending credits. The resulting piece is a victory dance capturing the essence of the movie's story. Balleilakka is a song from the Tamil film Sivaji, which means "The Boss." The text of this piece is a tongue-twister lamenting how traditional Indian culture is being subsumed and listing the speaker's memories of his homeland in increasingly faster syllabic patterns. O Saya was written for the Oscar winning film Slumdog Millionaire. The song appears at the beginning as we are introduced to just how horrible living conditions are int he slums of India. The lyrics have no meaning, nor does the title. They are just nonsense syllables that form a wail. The melodic patterns are based loosely on the patterns one might hear in the slums as the Muslim call to worship blasts from the minarets, but they are more a call to action than a call to prayer. When people sing this piece, hopefully they will consider taking some action against poverty themselves. Barso Re, written by A. R. Rahman and arranged for choir by Ethan Sperry, appeared in the soundtrack of the 2007 film Guru. It is an Indian take on how beautiful it can be to sing in the rain. For percussion, use a beaded gourd shaker, rasp, or tambourine for the upper line and one or more djembes or floor toms for the lower line.

Songlist: Jai Ho!, Balleilakka, O Saya, Zikr, Barso Re

Review: It has been said that you can see Buenos Aires while listening to Astor Piazzolla's music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango, which created many problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance, the tango, at the highest level. Gentle tango rhythms and modern harmonies infuse these folk-like tunes.

Songlist: Verano Porteno, Libertango, Primavera Poertena, Invierno Poerteno, Otono Porteno, Reminiscense

Voicing: a-cappella/arrangements/choral-latin-america/

Review: Founded by Bernice Johnson Reagon, Sweet Honey in the Rock has been a vital and innovative presence in the music culture with songs and performances that nourish the soul and give courage to singers and listeners. The setting of Matthew 11:28-30"Come Unto Me" is a comforting solace for the weary, with layered vocal phrases and soothing harmonies. "I Remember, I Believe" combines elements of gospel, blues and spirituals into a rich vocal tapestry that reflects on the Hebrew tradition of "remembering" as the basis of faith. Mesmerizing and powerful! "Seven Principles" celebrates the traditions of Kwanzaa in a steady, purposeful style with optional percussion and adaptable vocal parts for any combination of voices.

Songlist: Come Unto Me, Seven Principles, I Remember, I Believe

Review: Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence. These intriguing pieces can be performed individually or as a suite.

Songlist: Gala del Dia, Quien Fuera Como el Jazmin, Chanarcito, Chanarcito, Viento Norte, Al Tribunal de Tu Pecho, Una de Dos

Voicing: a-cappella/arrangements/choral-latin-america/

Review: As a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance, a prolific composer and recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, Chen Yi blends Chinese and Western traditions, transcending cultural and musical boundaries. This is a collection of her works for unaccompanied treble voices including Chinese Mountain Songs commission for Kitka by commissioning grants from the National Endowment for the Arts and the Rockefeller Foundation.

Songlist: Chinese Mountain Songs, Looking at the Sea, With Flowers Blooming, When Will the Scholartree Blossom?, A Ma Lei A Ho, Gathering in the Naked Oats, Mt' Wuzhi, Ga Da Mei Lin

Voicing: sheet-music/china/

Review: Chinese Folk Songs is the result of collaboration between two of Theodore Presser Company's most prolific composers. It was commissioned and premiered by the Cornell University Chorus and Glee Club, March 16, 2008 in Beijing, China. Chen Yi sets the love song "The Flowing Stream" for women's chorus, and Steven Stucky sets the work song "The Sun Is Rising with Our Joy" for men's chorus. In the final section, both songs are interwoven and overlapped with full mixed chorus. For advanced choirs.

Songlist: A Set Of Chinese Folk Songs (Volume 3), A Set Of Chinese Folk Songs (Volume 2), A Set Of Chinese Folk Songs (Volume 1)

Voicing: sheet-music/china/