The Songs of Disney

Disney certainly knows how to create a great tune and here are some of their very best. The breathtaking Elton John ballad "Can You Feel the Love Tonight" from The Lion King in a sonorous setting for a cappella ensembles. The entertaining novelty song "I Wan'na Be Like You " from Walt Disney Pictures' The Jungle Book, originally sung by Louis Prima) has been arranged by the King's Singers' Philip Lawson for a cappella ensembles. Challenging, but worth it – it's a perfect encore! From The Little Mermaid, “Kiss The Girl” is available in a fantastic a cappella arrangement. Fun Latin rhythms and a variety of vocal inflections make this a great change of pace for any concert! The theme song from the Disney animated classic "Alice in Wonderland" simply sparkles in a warm a cappella arrangement. Nominated for a Best Score Academy Award®, this music is timeless. Here's the showstopper "Under The Sea " from The Little Mermaid in a dynamite a cappella rendition by the incomparable Kirby Shaw. Great Caribbean change of pace! Available for the first time in a mixed and men's a cappella setting, the Disney classic "Candle on the Water" will once again enchant your audience. Beautiful harmonies gently accompany the easily-sung melody. Audiences and singers of all ages enjoy these songs

The Real Group Vol 4

You don't need a big band to make Anders Edenroth's arrangement of the Stevie Wonder tribute to jazz musicians sound great! The buoyant opening of 'Sir Duke' remains through two verses, then switches to a swingin' half-time grove. A sensitive treatment of the jazz standard, 'There Will Never Be Another You,' opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. 'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the english version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool – there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' – their sense, their social role, and the varied ways they can be sung and spoken – which will intrigue jazz choirs at all levels.

Voices of Lee - Encore

Eight men and six women form the acclaimed Voices of Lee (University of Cleveland, TN), directed since their debut in 1994 by Danny Murray, apply their rich harmonic blend and top-drawer soloists to their fourth winning album. "Encore" begins with Barry Manilow's "One Voice," a jazzy, upbeat "Power in Praisin' the Lord," a striking, powerful vocal-percussion gem, "Mercy Seat," the heartfelt "Ho, Everyone Who Is Thirsty" (arranged by Derrick Johnson), a scattish, bright arrangement of "Lord, I Lift Your Name on High," the Doo-Woppy Gospel number "When God Dips His Love," the traditional hymns "The Old Rugged Cross" and "Have You Met Jesus" (both also arranged by Johnson), and a bonus track of "Mercy Seat," our personal favorite. Ten songs in total, and there's not a weak track among them. Confident solos, solid harmonies, great arrangements—"Encore" just knocked our socks off! It's one of the best Contemporary Christian albums we've heard this year. Has matching CD.

Barbershop Memories Vol 1

A classic collection of barbershop classics as arranged by Hugo Frey. Includes Dear Old Girl, Down Among the Sheltering Palms, Maybe the Curse of an Aching Heart, The Darktown Strutters' Ball, The Gang That Sang "Heart of My Heart", I Cried for You, Honey I'll See You In My Dreams, Ireland Must Be Heaven, M-O-T-H-E-R, No! No! A Thousand Times No!, Sleepy Time Gal, When You Wore A Tulip, At Sundown, I'll See You In My Dreams, Honey, When the Moon, Li'l Liza Hane, If We Can't Be the Same Old Sweethearts, I'm Sitting On Top of the World, Jeannine, In All My Dreams I Dream of You, K-K-K-Katy, Maybe, My Blue Heaven, On What A Pal Was "Whoozis", Roll Along Prairie Moon, When Frances Dances With Me, When I Dream of Old Erin, That's How I Need You,

The Celtic Choirbook

Celtic music is enjoying a well-deserved revival. This revival may have been inspired by historical Hollywood epics, by popular dance acts such as “Riverdance”, by Michael Flatley or purely by the emotional power of Celtic melodies. The songs all tell stories that have been passed down through successive generations, with more facets than any other kind of traditional music: some are melancholy dirges, some playful and lively dance tunes. This book brings together 20 of these traditional melodies in contemporary, modern arrangements for mixed chorus. In them you will find homophonic movements, sweeping melodic lines, vocal imitations of Celtic instruments and rousing rhythms. The irresistible charm of this music will leave no choral singer unmoved and is bound to find favour with audiences. SATB a cappella

Madrigals and Partsongs

This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.

Sing The Beatles!

John Lennon and Paul McCartney were without doubt one of the finest songwriting teams ever and many of their songs are very well suited for a cappella. Here's an expressive a cappella setting of the classic "Here, There and Everywhere", full of wonderful textures, lyric lines, and lots of opportunities for rubato styling! "Yesterday" has lush chords with well-crafted vocal lines are the highlight of this warm a cappella setting. With opportunities for both male and female soloists, this classic Beatles tune is a perfect choice for many concert programs. This sensitive, well-crafted arrangement of the beautiful "In My Life" is great for vocal jazz groups, pop/show ensembles, and concert choirs as well. Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. From the Beatles' 1966 hit movie and single "Yesterday" is a fun and colorful a cappella arrangement and "The Long and Winding Road" is skillfully arranged and will be a standout in any concert. Treat your audience to an a cappella moment they will remember for a long, long time. This great new arrangement of the beautiful Beatles song "I Will" fits right into a fine concert or festival selection, and will challenge and reward good high school ensembles as well as university choirs.

Modern A Cappella

This is a new release in the Contemporay A Cappella Collection designed to be introductory primers for high school or other beginning groups, the songbooks nonetheless adhere to a fine musical standard (unlike some beginning arrangements, which can be watered down and unsatisfying). There are informative performance notes and recommendations for transposing parts, to permit performance by all male or female ensembles. In addition, a discography suggests definitive recordings of these popular songs, which can help facilitate the learning process and educate the ear. Easy to use, the Contemporay A Cappella Collection songbooks are an excellent resource.

Movie Classics for Women's Voices

Add a touch of Hollywood to your repertoire! The popular love theme from the hit movie Titanic, originally recorded by Celine Dion, is now available in an exquisite setting by Kirby Shaw. The essence of this very moving, emotional ballad, with its haunting melody and tender lyrics, is beautifully captured with word painting and lush harmonies. Guaranteed to create a moment of sheer magic in your concert. The breathtaking ballad "Can You Feel The Love Tonight?" from The Lion King has a sonorous setting for a cappella ensembles. "Under The Sea' is the showstopper from The Little Mermaid in a dynamite a cappella rendition by the incomparable Kirby Shaw. SSAA

Scott Leonard Hits

In the spring of 1991, a new beat arrived in the fledgling world of modern a cappella - a beat in the form of Scott Leonard. Beyond the initial impact and power of his performances on stage and on reordings, he brought arrangements full of groove and heart. Unfamiliar with the growing "cult" of a cappella, his arrangements arrived influenced by the R&B-flavored pop of his Stevie Wonder-rich childhood, and a love for vocal groups of the past from the Mills Brothers to Bread to the Jackson Five. From the first bar of his first arrangement for Rockapella, 'Bed of Nails,' he brought a different approach. Since that first arrangement, Scott has arranged 100+ originals and covers for Rockapella. Here, finally, is an attempt to scratch the surface!

Stephen Hatfield Folk Songs

The "Apple-Tree Wassail" comes from the cider country of Devon and Somerset, where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael – to be healthy. "The Green Shores of Fogo" bears marks of Irish provenance, although its musical origins were lost before Kenneth Peacock collected the song from Mrs. John Fogarty in 1952. The tune, which Peacock considered one of the most beautiful modal melodies he had ever heard, has attracted more than one set of lyrics, and is also known in Newfoundland as “The Blooming Bright Star of Belle Isle.” Colcannon, made from various combinations of cabbage, kale, onions, scallions and potatoes mashed with butter and milk, is one of Ireland's most famous traditional dishes. Although this piece at first seems like a tribute to food, it's really a tribute to memory, and to times gone. The verses take us from the home, to the school, to courting on a country lane, with the narrator a little older in every verse, and a little more aware of the magic of the moment. Also included are "When The Star Falls" and "For Elizabeth: Gold Frank Innocence, And Mirth. These pieces are both arranged by Stephen Hatfield for Three Part Treble Voices.

Three Ways to Vacuum Your House

These original pieces incorporates a multiplicity of multicultural influences, from Peru to Scotland. The text is a sequence of nonsense syllables, imitating the humming and muttering one does during housework. The first movement explores various hemiola patterns culminating in vocalized drum patterns modeled on Arabic and Indian traditions. The second movement, whose slow groove is derived from Reggae, incorporates tonalities and scale structures from Brazil and Lebanon. The final movement starts in Peru, and works upward through Latin America only to discover a hitherto unexplored Mexican/Scottish border. Lots of fun to both teach and sing!

The Blenders A Cappella Christmas

A cappella and Christmas go together so very well and most ensembles are very busy at this time of year. Popular contemporary a cappella group The Blenders' arrangements are in high demand for their tight, sweet harmonies. Included here some of their most well-loved Christmas songs as featured on their top-selling recordings. Scored for men's voices, TTBB plus solo.

There are many ways to become a successful vocalist and having a wide repertoire of recognizable songs to which you know the lyrics and feel comfortable singing is a prerequisite. We carry a wide selection of songbooks for the solo voice almost all of which have an accompaniment CD included which can be a great help for singers wishing to widen their repertoire. Useful for both practicing and performing one doesn’t need to have an accompanist, let alone a whole band, to be able to deliver a song professionally. Many of the accompaniment CDs are enhanced and can be played in your computer where you can adjust pitch and experiment with different ways of performing the songs. Whether for auditions, events, parties or in your living room these books are a fun and useful way to improve your singing voice.