In Celebration of the Human Voice - The Essential Musical Instrument
Our vocal jazz arrangements our compiled from a variety of sources to provide the best selection possible. Most of them are designed for the group at the intermediate skill level. Though some of the songs included within this category are in fact popular or traditional compositions, it is the style of the arrangement that we classify as jazz. Please contact our staff if you have a question about any of the titles on this page; we will be happy to consult with you personally.
Displaying 1-50 of 115 items.
Review: Here's a collection of arrangements by Ward for unaccompanied women's voices. This arrangement of the old Irving Berlin standard 'I Got Rhythm' evokes a Dixieland combo while Ellington's 'Don't Get Around Much Anymore' swings with a fun opportunity for some voices to scat. 'It Was a Lover and His Lass' also has a lot of scat-like syllables (e.g. 'hey-ding-a-ding') while 'Reeds of Innocence' has a strong rhythmic element in the writing, with vocal imitations of flute sounds. It goes along at rather a moderate pace and is not difficult to sing. This is a fun collection for singers and for audiences alike.
Songlist: Don't Get Around Much Anymore, I Got Rhythm , It Was a Lover and His Lass, Reeds of Innocence
Review: With its catchy melody, exciting vocal percussion and clever lyrics, 'Prime Time Blues' is simply awesome, and is the feature track on The Real Group's most recent album. Excellent for advanced high school or college vocal jazz groups. Written as a jazz original for The Real Group, 'Friendship' works just as well for larger choirs of high school level and beyond. The song tells about 'Destiny,' the ship of your life's journey, with friendship as the central theme. With a beautiful melody line and cool background rhythms, it will make a great program addition. 'Pass Me The Jazz' - This up-tempo vocal jazz piece written for The Real Group features sections of scat singing. Left intentionally without dynamic markings, it is meant to get its 'color' from the performers. 'All Creatures of our God and King' - Combining one of our best-loved hymns with rhythmic vocal jazz background makes this a stunning crossover work to be enjoyed by both singers and audience. The eight-part arrangement will work very well even with a smaller, but strong group of singers. A work that will surely bring light and joy to your program! Enjoy!
Songlist: Prime Time Blues, Friendship, Pass Me The Jazz, All Creatures of our God and King
Review: Ten easy three-part a cappella arrangements of inspirational songs, for either SSA or SAT choirs, with a piano part for convenient rehearsal. All of these rousing pieces are presented in new arrangements by Barrie Carson Turner. Bringing together ten timeless songs of faith, celebration and inspiration, Just Voices: Classic Pop is an ideal introduction to mastering the a cappella style. Perfect for your next concert or as a fun treat for your choir. Just Voices Jazz brings together ten timeless jazz songs that make an ideal introduction to mastering the a cappella style.
Songlist: Ain't Misbehavin', Come Fly With Me, Don't Know Why, Fever, Fly Me To The Moon, If I Had You, Stormy Weather, T'aint What You Do (It's The Way That You Do It), Take The 'A' Train, The Girl From Ipanema
Review: This exciting collection by Bob Chilcott gives a jazzy twist to nine favourite folk songs from around the world. The spiral-bound edition is accompanied by a fantastic backing CD, allowing choirs to perform with jazz-trio accompaniment. Bob Chilcott currently conducts the chorus at the Royal College of Music in London and is in great demand as a guest conductor and leader of choral workshops worldwide.
Songlist: Composer's Note, A La Claire Fontaine (There by the Crystal Fountain), En La Macarenita (Down in Macarena), Hush, Little Baby, Sakura (Cherry Tree), Scarborough Fair, Tell My Ma, The House of the Rising Sun, Tuoll' On Mun Kultani (There is my Loved one), Waltzing Matilda, CD Tracklist and Credits
Review: This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the expectation of the listener by setting each classic text in a different jazz-inspired style-from the laid-back swing of 'The Echoing Green' and ballad-like setting of 'The Lamb' to a lilting jazz waltz, 'The Little Boy Lost/The Little Boy Found'. The voices are underpinned by a stylistic piano part, which may be played as written or serve as a guide, and a part for bass and drum kit is available separately for jazz trio accompaniment. Ideal for performance individually or as a suite, these innovative songs will make a colourful addition to any concert programme.
Songlist: Piping down the valleys wild , The Lamb, The Little Boy Lost/The Little Boy Found , The Echoing Green , The Divine Image
Review: 'Blue And Sentimental' is a slow grooving version of this Basie classic. It starts out right on the chorus with everyone on words. 'Oo's' on bridge the first time around with a half step modulation into the last 'A'. This is a very tight arrangement with ample opportunity to work on swing feel by accenting the upbeat on eighth note passages. 'I've Got A Crush On You' starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with 'oo's' behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. 'Let's Get Away From It All' is a snappy, toe-tapping rendition. It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. 'Lillette' is a somewhat rare tune performed by the Nat Cole trio in his early days. It starts out with a rubato verse going into a snappy chorus with tons of fun syncopated rhythms that keep things moving. Stop time kicks in the tag send this one off with a bang.
Songlist: Blue and Sentimental, Let's Get Away From It All, Lillette, I've Got a Crush on You
Review: Without a doubt one of the most popular songs of the 20th century, 'Don't Worry, Be Happy' is re-created here in an exact transcription of the Bobby McFerrin's original hit recording from the album 'Simple Pleasures.' 3 Soprano parts, 2 Alto parts, and a very hip Bass line back up the soloist or soloists of your choice - a cappella. Great fun to sing and to hear! The music for 'KnickKnack' was created by Bobby McFerrin as the soundtrack to the animated short film of the same name created by Pixar Animation Studios. The Short may be seen on DVD as the opening entertainment for the Pixar film, 'Finding Nemo.' A reverent and truly beautiful rendition of the widely known '23rd Psalm,' this piece is frequently used in religious services. It's pace is slow and contemplative, and the music enhances the beauty of the language. As recorded on Bobby's 'Medicine Music' CD. In 'Grace,' alto, tenor, and bass voices suggest the chant-like song of a carillon while the sopranos create a rhapsodic melody. This meditative score is enhanced with rhythmic breathing and optional parts for two cellos or cello section. Transcribed from 'Hush,' Bobby's duo album with Yo-Yo Ma. Each of Bobby's arrangements comes with extensive performance notes.
Songlist: knickknack, Don't Worry Be Happy, Grace, 23rd Psalm
Review: Bobby McFerrin is unique not only due to his choice of notes, but in the way he sings those notes. Each of these beautiful arrangements, all three part of Bobby's sacred music series, comes with extensive performance notes to help your group achieve the sounds and groove that was originally intended. With text adapted from the Book of Matthew, 'Manna' provides a simple refrain with wonderfully textured variations that bring light to the thought 'Whoever believes in Me will live forever.' 'Manna' includes a through-composed piano part as an additional color in the ensemble. 'Come to Me' is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, 'come to me' with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby's 'Simple Pleasures' CD. 'The Garden' exemplifies a new approach in choral writing in which McFerrin's African-influenced nuances are given full body by co-composer and arranger Roger Treece. The music, originally recorded on the 'Medicine Music' CD, will provide an exciting and gratifying challenge for choral singers and a rich experience for audiences.
Songlist: Manna, The Garden, Come to Me
Review: This 3 movement Vocal Jazz Suite was inspired by many composers and arrangers of many dispirit styles of music - from the Baroque period through the most sophisticated, modern jazz era. The title 'Trichromat,' with each movement bearing a title involving a color, should not suggest that the composer 'hears' music in colors, rather it pays homage to jazz titles in general with their frequent use of colors. Dale Jergenson currently serves as composer-in-residence for Cantori Domino and at St. Cyril of Jerusalem Church in Encino, California, and is active in writing scores for television, commericials, documentaries and feature films.
Songlist: Green Peace, Red Hot!, Blue Ice
Review: The swinging Rodgers and Hart tune 'I Could Write a Book' is classic vocal jazz. Includes a scat solo, which is written out or can be sung ad lib. The singers are definitely the stars here, though the arrangement can be done with a variety of accompaniments: piano alone, small instrumental combo, or full jazz ensemble. With 'Do Nothin' Till You Hear from Me' Darmon adds his vocal jazz touch to Duke Ellington's classic. The lazy, medium swing tempo is just right, and the full-sounding piano accompaniment supports the voices. A breathtaking New York Voices arrangement of the touching ballad 'For All We Know', recorded on their CD A Day Like This. The piano accompaniment is stunning and the vocal writing is contemporary. Definitely a great choice for accomplished groups to demonstrate their skill.
Songlist: I Could Write a Book, Do Nothin' Till You Hear from Me, On a Clear Day, For All We Know
Review: 'Love Is Here to Stay' was the last one written by George Gershwin before his untimely death at the age of 39. New York Voices' Darmon Meader has arranged it in a classic a cappella vocal jazz style, with surprisingly little divisi for such a full-sounding arrangement. An extraordinary song, an extraordinary arrangement. Darmon takes a swinging approach to 'Taking a Chance on Love', with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it. 'I Can't Believe That You're in Love with Me' was recorded by New York Voices on their Sing, Sing, Sing album.
Songlist: I Can't Believe That You're in Love with Me, Taking a Chance on Love, Love Is Here to Stay
Review: Yes, you want to sing patriotic songs, but you want them with a bit of a contemporary twist? Then check out these charts by Deke Sharon. Standard 'America The Beautiful' is scored SATB w/solo (alto or baritone), with a 12/8 groove. George M. Cohan's 'Yankee Doodel Dandy' is a driving swing, with unexpected syncopations and some whistling with an SSATB voicing. Then there's Neil Diamond's '(Coming to) America' - a contemporary ode to our country of immigrants (SSATB). Lee Greenwood's modern anthem 'God Bless The USA' is designed to send shivers down the spines and bring audiences to their feet. And finally, you can rock out to the Steve Miller Band chart 'Living In The USA' - SSAB w/tenor solo - with a decidedly more jaundiced view of American culture. A little something for everyone!
Songlist: America, God Bless The USA , Living In The USA , America, The Beautiful, Yankee Doodle Dandy
Review: Looking for show choir numbers that show off the vocals? Here are five Broadway hits that will be sure winners with your audience.
Songlist: I Can Do That, Maybe , Put On A Happy Face , Seansons Of Love, This Nearly Was Mine
Review: This five-song volume includes songs your jazz ensemble will love to sing! Each of these songs is a classic on its own, and in the hands of master a cappella arranger Deke Sharon they become true vocal jazz classics. 'Always' is 4-part SATB, with the melody passing among the parts. 'Blue Skies' is Sop/Mezzo/Alto/Tenor/Bass, with the Alto written as 'optional' (in case you need to sing it with just four parts) and includes a scat break. 'Oh What A Beautiful Morning' is scored for SATB with a baritone solo - a very cool jazz waltz! Everyone gets a turn in 'Route 66,' both with the melody and little scat opportunities. Finally, 'What'll I Do' is a gorgeous 4-part rubato ballad spiced with plaintive triplets echoing the refrain in thebackground. A real winner!
Songlist: Always, Blue Skies, Oh What A Beautiful Morning, What'll I Do, Route 66
Review: This collection features five-part arrangements of your favorite jazz standards. Most are SATB plus solo, but 'Autumn Leaves' is five luscious parts.
Songlist: Autumn Leaves , Fever , I Could Write A Book, If I Loved You , It Don't Mean A Thing , Steppin' Out With My Baby, Walkin' My Baby Back Home
Review: In 'Heartache Tonight' rock & roll, country, and streetcorner sensibilities combine in this fun, up tempo of the Eagles classic. Complete with handclaps and footstomps, this arrangement features a high tenor solo and lots of moving harmony, making it a perfect closing song or encore. 'Only You (and You Alone)' is a streetcorner ballad made famous by The Platters is the perfect showcase for a male quartet that's looking for a fun doo-wop piece. The solo is in the first tenor, and crosses into falsetto frequently, allowing for a powerhouse vocal showcase, and the other three parts have fun with the lyrics. Street corner meets close harmony in this rendering of Paul Simon's ode to days-gone-by ' Still Crazy After All These Years'. Perfect for graduations and retrospective events. The tenor solo can be shared or split between several singers. Light vocal percussion is optional. First a hit for Maurice Chevalier, then Louis Prima, then David Lee Roth, the catchy, flirtatious songs, 'Just A Gigalo/I Ain't Got Nobody' have topped the charts for three generations. Tuneful, playful background parts support a tenor or Baritone solo (which can be shared): send your soloist into the audience and you'll have a huge crowd pleaser.
Songlist: Heartache Tonight, Only You (And You Alone), Still Crazy After All These Years, Just a Gigalo / I Aint Got Nobody
Review: Based on the Nat 'King' Cole classic big band recording, this arrangement of 'Orange Colored Sky' stacks a swingin' close harmony quartet on a walking vocal bass with soprano lead (either section or solo). Plenty of syncopated rhythms and playful background lyrics make this very fun to sing. The center 'instrumental' section allows you to feature a quartet of your most impressive part singers. The a cappella arrangement of 'Come Fly With Me' takes the listener on a trip around the world on the wings of one of Frank Sinatra's most iconic songs. Walking bass and playful background parts support a swingin' solo. Vocal percussion optional. Sinatra would get a kick this playful version of his swing classic 'I Get a Kick Out of You', featuring a tenor soloist and a 'vocal string bass' scat solo break. With 'Sing, Sing, Sing' you'll swear you hear an entire big band coming out of your voices in this lyricless take on Benny Goodman's classic recording. Not so easy to sing, but very impressive when all put together and a huge crowd pleaser. No solo, melodic lines move from part to part. vocal percussion is optional.
Songlist: Sing, Sing, Sing, Come Fly With Me, I Get a Kick Out of You, Orange Colored Sky
Review: 'Love Lost' is a collective work by Bob Flanigan, Don and Ross Barbour and Ken Albers. 'Oh, Lonely Winter' is from the Four Freshmen and Five Guitars Capitol record album. Lyrics by Bill Comstock and music by Ken Albers. 'This October' is considered one of the greatest of all hits of the Four Freshmen. 'I'll Remember April' was recorded on the Voices in Love albums, this great arrangement by Dick Reynolds is one of the all-time favorites. The cappella arrangement of Indian Summer by Nelson Riddle is stunning.
Songlist: Indian Summer, Love Lost, Oh, Lonely Winter, This October, I'll Remember April
Review: A collection of mostly a cappella arrangements from quite possibly the greatest vocal jazz arranger ever.
Songlist: Fool On the Hill , Here, There, Everywhere, Michelle, We've Only Just Begun, Yesterday, Try to Remember, On a Clear Day, Emily, My Ship Where Is Love?
Review: Includes the Grammy Award winner 'A Nightingale Sang In Berkeley Square' as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording!
Songlist: A Nightingale Sang in Berkeley Square, Deck The Halls, Am I Blue?, Silent Night , Snowfall , April in Paris, Autumn in New York, Dancing in the Dark, Indian Summer
Review: There certainly is no more influential and revered a cappella arranger than the brilliant Gene Puerling. From his auspicious beginnings as a founding member of the vocal jazz group the Hi-Lo's, with whom he recorded thirteen albums between the years of 1953-1964, Gene revealed the talent and promise that would later be fully realized with his work as director, arranger and performer with the Singers UnLimited. SATB, accompanied with optional rhythm section
Songlist: Button Up Your Overcoat, Georgia On My Mind, Rockin' Chair, The Shadow Of Your Smile, Small Fry
Review: Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion. VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events! VoiceDance IV Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral.
Songlist: Voicedance, Voicedance II, Voicedance III, Voicedance IV, Voicedance V
Review: Winners of the Harmony Sweepstakes National Finals the Australian quartet The Idea of North is one of the most highly regarded vocal jazz groups performing today. 'Just A Closer Walk With Thee' is an old gospel song arranged in a swing, trad jazz style and features each performer with solo sections. It has quasi instrumental parts to sing including trumpet, trombone and even banjos! Originally inspired from the movie sound track, 'White Men Can't Jump' this fun arrangement is sure to leave your audience wanting more. 'Amazing Grace' and 'Sweet Sweet Spirit' retain their gospel meaning and flavor while given the wonderful vocal jazz treatment from the talented arranger Andrew Piper. These arrangements are all highly recommended!
Songlist: When She Loved Me, Amazing Grace, Sweet Sweet Spirit, Just A Closer Walk With Thee
Review: Here's a collection of three song each from three of the greatest songwriters of the classic jazz song - Gershwin, Porter and Ellington. Highly-regarded arranger Jay Althouse offers some stunning, tight, and tasty harmonies for unaccompanied mixed voices that can be performed separately or as three different sets by composer.
Songlist: Night and Day , Just One Of Those Things, You Do Something to Me, Satin Doll, Solitude, It Don't Mean A Thing (If It Ain't Got That Swing), Nice Work If You Can Get It, I Got Rhythm, Someone to Watch Over Me
Review: Lambert Hendricks & Ross mastered the art of vocal bebop and the Jon Hendricks classic 'Everybody's Boppin'' proves the point with its frantic tempo and the fast swing groove underneath. A vocal jazz tour-de-force! 'Birdland' is a quintessential jazz classic with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. A perfect showcase for vocal jazz groups! Darmon Meader's arrangement of 'Charleston Alley' pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more 'SATB-friendly' key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.
Songlist: Charleston Alley, Ray's Rockhouse, Birdland, Everybody's Boppin', Desafinado (Slightly Out of Tune)
Review: One of the Swingle Singers' most well known vocalized overatures, this very advanced chart includes the complete work all sung with inner-changable scat syllables
Songlist: 1812 Overture
Review: Former long-time Swingle Singer Jonathan Rathbone arranged many of the ensemble's arrangements and here is a wonderful collection of some of his best and fun to sing arrangements.
Songlist: Try to Remember, My Funny Valentine, Strawberry Fair, Shule Agra, What Good Would the Moon Be?, The Wraggle Taggle Gypsies, Tit Willow
Review: Featured on the Swingle Singer's CD titled 'Notability,' this fast paced classical romp is fun and challenging for even the most advanced choral groups
Songlist: Il barbiere di Siviglia - Overture
Review: Largo from New World Symphony
Songlist: Largo from New World Symphony
Review: Scottish traditional song based on the text of Robert Burns
Songlist: My Love Is Like A Red, Red Rose
Review: Longtime Swingle Singer's arranger Jonathan Rathbone adds his jazzy chops to these Americana classics.
Songlist: Oh Suzanna, My Old Kentucky Home, The Ol' Folks at Home, Dream of Jeannie, Camptown Races, Beautiful Dreamer
Review: This book contains three close-harmony, high-quality a cappella arrangements by Jonathan Rathbone, the former Musical Director and arranger of the Swingle Singers. Features 'Red River Valley,' 'Polly-Wally-Doodle' and 'Steal Away.'
Songlist: Red River Valley, Polly-Wally-Doodle, Steal Away
Songlist: Three Folk Songs
Review: An original composition, 'Occam's Edge' is an aggressive a cappella chart that will challenge your singers, but is quite attainable. It comes off almost as a fusion tune because of the groove, the stabbing lush chords and quickly moving harmony. A scat solo is featured and a vocal percussionist is important to the performance. An exciting shout section connects the solo section and the head-out. This one is, again, like nothing you've ever heard vocalists sing! Commissioned by Valenica High School, 'His Eye is on the Sparrow' starts out simply as a rubato ballad with a soulful solo, but then adds vocal percussion in a jazz waltz groove. When the vocals come in after a short percussion break, it sounds highly reminiscent of a Take 6 tune with quickly moving harmonies, lots of great dominant sounds and exciting hits in the background vocals. This will surely be a crowd pleaser and a fun and challenging chart to sing. The arrangement of 'Mas Alla,' features a tenor soloist. The wonderful Spanish lyric was written by Pedro Aznar. Some thick and challenging harmony, but an attainable and worthwhile chart for most college vocal jazz groups. A completely new perspective on the great Pat Metheny composition, with 'Unequity Road,' Marsh has transformed a powerfully aggressive and asymmetrical chart into a simple, floating and mesmerizing tribute to a great set of chord changes and a beautiful melody that is almost hidden in Metheny's original performance on Bright Size Life. or vocalists who may not have been exposed to the harmonies of cutting-edge big band writers Maria Schneider, Jim McNeely and Vince Mendoza,'The Big Crunch is a great learning piece. It is also a moody and yet hard-grooving a cappella chart that will provide a fun challenge to your group. A very open solo section is included as well as a nicely crafted shout section that builds to a great climax before leading into the head-out. Vocal percussion is necessary on this chart.
Songlist: His Eye Is On The Sparrow, Occam's Edge, The Big Crunch, Unequity Road, Mas Alla
Review: This is what you've been waiting for! Introduce your young singers to the basics of vocal jazz with nine original songs illustrating a specific jazz concept. With educator notes included, this is an excellent introduction to an original American art form. Kirby Shaw helps kids learn more about vocal jazz in this easy-to-sing and educational collection. Each original song focuses on a different aspect of jazz singing.
Songlist: Blues, Blues , Blues, Riff City, Inflections, Blue Notes, Scat Like That, Jump, Jive and Jam!, Schoolhouse Blues, A La Mode
Review: Sing the songs of one of the finest vocal jazz groups ever! 'Manhattan Transfer in Concert' is a swinging medley of 'Birdland', 'Spice Of Life' and 'Tuxedo Junction' and are some of the groups signature performance songs. The super Manhattan Transfer hit 'Operator' is totally irresistible! Composed by Ray Charles, here's 'Ray's Rockhouse', Manhattan Transfer's hit from their Grammy-winning album 'Vocalese'. An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to 'The Boy From New York City', the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard 'Route 66' in a swingin' arrangement also by Kirby Shaw.
Songlist: Manhattan Transfer In Concert, Operator, Ray's Rockhouse, Route 66, Tuxedo Junction, The Boy From New York City
Review: Mac Huff's arrangement of Bobby Darin's 'Dream Lover' is from the Manhattan Transfer's recording and 'Choo Choo Boogie' will put your choir on the jazz track! Hip '40s lyrics and the burnin'. 'A Nightingale Sang In Berkeley Square' very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! 'How High The Moon' is an up-tempo piece has exciting vocal writing. The vocal jazz standard 'Java Jive' gets a great a cappella treatment with the Kirby Shaw touch! Still swings!
Songlist: Java Jive, A Nightingale Sang in Berkeley Square, Choo Choo Ch'Boogie, Dream Lover, Snowfall
Review: Formed in New York in 1969, vocal quartet Manhattan Transfer was the first group to receive Grammy Awards in both the pop and jazz categories in the same year. This special second-edition songbook features their best-known songs performed in concert and on records, from Birdland to their show closer A Nightingale Sang in Berkeley Square. 25 songs in all, including: Body and Soul, The Boy from New York City, Chanson D'Amour, Java Jive, Love for Sale, Operator, Poinciana, Route 66, Tuxedo Junction, You Can Depend on Me and more.
Songlist: Birdland , Blue Champagne , Body and Soul, Boy From New York City (piano/vocal/guitar), Candy , Chanson D'Amour , Four Brothers , A Gal In Calico , Gloria , Java Jive , Love For Sale , A Nightingale Sang In Berkeley Square, On A Little Street In Singapore, Operator, Poinciana, Popsicle Toes , Route 66 , S.O.S. , Scotch and Soda , That Cat Is High , Trickle, Trickle , Tuxedo Junction, Twilight Tone , You Can Depend On Me
Review: Beginning as a waltz, 'I Get A Kick Out Of You,' this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. 'Let's Do It' is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! 'Love For Sale' is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout 'What Is This Thing Called Love' as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart.
Songlist: I Get A Kick Out Of You, Let's Do It, Love For Sale, What Is This Thing Called Love
Review: 'When I'm 64' - This Lennon/McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. 'Don't Know Why' - A ballad of the 40's in block harmonies. The tempo is medium. 'My Funny Valentine' - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.
Songlist: When I'm 64, I Don't Know Why I Love You Like I Do, My Funny Valentine
Review: The World War II classic, 'I'll Be Seeing You', by Irving Kahal and Sammy Fain, evokes memories of the big band era, while staying in the a cappella realm. Rubato, mellow blends and dynamic shaping are keys to this Darmon Meader arrangement. It creates the melancholy feelings that are significant in time of war when loved ones are missed and longed for. A beautiful selection for the holidays and the New Year, as well as graduation. 'Baby Driver' - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! The timeless Irish folk song 'The Last Rose Of Summer' has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!
Songlist: I'll Be Seeing You, Baby Driver, The Last Rose Of Summer, Come Home
Review: NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.
Songlist: Silence of Time, Caravan, The Sultan Fainted, To Dare The Moon , Sign of Spring, National Amnesia
Review: Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.
Songlist: Round Midnight, Baroque Samba, Now Or Never, Sassy Samba, Open Invitation
Review: Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. 'Top Secret' is a Vocal version of the popular Yellowjackets original with lyrics by members of the New York Voices. An exciting arrangement with striking group harmonies and a soaring soprano solo section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.
Songlist: Stolen Moments, Do You Know Wanna Know What I Want, Street Party, Who Knows?
Review: 'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real 'kick' into your jazz group.
Songlist: Overs, Me and Julio, Soon One Day
Review: A tribute to the late Ella Fitzgerald, the fast swing arrangement, 'Oh, Lady Be Good,' is one no jazz ensemble should be without. It features improvisation solos, vocalese solos based on nursery rhymes, and one monster of a shout section! The ultimate closer for a concert program! 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.
Songlist: Oh, Lady Be Good (Ella Be Good), That's The Way of the World, Desafinado, Modinha
Review: The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB
Songlist: Prelude / Interlude, Giant Steps, In a Mellow tone, Cotton Tail
Review: These Paul Simon classics has been dynamically arranged by Peter Eldridge and Darmon Meader and recorded by the venerable New York Voices. Smooth jazz vocals and solo lines play against a rhythmic percussion background making up these hot charts that were recorded on the CD New York Voices Sing the Songs of Paul Simon. For show choir or vocal jazz ensemble, this humorous and energetic arrangement features a Louisiana Cajun groove of 'Why Don't You Write Me?,' allows for a lot of solo lines interspersed with group vocals and includes a fun swing section as well. Fabulous! Piano accompanied.
Songlist: Mother and Child Reunion, Me and Julio Down by the Schoolyard, Loves Me Like a Rock, Why Don't You Write Me?
Review: Paris Rutherford is a regents professor in jazz studies at the University of North Texas (UNT) in Denton, Texas, where he coordinates vocal jazz studies and directs UNT Jazz Singers. A sought-after clinician in vocal jazz, Rutherford has over eighty vocal jazz arrangements in publication and here we have a collection of his a cappella arrangements. From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of this classic Kurt Weill song 'Lost In The Stars' will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs. Jazz lovers will truly enjoy this wonderful a cappella setting of 'Detour Ahead'. Interesting harmony and well-crafted vocal lines makes this tune particularly enjoyable. 'This Is All I Ask' is a jazz standard recorded by all the greats in a superb a cappella setting for vocal jazz and concert groups alike. Wonderful for developing blend and balance.
Songlist: I Got It Bad And That Ain't Good, Yesterdays, This Is All I Ask (Beautiful Girls Walk A Little Slower), Detour Ahead, Lost In The Stars, The Very Thought of You
Review: Here's a collection from vocal jazz guru Phil Mattson. 'Love For Sale' was written for Chanticleer in a gospel a cappella feeling featuring a female solo. 'Dancing In The Dark' was arranged for the Swedish vocal jazz ensemble, The Real Group. It is written in an a cappella bossa nova groove with some quasi-funk sections. The arrangement, which treats text as a metaphor for human life, features vocal percussion opportunities. The classic Manhattan Transfer arrangement of 'Body and Soul' includes lyrics about Coleman Hawkins and jazz singer Eddie Jefferson. 'Love Lost' - An original piece by the Four Freshmen that was the title song from their beautiful album with strings. Has opportunities to feature both vocal and instrumental solos. SATB with rhythm section. 'You Must Believe In Spring' - A lovely text beautifully set to music by Michel LeGrand with lyrics by Alan and Marilyn Bergman, featuring spots for three short solos. One of the most profound lyrics over the last fifteen years. With piano.
Songlist: Dancing In The Dark, Love For Sale, Body And Soul, Love Lost, You Must Believe In Spring
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