Dr. Jan E. Bickel: Vocal Technique: A Physiological Approach

Answers To Questions Before We Learn How To Sing Anatomy of the Singer's Instrument: Design and Function Establishing Correct Posture for Singers Breath Management for Singers The Physiology of Vocal Tone Production Articulation for Singers Developing Beautiful Tone Quality, Resonance and Freedom Health Concerns For Singers Beyond Vocal Technique - Becoming an Artistic Performer

This book is intended for use in a first year voice class at the college or university level. It may also be suitable for a voice class at the high school level, where students are interested and dedicated to learning a strong vocal technical foundation. Many would-be singers are unnecessarily anxious or nervous about singing because they lack experience and guidance. The feeling of anxiety or nervousness can be overcome easily by learning the “how-to’s” of vocal production, clearly provided here. But before delving into the “how-to’s”, Voice Technique lays out the anatomical and physiological functions connected with the speaking and singing processes, so that the reader can hone in on the proper muscles and body parts in developing proper technique. In addition, this knowledge will enable singers to maintain their optimum technical skill and vocal health throughout a long singing, performing, or teaching career. The author then takes the reader clearly through the proper coordination of the four physiological systems (respiration, phonation, articulation, and resonation), in an effort to help create a beautiful tone quality in any aspiring singer. Included are abundant resources including copious diagrams, figures, worksheets, exercises, appendices and specific and practical tips in a chapter titled “Health Concerns for Singers.”

Brent Monahan: The Singer's Companion

Stance Breathing / The Torso Phonation / The Throat Resonance / The Head Range And Timbre Singing And Health The Teacher / The Lesson Practice / Vocal Exercises Musicianship Pronunciatiation And Diction Interpretation Performance

The Singer's Companion combines the author's extensive research on hundreds of professional singers' and singing teachers' books with 30 years of personal teaching experience. The book concentrates on traditional vocal and artistic development, as employed at the most renowned universities and conservatories. At the same time, the presentation is extremely practical and accessible. The language is simple, and minimal space is given to theory. As each aspect of good singing and artistry is explained, enlightening quotations from dozens of the best singers and teachers, such as Enrico Caruso, Luciano Pavarotti, Eileen Farrell, Manuel Garcia, and Emma Seiler, help the singer to grasp the concept. The building of the vocal instrument and the artist is the focus. Topics include stance, breathing, phonation, resonance, range, health, choosing a teacher, vocal exercises, musicianship, pronunciation and diction, interpretation, performance, and selecting material. Many illustrative diagrams appear in the text. The book includes exercise sheets, sample songs, and an illustrative CD. Any singer, from the would-be professional to the diligent choir member, can benefit from this easy-to-use, thorough companion.

W. Stephen Smith: The Naked Voice

A Wholistic Approach to Singing On Speaking On Breathing The First Invention The Second Invention The Third Invention Spontaneous Combustion The Wobble Getting High Playing the Game Finding Your Own Path La Voce is You Lifestyles of the Healthy Singer How to Be Successful

In The Naked Voice, W. Stephen Smith invites all singers to improve their vocal technique through his renowned and time-tested wholistic method. Focusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, his book allows readers to develop their own full and individual identities as singers. With philosophies and techniques drawn from a lifetime of teaching voice, Smith demonstrates how one can reveal the true unique sound of one's own voice by singing with the whole self. The master's method, presented in concrete and comprehensible terms with helpful illustrations, is enhanced by a CD containing exercises performed by singers from Smith's own studio-singers whose talent and training bring them across the country and around the world. The clear and easy style of The Naked Voice welcomes the reader into Smith's teaching studio, and into conversation with Smith himself as he presents the six simple and elegant exercises that form the core of his method. These exercises provide a foundation for free singing, and lead singers through the step-by-step process of mastering the technique. Throughout, Smith speaks sympathetically and encouragingly to the singer in search of an unencumbered and effective approach to the art. The Naked Voice is a must-read for all singers, giving teachers and students, amateurs and professionals, access to the methods and concepts that have earned Smith his reputation as one of the most highly-sought-after vocal instructors in the international arena today.

6650 BOOK $29.95

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Jenny Lester: Vocal Techniques

Relaxation Techniques Singing In Tune Supported Singing (Holding Notes) Chest Voice and Head Voice Singing Difficult Words Caring For Your Voice Vibrato Picking Keys to Sing In Intro to Harmony Singing

Let Jenny show you some of her basic voice techniques and exercises to help you become a confident singer in the country and modern bluegrass styles. This fun, easily-accessible lesson is for the beginner/intermediate vocalist.

Cary Fridley: Vocal Techniques for Old-Time Mountain Music

Full Voice Chest Voice Chest Voice Exercises Head Voice Head Voices Exercises Prettiest Little Girl in the Country I Am A Man of Constant Sorrow A Roving on a Winter's Night My Life Has Brought Me To Despair Sailor on the Deep Blue Sea Anchored in Love

Cary Fridley, the popular singer in the old-time string band The Freight Hoppers, has done extensive research into old-time vocal styles, and has studied the singing of Sara and Maybelle Carter, Hazel Dickens, Alice Gerrard, Dellie Norton, Dolly Greer and other singers of Appalachian Mountain ballads. She has put together a lesson that covers basics of vocal production: proper breathing and posture, projection, use of the diaphragm and how to project and hold notes with proper support. Cary provides exercises for getting a strong, resonant sound, showing how this music should be sung with the chest voice ("your speaking voice, but with proper support") as opposed to the head voice ("your silly voice, or falsetto"). Most importantly, these songs tell a story, and Cary shows how she phrases and interprets beautiful old-time ballads such as "I Am Man Of Constant Sorrow," "A Roving On A Winter's Night" and the a cappella lament "My Love Has Brought Me To Despair." She also covers such topics as how to "fix" out of tune notes, and demonstrates duet singing with Frank Lee on the Carter Family classics "Anchored In Love" and "Sailor On The Deep Blue Sea."