Katharin Rundus : Cantabile - Virtual Vocalise Collection

The Cantabile Series offers varying levels of voice training from primary vocal pedagogy to comprehensive course texts. This collection provides 59 vocal training exercises in written form, accompanying sound files, and online video scores, each with introductions explaining the purpose and goal. Vocal students and choral singers can sing along with established vocal techniques at home or in the classroom under the direction of acclaimed vocal pedagogue and Vocologist, Dr. Katharin Rundus.

In Spanish.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the coloratura and embellishments found in the works of our great composers. Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with two, three, and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower. However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises. The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception.

Songlist: Preface, Daily Exercises

Multiple excellent classical exercises, in six different chapters, to help flexibility in the Soprano voice.

Songlist: Exercises in two, three and four notes, Exercises in four, fix, six and seven notes, Scales of Octaves and Ninths ascending and descending, Figured Scales ascending and descending, Exercises in Studies of Embellishments, Progressive Exercises on the ascending chromatic Scale

A critical-technical anthology for vocal study for Soprano and Tenor. In three parts: Part I (Preparatory Course), Part II (Course of Medium Difficulty), and Part III (Course of High Difficulty).

A critical-technical anthology for vocal study for Soprano and Tenor. In three parts: Part I (Preparatory Course), Part II (Course of Medium Difficulty), and Part III (Course of High Difficulty). This monumental work is both a technical course of vocal development and a selected anthology of vocalises from many singing teachers and composers from the seventeenth through the twentieth centuries...Taken as a whole, these three volumes provide many choices for an entire course of study for the serious classical singer who already has a secure basic technique and is willing to devote the practice time to derive the enormous benefits from this approach.--Journal of Singing

A critical-technical anthology for vocal study for Soprano and Tenor. In three parts: Part I (Preparatory Course), Part II (Course of Medium Difficulty), and Part III (Course of High Difficulty). This monumental work is both a technical course of vocal development and a selected anthology of vocalises from many singing teachers and composers from the seventeenth through the twentieth centuries...Taken as a whole, these three volumes provide many choices for an entire course of study for the serious classical singer who already has a secure basic technique and is willing to devote the practice time to derive the enormous benefits from this approach.--Journal of Singing

A collection of vocal exercises arranged for Soprano voice, composed by Emile Behnke and Charles W. Pearce.

'Four Vocalises for Chorus' is a great collection of warm-ups for your choir.

A method that has long been highly regarded among teachers and students alike. Each of these books consists of 3 parts: Part I describes the vocal mechanism and its function briefly and in simple, non-technical language. Part II consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. Part III presents the important elements of diction in the 5 languages most commonly used in singing: English, Italian, French, German and Spanish.

Songlist: PART I, The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, PART II, Fundamental Exercises, The Turn, The Soprano Registers, Pianissimo Studies, Staccato Studies, Trill Studies, Messa Di Voce, Style, Special Problems, PART III, English, Foreign Language Diction, Italian, French, German, Spanish, Glossary of Musical Terms, Songs for Tenors, Recordings of Great Singers

This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Songlist: PART I, The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, PART II, Fundamental Exercises, The Turn, The Soprano Registers, Pianissimo Studies, Staccato Studies, Trill Studies, Messa Di Voce, Style, Special Problems, PART III, English, Foreign Language Diction, Italian, French, German, Spanish, Glossary of Musical Terms, Songs for Sopranos, Recordings of Great Singers

This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

Songlist: The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, Fundamental Exercises, The Covered Tone, Agility Studies, Sustained Tone Studies, Chromatic Studies, Messa Di Voce, The Head Voice, Style, Special Problems, English Diction, Foreign Language Diction, Glossary of Musical Terms, Songs for Baritone and Bass, Recordings of Great Singers

A method that has long been highly regarded among teachers and students alike. Each of these books consists of 3 parts: Part I describes the vocal mechanism and its function briefly and in simple, non-technical language. Part II consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. Part III presents the important elements of diction in the 5 languages most commonly used in singing: English, Italian, French, German and Spanish.

Songlist: PART I - The Vocal Mechanism, The Breath System, The Phonating System, The Resonating System, The Articulating System, General Remarks, PART II - Vocal Studies, Fundamental Exercises, The Mezzo and Contralto Registers, Agility Studies, The Turn, Trill Study, Messa Di Voce, Style, Special Problems, PART III - Diction, English, Foreign language Diction, Italian, French, German, Spanish, Glossary of Musical Terms, Songs for Mezzo and Contralto

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Ten Easy Vocalises and Solfeggios for the baritone voice

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for baritone voice.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for mezzo-soprano voices.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for soprano voices

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for tenor voices

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for alto voices.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Basses, complete with solfege.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Altos, complete with solfege.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Tenors, complete with solfege.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight-Measure vocalises for Sopranos, complete with solfege.

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Thirty-Six Eight Measure Vocalises comes complete with instructions on producing the tone and provides you with the solfege for each note

Expertly arranged Vocal Method by Francesco Lamperti from the Kalmus Edition series. This is from the Romantic era.

This text-book was received with such marked favor by the foremost musicians and singing teachers of the day, and attained such popularity, that this new and thoroughly revised edition has become a standard. This method can also be used with the careful guidance of an experienced teacher. The preface contains a series of important theoretical and practical suggestions which have in all cases proved to be an admirable basis of instruction in singing, and are recognized as such by the most eminent authorities, like Lamperti, Garcia, Panseron, and Sieber, to whose opinions the author had also occasionally referred to for vocal instruction. A classic!

Songlist: Production of Tone, Intervals, Exercises for the Cultivation of Fluency, Twenty Solfeggi, Twelve Exercises on Vocalization

Here's a perfect set of warm-ups for the vocal jazz ensemble that's designed to enhance and stimulate the growth of each member's vocal and choral ability. Thinking of the warm-up as a "mini voice lesson," you can reinforce concepts with consistent encouragement, criticism, problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing, Latin and Rock using solfege and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment with multiple modulations and professional recordings of a rhythm section and singers performing each drill on the enclosed CD.

Songlist: Swing with Scat Syllables, Latin feel with solfrege, Moderate swing with scat, Rock style, Chordial ballad, Moderate swing, Samba with with solfrege syllables, Warm-up exercises

A series of carefully graded progressive exercises to improve singing technique, for both solo singers and choirs. Includes exercises focussing on breathing and breath control, the production of vowel-sounds and consonants, good singing technique, and ear-training.

A series of carefully graded progressive exercises to improve singing technique, for both solo singers and choirs. Includes exercises focussing on breathing and breath control, the production of vowel-sounds and consonants, good singing technique, and ear-training.

Songlist: Voice Placing Exercises for Loose Throat, Forward Tone and Resonance, Tongue Loosening Exercises, Sustained Notes, Attack, Flexibility and Rhythm, Voice Placing Exercises, Sustained Notes, Breath Pressure Variation, Attack and Staccato, Flexibility and Rhythm, Voice Placing Exercises, Flexibility, Major Scales and Arpeggi, Attack, Staccato, and Legato, Minor Scales, Breath Pressure Variations, Range Extension and Ear Training, Single Vowel-Sounds, Compound Vowel-Sounds, Consonants, Breath Pressure Variations

Written in 1929 as part of the Repertoire moderne de vocalises-e´tudes series. It can be heard at: https://www.youtube.com/watch?v=4SL2xgwIOvY

Giovanni Battista Lamperti was a highly-regarded Italian singing teacher who was considered to one of the best of his era. Many of Giovanni's students became international opera stars. These vocalises are designed to prepare the soprano voice for performance. "I recommend the daily use of these Exercises, particularly to Soprano and Mezzo-soprano singing a melodramatic repertory; because exercises of this kind promote length of respiration, and delay the deterioration and undue vibration (tremolo) of the voice. Beginners should confine themselves to a regularly limited range, so as not to weaken the medium of the voice and should extend their compass according to individual progress and development." - G.B. Lamperti

Giovanni Battista Lamperti was a highly-regarded Italian singing teacher who was considered to one of the best of his era. Many of Giovanni's students became international opera stars. These vocalises are designed to prepare the soprano voice for performance. "I recommend the daily use of these Exercises, particularly to Alto singing a melodramatic repertory; because exercises of this kind promote length of respiration, and delay the deterioration and undue vibration (tremolo) of the voice. Beginners should confine themselves to a regularly limited range, so as not to weaken the medium of the voice and should extend their compass according to individual progress and development." - G.B. Lamperti

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

The sterling value and great usefulness of Concone's lessons have been so long recognized, that their extensive adoption caused the issue of numerous editions in almost every country where the study of the Art of Singing is cultivated. No edition, however, is as thorough and complete as his 'Fifty Lessons' series. The purpose of these lessons, in the author's own words, are 'to place and fix the voice accurately,' and 'to develop taste while singing broad, elegant and rhythmical melodies.' This is a vocal training series not to be missed!

These Exercises For a Transition from the Grand Style to the Extreme Difficulties of Vocalisation. This collection comes complete with 30 daily exercises as well as instruction and tips on how to execute them properly.

Giuseppe Concone, the famous Italian Master of Singing and Pianoforte, was born in Turin in the year 1810. His musical education was had in Turin, where he continued to live until he met with discouragement on the failure of his first opera, 'Un episodio di San Michel,' which was performed in 1836. In 1837 he moved to Paris, where he became famous as a teacher of the piano forte, singing, the theory of music and composition. While resident in Paris, Concone became very popular as a composer of Romanzas, Arias and Duettini; but his chief title to fame rests on a Series of Solfeggi which have a world-wide reputation and are everywhere in use - they are eminently practical and melodious, with a flowing accompaniment. Here is a collection of excellent exercises for sopranos.

Expertly arranged Vocal Method by Giuseppe Concone from the Kalmus Edition series. This is from the Romantic era.

Expertly arranged Vocal Method by Giuseppe Concone from the Kalmus Edition series. This is from the Romantic era.