

Tenebrae is a professional chamber choir, founded and directed by Nigel Short. Performing by candlelight, the choir creates an atmosphere of spiritual and musical reflection, where medieval chant and renaissance works are interspersed with contemporary compositions to create an ethereal mood of contemplation. The beautiful acoustics and lighting effects of a Tenebrae concert are further enhanced by the choir’s dramatic use of movement around the performing space. As singers move around their surroundings to explore all possible sound perspectives, each member of the audience is able to experience the power and intimacy of the human voice.
Passion and Precision is the motto of Tenebrae and it’s members are drawn from musical backgrounds reflecting these qualities, such as the Monteverdi Choir, the choirs of Westminster Abbey and Cathedral and King’s College, Cambridge. Many of Tenebrae’s singers have worked with the leading specialist vocal groups including I Fagiolini, The Tallis Scholars, The Swingle Singers and The King’s Singers. Contributing to the dramatic qualities of Tenebrae’s performing style are singers from Britain’s two major opera houses, Covent Garden and English National Opera. This combination weaves together a huge variety of choral experience, giving the choir an exceptional range of vocal power and colour.
Nigel Short began his musical life as a chorister at Solihull Parish Church going on to study singing and piano at the Royal College of Music. He began his career as a soloist in opera and oratorio and as a member of specialist vocal ensembles such as The Tallis Scholars whilst maintaining a regular involvement in church music, firstly as a member of Westminster Abbey Choir then Westminster Cathedral. He joined the King’s Singers when he was 27 and stayed with them for seven years. After a short break of about one ski season in the Swiss Alps he set about founding his own group, Tenebrae, aiming to bring together what he loved best as a singer namely the more passionate sounds of large Cathedral choirs and the precision of ensembles like The King’s Singers to create a new kind of choral group.
Whilst embracing an eclectic repertoire he wanted to have some ‘signature’ works that would make Tenebrae different, adding a theatrical element that would involve singers moving around as if on stage. To that end he wrote ‘The Dream of Herod’, with a central role for baritone Colin Campbell, and commissioned Joby Talbot to write Path of Miracles, premiered in July 2005. Since its debut performance in 2001 Tenebrae has given concerts in Spain, Italy, Germany, France, Switzerland, UK, USA and Bermuda. Nigel and the group have performed and recorded live with The Chamber Orchestra of Europe for Warner Classics and have given several performances with The English Concert. They record regularly with Signum Classics. Nigel divides his time between directing Tenebrae and giving an ever increasing number of masterclasses and workshops for both professional and amateur vocal groups and choirs throughout Europe.
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Roncesvalles Burgos Leon Santiago |
Path of Miracles, for a cappella choir, was commissioned by Tenebrae from Joby Talbot and premiered last year. The work is based on the most enduring route of Catholic pilgrimage - the great Pilgramage to Santiago. The four movements of Path of Miracles are titled with the names of the four main staging posts of the 'Camino Frances': I Roncesvalles; II Burgos; III Leon; IV Santiago. The 'Camino Frances' s the central axis of a network of pilgrimage routes to Santiago. Talbot's music has been performed by, amongst others, the London Sinfonietta, The BBC Symphony Orchestra, The Brunel Ensemble, Evelyn Glennie and The Duke Quartet. In addition, Talbot also writes for the big and small screen. Credits include, The League of Gentlemen and The Hitchiker's Guide to the Galaxy.Tenebrae, founded and directed by former King's Singer Nigel Short, is a professional vocal ensemble, whose motto is passion and precision. Tenebrae has built an impressive reputation for innovative and memorable performances throughout the UK and Europe.
| 8351 CD $13.98 |
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Jonathan Dove: Seek him that maketh the seven stars Francis Pott: The souls of the righteous Giles Swayne: Magnificat Sir John Tavener: Mother and Child Alexander L'Estrange: Lute-book lullaby Jeremy Filsell: O be joyful in the Lord Richard Rodney Bennett: The seasons of his mercies Francis Pott: My song is love unknown |
This release takes its title from a new work written especially for the choir by Sir John Tavener. Mother and Child has a unique and personal history inspired- by one of the Tenebrae members' children. Playing in the garden, Samual McCosh and his mother Susan caught the eye of a visiting friend, poet Brian Keeble. The picture of mother and child in close union with one another so enchanted him that he began to write a poem based on that image. The resulting poem caught the attention of Sir John Tavener who, on reading it decided to set it to music and to dedicate it to Tenebrae. In its short existence, Tenebrae has made a considerable impact on the musical world with fresh and vital re-interpretations of classic works in the choral repertoire. On this recording, innovatory and lesser-known repertoire is drawn from contemporary sources. Alongside Mother and Child, this release features four further world-premiere recordings by composers Francis Pott, Alexander L'Estrange and Jeremy Filsell. Within this individual collection of choral music, which also includes works by Jonathan Dove, Richard Rodney Bennett and Giles Swayne, Tenebrae continues to chart out a new territory, which is rapidly establishing it as one of the most exciting choirs of our time.
| 7031 CD $15.98 |
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Come, Let us Worship Bless the Lord, O My Soul Blessed Is The Man Gladsome Light Lord, Now Lettest Thou Rejoice O Virgin The Six Psalms Praise the Name of the lord Blessed Art Thou O Lord Having Beheld the Resurrection of Christ My Soul, Magnifies the Lord The Great Doxology Today Salvation has Come Tho Didst Rise From the Town To Thee, the Victorious leader We Praise Thee |
The roots of the Russian Orthodox Church are traceable back into the Third Century A.D. Whilst Western forms of Christianity continued to evolve, the Orthodox tradition has been preserved largely intact since the 11th Century, despite persecution of the Church under an intolerant Communist regime in Russia. The music of the Russian Orthodox Church features vocal chants, the oldest of which is known as znamenny (from the Slavonic znamia meaning “sign”). The melody of this chant is extremely simple, and whilst other composers added their characteristic harmonic effects, Rachmaninoff consciously preserved the modal purity of the original in his setting of the Vespers. The all-night vigil is celebrated on the eve of the main feasts of the Orthodox Church. Originally it lasted all night and consisted of three separate services to celebrate the beauty of the setting sun, and to reflect on the spiritual light of Christ as the new light of the coming day and the eternal light of heaven. Rachmaninoff’s setting of the vigil was written in 1915, in the middle of the First World War. He has used authentic znamenny chant in seven movements, with two movements employing Greek chants. “Even in my dreams I could not have imagined that I would write such a work” Rachmaninoff told the singers at the first performance in March 1915. The work is dedicated to the scholar Stephan Vasilevitch Smolensky who introduced Rachmaninoff to the repertoire of the church, however the composer’s inspiration was as much politically motivated as spiritually the composition was a powerful affirmation of nationalism during the war.
| 7035 CD $15.98 |
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Alleluya (Wishart) O Radix Jesse A Spotless Rose (Howells) Rorate Coeli Of The Father's Heart Begotten (arr. Willcocks) Ave Maria I Sing of a Maiden (Hadley) Puer Natus Est Nobis A Flower Given To My Daughter (Chilcott) Silent Night (Gruber, arr. Rose) Sussex Carol (Trad., arr. Willcocks) Away in a Manger (Kirkpatrick, arr. Short) Adeste Fideles O Come All Ye Faithful (arr. Willcocks) The Dream of Herod: - Herod's Despair - The Visit of the Magi - The Chorus of the Voiceless Infants - The Chorus of the Parents of Judaea - Mary and Joseph Appear to Herod - Jesus Appears to Herod |
The Dream of Herod traces an evolution from dark, brooding introspection to dawning effulgence. Torment and inner violence make way for the mystery of forgiveness and hope in a succession of six brief scenes. Herod, a ruthless, blood-stained king is condemned to restless reflection on the genocide he has inflicted on his own people. Uncertain whether he is lost in sleep or wakefulness, he witnesses a procession of figures that distil the essence of his branded conscience. Imprisoned by the horror of his deeds, he sees his pathway to release, illuminated by the very voices of those he most feared. "Tenebrae is a professional choir, established by former King's Singer Nigel Short to address the market for fine singing in fine buildings. Jacques Villeneuve and James Bowman are among the group's patrons, testimony to Short's networking powers. The conductor stresses the passion and precision generated by his singers and the enjoyment comes from the inspired repertoire selection. Plainsong smoothly covers the joints between works such as Peter Wishart's Alleluya, Hadley's I sing of a maiden and Short and Richard McDonald's effective The Dream of Herod."
| 7032 CD $15.98 |
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