In Celebration of the Human Voice - The Essential Musical Instrument
Our vocal jazz arrangements our compiled from a variety of sources to provide the best selection possible. Most of them are designed for the group at the intermediate skill level. Though some of the songs included within this category are in fact popular or traditional compositions, it is the style of the arrangement that we classify as jazz. Please contact our staff if you have a question about any of the titles on this page; we will be happy to consult with you personally.
Songbooks and Collections
Displaying 1-50 of 84 items.
New York Voices : Old Friends
This new choral collection represents and celebrates the incredible cross-section of high-level artistry of the beloved New York Voices - the award-winning vocal jazz group the world has adored for nearly 30 years. Peter Eldridge, Lauren Kinhan, Darmon Meader, and Kim Nazarian have defined and raised the bar for jazz ensemble arranging and singing style and have influenced and inspired musicians, audiences, and music educators with every arrangement, workshop, and performance.
Songlist: Baby Driver, Bli-Blip, Bookends, Come Home, I'll Be Seeing You , Me and Julio Down By The Schoolyard, Mother And Child Reunion, Old Friends, Sing, Sing, Sing, Smack Dab In The Middle, Why Don't You Write Me
Various Arrangers : Classic Jazz Songs for Mixed Voices
"Autumn Leaves" - A fresh take on a classic standard with intricate, yet accessible jazz harmonies and effortless voice leading. The vocals sing like falling and drifting leaves throughout the piece. A standout ballad for your jazz, show, or concert choir! "More Than You Know" - Originally published in 1929 this great song was subsequently included in three musical films: Hit the Deck (1955), sung by Tony Martin; Funny Lady (1975), sung by Barbra Streisand; and The Fabulous Baker Boys (1989) sung by Michelle Pfeiffer (in a memorable introductory scene for her character). "When Sunny Gets Blue" - Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery of rain beginning to fall or the wind stirring the trees. A beautiful, but challenging work, and well worth the effort! "Solitude" - Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet intensity.
Songlist: Autumn Leaves, More Than You Know, When Sunny Gets Blue, Solitude
Various Arrangers : Romantic Ballads for Mixed Jazz Voices Vol 1
"Almost Like Being in Love" - This Lerner and Loewe hit is an American classic. It is set here as an updated a cappella version by Darmon Meader for the New York Voices - an amazing vocal jazz arrangement not to be missed. Beginning with solo and backing vocals, it soon takes off in a bright, happy bounce. "Tenderly" - Surround your audience in a tapestry of sound with this a cappella ballad setting of the great American standard from 1946. The jazz vocals are relatively accessible, but offer plenty of opportunities to develop blend, style and intonation. Wonderful competition piece or as an encore for a concert choir! "Never Let Me Go" - Made famous by the legendary Dinah Washington, this deeply expressive standard is richly arranged for unaccompanied jazz choir. Expanded ranges and divisi provide challenge, but offer rewards for the advanced group. "My One and Only Love" - Beautiful a cappella textures shape this classic Sinatra ballad into a fantastic vocal jazz showpiece! From full homophonic harmonies to solo lines with vocal accompaniment, this setting is a compelling spectrum of sound.
Songlist: Almost Like Being in Love, Tenderly, Never Let Me Go, My One and Only Love
Various Arrangers : Romantic Ballads for Mixed Jazz Voices Vol 2
"It Only Takes a Moment" - The beautiful song from Hello Dolly in a lush a cappella ballad setting! With heartfelt lyrics, rubato phrases, and rich choral harmonies, this will be a wonderful feature for jazz, pop and concert choirs. "My Funny Valentine" - A lush a cappella setting of this timeless standard features soprano solo or soli. Quite accessible! "Their Hearts Were Full of Spring" - Originally popularized by the Four Freshmen, this iconic arrangement of the Bobby Troup song helped pave the way for a cappella vocal jazz as well as influencing the singing style of the Beach Boys. "The Nearness of You" - One of the greatest songs of all time, Hoagy Carmichael's classic romantic ballad shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in this superb arrangement.
Songlist: It Only Takes a Moment, My Funny Valentine, Their Hearts Were Full of Spring, The Nearness of You
Bob Chilcott : Jazz Folk Songs For Choirs
This exciting collection by Bob Chilcott gives a jazzy twist to nine favourite folk songs from around the world. The spiral-bound edition is accompanied by a fantastic backing CD, allowing choirs to perform with jazz-trio accompaniment. Bob Chilcott currently conducts the chorus at the Royal College of Music in London and is in great demand as a guest conductor and leader of choral workshops worldwide.
Songlist: Composer's Note, A La Claire Fontaine (There by the Crystal Fountain), En La Macarenita (Down in Macarena), Hush, Little Baby, Sakura (Cherry Tree), Scarborough Fair, Tell My Ma, The House of the Rising Sun, Tuoll' On Mun Kultani (There is my Loved one), Waltzing Matilda, CD Tracklist and Credits
Bobby McFerrin : Charts Package
Without a doubt one of the most popular songs of the 20th century, "Don't Worry, Be Happy" is re-created here in an exact transcription of the Bobby McFerrin's original hit recording from the album "Simple Pleasures." 3 Soprano parts, 2 Alto parts, and a very hip Bass line back up the soloist or soloists of your choice - a cappella. Great fun to sing and to hear! A reverent and truly beautiful rendition of the widely known "23rd Psalm," this piece is frequently used in religious services. It's pace is slow and contemplative, and the music enhances the beauty of the language. As recorded on Bobby's "Medicine Music" CD. In "Grace," alto, tenor, and bass voices suggest the chant-like song of a carillon while the sopranos create a rhapsodic melody. This meditative score is enhanced with rhythmic breathing and optional parts for two cellos or cello section. Transcribed from "Hush," Bobby's duo album with Yo-Yo Ma. Each of Bobby's arrangements comes with extensive performance notes. With text adapted from the Book of Matthew, "Manna" provides a simple refrain with wonderfully textured variations that bring light to the thought "Whoever believes in Me will live forever." "Manna" includes a through-composed piano part as an additional color in the ensemble. "Come to Me" is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, "come to me" with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby's "Simple Pleasures" CD.
Songlist: Don't Worry Be Happy, Grace, 23rd Psalm, Manna, Come to Me
Bobby McFerrin : Charts Package 2
Bobby McFerrin is unique not only due to his choice of notes, but in the way he sings those notes. Each of these beautiful arrangements, all three part of Bobby's sacred music series, comes with extensive performance notes to help your group achieve the sounds and groove that was originally intended. With text adapted from the Book of Matthew, "Manna" provides a simple refrain with wonderfully textured variations that bring light to the thought "Whoever believes in Me will live forever." "Manna" includes a through-composed piano part as an additional color in the ensemble. "Come to Me" is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, "come to me" with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby's "Simple Pleasures" CD. "The Garden" exemplifies a new approach in choral writing in which McFerrin's African-influenced nuances are given full body by co-composer and arranger Roger Treece. The music, originally recorded on the 'Medicine Music' CD, will provide an exciting and gratifying challenge for choral singers and a rich experience for audiences.
Dale Jergenson : Trichromat (Vocal Jazz Suite)
This 3 movement Vocal Jazz Suite was inspired by many composers and arrangers of many dispirit styles of music - from the Baroque period through the most sophisticated, modern jazz era. The title 'Trichromat,' with each movement bearing a title involving a color, should not suggest that the composer "hears" music in colors, rather it pays homage to jazz titles in general with their frequent use of colors. Dale Jergenson currently serves as composer-in-residence for Cantori Domino and at St. Cyril of Jerusalem Church in Encino, California, and is active in writing scores for television, commericials, documentaries and feature films.
Songlist: Green Peace, Red Hot!, Blue Ice
Darmon Meader : Vocal Jazz Love Songs
"Love Is Here to Stay" was the last one written by George Gershwin before his untimely death at the age of 39. New York Voices' Darmon Meader has arranged it in a classic a cappella vocal jazz style, with surprisingly little divisi for such a full-sounding arrangement. An extraordinary song, an extraordinary arrangement. Darmon takes a swinging approach to "Taking a Chance on Love", with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it. "I Can't Believe That You're in Love with Me" was recorded by New York Voices on their Sing, Sing, Sing album.
Songlist: I Can't Believe That You're in Love with Me, Taking A Chance On Love, Love Is Here to Stay
Darmon Meader : Vocal Jazz Classics
The swinging Rodgers and Hart tune "I Could Write a Book" is classic vocal jazz. Includes a scat solo, which is written out or can be sung ad lib. The singers are definitely the stars here, though the arrangement can be done with a variety of accompaniments: piano alone, small instrumental combo, or full jazz ensemble. With "Do Nothin' Till You Hear from Me" Darmon adds his vocal jazz touch to Duke Ellington's classic. The lazy, medium swing tempo is just right, and the full-sounding piano accompaniment supports the voices. A breathtaking New York Voices arrangement of the touching ballad "For All We Know", recorded on their CD A Day Like This. The piano accompaniment is stunning and the vocal writing is contemporary. Definitely a great choice for accomplished groups to demonstrate their skill.
Songlist: I Could Write a Book, Do Nothin' Till You Hear from Me, On a Clear Day, For All We Know
Deke Sharon : A Cappella Jazz Classics
This five-song volume includes songs your jazz ensemble will love to sing! Each of these songs is a classic on its own, and in the hands of master a cappella arranger Deke Sharon they become true vocal jazz classics. "Always" is 4-part SATB, with the melody passing among the parts. "Blue Skies" is Sop/Mezzo/Alto/Tenor/Bass, with the Alto written as "optional" (in case you need to sing it with just four parts) and includes a scat break. "Oh What A Beautiful Morning" is scored for SATB with a baritone solo - a very cool jazz waltz! Everyone gets a turn in "Route 66," both with the melody and little scat opportunities. Finally, "What'll I Do" is a gorgeous 4-part rubato ballad spiced with plaintive triplets echoing the refrain in thebackground. A real winner!
Songlist: Always, Blue Skies, Oh What A Beautiful Morning, What'll I Do, Route 66
Deke Sharon : A Cappella Jazz Standards Vol 1
This collection features five-part arrangements of your favorite jazz standards. Most are SATB plus solo, but "Autumn Leaves" is five luscious parts.
Songlist: Autumn Leaves, Fever , I Could Write A Book, If I Loved You , It Don't Mean a Thing (If It Ain't Got That Swing), Steppin' Out With My Baby, Walkin' My Baby Back Home
Deke Sharon : A Cappella Jazz Broadway
Looking for show choir numbers that show off the vocals? Here are five Broadway hits that will be sure winners with your audience.
Songlist: I Can Do That, Maybe , Put On A Happy Face , Seansons Of Love, This Nearly Was Mine
Deke Sharon : A Cappella Jazz Americana
Yes, you want to sing patriotic songs, but you want them with a bit of a contemporary twist? Then check out these charts by Deke Sharon. Standard "America The Beautiful" is scored SATB w/solo (alto or baritone), with a 12/8 groove. George M. Cohan's "Yankee Doodel Dandy" is a driving swing, with unexpected syncopations and some whistling with an SSATB voicing. Then there's Neil Diamond's "(Coming to) America" - a contemporary ode to our country of immigrants (SSATB). Lee Greenwood's modern anthem "God Bless The USA" is designed to send shivers down the spines and bring audiences to their feet. And finally, you can rock out to the Steve Miller Band chart "Living In The USA" - SSAB w/tenor solo - with a decidedly more jaundiced view of American culture. A little something for everyone!
Songlist: America, God Bless The USA , Living In The USA , America, The Beautiful, Yankee Doodle Dandy
Gene Puerling : Puerling Charts II
Includes the Grammy Award winner "A Nightingale Sang In Berkeley Square" as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording!
Songlist: A Nightingale Sang in Berkeley Square, Deck The Halls, Am I Blue?, Silent Night, Snowfall , April in Paris, Autumn in New York, Dancing in the Dark, Indian Summer
Greg Jasperse : Voices Dances Vol 1 - 5
Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion. VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events! VoiceDance IV Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral.
Songlist: Voicedance, Voicedance II, Voicedance III, Voicedance IV, Voicedance V
Idea of North : A Cappella Arrangements
Winners of the Harmony Sweepstakes National Finals the Australian quartet The Idea of North is one of the most highly regarded vocal jazz groups performing today. "Just A Closer Walk With Thee" is an old gospel song arranged in a swing, trad jazz style and features each performer with solo sections. It has quasi instrumental parts to sing including trumpet, trombone and even banjos! Originally inspired from the movie sound track, "White Men Can't Jump" this fun arrangement is sure to leave your audience wanting more. "Amazing Grace" and "Sweet Sweet Spirit" retain their gospel meaning and flavor while given the wonderful vocal jazz treatment from the talented arranger Andrew Piper. These arrangements are all highly recommended!
Songlist: When She Loved Me, Amazing Grace, Sweet Sweet Spirit, Just A Closer Walk With Thee
Jay Althouse : Classic Jazz A Cappella
Here's a collection of three song each from three of the greatest songwriters of the classic jazz song - Gershwin, Porter and Ellington. Highly-regarded arranger Jay Althouse offers some stunning, tight, and tasty harmonies for unaccompanied mixed voices that can be performed separately or as three different sets by composer.
Songlist: Night and Day, Just One Of Those Things, You Do Something To Me, Satin Doll, Solitude, It Don't Mean a Thing (If It Ain't Got That Swing), Nice Work If You Can Get It, I Got Rhythm, Someone to Watch Over Me
Jon Hendricks : Vocal Jazz Arrangements
Lambert Hendricks & Ross mastered the art of vocal bebop and the Jon Hendricks classic "Everybody's Boppin'" proves the point with its frantic tempo and the fast swing groove underneath. A vocal jazz tour-de-force! "Birdland" is a quintessential jazz classic with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. A perfect showcase for vocal jazz groups! Darmon Meader's arrangement of "Charleston Alley" pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more "SATB-friendly" key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.
Songlist: Charleston Alley, Birdland, Everybody's Boppin', Desafinado (Slightly Out of Tune)
Jonathan Rathbone : Collected Arrangements
Former long-time Swingle Singer Jonathan Rathbone arranged many of the ensemble's arrangements and here is a wonderful collection of some of his best and fun to sing arrangements.
Songlist: Try to Remember, My Funny Valentine, Strawberry Fair, Shule Agra, What Good Would the Moon Be?, The Wraggle Taggle Gypsies, Tit Willow
Jonathan Rathbone : Stephen Foster Medley
Longtime Swingle Singer's arranger Jonathan Rathbone adds his jazzy chops to these Americana classics.
Songlist: Oh Suzanna, My Old Kentucky Home, The Ol' Folks at Home, Dream of Jeannie, Camptown Races, Beautiful Dreamer
Jonathan Rathbone : My Love Is Like A Red, Red Rose
Scottish traditional song based on the text of Robert Burns
Jonathan Rathbone : Il Barbiere di Siviglia - Overture
Featured on the Swingle Singer's CD titled 'Notability,' this fast paced classical romp is fun and challenging for even the most advanced choral groups
Jonathan Rathbone : 1812 Overture
One of the Swingle Singers' most well known vocalized overatures, this very advanced chart includes the complete work all sung with inner-changable scat syllables
Jonathan Rathbone : Three Folk Songs
Songlist: Nine Hundred Miles, Swing Low, Sweet Chariot, The Oak and the Ash
Jonathan Rathbone : Three American Songs
This book contains three close-harmony, high-quality a cappella arrangements by Jonathan Rathbone, the former Musical Director and arranger of the Swingle Singers. Features "Red River Valley," "Polly-Wally-Doodle" and "Steal Away."
Songlist: Red River Valley, Polly-Wally-Doodle, Steal Away
Kerry Marsh : A Cappella Jazz for Mixed Voices
An original composition, 'Occam's Edge' is an aggressive a cappella chart that will challenge your singers, but is quite attainable. It comes off almost as a fusion tune because of the groove, the stabbing lush chords and quickly moving harmony. A scat solo is featured and a vocal percussionist is important to the performance. An exciting shout section connects the solo section and the head-out. This one is, again, like nothing you've ever heard vocalists sing! Commissioned by Valenica High School, 'His Eye is on the Sparrow' starts out simply as a rubato ballad with a soulful solo, but then adds vocal percussion in a jazz waltz groove. When the vocals come in after a short percussion break, it sounds highly reminiscent of a Take 6 tune with quickly moving harmonies, lots of great dominant sounds and exciting hits in the background vocals. This will surely be a crowd pleaser and a fun and challenging chart to sing. The arrangement of 'Mas Alla,' features a tenor soloist. The wonderful Spanish lyric was written by Pedro Aznar. Some thick and challenging harmony, but an attainable and worthwhile chart for most college vocal jazz groups. A completely new perspective on the great Pat Metheny composition, with 'Unequity Road,' Marsh has transformed a powerfully aggressive and asymmetrical chart into a simple, floating and mesmerizing tribute to a great set of chord changes and a beautiful melody that is almost hidden in Metheny's original performance on Bright Size Life. or vocalists who may not have been exposed to the harmonies of cutting-edge big band writers Maria Schneider, Jim McNeely and Vince Mendoza,'The Big Crunch is a great learning piece. It is also a moody and yet hard-grooving a cappella chart that will provide a fun challenge to your group. A very open solo section is included as well as a nicely crafted shout section that builds to a great climax before leading into the head-out. Vocal percussion is necessary on this chart.
Songlist: His Eye Is On The Sparrow, Occam's Edge, The Big Crunch, Uniquity Road, Mas Alla
Kirby Shaw : Junior Jazz - Beginning Steps to Singing Jazz
This is what you've been waiting for! Introduce your young singers to the basics of vocal jazz with nine original songs illustrating a specific jazz concept. With educator notes included, this is an excellent introduction to an original American art form. Kirby Shaw helps kids learn more about vocal jazz in this easy-to-sing and educational collection. Each original song focuses on a different aspect of jazz singing.
Songlist: Blues, Blues , Blues, Riff City, Inflections, Blue Notes, Scat Like That, Jump, Jive and Jam!, Schoolhouse Blues, A La Mode
Manhattan Transfer : Manhattan Transfer Complete
Sing the songs of one of the finest vocal jazz groups ever! "Manhattan Transfer in Concert" is a swinging medley of "Birdland", "Spice Of Life" and "Tuxedo Junction" and are some of the groups signature performance songs. The super Manhattan Transfer hit "Operator" is totally irresistible! An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to "The Boy From New York City", the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard "Route 66" in a swingin' arrangement also by Kirby Shaw.
Songlist: Manhattan Transfer In Concert, Operator, Route 66, Tuxedo Junction, The Boy From New York City
Manhattan Transfer : Manhattan Transfer Songbook
Formed in New York in 1969, vocal quartet Manhattan Transfer was the first group to receive Grammy Awards in both the pop and jazz categories in the same year. This special second-edition songbook features their best-known songs performed in concert and on records, from Birdland to their show closer A Nightingale Sang in Berkeley Square. 25 songs in all, including: Body and Soul, The Boy from New York City, Chanson D'Amour, Java Jive, Love for Sale, Operator, Poinciana, Route 66, Tuxedo Junction, You Can Depend on Me and more.
Songlist: Birdland , Blue Champagne , Body and Soul, Boy From New York City (piano/vocal/guitar), Candy , Chanson D'Amour , Four Brothers , A Gal In Calico , Gloria , Java Jive , Love For Sale , A Nightingale Sang In Berkeley Square, On A Little Street In Singapore, Operator, Poinciana, Popsicle Toes , Route 66 , S.O.S. , Scotch and Soda , That Cat Is High , Trickle, Trickle , Tuxedo Junction, Twilight Tone , You Can Depend On Me
Manhattan Transfer : Manhattan Transfer Complete Vol 2
Mac Huff's arrangement of Bobby Darin's "Dream Lover" is from the Manhattan Transfer's recording and "Choo Choo Boogie" will put your choir on the jazz track! Hip '40s lyrics and the burnin'. "A Nightingale Sang In Berkeley Square" very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! "How High The Moon" is an up-tempo piece has exciting vocal writing. The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings!
Songlist: Java Jive, A Nightingale Sang in Berkeley Square, Choo Choo Ch'Boogie, Dream Lover
Marion Linton : Cole Porter A Cappella
Beginning as a waltz, "I Get A Kick Out Of You," this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. "Let's Do It" is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! "Love For Sale" is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout "What Is This Thing Called Love" as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart.
Songlist: I Get A Kick Out of You, Let's Do It (Let's Fall in Love), Love For Sale, What Is This Thing Called Love?
Morgan Ames : Collection
"When I'm 64" - This Lennon/McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. "Don't Know Why" - A ballad of the 40's in block harmonies. The tempo is medium. "My Funny Valentine" - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.
Songlist: When I'm Sixty-Four, I Don't Know Why I Love You Like I Do, My Funny Valentine
New York Voices : New York Voices Collection Vol 1
NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.
Songlist: Silence of Time, Caravan, The Sultan Fainted, To Dare The Moon , Sign of Spring, National Amnesia
New York Voices : New York Voices Collection Vol 2
Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.
Songlist: Round Midnight, Baroque Samba, Now Or Never, Sassy Samba, Open Invitation
New York Voices : New York Voices Collection Vol 3
Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. 'Top Secret' is a Vocal version of the popular Yellowjackets original with lyrics by members of the New York Voices. An exciting arrangement with striking group harmonies and a soaring soprano solo section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.
Songlist: Stolen Moments, Do You Know Wanna Know What I Want, Street Party, Who Knows?
New York Voices : A Cappella Arrangements
The World War II classic, "I'll Be Seeing You", by Irving Kahal and Sammy Fain, evokes memories of the big band era, while staying in the a cappella realm. Rubato, mellow blends and dynamic shaping are keys to this Darmon Meader arrangement. It creates the melancholy feelings that are significant in time of war when loved ones are missed and longed for. A beautiful selection for the holidays and the New Year, as well as graduation. "Baby Driver" - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! The timeless Irish folk song "The Last Rose Of Summer" has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!
Songlist: I'll Be Seeing You, Baby Driver, The Last Rose Of Summer, Come Home
New York Voices : New York Voices Collection Vol 4
'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.
Songlist: Overs, Me and Julio, Soon One Day
New York Voices : New York Voices Collection Vol 5
A tribute to the late Ella Fitzgerald, the fast swing arrangement, 'Oh, Lady Be Good,' is one no jazz ensemble should be without. It features improvisation solos, vocalese solos based on nursery rhymes, and one monster of a shout section! The ultimate closer for a concert program! 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.
Songlist: Oh, Lady Be Good (Ella Be Good), That's The Way of the World, Desafinado, Modinha
New York Voices : New York Voices Collection Vol 6
The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB
Songlist: Prelude / Interlude, Giant Steps, In a Mellow Tone, Cotton Tail
New York Voices - Darmon Meader : Sing Paul Simon
These Paul Simon classics has been dynamically arranged by Peter Eldridge and Darmon Meader and recorded by the venerable New York Voices. Smooth jazz vocals and solo lines play against a rhythmic percussion background making up these hot charts that were recorded on the CD New York Voices Sing the Songs of Paul Simon. For show choir or vocal jazz ensemble, this humorous and energetic arrangement features a Louisiana Cajun groove of "Why Don't You Write Me?," allows for a lot of solo lines interspersed with group vocals and includes a fun swing section as well. Fabulous! Piano accompanied.
Songlist: Mother and Child Reunion, Me and Julio Down by the Schoolyard, Loves Me Like A Rock, Why Don't You Write Me?
Paris Rutherford : Jazz Standards
Paris Rutherford is a regents professor in jazz studies at the University of North Texas (UNT) in Denton, Texas, where he coordinates vocal jazz studies and directs UNT Jazz Singers. A sought-after clinician in vocal jazz, Rutherford has over eighty vocal jazz arrangements in publication and here we have a collection of his a cappella arrangements. From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of this classic Kurt Weill song "Lost In The Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs. Jazz lovers will truly enjoy this wonderful a cappella setting of "Detour Ahead". Interesting harmony and well-crafted vocal lines makes this tune particularly enjoyable. "This Is All I Ask" is a jazz standard recorded by all the greats in a superb a cappella setting for vocal jazz and concert groups alike. Wonderful for developing blend and balance.
Songlist: I Got It Bad (and That Ain't Good), Yesterdays, This Is All I Ask (Beautiful Girls Walk A Little Slower), Detour Ahead, Lost In The Stars, The Very Thought of You
Phil Mattson : The Arrangements of Phil Mattson
Here's a collection from vocal jazz guru Phil Mattson. "Love For Sale" was written for Chanticleer in a gospel a cappella feeling featuring a female solo. "Dancing In The Dark" was arranged for the Swedish vocal jazz ensemble, The Real Group. It is written in an a cappella bossa nova groove with some quasi-funk sections. The arrangement, which treats text as a metaphor for human life, features vocal percussion opportunities. The classic Manhattan Transfer arrangement of "Body and Soul" includes lyrics about Coleman Hawkins and jazz singer Eddie Jefferson. "Love Lost" - An original piece by the Four Freshmen that was the title song from their beautiful album with strings. Has opportunities to feature both vocal and instrumental solos. SATB with rhythm section. "You Must Believe In Spring" - A lovely text beautifully set to music by Michel LeGrand with lyrics by Alan and Marilyn Bergman, featuring spots for three short solos. One of the most profound lyrics over the last fifteen years. With piano.
Songlist: Dancing In The Dark, Love For Sale, Body And Soul, Love Lost, You Must Believe In Spring
Randy Crenshaw : Cool Contemporary Jazz
This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. A high, then low ending brings the piece to an impressive close. Requires good range by soprano and bass. First tenor part can be sung by alto if necessary. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.
Songlist: Naima, Love Is In Control, Take Five, I Belong to You, Stolen Moments
Real Group : Arrangements of The Real Group Vol 2
The CD 'Nothing But The Real Group' was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - 'Chili Con Carne,' Anders Edenroth's most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. 'As Rain,' another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of 'God Only Knows,' is a very worthy treatment of the Beach Boys' classic. Also included is 'A Cappella In Acapulco' another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled 'Unreal.' Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'
Songlist: Chili Con Carne, As Rain, A Cappella In Acapulco, God Only Knows, I Sing, You Sing
Real Group : Arrangements of The Real Group Vol 1
'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the English version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool - there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' - their sense, their social role, and the varied ways they can be sung and spoken - which will intrigue jazz choirs at all levels. "Gota" - Pronounced 'geu-ta' (hard 'g') - has its name from the Faeroe Islands in the Northern Atlantic. The music line and wordless vocal jazz treatment fuses with ethnic folk music in a truly original way. A true 'performance piece' and favorite in the repertoire of Swedish vocal giants The Real Group, Gota has quickly gained recognition world wide. For vocal jazz oriented high school and beyond.
Songlist: Words, Heavenly Crystal, How Come It Is So Hard To Be The Way You Are, Gota
Real Group : Arrangements of The Real Group Vol 4
"There Will Never Be Another You " is a sensitive treatment of the jazz standard that opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. "Come Sunday" - Careful voice leading makes the contemporary harmonic changes and chord voicings in this chart quite accessible in this SSATBB a cappella arrangement. It features a strong 5 and 6 part into featuring the first chorus with a pyramid background behind a soprano melody moving into spread harmonies. The second chorus is open for a improvised solo with a tag over a 3-part harmonized background with walking bass. The chart ends with a 6-way harmonized "quasi-shout" chorus moving back into the origianl melody. Stevie Wonder's "Sir Duke" never had it so good in this marvelous Edenroth arrangement.
Songlist: There Will Never Be Another You , Come Sunday, Sir Duke, Very Early
Swingle Singers : Ticket To Ride
Since the release of Ticket to Ride, the Swingle Singers have received many requests from choirs and a cappella groups for their Beatles' arrangements. Finally, they have published a companion songbook to the popular album. The book contains the seventeen songs from the CD arranged for four to eight voices and features a bonus arrangement of "Here, There and Everywhere" for AATTBB. These wonderful arrangements include the original scat syllables used on the recording as well as alternated endings for the songs that fade out. Another great addition to the Swingle publications, this book will have your group creating a new wave of Beatle mania at your next concert.
Songlist: Penny Lane, Revolution, Day Tripper, Norwegian Wood, Birthday, Lady Madona, Yesterday, Strawberry Fields Forever, Drive My Car, Blackbird / I Will, When I'm Sixty-Four, The Fool On The Hill, All My Loving, I Am The Walrus, Goodnight, Here, There and Everywhere, Ticket To Ride
Swingle Singers : Around The World Folk Songs Vol. 1
All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'
Songlist: The Ash Grove, Bushes and Briars, Charlie is My Darling
Swingle Singers : Around The World Folk Songs Vol. 2
All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'
Songlist: Ciao, Bella, Ciao, Danny Boy, David of the White Rock
Displaying 1-50 of 266 items.
Here's a jazz novelty song recorded by Ella Fitzgerald in the '50s that's filled to the brim with sass and style! Perfect for a winter concert, dinner theater fundraiser or anytime you want to share a little sweetness with your community!
Arranger: Kirby Shaw | Performed By: Ella Fitzgerald
A reverent and truly beautiful rendition of the widely known Psalm, frequently used in religious services. It's pace is slow and contemplative and the music enhances the beauty of the language. As recorded on Bobby's Medicine Music CD.
This Latin standard has been recorded by dozens of recording artists from Harry Belafonte to Frank Sinatra. This setting by noted jazz educator and arranger Paris Rutherford is excellent for introducing Latin-style vocal jazz to performers from high school and beyond.Available separately: SATB, ShowTrax CD and Instrumental Pak (parts for piano, guitar, bass and drums). Performance Time: Approx. 3:50.
Arranger: Paris Rutherford | Composer: Luiz Bonfa | Country: Latin America
It's a mad, mad, mad, mad, madrigal indeed where the fa-la-la's get mixed up with the shoo-bee-doo-bee-doo's and the rama-lama-ding-dong's! This novelty song for madrigal groups, concert choirs or jazz groups will bring smiles to the crowd!
Arranger: Kirby Shaw
For over seven decades, this song, written during World War II has held an emotional connection with music-lovers for its nostalgic longing for happier times. This a cappella setting offers an accessible option to vocal jazz and concert choirs and opportunities for building style and technique.
Arranger: Kirby Shaw
This accessible setting retains all the flavor of the original Manhattan Transfer hit. Available: SATB, SAB, SSA. Performance Time: Approx. 2:00.
Arranger: Alan Billingsley | Composer: Manning Sherwin | Performed By: Manhattan Transfer
This ballad marked Diahann Carroll's 1954 debut on Broadway in House of Flowers and was further made famous in a recording by Barbra Streisand. This setting by Paris Rutherford is a delightful change of pace for both jazz and pop ensembles with its witty text and infectious tune.Available separately: SATB, ShowTrax CD and Instrumental Pak (Parts for Bass and Drums). Performance Time: Approx. 3:25.
Arranger: Paris Rutherford | Composer: Truman Capote | Performed By: Barbra Streisand
This bluesy standard, recorded by jazz greats Etta James, Dinah Washington and more, will be a perfect vehicle for displaying your group's soulful style. Available separately: SATB, SAB, SSA, ShowTrax CD. Combo part available digitally (tpt 1, tpt 2, tsx, tbn, gtr, b, dm). Duration: ca. 3:30.
Arranger: Kirby Shaw | Composer: Louis Prima
Celebrate the work of one of America's best loved composers with this exciting arrangement by Philip Kern. This ragtime show-stopper opens with short male and female solos, adds the tight harmonies of your SAB or SATB choir, swings into a scat section featuring a trumpet-like vocal solo, ritards to a cakewalk tempo, and finally crescendos to an amazing ending that may very well raise the roof of your auditorium. Feature your accompanist with the left hand stride accompaniment, add a ragtime instrumental ensemble with the optional SoundPax, or perform this one with the rousing SoundTrax CD. Publication includes optional staging suggestions. Featured on "On with the Show!" video, #21799.
Arranger: Philip Kern | Composer: Irving Berlin
Combining one of our best-loved hymns with rhythmic vocal jazz background makes this a stunning crossover work to be enjoyed by both singers and audience. The eight-part arrangement will work very well even with a smaller, but strong group of singers. A work that will surely bring light and joy to your program!
Arranger: Anders Edenroth | Performed By: Real Group
From the a cappella beginning into the walking bass accompaniment to the full swinging shout chorus, this chart is a straight-ahead vocal jazz feature that will bring life to every performance! Available: SATB, SAB, SSA, Instrumental Pak, ShowTrax CD. Performance Time: Approx. 4:00.
Arranger: Kirby Shaw | Composer: Jack Lawrence | Performed By: Frank Sinatra
From the 1946 animated classic Make Mine Music produced by Walt Disney, Benny Goodman and his orchestra provided the soundtrack that salutes swing music. A fun change of pace for jazz and show choirs! Available separately: SATB, SAB, SSA, ShowTrax CD. Combo parts available digitally (tpt 1, tpt 2, tsx, tbn, gtr, b, dm). Duration: ca. 1:50.
Soaring vocal lines shimmer above the uptempo Latin style instrumental in this Jerome Kern/Oscar Hammerstein II classic in a breath-taking setting. Available: SATB. Performance Time: Approx. 3:30.
Arranger: Steve Zegree | Composer: Jerome Kern and Oscar Hammerstein II
Your audience will be swept away with this inviting setting of the Jerome Kern/Oscar Hammerstein classic! Opening with a warm, rubato piano intro followed by vibrant opening chords from the singers, this chart settles into a fresh swing treatment that will make everyone smile! Available separately: SATB, SSA, ShowTrax CD. Rhythm parts available digitally (pno, gtr, b, dm). Duration: ca. 4:20.
Arranger: Paris Rutherford | Composer: Jerome Kern and Oscar Hammerstein II
This Lerner and Loewe hit is an American classic. It is set here as an updated a cappella version by Darmon Meader for the New York Voices - an amazing vocal jazz arrangement not to be missed. Beginning with solo and backing vocals, it soon takes off in a bright, happy bounce. Enjoy and learn from the actual New York Voices with the demo recording.
Arranger: Darmon Meader | Composer: Alan Jay Lerner / Frederick Loewe | Performed By: Brigadoon
Not for the faint of heart! This challenging jazz setting of the traditional folk hymn offers substantial challenges and myriad rewards, with its colorful harmonies and surprising shifts in tonality. Available: SATB divisi a cappella. Duration: ca. 2:45.
Arranger: Greg Jasperse
Set in a medium up-swing, this tasty standard features a written vocal solo and a written piano solo easily performed by high school jazz groups. Available separately: SATB, ShowTrax CD. Rhythm parts available digitally (rpno, b, dm). Duration: ca. 4:00.
A fresh take on a classic standard with intricate, yet accessible jazz harmonies and effortless voice leading. The vocals sing like falling and drifting leaves throughout the piece. A standout ballad for your jazz, show, or concert choir!
Arranger: Ryan O'Connell | Composer: Johnny Mercer
There are three sections to the piece. The audience can join in singing the opening groove. When the conductior or leader form the chorus gives the signal, the chorus goes into a second section. Because of the improvisational nature of jazz, the leader can then either return to the first section or go on the third section. During the first section, soloists should come forward to scat or create vocal drum grooves (percussion patterns made with the voice). Invite audience members to come forward to do solos. If you want, change the key of the piece or sing it fast or sing it slow or sing it slow, then fast to create vocal drum grooves to go in the background or, while the vocal drum grooves are wailing away, have the singing suddenly stop, letting the drum patterns shine out by themselves. Jazz is living music. You keep it alive by keeping it spontaneous. The piece should always end with the third section. The fast run at the end of the third section isn't so much sung, as it sounded-li
Composer: Nick Page
Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical - just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know!
Arranger: Peter Eldridge / Darmon Meader | Composer: Paul Simon
Start a quiet fire with this mellow Latin jazz chart. Lush harmonies and fluid melodic lines are featured to create a great change of pace for any concert. English and Spanish lyrics included. Available: SATB, SAB, SSA, Instrumental Pak, ShowTrax CD. Performance Time: Approx. 3:30. ScorePlay - click to view score with recording.
Arranger: Kirby Shaw | Composer: Sunny Skylar | Performed By: The Coasters | Country: Latin America
Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. Opportunities for solos and great instrumentals make this chart easy to learn and fun to sing for all types of programming.
Arranger: Paris Rutherford | Country: Latin America
This medley is hot, hot, hot! Totally irresistible and a great show choir feature, it includes these great swing standards: Caravan, Don't Get Around Much Anymore, (I Love You) for Sentimental Reasons, In a Sentimental Mood, It Don't Mean a Thing (If It Ain't Got That Swing), Juke Box Saturday Night, Let's Dance, Sentimental Journey, Stompin' at the Savoy. Available: SATB, SAB, 2-Part, Instrumental Pak, ShowTrax CD. Performance Time: Approx. 11:25.
Arranger: Mac Huff
This great bossa nova classic by the Brazilian artist Joao Gilberto completely captures the flavor of the 1960s. Smooth lines and the jazz infused samba give this setting its special appeal! Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm Section parts available digitally (gtr, b, dm). Duration: ca. 2:15.
Arranger: Kirby Shaw | Country: Brazil
Now available separately: younger voices, this Irving Berlin tune is a classic of jazz swing style. This long-time favorite will bring a smile to your face and put a spring in your step! Available: SATB, 2-Part, 3-Part Mixed, ShowTrax CD. Performance Time: Approx. 2:30.
Two legends combined in this duet with Tony Bennett and Amy Winehouse in the final recording made before her death in 2011. Adapted for jazz choirs, this setting retains the bluesy, ballad quality of their popular recording. Available separately SATB, SAB, SSA and ShowTrax CD. Rhythm parts available as digital download (vibes, syn, gtr, b, dm). Duration: ca. 3:10.
Arranger: Kirby Shaw | Composer: John Green | Performed By: Tony Bennett
Get your boogie down with this 80's classic by Al Jarreau that has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs from high school and up. ScorePlay - click to view score with recording.
Arranger: Paris Rutherford | Performed By: Al Jarreau
First made popular by the Andrews Sisters, later by Bette Midler in the '70s, and now this hoppin' tune is arranged for mixed as well as treble choirs. The energetic swing-style will be incredibly fun to perform and the tune lends itself very well to choreography. ScorePlay - click to view score with recording.
Arranger: Mark Brymer | Performed By: Bette Midler
Here is a swinging arrangement of the great American standard in a style reminiscent of the Count Basie big bands of the 1950s. Opening in a spare style with unison vocals over a bass line, the texture gradually fills out to two parts, then solo with choir back-up, and finally a modulation to a full four-part conclusion. Great for developing improvisation skills!
Arranger: Steve Zegree
Would Pachelbel approve? Who knows. But singers and audiences surely will! This rhythmic rendition presents the famous "Canon in D" with nonsensical scat syllables. Sing a cappella or with the optional piano accompaniment. It's guaranteed to be the most memorable three minutes of any concert program.
Arranger: Alan Billingsley | Composer: Johann Pachelbel
Audrey Hepburn and Cary Grant starred in the movie of the same name of this classic theme song by Henry Mancini and Johnny Mercer. This jazz setting features the lilting Parisian melody but with a unique rhythmic feel that pays homage to Brubeck and others of Mancini's era.
Arranger: Ed Lojeski | Composer: Johnny Mercer / Henry Mancini
Darmon Meader's arrangement of Charleston Alley pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more "SATB-friendly" key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.
Arranger: Darmon Meader | Composer: Jon Hendricks | Performed By: Lambert, Hendricks & Ross
This perennially popular song from The Real Group is now available for treble voices, allowing younger school choirs to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn.
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