The haunting tones of Allegri's Miserere are uniquely and instantly recognizable even to those who know little sacred music. It was only ever sung in the Sistine Chapel, where Allegri himself was a chorister. Palestrina had sung there before Allegri was born and his best-known work is Miss Papae Marcelli. Like his Stabat Mater it combines exquisite poise with a translucent setting of words. Chromaticism and blossoming cadences are employed to heart-rending effect in Lotti's eight-part Crucifixus in a unique blend of 16th and 18th century musical styles.