The Triumphs of Oriana is an extravagant musical compliment paid to England's Elizabeth I by Thomas Morley, published in 1601. It consists of 25 madrigals by 23 different composers, each madrigal concluding with the refrain, "Then sang the shepherds and nymphs of Diana: Long live fair Oriana." Oriana was a character in a chivalric romance long equated with Elizabeth, and Diana, goddess of chastity, would certainly attend the Virgin Queen. However idealized their pastoral setting, many of the madrigals are excellent, those by Bennet, Weelkes, Cavendish and Morley are well known. As a whole they captured the musical imagination of the time and they continue to intrigue‹for instance, who is the mysterious "Bonny-boots" who appears in two of the songs? The soaring tenor and falsetto voices of King's Singers, England's brilliant, prolific male sextet, were made to perform this difficult, eclectic collection. Picking favorites, beside the four previously mentioned, is not easy: Tomkins' "The fauns and satyrs tripping" is lovely, as is "With wreaths of rose and laurel" by Cobbold and "Fair nymphs I heard one telling" by Farmer. "Triumphs" is a choral joy, an ode to a beautiful fantasy from long ago‹sung by six men whose voices and talent are fortunately very real. Extensive, interesting liner notes.

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