The four tall (all six-footers), healthy-looking young singing brothers were a standout quartet even back in their grammar school days, but hit their stride, and the charts in the late 40s and through the 50s. This CD combines 2 lps in one bargain-priced CD, effectively giving us twice as much great music for our money. The first, a 1956 lp with Hugo Winterhalter and His Orchestra, features 12 (accompanied) hits, like "It Must Be True," "Ol' Man River," "That's The Way Love Goes," "Gotta Be This Or That," "Anniversary Song," "I Can't Give You Anything But Love" and "Not You, Not I." The 1958 space-race inspired "Destination Moon," with Sid Ramin and His Orchestra, features another 12 (accompanied) winners, the title tune, "Moonglow," "East of The Sun," "No Moon At All," "Music From Out of Space," "Stella By Starlight," "It's Only A Paper Moon," "Beyond The Blue Horizon" and others. Powerful harmonies, great solos, memorable hooks in every tune on this CD is a truckload of big-fun 50s pop!

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Vic, Gene and Joe Ames were born and grew up in Boston, and the rich harmonies that made them international celebrities were in evidence as early as grammar school, when they began singing together. They won prizes in virtually every amateur contest they entered; then they were booked at the Fox and Hound in Boston for a week, were held over 3 monthsÑand were on their way to a long career as pop singing stars with a slew of gold records. A compilation of two lps from the early 1960s, "Hello Italy!" is their debut lp for Epic Records, and a cinch for the multilingual Brothers, who could read or converse in 6 languages. Some favorites on "Hello" (all accompanied and in Italian) are "Fontana di Trevi" (Three Coins in the Fountain), "Corrin Corrina" (Corrine, Corrina), "Volare" (Nel Blu DiPinto Di Blu), "Luna Milinconica" (Blue Moon), "Ritorna A Me" (Return to Me), "Nastri Rossi" (Scarlet Ribbons) and "Arrividerci Roma." "Knees Up!" is not a typo, but the title of one of the songs on this collection of wonderful fun and nonsense from the talented Brothers. Some favorites here are "I'm Walking the Floor Over You," "I'll Lend You Everything I've Got Except My Wife," "If I Had My Life To Live Over I'd Live Over A Grocery Store," "Take Your Finger Out of Your Mouth I Want A Kiss From You," "When It's Night Time In Italy It's Wednesday Over Here," and the touching ballad, "Where Can I Find A Bookie." 24 popular vintage hits from the celebrated Ames Brothers, whose smooth, rich harmonies fill this generous CD. By the way, Mother Brown had just turned 100, and "Knees Up" refers to dancing, but you knew that!

This 1940's quartet is best known for their huge post World War II hit, "I Sold My Heart To The Junkman." They broke up in 1951, but they were a fine example of the developing R & B style, similar to the Mills Bros., while suggesting the crooning of Bing. This accompanied recording contains their best cuts, and is a fine backdrop for their tight, finger-snapping swing. "Jumpin' At The Jubilee" has a half spoken, half sung middle break, a vocal jazz rap, as it were. If sumptuous ballads are your thing, listen to "Nothing Ever Happens To Me," "Summertime Gal" and "I'll Get Along Somehow," which caress the ear with a deft touch. "Ain't Got No Loot" is as hip now as it was then, the epitome of cool, it's melodic hook offset by a jive confessional. Songlist

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The story of the Comedy Harmonists is as intriguing and compelling as their music. Drawing upon the close harmony ensembles of the 1920's - the vaudeville era - for inspiration, they crafted an eclectic mix of the classical and the cabaret in pre-war Germany. The six members, including pianist and arranger Emil Gerhardt, founder Harry Frohmann and bass singer Robert Biberti, were the pop stars of their era, and even toured America and Europe, before they were forced to disband by the Nazi government. These twenty-five tracks comprise the best-known songs in the Harmonists repetoire, including the memorable "Creole Love Call," (re-created later by England's King's Singers on their tribute album), "Tea For Two" and Rossini's "Barber Of Seville Overture." Songlist

Forty three lilting, rockin' and proto-doowoppin' harmony cuts from Steve Gibson and The Redcaps one of the most popular jump and jive vocal groups of the 1940's. The Five Red Caps began in 1940 Los Angeles, moving to New York in search of fame and fortune. After meeting record label owner Joe Davis (Beacon) in 1943, the multi-talented group, who also played their own instruments, recorded 26 singles for Davis from 1943-46. From rhythm-oriented jive boogie, velvety Ink Spots-style ballads, and the earnest gospel sound, a lá groups of the 1930's such as the Golden Gate Quartet, the Five Red Caps did it all. The Redcaps enjoyed many hit records and appeared in movies, on radio and the emerging TV medium. Like many other groups of the period their roots can be traced back to the unprecedented influence of The Mills Brothers.

Based upon the stage production of the same name, this CD is equal parts silly schtick and a musically adept and professional parody of the close harmony groups of the 1950's - Freshmen, Hi-Lo's and the like. Romantic themes dominate-"Three Coins In A Fountain, "Love Is A Many Splendored Thing," 'Cry,"-with a "Caribbean Medley" and "Scotland The Brave" (a homily to Plaid) for yukks. The style is unapologetically sentimental and deliberately cliched, but will be good fun for those who are familiar with the colloquialisms typical of the period. A good portion of the dialogue is included to introduce the songs and explain the plot. Songlist

A pair of Philadelphia boys, Al Alberts and Dave Mahoney, finding themselves in the North Atlantic in the Navy in WWII, killed time by singing together. Joining two more local boys, Rosario and Louis, they formed the Four Aces, following in the footsteps of the Ames Brothers. Their first hit was "(It's No) Sin," which was shopped to no avail to New York record companies, and finally released by Al, who started his own record company, Victoria Records, to do it. The song peaked on Billboard's charts at #4 in 1951, and the Aces were quickly signed by Decca. The group-written "Tell Me Why," "A Garden in the Rain," "Perfidia," "I'm Yours" and "Heart and Soul" were next to climb high on the charts. Appearing frequently on TV, Aces singles "La Rosita," "Just Squeeze Me," "Laughing on the Outside" and "The Gang that Sang (Heart of My Heart)" were among 8 of the group's hits in 1952. "Stranger in Paradise" went to #2 on the charts, which the Aces finally topped with the theme from the movie "Three Coins in a Fountain." Popular hits "Dream" and "So Long," followed, and "Mr. Sandman" and "Melody of Love" scored in Billboard's top five before the floodgates of Rock 'n Roll opened in 1955, and even that year the Aces had another chart-topper with "Love is a Many Splendored Thing." "Heart" features 24 of the group's (all accompanied) upbeat, romantic tunes in a nicely done package with group history and photos. For smooth quintessential 50s pop harmonies, Four Aces win every time!

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Close harmony groups, such as the Four Freshmen and Four Aces, were quite viable commercially, before the advent of rock and roll made so many of them redundant. Such was the case with the Four Aces, who had over thirty top forty hits before 1958. Many of the songs on this "Greatest Hits" CD were from these hit singles, and include such classic compositions as "Should I" "Perfidia" and "Melody Of Love, " which had been popularized decades earlier. Showy orchestrations compliment the confident lead of Al Alberts and the harmonies of his emphatic cohorts, who had evolved into a tight and effective unit. Songlist

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The Blazes were journeymen musicians, who had played in and around the Chicago club scene since 1940, though they didn't score a national hit until 1952, with "Mary Jo." Written by bassist/singer Tommy Braden, who didn't actually join the Blazes until 1950, it epitomized their blues-influenced jazz sound: walking bass, clean guitar tone, honking sax over blues progressions. However, it was a sound rooted in an earlier era, and was swept away by the tides of rock 'n roll, in spite of the superior musicianship of professionals such as the Blazes. Still, these 24 songs show why the idioms of blues and jazz are universal, and any of them could be performed today. Highlight: an original arrangement of "Mood Indigo," a summer breeze wafting by on a sultry July evening. Songlist

Let's take a moment right now to bless the record company executive who first came up with the idea to put two classic LPs on one CD. That said, here's one with a particularly wonderful pair of Four Freshmen recordings, And Five Saxes, & And Five Guitars. We know we needn't go into the 4F being discovered in 1950 by Stan Kenton in an Ohio lounge, or how they became one of the most influential and popular vocal jazz groups of all time. The very cool thing about this collection is the songs that appear on no other 4F CD that we carry: "East of the Sun," "I May Be Wrong," "There's No One But You," "Sometimes I'm Happy," "This Love of Mine," "I Get Along Without You Very Well," "The More I See You," "This October," "Don't Worry 'Bout Me," "It All Depends On You," "I Never Knew" and "Nancy." This is slow-dance music: 24 songs, all gently accompanied, sweetly romantic, bright, light, tight-harmonied, "rainy day" jazz! Songlist

The Four Freshmen were signed to Capitol afer auditioning for the label in 1950, an audition set up for them courtesy of bandleader Stan Kenton, who had heard them when they were appearing at the Esquire Lounge in Denton, Ohio. The band's history is described in detail in the booklet included with the CD, which contains twenty-one Freshmen tunes (all accompanied) from their Capitol Records years, commencing in 1952. Contains the best-known hits "Graduation Day," "Day by Day," "Poinciana," "Route 66," "Their Hearts Were Full Of Spring," "It's A Blue World," and so many more. The Four Freshmen, who played all of their own instruments, were the sound of the 1950's. Songlist

Recorded in 1962 as part of a Public Service series sponsored by the U.S. Navy for radio broadcast, this recording includes many the Four Freshmen standards-"Day By Day," "Their Hearts Were Full Of Spring," "Route 66"-as well as some lesser known songs. Their trademark voicings made the group a popular favorite; they recorded over twenty albums for Capitol alone! Their likeable onstage persona can be heard on "Once In Love With Amy," a novelty number that sounds like singer Ross Barbour is on helium. "Somebody Loves Me" and "Taps Miller" are swung at a speed that is vivace going on dangerous-"Taps" features a challenging scat performance, while "Somebody Loves Me" has a rubato turn of phrase that is a clever device. Songlist

The last CD featuring original member Bob Flanigan and the arrangements of Dick Reynolds, this mostly-accompanied CD (listen to the spectacular "trombone choir" on "Silent Night"!) was recorded in 1992. The Freshmen have become a sort of post-graduate institution for singers everywhere; their approach to chord voicings - dropping the root of a five-part chord, and the ingenious placement of the remaining notes - galvanized audiences and critics alike. Phil Mattson contributes an arrangement of "I'll Be Home For Christmas," showing his respect, while "And The Bells Rang" chimes brightly with the excitement of this very special "Freshmas"! Songlist

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Twenty-five (previously unreleased on CD), songs from the Four Freshmen to commemorate their fiftieth, compiled by the group themselves! The group worked with the great arrangers and songwriters of their era, and exemplified the vocal jazz sound that has been so frequently emulated since: rich, lush and opulent, with harmonies so close they are painted-on! Their first single, "Then I'll Be Happy," opens the CD, followed by the first song they recorded by the great Bobby Troup: "Now You Know." "Baltimore Oriole," written by Hoagy Carmichael, features the sinewy lead vocal of Don Barbour, and is real Americana. Billy Strayhorn's "Chelsea Bridge" merges with Afro-Cuban percussion (most of the record is accompanied to one degree or another) and shows the group stretching their sound by adding elements from other styles. "I Will Wait For You" is introduced by a brash trumpet solo and swings to an active bass line; released in 1969, the 'sixties influence is evident. Some of the songs have different mixes than those previously heard on Four Freshmen records; the group's intent is to offer something new, and shall we say, fresh? Songlist

This release includes the complete collection of the Four Freshmen's 1950-1954 studio recordings, marking the quartet's rise from obscurity to become one of the most celebrated bands of the era. The quartet is showcased in a variety of settings form the original recordings to sessions with Stan Kenton's orchestra and features arrangements and conducting of Nelson Riddle. The CD has some of the quartet's greatest hits, such as, "It's a Blue World" and Ellington's "Mood Indigo." Also included are three bonus tracks of their original demo recordings.

A two CD value-priced collection that includes 24 songs (most of which are accompanied), and how gorgeous they are. These standards ("I'm Always Chasing Rainbows," "It Could Happen to You," "I'm a Fool to Want You" amongst them) are the sketchpads on which the Freshmen practice their vocal art, their harmonic palette filled with rich hues that create a unique tonal interplay. Their approach produced a legacy that is still influencing the vocal groups of today. Songlist

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We return to the 60's with the legendary Four Freshmen, where they spent most of the decade and had a half-dozen LPs released on the Liberty label, none of which have come out on CD. So, thoughtfully, Collector's Choice Music picked the 24 best tracks from those albums, including 7 from the hard-to-find LP "Four Freshmen in Tokyo," and put them on "The Liberty Years" at a great price. Includes "It's Not Unusual," "A Man and a Woman," "Everyday People," "I Will Wait for You," "Walk On By," "Fools Rush In," "Byrd Avenue," "Michelle," "California My Way," "Shadow of Your Smile," "When the Feeling Hits You," "The Wonderful World of Color," "Love Is a Happy Thing," "Daydream," "Cherish/Windy" medley, "Come Fly with Me/Up, Up and Away" medley, "It's a Blue World/By the Time I Get to Phoenix" medley, "Misty Roses," "My Special Angel," "Old Friends," "Winchester Cathedral," "Canadian Sunset," "Girl Talk" and "A Beautiful Friendship." Most of these don't appear on any other 4F CD. If you were there in the 60's (even if you remember nothing), this collection is for you.

Under the direction of original Freshman Bob Flanigan, this recent release (on Pat Boone's independent label, no less) maintains the quality of the original group, with an absolute allegiance to the unmistakable chord voicings of their style! Accompanied, with the group members playing their own instruments in Frosh tradition, songs such as "Walkin' My Baby Back Home" and "Straighten Up And Fly Right" will have you reveling with joy. "Meaning Of The Blues" (written by Bobby Troup) and "Moonlight In Vermont" are redolent with a liquid sensuality that hasn't lost its magic after all these years.

It's a twofer! Two classic albums are included on this CD of one of the great male quartets of the twentieth century! Their ability to maintain perfect intervals in vertical harmony is legendary. Fortunately the legend lives anew as almost every one of their tremendous discography has now been remastered for CD. Actually, it's amazing that "Stars In Our Eyes" and "The Swingers" haven't been released until now. The songs released originally on the album "Stars In Our Eyes" are the first twelve tunes. Each of them is a testimonial of regard for the other artists of their day who helped to create the cultural climate which saw the Four Freshmen rise to stardom. They sing songs made famous by The Four Coins, The Ames Brothers, The Four Lads, The Modernaires, The DeCastros, The Mills Brothers, The Hi-Los, The Brothers Four, The Andrews Sisters, and the King Sisters. There is even one of the rare a cappella tunes, "Tom Dooley," which was responsible for catapulting the Kingston Trio to instant acclaim. On the second half of this fabulous reissue, the music ranges from smoothly swinging Frosh-styled ballads to several tunes which used to be strictly big-band instrumentals like Duke Ellington's "Satin Doll," Count Basie's famous "Taps Miller," and "Dynaflow" which was a Stan Kenton/Art Pepper original. Those as well as the jazz 'national anthem,' "Lullaby of Birdland," are done as wordless vocals, utilizing syllables instead of lyrics. Among all the songs on this production is a complete purview of one of the great vocal jazz quartets of all times. Songlist

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Two re-released CD's from one of the greatest vocal jazz groups of all time. What's even more amazing is that the "Frosh," as they were affectionately known, played their own instruments! Their characteristic voicings are unmistakeable, written in part by mellophone and trumpet player Ken Albers (the rest, by Dick Reynolds and Pete Rugelo). The Latin spin is, dare we say, fresh; "Chelsea Bridge" (written by Billy Strayhorn), "What's New" and "Mine" (Gershwin) are uniquely interpreted, the elegant and colorful rhythms a vivid infusion. "The Freshmen Year" begins with the title track, where the four voices introduce the verse with step-wise motion, announcing their arrival; it's a frequently-used Freshmen trick. "Fools Rush In" is an advanced lesson in phrasing - listen how they slide into the line and then stop it staccato. "I'm Getting Sentimental Over You" is precision vertical harmony, the voices in lock-step, a contract to the Bob Flanigan solo lead on "Show Me The Way To Get Out Of This World" (he also handles bass and trombone duties). "My Funny Valentine" is almost spoken, rather than sung, poignantly articulated by Don Barbour, without harmonic relief of any sort from his fraternity; a wrenching performance. Songlist

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You all know the story of the 4 young men from Toronto, who auditioned over the phone for a 2-week gig at NY's Le Ruban Bleu, which turned into a 30-week booking, a tour, a recording contract and many, many hits. This is another of those "2 lps on one CD" that we love so much, and that is such a good value. The fresh, upbeat, jazzy, best-selling sound of the Four Lads (all big-band accompanied) is heaped on our plates like strawberries and whipped cream. 20 hits, the first 8 a live stage show, performed before fans who raved over songs like "Bye and Bye," "God Bless Us All," "My Blue Heaven," "The Wabash Cannonball" and "What Can I Lose;" the next 12 a smorgasbord of romantic winners with miles of violins: "Fly Me to the Moon," "Like Someone In Love," "While We're Young," Leonard Bernstein's "Tonight," Sammy Cahn's "Time After Time" and "I'll Never Stop Loving You," "An Affair To Remember" and "Love Is A Many Splendored Thing." Fresh, jazzy pop, heart-tugging slow-dance music—it's all here, and all wonderful, by four lads whose influential sound defined the 1950s and early 60s.

Canadians Bernie Toorish, lead tenor; Brank Busseri, baritone; Jimmie Arnold, second tenor and Connie Codarini, bass; began singing together as, in fact, lads at St. Michael's Cathedral Choir School in Toronto. They polished their harmonies at night, and obtained a try-out engagement at the Ruban Bleu in New York. It stretched into 30 solid weeks, and the Lads were on their way to being voted America's favorite vocal group. This is 2 lps (originally released in 1959-60) on one cd, both orchestrally accompanied, all contagiously jazzy and exuberant as the lads demonstrate their versatility with ballads, old-time favorites, racing rhythm numbers and popular standards. This is night club entertainment at its finest! "Swing Along"swings through 13 songs, from "The Old Oaken Bucket"and "Comin' Through the Rye"to "Swanee River,""Mexicali Rose,""Let Me Call You Sweetheart"and "Moonlight Bay.""Everything Goes"features Cole Porter's "All of You,""It's All Right With Me" and "Anything Goes;"as well as popular hits "It Had to Be You," "You're Nobody 'Til Somebody Loves You," and "I'm Gonna Sit Right Down and Cry (Over You)". To pick one signature cover, we'd have to go with "Ac-cent-tchu-ate the Positive,"as the Lads' sound is so bright, shining and out there, it's impossible to feel bad listening to this CD.

The Four Lads transition from singing together as Canadian choir boys, to stardom at New York's Le Ruban Bleu, to being voted America's favorite vocal group, is the stuff of music industry legend, but it's their fresh, jazzy, exuberant sound that we're interested in. Blessing again the record executive who first combined two classic lps on one CD for the price of one, we have 24 tracks here, all orchestrally accompanied, but the emphasis is on the four amazing singers. On "Breezin'," are songs like "That Old Feeling," "Someone Like You," "Long Ago (And Far Away)," "Someone To Watch Over Me," "Come To Me" and "A Lovely Way To Spend An Evening." On "Sunny," there's "The Things We Did Last Summer," "Bidin' My Time," "Makin' Whoopee" "Dancing In The Dark," "Lazy River," and "Side By Side." A generous helping of the Lads' contagiously jazzy, 60s nightclub sound!

The Four Preps were a wholesome, clean-cut group who had 13 chart hits between 1956 and 1964. A Capitol Records scout discovered them while they were performing at a Hollywood High talent show. Among their biggest hits included in this 20-track collection are "26 Miles (Santa Catalina)", "Big Man", and "Down By The Station (Early In The Morning)". One of the Preps, Glen Larson, later became the well-known TV producer of "McCloud", "Quincy", "Battlestar Gallactica", "Magnum P.I.", "The Fall Guy" and others.

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I really don't have to go into who the Hi-Lo's were, or how their sound defined jazz and pop singing from the 1950s on, do I? Good! This CD starts with an lp, originally released on Columbia Records in 1962, "This Time It's Love," of 12 (accompanied by an Orchestra conducted by Clare Fischer) love songs, and then goes on to add 14 bonus tracks, including 3 previously unreleased tracks--a generous helping of classic Hi-Lo's. The title tune, "More Than You Know," "The Second Time Around," "Besame Mucho," "Only Forever," "There's a Small Hotel"--these songs by the Hi-Lo's are listed in the dictionary under "romantic." Why? Because we can understand every word, and, dammit, we believe every word they're singing! The previously unreleased tracks are "The Ever-Changing Plains," "Nobody's Heart" and "Camelot." One song, the lovely "Star Carol" is a cappella. Tremendous value, great music! Songlist

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Here, in their full glory, are the first two releases the group recorded on Reprise. This is classic stuff as these vocal masters explore two different musical genres with their usual sophistication and expertise. They use the most difficult form of voice pattern. Unlike many vocal groups, which keeps to intervals of thirds fifths and ninths, The Hi-Lo's apply intricate harmonies, moving tones, and suspended chord intervals using about every altered degree of the solmization scale in their arrangements. There are many gems including the practically a cappella "Black Is The Color of My True Love's Hair" featuring a rare solo exquisitely sung by Clark Burroughs and most of the vocal arrangements are by the man himself, Gene Puerling. The majority of these tracks have not been previously released on CD making this a great addition to all of their fans collection. Includes original LP art work and liner notes. Songlist

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Comprising two of their records from the 1950's-1954's "I Presume" and 1958's "In Stereo"-"Clap Yo' Hands" captures the close harmony sound of the Hi-Lo's, who defined the vocal jazz of their era. The playground for the talents of the brilliant arranger Gene Puerling, who went on to form the Singers Unlimited, the Hi-Lo's toured with theJudy Garland show and sang with legends such as Frank Sinatra and Rosemary Clooney. These tracks are orchestrated (by Frank Comstock, who backed the group on many early recordings) and include wonderful standards such as "Summertime," "Long Ago and Far Away," "Surrey With The Fringe On Top" and "Nice Work If You Can Get It." Though we hadn't heard the CD at presstime, we have it on good authority that "Clap Yo' Hands" includes some of the group's finest recordings. Songlist

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A new release from the Hi-Lo's is always a welcome occurrence but especially so on this disc which features two of their finest recordings; the 1959 "Love Nest" and the 1960 "All Over the Place". Accompanied by their long time collaborators The Frank Comstock Orchestra and with vocal arrangements from the incomparable Gene Puerling, this is some of the finest vocal jazz you could have the pleasure of hearing. This recording features many Hi-Lo's gems that have not been available on previously released compilations with such classics as "Fairyland", "Isle of Capri", "April in Fairbanks" and "Island of the West Indies" among others. The Hi-Lo's were at the height of their fame when they recorded these albums and were recent winners of reader's poll in both Downbeat and Playboy and were performing regularly around the country. These sophisticated, bright and swinging arrangements overjoyed both critics and public alike and we feel confident you, as vocal harmony fans, will be equally bowled over. Songlist

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The Hi-lo's were formed in April of l953 by bass singer and arranger Gene Puerling. Their tight, close, ringing harmonies are applied to an eclectic variety of music, barbershop, folk, bossa nova etc. etc. All the songs are accompanied by a three piece combo of piano, bass, and drums except for the extremely beautiful "Down By The Sally Gardens." Aside from the title track other well known tunes are "Lazy Afternoon," "Georgia On My Mind," "Fascinatin' Rhythm" and "You Must Have Been A Beautiful Baby." On less well known tunes they rock, they jazz it up, they visit Hawaii. They are formidable! Songlist

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A spate of Hi-Lo's albums have been recently released on CD, but this may be the most auspicious re-emergence yet: the Hi-lo's first two records, paired up for over an hour's worth of great listening. Though some of the cuts can be found on other recordings, the a cappella "Molly Malone" and "Through The Years" aren't available anywhere else, and the remarkable harmonizations that were Gene Puerling's unique artistry are gloriously displayed in a riot of tonal color. Also, "Georgia On My Mind," and "They Don't Believe Me," from their first 1953 recording session for Trend, are included; the latter was on the previously available "Nice Work If You Can Get It" CD, which has since been discontinued. Anyway, suffice it to say, that among the vocal harmony groups of the 1950's, the Hi-lo's were much imitated, but never duplicated, and their appeal is timeless. Mostly accompanied, with orchestrations by frequent music director Frank Comstock. Songlist

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Rosemary's "friends" on "Ring Around Rosie" are none other than the Hi-Lo's! (She is accompanied by Harry James on "Hollywood's Best.") The dozen songs on "Ring Around Rosie," though not a cappella, are some of the loveliest in the canon of American popular song. Clooney's straightforward and unmannered style is immediate and engaging, in contrast to the Hi-lo's more modern jazz phrasing; together, they offer the best of both. For example, the Hi-lo's trade verses with Rosie on "How About You," and outline chords behind her with brilliantly hued swipes; when they harmonize, as they do, fittingly, on "Together," one can feel the appreciation flowing. Her "Everything Happens To Me" conveys the song's gloomy irony by virtue of the plainness of its delivery. The Hi-Lo's are sans Rosie on "I Could Write A Book," "Coquette" and "Solitude"; the latter two are presently unavailable on any other recording. "Hollywood's Best" features big band arrangements of movie themes, and Clooney's first million-selling record, "Come On-A My House." Songlist

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Twenty five track compilation brings together greatest hits from the legendary vocal group's early career in the 1930s, and it features their original lineup, incuding the songs "Knock-Kneed Sal," "I'm Beginning To See The Light" & "When The Sun Goes Down"