
Complete reviews - read all the recording's reviews on one page.
| Ames Brothers | Billboard's 1958 Best Vocal Group of the Year; famous for "Sentimental Me," "Ragmop" and "You, You, You" |
| Andrew Sisters | Affectionately known to the troops as the "jive bombers," this groundbreaking trio was the most successful female harmony group of the WWII era |
| Basin Street Boys | Los Angeles-based Boys' "I Sold My Heart To The Junkman" epitomized their smooth rhythm and blues influenced style |
| Boswell Sisters | Formed in 1925 New Orleans, the Boswell Sisters abandoned their classical training for the blues-based jazz that became their trademark |
| Chordettes | Founder Jinny Osborne's barbershop training influenced this quartet's arrangements, including their number one hit, "Mr. Sandman" |
| Clark Sisters | Their ability to mimic instruments with uncanny accuracy distinguishes this 'fifties group, who sang with Tommy Dorsey |
| Comedian Harmonists | German sextet who modeled their sound on that of their predecessors, The Revelers, and then influenced generations of harmony singers to follow |
| Delta Rhythm Boys | Their fifty-year career included fourteen films and a CBS radio show; their use of vocalese on the "Dry Bones" recording set precedent |
| Demon Barbers | British foursome who performed close harmony standards from the 1930's and 1940's |
| Dinning Sisters | One of the highest-paid acts in Chicago, circa post WWII, the Dinnings were best-known for their hit, "Buttons and Bows" |
| Five Red Caps | First earning recognition during the Second World War, this dues-paying group played a mix of ballads, boogie-woogie and jump |
| Forever Plaid | Actually a soundtrack to the stage production of the same name - a homage to 'fifties close harmony groups such as the Four Freshmen |
| Four Aces | A 1950's hit machine, this pre rock-n-roll era quartet had a number one single with "Love Is A Many Splendored Thing," among many others |
| Four Freshmen | Superlative pioneering 1950's harmony group whose unique jazz voicings influenced everyone from the Harptones to the Beach Boys; legendary |
| Four Lads | Clean-cut Canadian group whose biggest hit was "Moments To Remember" in 1955, they also backed up Johnny Ray on "Cry" and "Little White Cloud" |
| Hi-Lo's | The sophisticated splendor of Gene Puerling's arrangements has made this group a favorite of jazz and swing fans since the 'fifties |
| Ink Spots | Founded in 1931, this history-making quartet, along with the Mills Bros., broke the color barrier and spawned scores of hits |
| Anita Kerr Singers | This sixties female bandleader, arranger and vocalist and her Singers cover classic pop and jazz standards |
| King Sisters | From Utah, the career of these lovely ladies stretched from the '30's to the 60's, beginning with "When The Swallows Came Back To Capistrano" |
| Les Double Six | A precursor to Ward Swingle's 1960's namesake group, the French Les Double Six were produced by Quincy Jones |
| Lambert, Hendricks & Ross | Hendricks' use of vocalese was showcased in this trio, featuring English singer Annie Ross; their breathless scat and wholly distinctive style was the coolest '50's jazz around |
| McGuire Sisters | Appearing on the Arthur Godfrey talent show where they replaced the Chordettes, Phyllis, Dorothy and Christine earned immense popularity |
| Mel Torme & The Mel-Tones | Dubbed "The Velvet Fog," Mel was a writer, arranger and performer who began as a child prodigy, and had a career spanning over sixty years |
| Merry Macs | This close-harmony group from the forties was one of the first to employ a female lead - their wholesome swing was typical of the era |
| Mills Brothers | Ohio-born brothers crested with 1943's "Paper Doll," selling six million copies; their talent for mimicry and polished sound is as respected now as it was then |
| Modernaires | Forties backing group for Glenn Miller's Orchestra, who with singer Paula Kelly, recorded the first million-selling record, "Chatanooga Choo Choo" |
| Pied Pipers | Innovative close harmony group featuring Jo Stafford and then June Hutton; backed Frank Sinatra on the number one "I'll Never Smile Again" |
| Ravens | Their rhythm and blues infused sound, identified by tenor and bass leads (Maithe Marshall and Jimmy Ricks), caused a sensation in Post WWII America |
| Revelers | The Revelers were the most famous group of the 1920's, modernizing the barbershop style and capitalizing on the invention of the phonograph |
| Singers Unlimited | Gene Puerling's Singers, who debuted in 1970, featured Bonnie Herman, Len Dresslar and Don Shelton, creating a sound luminous and sublime |
| Compilations |
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