Our arrangements our compiled from a variety of sources to provide the best selection possible. Most of them are designed for the group at the intermediate skill level. Though some of the songs included within this category are in fact popular or traditional compositions, it is the style of the arrangement that we classify as jazz. Please contact our staff if you have a question about any of the titles on this page; we will be happy to consult with you personally.
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Paris Rutherford is a regents professor in jazz studies at the University of North Texas (UNT) in Denton, Texas, where he coordinates vocal jazz studies and directs UNT Jazz Singers. A sought-after clinician in vocal jazz, Rutherford has over eighty vocal jazz arrangements in publication and here we have a collection of his a cappella arrangements. From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of this classic Kurt Weill song "Lost In The Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs. Jazz lovers will truly enjoy this wonderful a cappella setting of "Detour Ahead". Interesting harmony and well-crafted vocal lines makes this tune particularly enjoyable. "This Is All I Ask" is a jazz standard recorded by all the greats in a superb a cappella setting for vocal jazz and concert groups alike. Wonderful for developing blend and balance.
| 8058 SONGBOOK $9.95 |
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Yes, you want to sing patriotic songs, but you want them with a bit of a contemporary twist? Then check out these charts by Deke Sharon. Standard "America The Beautiful" is scored SATB w/solo (alto or baritone), with a 12/8 groove. George M. Cohan's "Yankee Doodel Dandy" is a driving swing, with unexpected syncopations and some whistling with an SSATB voicing. Then there's Neil Diamond's "(Coming to) America" - a contemporary ode to our country of immigrants (SSATB). Lee Greenwood's modern anthem "God Bless The USA" is designed to send shivers down the spines and bring audiences to their feet. And finally, you can rock out to the Steve Miller Band chart "Living In The USA" - SSAB w/tenor solo - with a decidedly more jaundiced view of American culture. A little something for everyone!
| 9074 SONGBOOK $6.00 |
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This new collection of contemporary a cappella arrangements of Broadway classic tunes includes: I Can Do That (A Chorus Line) |
Looking for show choir numbers that show off the vocals? Here are five Broadway hits that will be sure winners with your audience.
| 9045 BOOK $5.98 |
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Always |
This five-song volume includes songs your jazz ensemble will love to sing! Each of these songs is a classic on its own, and in the hands of master a cappella arranger Deke Sharon they become true vocal jazz classics. "Always" is 4-part SATB, with the melody passing among the parts. "Blue Skies" is Sop/Mezzo/Alto/Tenor/Bass, with the Alto written as "optional" (in case you need to sing it with just four parts) and includes a scat break. "Oh What A Beautiful Morning" is scored for SATB with a baritone solo - a very cool jazz waltz! Everyone gets a turn in "Route 66," both with the melody and little scat opportunities. Finally, "What'll I Do" is a gorgeous 4-part rubato ballad spiced with plaintive triplets echoing the refrain in thebackground. A real winner!
| 2846 SONGBOOK $5.98 |
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This collection features five-part arrangements of your favorite jazz standards. Most are SATB plus solo, but "Autumn Leaves" (also available as a single song octavo) is five luscious parts.
| 5385 SONGBOOK $11.98 |
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When I'm 64 SATB a cappella |
McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. "Don't Know Why" - A ballad of the 40's in block harmonies. The tempo is medium. "My Funny Valentine" - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.
| 2374 SHEET MUSIC $9.95 |
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Manhattan Transfer In Concert Medley arr. Kirby Shaw (SATB) |
Sing the songs of one of the finest vocal jazz groups ever! "Manhattan Transfer in Concert" is a swinging medley of "Birdland", "Spice Of Life" and "Tuxedo Junction" and are some of the groups signature performance songs. The super Manhattan Transfer hit "Operator" is totally irresistible! Composed by Ray Charles, here's "Ray's Rockhouse", Manhattan Transfer's hit from their Grammy-winning album “Vocalese”. An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to "The Boy From New York City", the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard "Route 66" in a swingin' arrangement also by Kirby Shaw.
| 4403 SHEET MUSIC $11.50 |
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Dream Lover (arr Mac Huff) SATB a cappella |
Mac Huff's arrangement of Bobby Darin's "Dream Lover" is from the Manhattan Transfer's recording and "Choo Choo Boogie" will put your choir on the jazz track! Hip '40s lyrics and the burnin'. "A Nightingale Sang In Berkeley Square" very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! "How High The Moon" is an up-tempo piece has exciting vocal writing. The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings!
| 4406 SHEET MUSIC $10.95 |
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Birdland |
Easy arrangements with Piano/Vocal/Guitar
| 4405 SONGBOOK $14.95 |
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Knicknack SATB a cappella |
Without a doubt one of the most popular songs of the 20th century, "Don’t Worry, Be Happy" is re-created here in an exact transcription of the Bobby McFerrin’s original hit recording from the album "Simple Pleasures." 3 Soprano parts, 2 Alto parts, and a very hip Bass line back up the soloist or soloists of your choice – a cappella. Great fun to sing and to hear! The music for "KnickKnack" was created by Bobby McFerrin as the soundtrack to the animated short film of the same name created by Pixar Animation Studios. The Short may be seen on DVD as the opening entertainment for the Pixar film, "Finding Nemo." A reverent and truly beautiful rendition of the widely known "23rd Psalm," this piece is frequently used in religious services. It’s pace is slow and contemplative, and the music enhances the beauty of the language. As recorded on Bobby’s "Medicine Music" CD. In "Grace," alto, tenor, and bass voices suggest the chant-like song of a carillon while the sopranos create a rhapsodic melody. This meditative score is enhanced with rhythmic breathing and optional parts for two cellos or cello section. Transcribed from "Hush," Bobby’s duo album with Yo-Yo Ma. Each of Bobby's arrangements comes with extensive performance notes.
| 9018 SHEET MUSIC $13.48 |
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Manna SATB a cappella |
Bobby McFerrin is unique not only due to his choice of notes, but in the way he sings those notes. Each of these beautiful arrangements, all three part of Bobby's sacred music series, comes with extensive performance notes to help your group achieve the sounds and groove that was originally intended.
With text adapted from the Book of Matthew, "Manna" provides a simple refrain with wonderfully textured variations that bring light to the thought “Whoever believes in Me will live forever.” "Manna" includes a through-composed piano part as an additional color in the ensemble. "Come to Me" is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, "come to me" with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby’s "Simple Pleasures" CD. "The Garden" exemplifies a new approach in choral writing in which McFerrin’s African-influenced nuances are given full body by co-composer and arranger Roger Treece. The music, originally recorded on the 'Medicine Music' CD, will provide an exciting and gratifying challenge for choral singers and a rich experience for audiences.
| 9019 SHEET MUSIC $14.88 |
Yumiko Matsuoka, one of the founding members of Vox One, the renowned vocal jazz group, is also on the faculty of the Berklee College of Music. Her arrangements reflect her technical expertise, years of experience, and her intuitive understanding of the jazz idiom.
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Black Is The Color SATBB |
An arrangement of the classic folk song "Black Is The Color" that reflects the deep dark color of "my true love's hair." Opens with a tenor solo, then develops into a warm, full-textured chorus. "The Lord's Prayer" is a solemn and heartfelt a cappella rendition of the well-known tune. Rich close harmony is employed throughout, which soars to a climax with "for Thine is the kingdom." An old English folk "Scarborough Fair" song made popular by Simon and Garfunkel arranged with a larger ensemble in mind. Tenor sings the melody, surrounded by soprano/bass pedal point and alto/baritone ostinato lines. It then shifts into different moods, keys and harmonic settings, sensitively corresponding to the lyrics. "My Old Kentucky Home, Good Night" is one of the Stephen Foster evergreens, this arrangement starts with male unison, then develops into a rich close harmony with some twists here and there. Followed by a short baritone solo, it builds up to a beautiful climax with a key change, and a calm, pensive ending. An excellent showcase for a strong small group. "The Water Is Wide" is a ballad to be savored by both singers and audiences. It showcases male and female soloists over a beautiful, haunting background lines, builds up to the tutti section where each part has a moment to shine, then comes to a quiet close with a reprise of the male solo. "Simple Gifts" is an arrangement written for Vox One's album Pure Imagination, this Shaker song is transformed into an ode to the open skies of Africa. Combining a Swahili phrase for "dance and sing" and vowels not commonly used in choral singing, a bed of background lines are laid to carry the melody in 9/8. Its uplifting message comes through strongly as joyous rhythm and harmony is weaved together by each part.
| 2220 SHEET MUSIC $15.95 |
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Eleanor Rigby - SAATBB |
The Lennon-McCartney classic "Eleanor Rigby" retains some of the flavor of the original Beatles' arrangement intact by giving the background vocals a string-like texture in the opening section. It then goes through a couple of key changes and gives different parts an opportunity to sing the melody, while the background supports with strong harmony and interesting counterlines. Arranged for a cappella quintet Vox One, the classic "Danny Boy" song showcases a soprano solo. In the middle section, the alto and tenor parts weave a line reminiscent of a brook in a green field of Ireland. Lush, complex harmony and a dramatic build-up reward both the singes and the audience. Recorded on Vox One's, Chameleon. The national anthem is treated here with solemn but inspirational sound. The rich harmony, without going too far away from the original, builds to a climax with contrapuntal lines that make it interesting for the singers. Written for the New York-based group the Western Wind, Yumiko's arrangement of 'Where Is Love?' opens with a mezzo/alto feature backed by flowing lines reminiscent of a small string ensemble. After the interlude, the melody is passed onto different parts with a surprise ending that involves a couple of tonality changes. Written for a cappella quintet Vox One's comeback album of the same title, 'Pure Imagination' features a soprano solo with the background vocals that re-creates the dreamy world of Willy Wonk'a Chocolate Factory. Come and explore the harmony and texture that builds up to a fantastic climax. It will make you want to watch and savor the movie once again.
| 2221 SHEET MUSIC $19.95 |
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Silence Of Time - Caprice Fox SSATB |
NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.
| 4350 SHEETMUSIC $19.98 |
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Round Midnight SSATB |
Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.
| 4351 SHEETMUSIC $19.98 |
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Stolen Moments SSATB |
Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. 'Top Secret' is a Vocal version of the popular Yellowjackets original with lyrics by members of the New York Voices. An exciting arrangement with striking group harmonies and a soaring soprano solo section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.
| 4355 SHEETMUSIC $19.98 |
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Now That The Love Is Over SSATB |
'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.
| 9575 SHEETMUSIC $12.98 |
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Oh, Lady Be Good (Ella Be Good) (Darmon Meader) SATB |
A tribute to the late Ella Fitzgerald, the fast swing arrangement, 'Oh, Lady Be Good,' is one no jazz ensemble should be without. It features improvisation solos, vocalese solos based on nursery rhymes, and one monster of a shout section! The ultimate closer for a concert program! 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.
| 9594 SHEETMUSIC $13.95 |
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Prelude / Interlude (Peter Eldridge) SATB |
The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB with rhythm section.
| 9595 SHEETMUSIC $12.98 |
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Yesterday (SSATTBB) |
A collection of mostly a cappella arrangements from quite possibly the greatest vocal jazz arranger ever.
| 4210 SHEET MUSIC $9.98 |
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Snowfall (SSATBB) |
Includes the Grammy Award winner "A Nightingale Sang In Berkeley Square" as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording!
| 4211 SHEET MUSIC $13.95 |
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Button Up Your Overcoat |
SATB, accompanied with optional rhythm section
| 4407 SHEET MUSIC $5.95 |
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Come Sunday |
Duke Ellingon’s beautiful, sacred ballad, ‘Come Sunday,’ and the fun jazz standard, ‘Very Early,’ can be found on the Real Group’s album, ‘Nothing But…’. From their first album, titled ‘Debut,’ ‘Coffee Calls For A Cigarette,’ will take the audience back to the jazz era with its tight harmonies and lyrics. ‘Alla Talar Med Verandra’ is the Swedish version of ‘Small Talk,’ featured on their album ‘One For All,’ its upbeat melodies and satirical lyrics will make your audience laugh. Their arrangement of The Beatles’ ‘Strawberry Fields Forever’ is sure to be loved by all.
| 4388 SHEETMUSIC $17.98 |
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A Cappella In Acapulco |
The CD ‘Nothing But The Real Group’ was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - ‘Chili Con Carne,’ Anders Edenroth’s most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. ‘As Rain,’ another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of ‘God Only Knows,’ is a very worthy treatment of the Beach Boys’ classic. Also included is ‘A Cappella In Acapulco’ another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled ‘Unreal.’ Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'
| 4389 SHEETMUSIC $10.98 |
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Att angora en brygga - arr. Anders Jalkeus SSATB a cappella |
Widely known as one of the best A Cappella Jazz groups in the world, The Real Group continues to amaze us with their innovative (and most of the time, extremely challenging) arrangements. Anyone who knows of them are familiar with their stellar English arrangements, like 'Chili Con Carne,' 'A Cappella in Acapulco,' or 'Waltz For Debby,' but did you know that some of their Swedish arrangements are available too? We at Primarily A Cappella are proud to offer 'Pippy-potpouri' (a medley of songs from the 'Pippy Longstocking' movies), 'Sakta vi ga genom stan' (swedish version of 'Walkin' My Baby Back Home'), 'Att angora en brigga' (beautiful Jazz Waltz Ballad from the 1960's swedish dark comedy with the same name, featured on 'Allt Det Basta'), and 'Underbart ar kort' (challenging piece with a great bass solo, featured on 'Allt Det Basta').
| 4390 SHEETMUSIC $17.95 |
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Heavenly Crystal |
You don't need a big band to make Anders Edenroth's arrangement of the Stevie Wonder tribute to jazz musicians sound great! The buoyant opening of 'Sir Duke' remains through two verses, then switches to a swingin' half-time grove. A sensitive treatment of the jazz standard, 'There Will Never Be Another You,' opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. 'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the english version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool – there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' – their sense, their social role, and the varied ways they can be sung and spoken – which will intrigue jazz choirs at all levels.
| 4392 SHEET MUSIC $15.98 |
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Penny Lane |
Since the release of the Ticket to Ride recordings, the Swingle Singers have received many requests from choirs and a cappella groups for their Beatles' arrangements. Finally, they have published a companion songbook to the popular album. The book contains the seventeen songs from the CD arranged for four to eight voices and features a bonus arrangement of "Here, There and Everywhere" for AATTBB. These wonderful arrangements include the original scat syllables used on the recording as well as alternated endings for the songs that fade out. Another great addition to the Swingle publications, this book will have your group creating a new wave of Beatle mania at your next concert. SATB - Divs
| 6017 SONGBOOK $19.95 |
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Overature to Marriage of Figaro SSAATTBB |
It was an interesting challenge to arrange "Overture to the Marriage of Figaro" for eight voices. The Swingle Singers group has often used it to open a concert. Of course it is very difficult but quite a few choirs have managed to master it. I think it works equally well on or off mikes, as long as a proper balance is maintained among the voices. This is the first of the four movements of Mozart's "Eine Kleine Nacthmusik," all four of which Ward Swingle has arranged for voices with the hopes that groups will perform "Eine Kleine Nachtmusik" in its entirety. For the Swingle Singers this offered a change from the succession of 2- or 3-minutes pieces typical of many of our programs.
| 9014 SHEET MUSIC $9.95 |
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All The Things You Are SSAATTBB |
This wonderful Neal Hefti composition, "Li'l Darlin," was written for the Count Basie band. Master word-spinner Jon Hendricks has added some lovely, romantic lyrics. This a cappella treatment of "I Get A Kick Out You" is one of Cole Porter's best loved songs. Some of the scat is in hommage to the Double Six of Paris. "Love Walks In" lies in the great pantheon of Gershwin songs. Ward Swingle made a rather easy SATB arrangement dedicated to Cole Tyrell and his fine South Haven (Michigan) High School Choir. This is an 8-voice a cappella version of the well-known Cole Porter standard. In this version of "It's Just One Of Those Things" the scat can be sung as written, or improvised upon. Since it goes along at quite a clip, it can stand a few rehearsals. This arrangement of "All The Things You Are," the wonderful Jerome Kern song, is separated into three sections: the beginning is in a free, traditional choral style, then there is some typical "Swingle" scatting, followed by a big-band section. It was recently voted "Favorite Vocal Jazz Chart" by a group of choral directors who specialize in jazz repertoire.
| 6289 SHEET MUSIC $9.95 |
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Pastime with Good Company SSAATTBB |
'Pastime With Good Company' is an evocation of Renaissance vocal and instrumental styles in which some of the singers are asked to imitate recorders, tabors and shaums. 'The Agincourt Song' recounts the victory of Henry V over the French at Agincourt. As in 'Pastime with Good Company,' the singers must imitate the sounds of Renaissance instruments. 'Country Dances' is a fast-moving potpourri of traditional country tunes. One theme that recurs is that of the Arkansas Traveler. The accompanying sounds evoke various country-music instruments: fiddles, banjos, jugs, etc. 'Music History 101 is a trip through Music History to the tune of "Twinkle, Twinkle, Little Star," treated as a Gregorian Chant, a Medieval Round, a Madrigal, a Bach Chorale, a Schubert Lied and many other styles including jazz and rap. El paisanito features an alto duet with an accompaniment that imitates strumming Spanish guitars. In the men's version, the duet is sung by two male altos. 'L'amour de moi' features a soprano solo with a string-like accompaniment along with vocalized bass and drums. The three melodies in 'Tour garcon qui sert bien son maitre' come from the province of Quebec. These arrangements were commissioned by the McGill Univeristy Chamber Choir in Montreal.
| 6287 SHEET MUSIC $13.95 |
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Bouree SSAATTBB |
"Gigue (Suite in C Major)" is a movement from one of Bach's unaccompanied Cello sonatas, arranged here for tenor and bass. It has a fast 3/4 jazz feeling, with some tricky dove-tailing between the voices, the object being to make it sound like on instrument. The Swingle Singers have often used this "Organ Fugue BMV 578" as a concert opener. The challenge in singing without a rhythm section is to make the piece swing without the help of the instruments.The "Bourree" has probably been the most widely performed of all Ward Swingle arrangements. This is an a cappella version using three different styles: child-like "la-la-la's," gently swinging"oo" sounds and rather brassy "ah" sounds.
| 9047 SHEET MUSIC $5.00 |
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Chattanooga Choo Choo SSAATTBB |
Cole Porter's "Miss Otis Regrets" is an ironic tale of betrayal, revenge and punishment in the form of a minidrama compressed into some 48 measures. It's surely one of the most startlingly original standards in the repetoire. Arranged for 19 voices, " Chatanooga Choo-Choo" was made famous by Tex Benecke, the Modernaires and the Glenn Miller Band. Ward Swingle has attempted a faithful, entirely vocal, adaptation. Also included in this package is "You're The Top."
| 9048 SHEET MUSIC $11.50 |
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Saints Fugue SSAATTBB |
This version of "Oh, Johnny, Oh" is an evocation of the Andrews Sisters' recording. Three soloists become the Andrews Sisters, while the other singers scat the accompaniment (brass, rhythm and bass guitar). Here the singers have to keep things swinging without the help of bass and drums. Al Jarreau wrote some wonderefully "onomatopaeic" words for Brubeck's fine piano piece, "Blue Rondo a' la Turk.". Ward Swingle transcribed the piano part as faithfully as possible for voices.Perhaps Kurt Weill's most famous song, Mack the Knife was written during his Berlin period, first sung by his wife Lotte Lenya; and later, in a very popular jazz version, by the great Bobby Darin. "Saints Fugue" was first written for the French Swingle group in the early 70's using only scat syllables. Ward Swingle revised it later adding the traditional words.
| 6290 SHEET MUSIC $7.50 |
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How Do I Love Thee? (SATB) |
'How Do I Love Thee' is a a traditional choral setting of Elizabeth Barrett Browning's wonderful poem. 'Tre Karleksdikter' means 'Three love-poems.' These are settings of well-known Swedish poets, and would present a good challenge for a choir wanting to explore the Swedish language. 'It Was A Lover And His Lass' is a setting of Shakepeare's famous sonnet. The text has a lot of scat-like syllables (e.g. "hey-ding-a-ding") which Ward Swingle was able to adapt and use as part of the guitar-like accompaniment.
| 6288 SHEET MUSIC $5.50 |
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Clair de Lune (Debussy) SSAATTBB |
The Swingle Singers often use "Flight Of The Bumble-Bee"as an encore piece. It has to go as fast as possible using a great variety of scat syllables in order to avoid lock-jaw. It also includes a fairly literal vocal transcription of Debussy's famous piano piece, "Claire de Lune." The tessituras are quite wide ranging from low D-flats for the basses to high B-flats for the sopranos. It is probably best sung with the help of microphones. This transciption of a Chopin "Etude Op. 25 No.9" is probably easier to sing than it is to play! It should be performed at a brisk pace, with the main melody alternating between the Tenors and the First Sopranos.
| 6286 SHEET MUSIC $5.75 |
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Voicedance I
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Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion. VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events! VoiceDance IV Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral.
| 8094 SHEET MUSIC $9.95 |
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Try To Remember (Fantastiks) arr. Steve Zegree SATB a cappella |
Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. Steve Zegree's jazz harmonies in this classic ballad, "Try To Remember," from The Fantasticks simply shimmers in this warm a cappella setting! This beautifully lyrical classic ballad, "The Very Thought Of You," is expressively arranged in a lush a cappella setting. Varied choral textures and luscious harmonies make "Hello Young Lovers" an ideal selection for a cappella vocal groups. Set in a bluesy a cappella shuffle, the funky original "A Cappella" by Kirby Shaw (a.k.a. Dr. Jazz!) will have you flying solo! Also included is "Georgia On My Mind."
| 6324 SHEET MUSIC $8.95 |
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Without a Song (arr. Kirby Shaw) SATB a cappella |
The classic Vincent Youman song "Without a Song" has delighted audiences for decades and has been recorded by artists of every genre. Kirby Shaw has added his superior arranging talent to provide us with a truly wonderful new arrangement. You don't even have to hear this arrangement of "My Funny Valentine" to know how good it is, because it already has the top two ingredients: 1) a great tune, and 2) one of the best arrangers around. Kirby has taken one of the most gorgeous ballads of our time and crafted a special arrangement that's bound to please. "Skylark" - A superbly crafted a cappella rendition of the all-time Hoagy Carmichael favorite standard, carefully woven to ensure logical voice leading for each vocal part. The arrangement smoothly flows from one lush harmony to another, each locked into the surrounding sounds, creating a tightly knit fabric of pure vocal pleasure. Stunning! Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin1⁄2 classic "Embraceable You." Showcase your singers with this very special arrangement!
| 4724 SHEET MUSIC $12.95 |
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My One and Only Love, arr. Doug Andrews SATB a cappella |
Jazz lovers will truly enjoy this sensitive a cappella setting of "My One and Only Love". Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. With "What A Wonderful World" Rene Clausen provides a most sensitive arrangement of this timeless standard. Beautiful harmonies entwine around the familiar melody captivating the listener. Kirby Shaw does a great job with "When I Fall In Love". Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Phil Mattson's a cappella arrangement of the vocal jazz standard "September Song" will leave your audience spellbound. Stunning! From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of the classic Kurt Weill song "Lost in the Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs.
| 9057 SHEET MUSIC $8.95 |
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I Get A Kick Out Of You Level 4 SSATBB |
Beginning as a waltz, "I Get A Kick Out Of You," this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. "Let's Do It" is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! "Love For Sale" is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout "What Is This Thing Called Love" as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart.
| 4747 SHEET MUSIC $12.98 |
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Naima (John Coltrane) arr. Crenshaw Level 5 SATBB |
This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.
| 4732 SHEET MUSIC $11.98 |
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Occam's Edge SATB divisi |
An original composition, 'Occam's Edge' is an aggressive a cappella chart that will challenge your singers, but is quite attainable. It comes off almost as a fusion tune because of the groove, the stabbing lush chords and quickly moving harmony. A scat solo is featured and a vocal percussionist is important to the performance. An exciting shout section connects the solo section and the head-out. This one is, again, like nothing you've ever heard vocalists sing! 'His Eye is on the Sparrow' starts out simply as a rubato ballad with a soulful solo, but then adds vocal percussion in a jazz waltz groove. When the vocals come in after a short percussion break, it sounds highly reminiscent of a Take 6 tune with quickly moving harmonies, lots of great dominant sounds and exciting hits in the background vocals. This will surely be a crowd pleaser and a fun and challenging chart to sing. The arrangement of 'Mas Alla,' features a tenor soloist. The wonderful Spanish lyric was written by Pedro Aznar. Some thick and challenging harmony, but an attainable and worthwhile chart for most college vocal jazz groups. A completely new perspective on the great Pat Metheny composition, with 'Unequity Road,' Marsh has transformed a powerfully aggressive and asymmetrical chart into a simple, floating and mesmerizing tribute to a great set of chord changes and a beautiful melody that is almost hidden in Metheny's original performance on Bright Size Life. or vocalists who may not have been exposed to the harmonies of cutting-edge big band writers Maria Schneider, Jim McNeely and Vince Mendoza,'The Big Crunch is a great learning piece. It is also a moody and yet hard-grooving a cappella chart that will provide a fun challenge to your group. A very open solo section is included as well as a nicely crafted shout section that builds to a great climax before leading into the head-out. Vocal percussion is necessary on this chart.
| 9298 SHEET MUSIC $14.95 |
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If I Only Had A Brain (Arlen) arr. Fred Sturm Level 4 SSATBB |
This a cappella ballad version of "If I Only Had A Brain" was inspired by Harry Connick, Jr.'s vocal/piano treatment of the hit from The Wizard of Oz. Tight voicings and substitute harmonies make this ideal for jazz concert/festival programming. The rubato styling provides a strong musical showcase for the full choir. This spirited, a cappella, medium swing arrangement of the old silver screen classic, "Singin' In The Rain," will challenge your singers and delight your audiences. An interesting reharmonization and clever scat section provide a wonderful contrast to the delightful melody. It is high energy, it swings and it's fun! "Over The Rainbow," the time-honored standard tune, is given a lush a cappella treatment. There is a feature solo for a soprano or tenor throughout the arrangement, and a very strong and powerful ending. In this sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard, "Alice In Wonderland" ranges from unison opening to lush six-part harmony and features a tenor solo. One of the most popular charts.
| 4741 SHEET MUSIC $11.98 |
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All The Things You Are ('Very Warm For May,' arr. Rick Bell) SSATBB |
'All The Things You Are,' the classic Jerome Kern ballad, is the perfect choice for that "quiet" spot in your vocal program. One chorus, a cappella, written with great respect for the wonderful lyrics and mood of the piece. Using a dramatic mix of quiet unisons, lush open voicings and some tasteful chord substitutions, this arrangement makes an elegant statement that lets the timeless beauty of the song shine through. 'Surrey with the Fringe on Top' is one of the most challenging vocal jazz charts today and worth every minute. This chart was premiered by Dave Cross and the Edmonds Community College Soundsations. 'Never, Never Land,' the beautiful ballad from Peter Pan, is sure to be enjoyed by all. It features thick, lush harmonies as well as a short, sweet tenor and soprano duet. An absolutely gorgeous piece! This setting of 'Where Is Love?' is a lush and easy listening version of this pretty tune. The voicings are balanced and relatively square so it's a good arrangement to work on tuning your group and getting the voicings to ring and buzz in the appropriate spots. It's relatively short with an AABB form. It's a perfect song for a pensive a cappella moment in your program.
| 9299 SHEET MUSIC $11.95 |
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The Star Spangled Banner, arr. Kerry Marsh SATB |
Sing some cool arrangements of the National athem! Beginning with a beautiful unison, Tsunenori 'Lee' Abe's arrangement of 'The Star-Spangled Banner' goes into rich harmony without going too far away from the original. Mark Burnell's 'Star Spangled Banner' is an adventurous a cappella version as performed by Cooler by the Lake for the Chicago Bulls and White Sox. Kerry Marsh's 'Star Spangled Banner' uses some modal re-harmonization, some slight meter shifts and has a rousing finish, with some surprises. This chart sounds harder to sing than it is, as the voice leading is very logical and smooth but the chords are wonderful. Jason Heald's 'The Star-Spangled Banner' is a swinging version of the true "old standard". This is a very rhythmic a cappella SATB arrangement with a strong gospel feel. The chart opens with a soprano solo and concludes with bold sophisticated harmonies. A terrific opener or closer for any concert or event! Also included is another spectacular 'Star Spangled Banner' and a beautiful arrangement of 'America The Beautiful' by New York Voices' singer/arranger, Darmon Meader.
| 9437 SHEET MUSIC $10.95 |
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The Music Of The Night (The Phantom of the Opera - Lloyd Webber), arr. Kirby Shaw SATB |
There's nothing more enchanting than a great Broadway tune and here are some of the best! "The Music Of The Night", the powerful and dramatic Andrew Lloyd Webber song from The Phantom of the Opera. in a brilliant a cappella setting by Kirby Shaw and exquisite harmonies and accessible vocal writing make the Rodgers and Hammerstein standard "If I Loved You" a real classic. "If Ever I Would Leave You" is one of the top Broadway love ballads of all time, this arrangement is a natural for a cappella women. Fantastic lyrics offer unique opportunities for lyric expression. This lyrical setting of the Camelot classic love song is sensitive, yet lightly contemporary in feel. Here is a touching standard "Till There Was You" from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. This stunning new a cappella arrangement of the Leonard Bernstein West Side Story ballad "Somewhere" was a featured selection for the 2002 Iowa All-State Choir. Destined to become a classic! "What I Did for Love" is every performer's anthem! From the Broadway classic A Chorus Line, this a cappella setting will leave your audience spellbound!
| 4409 SHEETMUSIC $9.95 |
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Round Midnight (Thelonius Monk) arr. Randy Crenshaw Level 4 SATB |
This mournful arrangement of the Thelonius Monk ballad, 'Round Midnight' starts with a rubato intertwining intro, then spotlights tense cluster voicings supporting a female soloist throughout. With imaginative reharmonizations, yet good voice leading, this chart is extremely effective and accessible. 'If You Wanna Fly' is an Al Jarreau-style showcase for a strong tenor-baritone soloist. This up-tempo samba features hot choral backgrounds throughout doing horn section licks, an a cappella vocal/percussion break in the middle and some quick unison passages with choir and soloist. 'Not Like This' is another exquisite ballad made popular by Al Jarreau. Contemporary harmonies and recorded by Voice Trek for their CD 'At Last.' Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. The recording by Phil Mattson and the P.M. Singers (Jubilee album) features vocal percussion throughout, emulating a true drum part. If you have an experienced group and you're looking for a showcase piece to feature a talented bass singer and vocal percussionist, this arrangement is for you!
| 4731 SHEET MUSIC $11.95 |
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Teach Me Tonight -arr. Jason Smith SATBB |
'Teach Me Tonight' is an excellent arrangement by Jason A. Smith. Lots of room for improvisation! "Stolen Moments' is an Oliver Nelson classic with lyrics by Mark Murphy. bittersweet clusters and quartal voicings are followed by a 12-bar minor blues solo vamp and out. 'He's Asleep' is a little known tune, written by Alf Clausen (composer for The Simpsons and Moonlighting), and the great lyricist, Tommy Wolf. The arrangement features contrapuntal vocal lines that weave around through mysterious text. Although the piece is harmonically sophisticated, when performed well, it has a feeling of simple innocence. This arrangement would be a worthy challenge for any experienced group. 'The Man I Love' is a 6-part arrangement with fresh reharmonizations. It features an alto soloist, who can stick to the score or embellish freely, depending on her character. 'How Do You Keep The Music Playing' is a beautiful ballad that was originally recorded by James Ingram and Patti Austin as the theme song for the movie, Best Friends. This four-part a cappella arrangement is sensitive to the melodic and lyrical development of the tune, and features the soprano section and/or a female solo throughout.
| 4750 SHEET MUSIC $14.95 |
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Aspen Waltz - Randy Crenshaw SATTBB |
'Aspen Waltz' is a lush a cappella original, by Randy Crenshaw, with a twelve-tone treatment of melody, supported by rich, Singers Unlimited-sytle chordal textures. Features soprano soloist, small group or section. Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. 'Straighten Up and Fly Right' is a famous Nat Cole song heard on Natalie Cole's multi-Grammy winning Unforgettable album. There are solos for alto or tenor. Featuring traditional jazz-type harmonies, the feeling is bright with a lively tempo. 'Spring Can Really Hang You Up The Most' is a fun, beautiful piece fill with great jazz harmonies. 'Alice in Wonderland' is a sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard. Ranges from unison opening to lush six-part harmony and features a tenor solo.
| 4748 SHEET MUSIC $15.95 |
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Make Someone Happy (Styne) arr. David Cazier Level 3 SSATB |
'Make Someone Happy' goes from a tender unison beginning to an exciting climax and a deceptively moving ending. Much of the beauty of this piece lies in simplicity and pure sincerity. 'It Ain't Necessarily So' is sure to be a crowd pleaser. Solos (or should we say, "sermons?") are passed from voice to voice while the bass line makes comical interjections about the lyrics. The close, melting harmonies of 'You Go To My Head' beautifully paints the lyrics and mood of Fred Coots' timeless ballad. Soprano and alto are in a warm and mellow low register for the majority of the tune, while tenor and bass have a light and airy quality to blend. Rhythmic notation should serve as a guideline only, as a very free interpretation of time is needed to bring out the intense imagery of the lyrics and the "bouquet" of the music. Perform this song when you want your listeners to leave hearing in their minds a "haunting refrain". 'Embraceable You' features opening bass pedal with voices layering above. Contrasting open and dense voicing create lustrous harmonic interest. A perfect program piece - a short gem that young singers can really dig their teeth into.
| 4742 SHEETMUSIC $11.98 |
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I Can Dream, Can't I? (Fain/Kahal) arr. Brad Rees Level 3 SATB |
The beautiful 1937 ballad, 'I Can Dream, Can't I?' moves between lush harmonies and flowing counterpoint. It is richly texutred, yet accessible to most groups. ''Their Hearts Were Full of Spring' is as close as a mixed group can get to the original TTBB, Four Freshman, original. A very romantic a cappella ballad with lush harmony throughout! 'Am I Blue' sounds incredibly lush for having a maximum of 4 parts. A la Gene Puerling but easier. A definite "oo and ah" creator!
| 4745 SHEET MUSIC $11.98 |
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I've Never Been In Love Before (Loesser) arr. Paul Read Level 4 SATB |
This lush a cappella arrangement of 'I've Never Been In Love Before' features the entire vocal ensemble. The emotional lyric and fresh harmonization make this chart fun to rehearse and perform. Billie Holiday and Blood, Sweat and Tears helped to make 'God Bless The Child part of the standard jazz literature. It is a beautiful arrangement! 'Nancy with the Laughing Face' is another beautiful Johnny Mercer melody arranged in a very singable a cappella setting. A short solo with choir backgrounds sets up a beautiful and sensitive ending. Phil Mattson's arrangement of 'Love For Sale' was originally written for Chanticleer with a female solist. Now your vocal group can enjoy this beautiful gem!
| 4746 SHEET MUSIC $11.98 |
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Voice Dance (Greg Jasperse) SAATTBB |
'Voice Dance,' and 'Voice Dance II' are wordless vocal dances celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. It's hard to keep a straight face while singing this hilarious novelty arrangement of 'William Tell Overture' for "serious" choirs. Sung entirely on syllables which imitate the sounds of Rossini's original orchestral percussion, brasses, and woodwinds, this one will be best when performed tongue in cheek. And from the initial fanfare to the final cadence, seasoned choirs will sound great on the full chords and percussive "Lone Ranger" themes. 'Tango to Evora' was masterfully arranged by Vancouver Chamber Choir conductor Jon Washburn. The sensual but innocent tango melody in the choir gives an expressive background to a 'floating' soprano solo. 'The Barber of Seville Overture' has been a long-time favorite in King's Singers concerts. From the subdued opening theme in the “strings” to the rousing “full-orchestra” close, this instrumental work is creatively brought to life – King's Singers style. Challenging, but well worth the effort.
| 9070 SHEETMUSIC $7.50 |
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Toccata and Fugue in D Minor (arr. Howard Burke) SATB divisi |
The unique six-voice a cappella orchestration of 'Toccata and Fugue in D Minor' is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. Matt Falker's arrangement of 'A Time For Love' (originally written by Johnny Mandel)' is a beautiful a cappella ballad. The chart is written for SSATBB voices and features a male/female duet in the latter part of the piece. 'Scat Blues in C' is a fun, medium-tempo big band-type bop head in an a cappella setting. Vocal "horns" and vocal "walking bass" make for an easy but effecive choir showpiece, with plenty of room for vocal scatting over the form. Issa Sorensen's arrangement of Bobby McFerrins 'Good Lovin' will bring the house down with its awesome groove. Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers!
| 2201 SHEET MUSIC $14.95 |
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I Hold Your Hand In Mine - Arr. Randy Crenshaw (SATB) |
'I Hold Your Hand In Mine' is a hilarious novelty song by famed satirist/songwriter,Tom Lehrer, gets a pseudo-sophisticated arrangement here, resulting in a subtle but very witty comic effect! Great change-of-pace in a jazz vocal program! A few words can be changed if needed. "I Don't Know Why I Do' is a hot ballad of the 40's in block harmonies. The tempo is medium. Jeremy Landig's arrangement of 'Pure Imagination' is five parts and is inspired by the sound of the Real Group. "Crunch" chords and interesting turns of harmony abound, making this a real showoff piece. Set mostly in a rubato ballad style, it shifts dramatically and unexpectedly between keys in the first section. The bridge leads into a sublime soli section bringing the melody back in a slow swing reminiscent of Lil Darlin' but in 7/4! The bridge returns briefly (this time in a Take 6-influenced swing) before the arrangement winds to a close in the original ballad feel. Whitney Houston made Dolly Parton's 'I Will Always Love You' the longest running #1 hit in the country's history, and this arrangement is true to her legendary version: opening simply with the trademark soprano soloist alone, adding a rich pulsing texture after the first verse and building gradually to a chilling climax.
| 9114 SHEET MUSIC $12.95 |
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Their Hearts Were Full Of Spring TTBB |
'Their Hearts Were Full of Spring' is a Bobby Troup tune arranged by the great Dick Reynolds. A beautiful a cappella ballad with a great lyrics. 'Day In, Day Out' is a Four Freshmen favorite recorded with Stan Kenton on the Live at Butler album. 'First Affair' is a beautiful arrangement with lyrics by Ross Barbour and music by Ken Albers. 'Tom Dooley' is a challenging work but well worth the effort. The great old standard.
| 9301 SHEET MUSIC $19.95 |
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Fools Rush In TTBB |
'Fools Rush In' is a sensative treatment of this standard, a must for any advanced men's Jazz group. 'Freshmen Year' is a beautiful work with music by Ken Albers with lyrics by Bill Comstock. 'I'm Always Chasing Rainbows' is a gorgeous ballad with beautiful harmonies, arranged by Dick Reynolds and originally recorded with strings. 'Indian Summer' is one of the few published Four Freshmen A cappella vocal arrangements, arranged by Nelson Riddle for Four Freshmen in Person Volume II.
| 9302 SHEET MUSIC $19.95 |
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Love Lost TTBB |
'Love Lost' is a collective work by Bob Flanigan, Don and Ross Barbour and Ken Albers. 'Oh, Lonely Winter' is from the Four Freshmen and Five Guitars Capitol record album. Lyrics by Bill Comstock and music by Ken Albers. 'This October' is considered one of the greatest of all hits of the Four Freshmen. 'I'll Remember April' was recorded on the Voices in Love albums, this great arrangement by Dick Reynolds is one of the all-time favorites.
| 9303 SHEET MUSIC $19.95 |
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Moondance (Marshall Webb) TTBB |
This is a nice, simple treatment of the Van Morrison favorite "Moondance". A solo in the second tenor range is true to the melody with some interesting chord subsititutions in the harmony parts. Beginning with a duet between solo and bass, there is plenty of room for some subtle, improvised vocal percussion from the other two voices. A bass part that doesn't get too low makes this a great choice for a young male quartet. An easy, yet effective arrangement of the all time Rodgers and Hart ballad "You Are Too Beautiful", that gives your men's section a chance to really shine! Here's a snappy, toe-tapping rendition of " Let's Get Away From It All". It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. "I've Got A Crush On You" starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. TTBB
| 4764 SHEET MUSIC $12.95 |
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Over The Rainbow (The Wizard of Oz), arr. Bob Zwirm TTBB |
A very happy version of "Sunday" inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation with no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangmenet. "Without A Song" What more can we say? A beautiful song, a beautiful arrangement. 'Over the Raininbow' is a simple, yet beautiful harmonization of the classic tune. 'You Are Too Beautiful' is an easy, yet effective arrangement of this all time Rodgers and Hart ballad, that gives your men's section a chance to really shine!
| 4761 SHEET MUSIC $14.95 |
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Blue and Sentimental (Basie) arr. Bob Martin Level 3 TTBB |
Blue And Sentimental" is a slow grooving version of this Basie classic. It starts out right on the chorus with everyone on words. "Oo's" on bridge the first time around with a half step modulation into the last 'A'. This is a very tight arrangement with ample opportunity to work on swing feel by accenting the upbeat on eighth note passages. "I've Got A Crush On You" starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. "Let's Get Away From It All" is a snappy, toe-tapping rendition. It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. "Lillette" is a somewhat rare tune performed by the Nat Cole trio in his early days. It starts out with a rubato verse going into a snappy chorus with tons of fun syncopated rhythms that keep things moving. Stop time kicks in the tag send this one off with a bang.
| 4762 SHEET MUSIC $13.95 |
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Bye, Bye, Blackbird, arr. Bob Martin TTBB |
The arrangement of 'Bye, Bye, Blackbird' is a rubato ballad version of this pretty, old song. There is some re-harmonizaton, but overall the chords remain pretty square. You will find much opportunity to interpret phrasing as you like. The infectious original chart, 'Love Will Find a Way' starts out with a bed of close harmonies that explodes into a funk groove, highlighting a tenor solo. After the ensemble is featured in the bridge, the arrangement moves up a whole step. There is plenty of room for soloing as the tune moves through the chorus and ends with a thick-textured finish. The perfect showcase for your men. The 8-part arrangement of 'Eleanor Rigby' challenges the singer without detracting from the great lyrics. The first two verses can be baritone solos or the entire baritone section in unison. The third verse incorporates some unison and some unusual chord substitutions. The tenor 1 part is mostly in the falsetto range. The tenor 2 part usually falls in the head voice range and is all harmony. Works well as a showcase piece or closer for a male group with strong part-singing skills.
| 4765 SHEET MUSIC $11.95 |
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Rockapella, arr. Jeff Hess TTBB |
Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers! The lush and comical a cappella arrangement of Tom Lehrer's famous parody, 'I Hold Your Hand in Mine,' is faithful to the original in length and tone. Harmonically, it recalls Gene Puerling with a nod to barbershop. The ranges are well within the limits of a good men's jazz group. Levine added four words after the last chord which should get a big laugh if the audience isn't already in hysterics. 'Rockin Robin' was made popular by Michael Jackson and the Jackson Five. This arrangement, written for four-part men's ensemble with a tenor solo, has tight harmonies and abrupt tempo changes that are sure to keep the audience's attention.
| 9329 SHEET MUSIC $11.95 |
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Heartache Tonight (Eagles) arr. Deke Sharon Level 2 TTTBB |
In "Heartache Tonight" rock & roll, country, and streetcorner sensibilities combine in this fun, up tempo of the Eagles classic. Complete with handclaps and footstomps, this arrangement features a high tenor solo and lots of moving harmony, making it a perfect closing song or encore. "Only You (and You Alone)" is a streetcorner ballad made famous by The Platters is the perfect showcase for a male quartet that's looking for a fun doo-wop piece. The solo is in the first tenor, and crosses into falsetto frequently, allowing for a powerhouse vocal showcase, and the other three parts have fun with the lyrics. Street corner meets close harmony in this rendering of Paul Simon's ode to days-gone-by " Still Crazy After All These Years". Perfect for graduations and retrospective events. The tenor solo can be shared or split between several singers. Light vocal percussion is optional. First a hit for Maurice Chevalier, then Louis Prima, then David Lee Roth, the catchy, flirtatious songs, 'Just A Gigalo/I Ain't Got Nobody' have topped the charts for three generations. Tuneful, playful background parts support a tenor or Baritone solo (which can be shared): send your soloist into the audience and you'll have a huge crowd pleaser.
| 4763 SHEET MUSIC $14.95 |
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SSAA a cappella |
Here’s a collection of four classic songs that are fun to sing and guaranteed to be audience favorites. This perennially popular song “Chile con Carne” from The Real Group allows you to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn. “Alfie” is from songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson, this song is among the most meaningful in contemporary music. “I Have Dreamed” has rich harmonies highlight the powerful emotions inherent in the text. Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. “What a Wonderful World” was written for and first performed by Louis Armstrong, this popular standard rejoices in the simple enjoyment of everyday life. This lush setting is perfect for SSAA ensembles from high school and up.
| 8014 SHEET MUSIC $7.95 |
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From A Distance (arr. Mac Huff) SSAA SSAA a cappella |
"I'm Always Chasing Rainbows" is a whimsical gem for female voices and will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. Mac Huff's arrangement of Bette Midler's #1 pop hit "From A Distance" has powerful lyrics and a timeless melody that will create an unforgettable concert moment. Magical! Michele Weir's arrangements of "Rock-A-Bye Baby" is a smooth jazz delight and the vocal jazz standard "Java Jive"gets a great a cappella treatment with the Kirby Shaw touch! Still swings!
| 2372 SHEETMUSIC $6.98 |
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My Romance (Roger & Hart) arr. Kirby Shaw SSAA a cappella |
Smooth a cappella harmonies and unique choral textures make the Rodgers & Hart standard "My Romance" an exceptional choice for SSAA ensembles. The warm standard "When I Fall In Love" featured in the movie Sleepless in Seattle, in a stunning a cappella arrangement. The Irving Berlin chestnut : What'll I Do?" Is a delight and varied choral textures and luscious harmonies make "How Deep Is The Ocean?", another Berlin standard, an ideal selection for a cappella female groups. Ultimately romantic!
| 4811 SHEET MUSIC $7.95 |
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Shuffle Off To Buffalo arr. Marion Linton |
This arrangement of "Shuffle Off To Buffalo" takes the listener on a captivating journey by train from a Buffalo of the 40's to one of the 90's. Equipped with train sounds and humorous quotes, this Warren/Dubin tune is lively and fun to sing. Each chorus is introduced with a rubato verse which creates a pleasing contrast. "Longing for My Love" is a composition in the style of Take Six, but much easier to learn. Surprising jazz harmony changes on uh-syllables. Very contemplative and a nice change for a normally vacuous repertoire. "Blame it On My Youth" is in the style of Autumn Leaves with notated vocal jazz improvisation part. In this emotional jazz ballad the lyrics tell of longing while two loving people are apart. "Remember Me" is a beautiful SSAA a cappella ballad. Although it is a harmonically lush arrangement, it is very singable.
| 9015 SHEET MUSIC $11.98 |
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Bye, Bye Blackbird (Peggy Lee) arr. April Arabian Tini Level 3/4 |
An a cappella, medium swing version of the great standard " Bye, Bye Blackbird" arranged especially for four-part women's voices. The arrangement features a special introduction, tag and open improvisation section. Playing with melody and rhythm, the arrangement offers a fun challenge to singers and promises to be a hit with audiences. Requires wide ranges (E below middle C for Alto II, and high C for Soprano I). "I Can Dream, Can't I?" is from the composers of the standard, "I'll Be Seeing You", this beautiful 1937 ballad moves between lush harmonies and flowing counterpoint. It is richly texutred, yet accessible to most groups. "Send In The Clowns: is the hauntingly beautiful ballad from Stephen Sondheim's A Little Night Music is arranged for four female voices. Unusual text painting devices are used to highlight the lyrics as well as tongue-in-cheek circus music. The arrangement will provide a challenge for the female group who seeks a unique setting of this wonderful show tune.
| 4772 SHEET MUSIC $9.98 |
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Give Me the Simple Life (arr. Dave Cross) |
Sung either soli or solo, the front section of 'Give Me the Simple Life' really sets up this chart for success. A written-out bass solo leads into an a cappella SSAA quartet feature that is 'a real gas!' Back to the bridge, on through a key change to the classic Basie "Splanky" ending. Suitable for contest or concert. Freytag's latin version of 'Summertime' will be fun for the singers and the audience. 'Playrooms' is an a cappella jazz waltz, that will set a gentle tone in your program. The text, written by Jackie Farrell, describes the beauty of young children and of the simple joys often forgotten by adults. 'Queen of Hearts' is a playful, easy to sing yet very full sounding version of this repeated pop and country top ten hit. The lead moves from part to part, giving the upper three parts each a chance to sing the melody. The alto 2 "bass line" features plenty of lyrics and countermelodies as well. 'I Remember Clifford,' a classic Benny Golson tune, is set here for female voices and a torch-style soloist. The tribute to jazz great and trumpet player, Clifford Brown, has remained a jazz standard since first introduced. The lush harmonies provide a beautiful setting for Golson's tribute. The soloist has freedom to sing the line as written or develop her own solo line.
| 9375 SHEET MUSIC $14.95 |
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How About You? (Clooney) arr. Roger Treece Level 4 |
"How About You". This a cappella tour-de-force is designed to feature a quartet or the entire choir. This vocal adaptation of the Rosemary Clooney/Hi-Lo's recording will challenge the most adept vocalists and will likewise impress the haughtiest self-proclaimed vocal jazz aficionado. "For All We Know" is a lush four-voice a cappella ballad for soprano soloist. Written for and performed by UNC's SUS 4. The inclusion of the verse at the end is inspired by Mark Murphy's rendition. "Cielito Lindo" is a traditional tune with very unusual rhythm approach. Tempo: breakneck. Requires good, strong sopranos. This intense rubato arrangement of the Rogers & Hart classic " My Funny Valentine", though accessible to an upper-level high school SSAA group with some jazz experience, is challenging and muscially rewarding enough for the collegiate ensemble as well. Ranges are moderate: Soprano I extends up to F5, Alto II down to Bb3, keeping the harmonies close. A soprano solo is featured in the bridge over a three-part background, leading to a dramatic high point at "Stay, little Valentine, stay!" Suggestions for breaths, expressive markings and dynamics are detailed in the score.
| 4773 SHEET MUSIC $11.98 |
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Try A Little Tenderness - Dave Cross |
"Try A Little Tenderness". A warm and beautiful melody with poignant lyrics set in a sensitive, a cappella arrangement makes this chart a festival or concert favorite. "Draw Me A Circle". The lyrics and melody to this little-known tune have an almost child-like simplicity. Setting it within the framework of a harmonically sophisticated arrangement has created a lovely and poignant piece. It is a cappella, rubato and features a fairly lengthy soprano solo. "Sounds Like Fun". Low note D below middle C. Short and sweet showpiece, part ballad, part rhythmic, hot chords and flashy vocal move (not difficult) on last chord. Written originally for a speaker manufacturer to show off the human voice. "Nina Never Knew". An expressive and sensitive ballad setting of a beautiful, lyric melody. Medium difficult, but well worth the effort.
| 4774 SHEET MUSIC $8.98 |
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The Sound Of Silence - Simon & Garfunkel arr. Deke Sharon |
This close harmony version of the Simon and Garfunkel classic "The Sound Of Silence" works well for beginning groups looking for interesting material, or advanced groups interested in a beautiful mood piece allowing for emotional interpretation. Mixing close harmony with arpeggiated textures, this arrangement allows each voice a turn with the solo line, and plenty of opportunity for rubato and expressive dynamics. This upbeat finger snappin' pop version of the doo-wop classic " Rockin' Robin" will add some spark (and tweet) to your repertoire without being too difficult. The solo moves from part to part, allowing every singer a chance in the spotlight. "Goodbye Old Paint" is a delightful western classic using modern harmonies and approach and "I Don't Know Why I Love You Like I Do" is a ballad of the 40's in block harmonies. The tempo is medium. "Don't Get Around Much Anymore" is one of the many great Ellington songs, arranged here for treble voices. The singers can feel free to alter the scat if it works better that way. "Silent All These Years". Tori Amos broke onto the music scene with this introspective ballad, and this arrangement captures all of the original's delicate moodiness. The background voices weave smooth patterns and ring warm chords. This is an excellent showcase for an expressive soloist (can either be a soprano or alto 1). SSSAA a cappella (4 part with solo).
| 4775 SHEET MUSIC $15.98 |
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