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Manhattan Transfer In Concert Medley arr. Kirby Shaw (SATB)
Operator arr. Kirby Shaw (SSATB)
Ray's Rockhouse arr. Steve Zegree (SATB)
Route 66 arr. Dick Averre (SATB)
Tuxedo Junction arr. Jerry Nowak (SSATB)
The Boy From New York City arr. Kirby Shaw (SATB)
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Sing the songs of one of the finest vocal jazz groups ever! "Manhattan Transfer in Concert" is a swinging medley of "Birdland", "Spice Of Life" and "Tuxedo Junction" and are some of the groups signature performance songs. The super Manhattan Transfer hit "Operator" is totally irresistible! Composed by Ray Charles, here's "Ray's Rockhouse", Manhattan Transfer's hit from their Grammy-winning album “Vocalese”. An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to "The Boy From New York City", the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard "Route 66" in a swingin' arrangement also by Kirby Shaw.
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Dream Lover (arr Mac Huff)
Choo Choo Ch' Boogie (arr Shaw)
A Nightingale Sang In Berkeley Square (arr Puerling)
How High The Moon (arr Zegree)
Snowfall, arr. Roger Emerson
Java Jive, arr. Kirby Shaw
SATB
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Mac Huff's arrangement of Bobby Darin's "Dream Lover" is from the Manhattan Transfer's recording and "Choo Choo Boogie" will put your choir on the jazz track! Hip '40s lyrics and the burnin'. "A Nightingale Sang In Berkeley Square" very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! "How High The Moon" is an up-tempo piece has exciting vocal writing. The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings!
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Birdland
Blue Champagne
Body and Soul
Boy From New York City
Candy, Chanson D'Amour
Four Brothers
A Gal In Calico
Gloria, Java Jive
Love For Sale
A Nightingale Sang In Berkeley Square
On A Little Street In Singapore
Operator, Poinciana
Popsicle Toes
Route 66
S.O.S.
Scotch and Soda
That Cat Is High
Trickle, Trickle
Tuxedo Junction
Twilight Tone
You Can Depend On Me
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Easy arrangements with Piano/Vocal/Guitar
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Knicknack
Don't Worry Be Happy
Grace
23rd Psalm
SATB
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Without a doubt one of the most popular songs of the 20th century, "Don’t Worry, Be Happy" is re-created here in an exact transcription of the Bobby McFerrin’s original hit recording from the album "Simple Pleasures." 3 Soprano parts, 2 Alto parts, and a very hip Bass line back up the soloist or soloists of your choice – a cappella. Great fun to sing and to hear! The music for "KnickKnack" was created by Bobby McFerrin as the soundtrack to the animated short film of the same name created by Pixar Animation Studios. The Short may be seen on DVD as the opening entertainment for the Pixar film, "Finding Nemo." A reverent and truly beautiful rendition of the widely known "23rd Psalm," this piece is frequently used in religious services. It’s pace is slow and contemplative, and the music enhances the beauty of the language. As recorded on Bobby’s "Medicine Music" CD. In "Grace," alto, tenor, and bass voices suggest the chant-like song of a carillon while the sopranos create a rhapsodic melody. This meditative score is enhanced with rhythmic breathing and optional parts for two cellos or cello section. Transcribed from "Hush," Bobby’s duo album with Yo-Yo Ma. Each of Bobby's arrangements comes with extensive performance notes.
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Manna
The Garden
Come to me
SATB
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Bobby McFerrin is unique not only due to his choice of notes, but in the way he sings those notes. Each of these beautiful arrangements, all three part of Bobby's sacred music series, comes with extensive performance notes to help your group achieve the sounds and groove that was originally intended.
With text adapted from the Book of Matthew, "Manna" provides a simple refrain with wonderfully textured variations that bring light to the thought “Whoever believes in Me will live forever.” "Manna" includes a through-composed piano part as an additional color in the ensemble. "Come to Me" is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, "come to me" with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby’s "Simple Pleasures" CD. "The Garden" exemplifies a new approach in choral writing in which McFerrin’s African-influenced nuances are given full body by co-composer and arranger Roger Treece. The music, originally recorded on the 'Medicine Music' CD, will provide an exciting and gratifying challenge for choral singers and a rich experience for audiences.
Yumiko Matsuoka, one of the founding members of Vox One, the renowned vocal jazz group, is also on the faculty of the Berklee College of Music. Her arrangements reflect her technical expertise, years of experience, and her intuitive understanding of the jazz idiom.
Black Is The Color SATBB
The Lord's Prayer SATB
Scarborough Fair SSAATTBB
My Old Kentucky Home, Good Night SATBB
The Water Is Wide SATBB
Simple Gifts
An arrangement of the classic folk song "Black Is The Color" that reflects the deep dark color of "my true love's hair." Opens with a tenor solo, then develops into a warm, full-textured chorus. "The Lord's Prayer" is a solemn and heartfelt a cappella rendition of the well-known tune. Rich close harmony is employed throughout, which soars to a climax with "for Thine is the kingdom." An old English folk "Scarborough Fair" song made popular by Simon and Garfunkel arranged with a larger ensemble in mind. Tenor sings the melody, surrounded by soprano/bass pedal point and alto/baritone ostinato lines. It then shifts into different moods, keys and harmonic settings, sensitively corresponding to the lyrics. "My Old Kentucky Home, Good Night" is one of the Stephen Foster evergreens, this arrangement starts with male unison, then develops into a rich close harmony with some twists here and there. Followed by a short baritone solo, it builds up to a beautiful climax with a key change, and a calm, pensive ending. An excellent showcase for a strong small group. "The Water Is Wide" is a ballad to be savored by both singers and audiences. It showcases male and female soloists over a beautiful, haunting background lines, builds up to the tutti section where each part has a moment to shine, then comes to a quiet close with a reprise of the male solo. "Simple Gifts" is an arrangement written for Vox One's album Pure Imagination, this Shaker song is transformed into an ode to the open skies of Africa. Combining a Swahili phrase for "dance and sing" and vowels not commonly used in choral singing, a bed of background lines are laid to carry the melody in 9/8. Its uplifting message comes through strongly as joyous rhythm and harmony is weaved together by each part.
Eleanor Rigby - SAATBB
Danny Boy - SATBB
Over The Rainbow - SATBB
Star Spangled Banner - SATBB
Where Is Love? - SAATBB
Pure Imagination - SATBB
The Lennon-McCartney classic "Eleanor Rigby" retains some of the flavor of the original Beatles' arrangement intact by giving the background vocals a string-like texture in the opening section. It then goes through a couple of key changes and gives different parts an opportunity to sing the melody, while the background supports with strong harmony and interesting counterlines. Arranged for a cappella quintet Vox One, the classic "Danny Boy" song showcases a soprano solo. In the middle section, the alto and tenor parts weave a line reminiscent of a brook in a green field of Ireland. Lush, complex harmony and a dramatic build-up reward both the singes and the audience. Recorded on Vox One's, Chameleon. The national anthem is treated here with solemn but inspirational sound. The rich harmony, without going too far away from the original, builds to a climax with contrapuntal lines that make it interesting for the singers. Written for the New York-based group the Western Wind, Yumiko's arrangement of 'Where Is Love?' opens with a mezzo/alto feature backed by flowing lines reminiscent of a small string ensemble. After the interlude, the melody is passed onto different parts with a surprise ending that involves a couple of tonality changes. Written for a cappella quintet Vox One's comeback album of the same title, 'Pure Imagination' features a soprano solo with the background vocals that re-creates the dreamy world of Willy Wonk'a Chocolate Factory. Come and explore the harmony and texture that builds up to a fantastic climax. It will make you want to watch and savor the movie once again.
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Silence Of Time - Caprice Fox
Caravan - Ellington
The Sultan Fainted - Darmon Meader/Peter Eldridge
Sign of Spring
Too High - Stevie Wonder
National Amnesia - Darmon Meader
SSATB
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NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.
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Round Midnight
Baroque Samba
Now Or Never
Sassy Samba
Open Invitation
SSATB
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Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.
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Stolen Moments
Do You Know What I Wanna Know
Top Secret
Street Party
Who Knows?
SSATB
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Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. 'Top Secret' is a Vocal version of the popular Yellowjackets original with lyrics by members of the New York Voices. An exciting arrangement with striking group harmonies and a soaring soprano solo section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.
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Now That The Love Is Over
Overs
Me and Julio
Soon One Day
SSATB
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'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.
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Oh, Lady Be Good (Ella Be Good) (Darmon Meader)
Way of the World (Meader / Fox / Sadin)
Desafinado (Darmon Meader)
Modinha (Darmon Meader)
SATB
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A tribute to the late Ella Fitzgerald, the fast swing arrangement, 'Oh, Lady Be Good,' is one no jazz ensemble should be without. It features improvisation solos, vocalese solos based on nursery rhymes, and one monster of a shout section! The ultimate closer for a concert program! 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.
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Prelude / Interlude (Peter Eldridge)
Giant Steps (Darmon Meader)
In a Mellowtone (Darmon Meader)
Cotton Tail (Darmon Meader)
SATB
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The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB with rhythm section.
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Yesterday (SSATTBB)
Michelle (SSAATTBB)
Here, There, Everywhere (SATB)
Fool on the Hill (SSAATTBB)
The Sound of the Singers Unlimited (SSAATBB)
-We've Only Just Begun
Try to Remember
On a Clear Day
Emily
My Ship
Where Is Love?
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A collection of mostly a cappella arrangements from quite possibly the greatest vocal jazz arranger ever.
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Snowfall (SSATBB)
Silent Night (SSATBB)
Deck the Halls (SSATTBB)
A Nightingale Sang In Berkeley Square (SATB)
The Gene Puerling Sound (SSAATTBB)
Am I Blue?
April in Paris
Autumn in New York
Dancing in the Dark
Indian Summer
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Includes the Grammy Award winner "A Nightingale Sang In Berkeley Square" as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording!
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Button Up Your Overcoat
Georgia On My Mind
Rockin' Chair
The Shadow Of Your Smile
Small Fry
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SATB, accompanied with optional rhythm section
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Come Sunday
Very Early
Coffee Calls For A Cigarette
Strawberry Fields Forever
Alla Talar Med Varandra (Small Talk)
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Duke Ellingon’s beautiful, sacred ballad, ‘Come Sunday,’ and the fun jazz standard, ‘Very Early,’ can be found on the Real Group’s album, ‘Nothing But…’. From their first album, titled ‘Debut,’ ‘Coffee Calls For A Cigarette,’ will take the audience back to the jazz era with its tight harmonies and lyrics. ‘Alla Talar Med Verandra’ is the Swedish version of ‘Small Talk,’ featured on their album ‘One For All,’ its upbeat melodies and satirical lyrics will make your audience laugh. Their arrangement of The Beatles’ ‘Strawberry Fields Forever’ is sure to be loved by all.
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A Cappella In Acapulco
God Only Knows
Chili Con Carne
As Rain
I Sing, You Sing
(SSATB)
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The CD ‘Nothing But The Real Group’ was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - ‘Chili Con Carne,’ Anders Edenroth’s most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. ‘As Rain,’ another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of ‘God Only Knows,’ is a very worthy treatment of the Beach Boys’ classic. Also included is ‘A Cappella In Acapulco’ another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled ‘Unreal.’ Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'
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Att angora en brygga - arr. Anders Jalkeus
Underbart ar kort - arr. Anders Jalkeus)
Sakta vi ga genom stan (Walkin My Baby Back Home) - arr. Tina Ahlin
Pippi-potpurri - arr. Margareta Jalkeus
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Widely known as one of the best A Cappella Jazz groups in the world, The Real Group continues to amaze us with their innovative (and most of the time, extremely challenging) arrangements. Anyone who knows of them are familiar with their stellar English arrangements, like 'Chili Con Carne,' 'A Cappella in Acapulco,' or 'Waltz For Debby,' but did you know that some of their Swedish arrangements are available too? We at Primarily A Cappella are proud to offer 'Pippy-potpouri' (a medley of songs from the 'Pippy Longstocking' movies), 'Sakta vi ga genom stan' (swedish version of 'Walkin' My Baby Back Home'), 'Att angora en brigga' (beautiful Jazz Waltz Ballad from the 1960's swedish dark comedy with the same name, featured on 'Allt Det Basta'), and 'Underbart ar kort' (challenging piece with a great bass solo, featured on 'Allt Det Basta').
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Heavenly Crystal
How Come It's So Hard To Be The Way You Are
Words
Sir Duke
There Will Never Be Another You
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You don't need a big band to make Anders Edenroth's arrangement of the Stevie Wonder tribute to jazz musicians sound great! The buoyant opening of 'Sir Duke' remains through two verses, then switches to a swingin' half-time grove. A sensitive treatment of the jazz standard, 'There Will Never Be Another You,' opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. 'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the english version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool – there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' – their sense, their social role, and the varied ways they can be sung and spoken – which will intrigue jazz choirs at all levels.
Since the release of the Ticket to Ride recordings, the Swingle Singers have received many requests from choirs and a cappella groups for their Beatles' arrangements. Finally, they have published a companion songbook to the popular album. The book contains the seventeen songs from the CD arranged for four to eight voices and features a bonus arrangement of "Here, There and Everywhere" for AATTBB. These wonderful arrangements include the original scat syllables used on the recording as well as alternated endings for the songs that fade out. Another great addition to the Swingle publications, this book will have your group creating a new wave of Beatle mania at your next concert. SATB - Divs
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Overature to Marriage of Figaro
Eine Kleine Nachtmusik Op. K. 525:
-I. Allegro
-II. Romanze
-III. Menuetto
-IV. Rondo
SSAATTBB
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It was an interesting challenge to arrange "Overture to the Marriage of Figaro" for eight voices. The Swingle Singers group has often used it to open a concert. Of course it is very difficult but quite a few choirs have managed to master it. I think it works equally well on or off mikes, as long as a proper balance is maintained among the voices. This is the first of the four movements of Mozart's "Eine Kleine Nacthmusik," all four of which Ward Swingle has arranged for voices with the hopes that groups will perform "Eine Kleine Nachtmusik" in its entirety. For the Swingle Singers this offered a change from the succession of 2- or 3-minutes pieces typical of many of our programs.
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All The Things You Are
It's Just One Of Those Things
I Get A Kick Out Of You
Love Walked In
Li'l Darlin
SSAATTBB
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This wonderful Neal Hefti composition, "Li'l Darlin," was written for the Count Basie band. Master word-spinner Jon Hendricks has added some lovely, romantic lyrics. This a cappella treatment of "I Get A Kick Out You" is one of Cole Porter's best loved songs. Some of the scat is in hommage to the Double Six of Paris. "Love Walks In" lies in the great pantheon of Gershwin songs. Ward Swingle made a rather easy SATB arrangement dedicated to Cole Tyrell and his fine South Haven (Michigan) High School Choir. This is an 8-voice a cappella version of the well-known Cole Porter standard. In this version of "It's Just One Of Those Things" the scat can be sung as written, or improvised upon. Since it goes along at quite a clip, it can stand a few rehearsals. This arrangement of "All The Things You Are," the wonderful Jerome Kern song, is separated into three sections: the beginning is in a free, traditional choral style, then there is some typical "Swingle" scatting, followed by a big-band section. It was recently voted "Favorite Vocal Jazz Chart" by a group of choral directors who specialize in jazz repertoire.
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Pastime with Good Company
The Agincourt Song
Country Dances
Music History 101
El Piasanito
L'amour de Moi
Tout Garcon Qui Sert Bien Son Maitre
SSAATTBB
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'Pastime With Good Company' is an evocation of Renaissance vocal and instrumental styles in which some of the singers are asked to imitate recorders, tabors and shaums. 'The Agincourt Song' recounts the victory of Henry V over the French at Agincourt. As in 'Pastime with Good Company,' the singers must imitate the sounds of Renaissance instruments. 'Country Dances' is a fast-moving potpourri of traditional country tunes. One theme that recurs is that of the Arkansas Traveler. The accompanying sounds evoke various country-music instruments: fiddles, banjos, jugs, etc. 'Music History 101 is a trip through Music History to the tune of "Twinkle, Twinkle, Little Star," treated as a Gregorian Chant, a Medieval Round, a Madrigal, a Bach Chorale, a Schubert Lied and many other styles including jazz and rap. El paisanito features an alto duet with an accompaniment that imitates strumming Spanish guitars. In the men's version, the duet is sung by two male altos. 'L'amour de moi' features a soprano solo with a string-like accompaniment along with vocalized bass and drums. The three melodies in 'Tour garcon qui sert bien son maitre' come from the province of Quebec. These arrangements were commissioned by the McGill Univeristy Chamber Choir in Montreal.
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Bouree
Organ Fugue
Gigue
SSAATTBB
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"Gigue (Suite in C Major)" is a movement from one of Bach's unaccompanied Cello sonatas, arranged here for tenor and bass. It has a fast 3/4 jazz feeling, with some tricky dove-tailing between the voices, the object being to make it sound like on instrument. The Swingle Singers have often used this "Organ Fugue BMV 578" as a concert opener. The challenge in singing without a rhythm section is to make the piece swing without the help of the instruments.The "Bourree" has probably been the most widely performed of all Ward Swingle arrangements. This is an a cappella version using three different styles: child-like "la-la-la's," gently swinging"oo" sounds and rather brassy "ah" sounds.
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Chattanooga Choo Choo
Fascinating Rhythm
You're The Top
Miss Otis Regrets
SSAATTBB
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Cole Porter's "Miss Otis Regrets" is an ironic tale of betrayal, revenge and punishment in the form of a minidrama compressed into some 48 measures. It's surely one of the most startlingly original standards in the repetoire. Arranged for 19 voices, " Chatanooga Choo-Choo" was made famous by Tex Benecke, the Modernaires and the Glenn Miller Band. Ward Swingle has attempted a faithful, entirely vocal, adaptation. Also included in this package is "You're The Top."
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Saints Fugue
Blue Rondo a la Turk
Mack The Knife
Oh, Johnny, Oh
SSAATTBB
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This version of "Oh, Johnny, Oh" is an evocation of the Andrews Sisters' recording. Three soloists become the Andrews Sisters, while the other singers scat the accompaniment (brass, rhythm and bass guitar). Here the singers have to keep things swinging without the help of bass and drums. Al Jarreau wrote some wonderefully "onomatopaeic" words for Brubeck's fine piano piece, "Blue Rondo a' la Turk.". Ward Swingle transcribed the piano part as faithfully as possible for voices.Perhaps Kurt Weill's most famous song, Mack the Knife was written during his Berlin period, first sung by his wife Lotte Lenya; and later, in a very popular jazz version, by the great Bobby Darin. "Saints Fugue" was first written for the French Swingle group in the early 70's using only scat syllables. Ward Swingle revised it later adding the traditional words.
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How Do I Love Thee? (SATB)
Tre Krleksdikter (SATB)
It Was a Lover and His Lass (SSAATTBB)
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'How Do I Love Thee' is a a traditional choral setting of Elizabeth Barrett Browning's wonderful poem. 'Tre Karleksdikter' means 'Three love-poems.' These are settings of well-known Swedish poets, and would present a good challenge for a choir wanting to explore the Swedish language. 'It Was A Lover And His Lass' is a setting of Shakepeare's famous sonnet. The text has a lot of scat-like syllables (e.g. "hey-ding-a-ding") which Ward Swingle was able to adapt and use as part of the guitar-like accompaniment.
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Clair de Lune (Debussy)
Etude 25 No. 9 (Chopin)
Flight of the Bumble Bee (Rimsky-Korsakov)
SSAATTBB
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The Swingle Singers often use "Flight Of The Bumble-Bee"as an encore piece. It has to go as fast as possible using a great variety of scat syllables in order to avoid lock-jaw. It also includes a fairly literal vocal transcription of Debussy's famous piano piece, "Claire de Lune." The tessituras are quite wide ranging from low D-flats for the basses to high B-flats for the sopranos. It is probably best sung with the help of microphones. This transciption of a Chopin "Etude Op. 25 No.9" is probably easier to sing than it is to play! It should be performed at a brisk pace, with the main melody alternating between the Tenors and the First Sopranos.
Various Arrangers: Jazz Classics
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Try To Remember (Fantastiks) arr. Steve Zegree
The Very Thought Of You (Ray Noble) arr. Paris Rutherford
Hello Young Lovers ( Rogers / Hammerstein)
Georgia On My Mind (Hoagy Carmichael) arr. Ed Lojeski
SATB
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You're going to love this fresh Latin-flavored treatment of "For Once In My Life" the classic Stevie Wonder hit of 1968. Starting with simple unison lines, it develops texturally to a roaring finish! Steve Zegree's jazz harmonies in the classic ballad "Try To Remember" from The Fantasticks simply shimmer in this warm a cappella setting! "The Very Thought of You" beautifully lyrical classic ballad is expressively arranged by Paris Rutherford in a sweet a cappella treatment. Varied choral textures and luscious harmonies make the Rodgers & Hammerstein standard "Hello Young Lovers" an ideal selection for vocal groups. From the pen of Hoagy Carmichael, and recorded by the legendary Ray Charles (1960 #1 hit!), the timeless standard "Georgia On My Mind" is featured here in an unforgettable a cappella setting by Ed Lojeski.
Various Arrangers: Jazz Standards
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Without a Song (arr. Kirby Shaw)
My Funny Valentine (arr. Kirby Shaw)
Someone to Watch Over Me (arr. Teena Chinn)
Skylark (arr. Teena Chinn)
Embraceable You (arr. Teena Chinn)
Misty
Days of Wine and Roses
SATB
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The classic Vincent Youman song "Without a Song" has delighted audiences for decades and has been recorded by artists of every genre. Kirby Shaw has added his superior arranging talent to provide us with a truly wonderful new arrangement. You don't even have to hear this arrangement of "My Funny Valentine" to know how good it is, because it already has the top two ingredients: 1) a great tune, and 2) one of the best arrangers around. Kirby has taken one of the most gorgeous ballads of our time and crafted a special arrangement that's bound to please. "Skylark" - A superbly crafted a cappella rendition of the all-time Hoagy Carmichael favorite standard, carefully woven to ensure logical voice leading for each vocal part. The arrangement smoothly flows from one lush harmony to another, each locked into the surrounding sounds, creating a tightly knit fabric of pure vocal pleasure. Stunning! Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin1⁄2 classic "Embraceable You." Showcase your singers with this very special arrangement!
Various Arrangers: Joyful Jazz Songs
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My One and Only Love, arr. Doug Andrews
What A Wonderful World, Arr. Rene Clausen
When I Fall In Love, arr. Kirby Shaw
September Song (Kurt Weill), arr. Phil Mattson
Lost in the Stars, arr. Paris Rutherford
SATB
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Jazz lovers will truly enjoy this sensitive a cappella setting of "My One and Only Love". Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. With "What A Wonderful World" Rene Clausen provides a most sensitive arrangement of this timeless standard. Beautiful harmonies entwine around the familiar melody captivating the listener. Kirby Shaw does a great job with "When I Fall In Love". Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Phil Mattson's a cappella arrangement of the vocal jazz standard "September Song" will leave your audience spellbound. Stunning! From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of the classic Kurt Weill song "Lost in the Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs.
Marion Linton: Cole Porter A Cappella
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I Get A Kick Out Of You Level 4 SSATBB
Let's Do It Level 4 SSATBB
Love For Sale Level 4 SSATBB
What Is This Thing Called Love Level 4 SSATBB
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Beginning as a waltz, "I Get A Kick Out Of You," this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. "Let's Do It" is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! "Love For Sale" is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout "What Is This Thing Called Love" as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart.
Randy Crenshaw: Cool Contemporary Jazz
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Naima (John Coltrane) arr. Crenshaw Level 5 SATBB
Love Is In Control (Quincy Jones) arr. Crenshaw Level 3 SATBB
Take 5 arr. Crenshaw Level 4 SATBB
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This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.
Kerry Marsh: A Cappella Jazz for Mixed Voices
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Occam's Edge
His Eye is on the Sparrow
Mas Alla
Unequity Road
The Big Crunch
SATB divisi
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An original composition, 'Occam's Edge' is an aggressive a cappella chart that will challenge your singers, but is quite attainable. It comes off almost as a fusion tune because of the groove, the stabbing lush chords and quickly moving harmony. A scat solo is featured and a vocal percussionist is important to the performance. An exciting shout section connects the solo section and the head-out. This one is, again, like nothing you've ever heard vocalists sing! 'His Eye is on the Sparrow' starts out simply as a rubato ballad with a soulful solo, but then adds vocal percussion in a jazz waltz groove. When the vocals come in after a short percussion break, it sounds highly reminiscent of a Take 6 tune with quickly moving harmonies, lots of great dominant sounds and exciting hits in the background vocals. This will surely be a crowd pleaser and a fun and challenging chart to sing. The arrangement of 'Mas Alla,' features a tenor soloist. The wonderful Spanish lyric was written by Pedro Aznar. Some thick and challenging harmony, but an attainable and worthwhile chart for most college vocal jazz groups. A completely new perspective on the great Pat Metheny composition, with 'Unequity Road,' Marsh has transformed a powerfully aggressive and asymmetrical chart into a simple, floating and mesmerizing tribute to a great set of chord changes and a beautiful melody that is almost hidden in Metheny's original performance on Bright Size Life. or vocalists who may not have been exposed to the harmonies of cutting-edge big band writers Maria Schneider, Jim McNeely and Vince Mendoza,'The Big Crunch is a great learning piece. It is also a moody and yet hard-grooving a cappella chart that will provide a fun challenge to your group. A very open solo section is included as well as a nicely crafted shout section that builds to a great climax before leading into the head-out. Vocal percussion is necessary on this chart.
UNC Jazz Press: Musicals
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If I Only Had A Brain (Arlen) arr. Fred Sturm Level 4
Singin' In The Rain (Brown) arr. April Arabian Tini Level 3
Over The Rainbow (Arlen) arr. Kirk Marcy Level 3
Alice in Wonderland arr. Treece Level 3
SSATBB
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This a cappella ballad version of "If I Only Had A Brain" was inspired by Harry Connick, Jr.'s vocal/piano treatment of the hit from The Wizard of Oz. Tight voicings and substitute harmonies make this ideal for jazz concert/festival programming. The rubato styling provides a strong musical showcase for the full choir. This spirited, a cappella, medium swing arrangement of the old silver screen classic, "Singin' In The Rain," will challenge your singers and delight your audiences. An interesting reharmonization and clever scat section provide a wonderful contrast to the delightful melody. It is high energy, it swings and it's fun! "Over The Rainbow," the time-honored standard tune, is given a lush a cappella treatment. There is a feature solo for a soprano or tenor throughout the arrangement, and a very strong and powerful ending. In this sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard, "Alice In Wonderland" ranges from unison opening to lush six-part harmony and features a tenor solo. One of the most popular charts.
UNC Jazz Press: Musicals Vol 2
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All The Things You Are ('Very Warm For May,' arr. Rick Bell) SSATBB
The Surrey with the Fringe on Top ('Oklahoma!' arr. Roger Treece) SSATTB
Never, Never Land ('Peter Pan,' arr. Marion Linton) SSATBB
Where is Love? ('Oliver!' arr. Bob Martin) SATB
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'All The Things You Are,' the classic Jerome Kern ballad, is the perfect choice for that "quiet" spot in your vocal program. One chorus, a cappella, written with great respect for the wonderful lyrics and mood of the piece. Using a dramatic mix of quiet unisons, lush open voicings and some tasteful chord substitutions, this arrangement makes an elegant statement that lets the timeless beauty of the song shine through. 'Surrey with the Fringe on Top' is one of the most challenging vocal jazz charts today and worth every minute. This chart was premiered by Dave Cross and the Edmonds Community College Soundsations. 'Never, Never Land,' the beautiful ballad from Peter Pan, is sure to be enjoyed by all. It features thick, lush harmonies as well as a short, sweet tenor and soprano duet. An absolutely gorgeous piece! This setting of 'Where Is Love?' is a lush and easy listening version of this pretty tune. The voicings are balanced and relatively square so it's a good arrangement to work on tuning your group and getting the voicings to ring and buzz in the appropriate spots. It's relatively short with an AABB form. It's a perfect song for a pensive a cappella moment in your program.
Various Arrangers: Patriotic Vocal Jazz for Mixed Voices
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The Star Spangled Banner, arr. Kerry Marsh
The Star Spangled Banner, arr. Jason Heald
The Star Spangled Banner, arr. Mark Burnell
The Star Spangled Banner, arr. Tsunenori 'Lee' Abe
The Star Spangled Banner, arr. Darmon Meader
America The Beautiful, arr. Darmon Meader
SATB
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Sing some cool arrangements of the National athem! Beginning with a beautiful unison, Tsunenori 'Lee' Abe's arrangement of 'The Star-Spangled Banner' goes into rich harmony without going too far away from the original. Mark Burnell's 'Star Spangled Banner' is an adventurous a cappella version as performed by Cooler by the Lake for the Chicago Bulls and White Sox. Kerry Marsh's 'Star Spangled Banner' uses some modal re-harmonization, some slight meter shifts and has a rousing finish, with some surprises. This chart sounds harder to sing than it is, as the voice leading is very logical and smooth but the chords are wonderful. Jason Heald's 'The Star-Spangled Banner' is a swinging version of the true "old standard". This is a very rhythmic a cappella SATB arrangement with a strong gospel feel. The chart opens with a soprano solo and concludes with bold sophisticated harmonies. A terrific opener or closer for any concert or event! Also included is another spectacular 'Star Spangled Banner' and a beautiful arrangement of 'America The Beautiful' by New York Voices' singer/arranger, Darmon Meader.
Various Arrangers: Broadway Gems
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The Music Of The Night (The Phantom of the Opera - Lloyd Webber), arr. Kirby Shaw
If I Loved You (Carousel - Rodgers / Hammerstein), arr. Kirby Shaw
If Ever I Would Leave You (Camelot - Lerner / Loewe), arr. Kirby Shaw
Till There Was You (The Music Man - Meredith Wilson), arr. Kirby Shaw
Somewhere (West Side Story - Bernstein / Sondheim), arr. Robert Edgerton
What I Did for Love (A Chorus Line - Marvin Hamlisch), arr. Mac Huff
SATB
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There's nothing more enchanting than a great Broadway tune and here are some of the best! "The Music Of The Night", the powerful and dramatic Andrew Lloyd Webber song from The Phantom of the Opera. in a brilliant a cappella setting by Kirby Shaw and exquisite harmonies and accessible vocal writing make the Rodgers and Hammerstein standard "If I Loved You" a real classic. "If Ever I Would Leave You" is one of the top Broadway love ballads of all time, this arrangement is a natural for a cappella women. Fantastic lyrics offer unique opportunities for lyric expression. This lyrical setting of the Camelot classic love song is sensitive, yet lightly contemporary in feel. Here is a touching standard "Till There Was You" from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. This stunning new a cappella arrangement of the Leonard Bernstein West Side Story ballad "Somewhere" was a featured selection for the 2002 Iowa All-State Choir. Destined to become a classic! "What I Did for Love" is every performer's anthem! From the Broadway classic A Chorus Line, this a cappella setting will leave your audience spellbound!
UNC Jazz Press: Hip Cats Contemporary Jazz
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Round Midnight (Thelonius Monk) arr. Randy Crenshaw Level 4 SATB
If You Wanna Fly arr. Randy Crenshaw Level 4 SATB
Not Like This (rec. by Al Jarreau) arr. Charles Argersinger Level 4 SATB
Jubilee (Bobby McFerrin) arr. Michele Weir Level 4 SATB
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This mournful arrangement of the Thelonius Monk ballad, 'Round Midnight' starts with a rubato intertwining intro, then spotlights tense cluster voicings supporting a female soloist throughout. With imaginative reharmonizations, yet good voice leading, this chart is extremely effective and accessible. 'If You Wanna Fly' is an Al Jarreau-style showcase for a strong tenor-baritone soloist. This up-tempo samba features hot choral backgrounds throughout doing horn section licks, an a cappella vocal/percussion break in the middle and some quick unison passages with choir and soloist. 'Not Like This' is another exquisite ballad made popular by Al Jarreau. Contemporary harmonies and recorded by Voice Trek for their CD 'At Last.' Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. The recording by Phil Mattson and the P.M. Singers (Jubilee album) features vocal percussion throughout, emulating a true drum part. If you have an experienced group and you're looking for a showcase piece to feature a talented bass singer and vocal percussionist, this arrangement is for you!
UNC Jazz Press: Friends & Lovers
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Teach Me Tonight -arr. Jason Smith SATBB
Stolen Moments - Nelson/Murphy SATBB
He's Asleep - Alf Clausen - arr. Michele Weir SATB
The Man I Love - arr. Chris Mueller SSAATBB
How Do You Keep The Music Playing - Ingram/Austin - arr. Roger Treece SATB
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'Teach Me Tonight' is an excellent arrangement by Jason A. Smith. Lots of room for improvisation! "Stolen Moments' is an Oliver Nelson classic with lyrics by Mark Murphy. bittersweet clusters and quartal voicings are followed by a 12-bar minor blues solo vamp and out. 'He's Asleep' is a little known tune, written by Alf Clausen (composer for The Simpsons and Moonlighting), and the great lyricist, Tommy Wolf. The arrangement features contrapuntal vocal lines that weave around through mysterious text. Although the piece is harmonically sophisticated, when performed well, it has a feeling of simple innocence. This arrangement would be a worthy challenge for any experienced group. 'The Man I Love' is a 6-part arrangement with fresh reharmonizations. It features an alto soloist, who can stick to the score or embellish freely, depending on her character. 'How Do You Keep The Music Playing' is a beautiful ballad that was originally recorded by James Ingram and Patti Austin as the theme song for the movie, Best Friends. This four-part a cappella arrangement is sensitive to the melodic and lyrical development of the tune, and features the soprano section and/or a female solo throughout.
UNC Jazz Press: Strictly Jazz
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Aspen Waltz - Randy Crenshaw SATTBB
Jubilee - McFerrin - arr. Michele Weir SATB
Straighten Up And Fly Right - Nat King Cole - arr. Morgan Ames
Spring Can Really Hang You Up The Most - arr. Mark Burnell SATB
Alice In Wonderland - Fain/Hilliard - arr. Roger Treece SSATBB
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'Aspen Waltz' is a lush a cappella original, by Randy Crenshaw, with a twelve-tone treatment of melody, supported by rich, Singers Unlimited-sytle chordal textures. Features soprano soloist, small group or section. Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. 'Straighten Up and Fly Right' is a famous Nat Cole song heard on Natalie Cole's multi-Grammy winning Unforgettable album. There are solos for alto or tenor. Featuring traditional jazz-type harmonies, the feeling is bright with a lively tempo. 'Spring Can Really Hang You Up The Most' is a fun, beautiful piece fill with great jazz harmonies. 'Alice in Wonderland' is a sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard. Ranges from unison opening to lush six-part harmony and features a tenor solo.
UNC Jazz Press: Standards 1
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Make Someone Happy (Styne) arr. David Cazier Level 3 SSATB
It Ain't Necessarily So (Gerhswin) arr. Marion Linton Level 4 SSAATBB
You Go to My Head arr. Collins
Embraceable You (Gershwin) arr. Kevin Murphy Level 3 SSATB
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'Make Someone Happy' goes from a tender unison beginning to an exciting climax and a deceptively moving ending. Much of the beauty of this piece lies in simplicity and pure sincerity. 'It Ain't Necessarily So' is sure to be a crowd pleaser. Solos (or should we say, "sermons?") are passed from voice to voice while the bass line makes comical interjections about the lyrics. The close, melting harmonies of 'You Go To My Head' beautifully paints the lyrics and mood of Fred Coots' timeless ballad. Soprano and alto are in a warm and mellow low register for the majority of the tune, while tenor and bass have a light and airy quality to blend. Rhythmic notation should serve as a guideline only, as a very free interpretation of time is needed to bring out the intense imagery of the lyrics and the "bouquet" of the music. Perform this song when you want your listeners to leave hearing in their minds a "haunting refrain". 'Embraceable You' features opening bass pedal with voices layering above. Contrasting open and dense voicing create lustrous harmonic interest. A perfect program piece - a short gem that young singers can really dig their teeth into.
UNC Jazz Press: Standards 4
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I Can Dream, Can't I? (Fain/Kahal) arr. Brad Rees Level 3 SATB
Their Hearts Were Full Of Spring (Four Freshmen) arr. Kirby Shaw Level 3 SATB
Am I Blue arr. Kirby Shaw Level 2 SATB
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The beautiful 1937 ballad, 'I Can Dream, Can't I?' moves between lush harmonies and flowing counterpoint. It is richly texutred, yet accessible to most groups. ''Their Hearts Were Full of Spring' is as close as a mixed group can get to the original TTBB, Four Freshman, original. A very romantic a cappella ballad with lush harmony throughout! 'Am I Blue' sounds incredibly lush for having a maximum of 4 parts. A la Gene Puerling but easier. A definite "oo and ah" creator!
UNC Jazz Press: Standards 5
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I've Never Been In Love Before (Loesser) arr. Paul Read Level 4 SATB
God Bless The Child (Holliday) arr. Mark Mazur Level 4 SATB
Nancy With The Laughing Face (Mercer) arr. Dave Cross Level 3 SATB
Love For Sale (Cole Porter) arr. Phil Mattson Level 4 SATB
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This lush a cappella arrangement of 'I've Never Been In Love Before' features the entire vocal ensemble. The emotional lyric and fresh harmonization make this chart fun to rehearse and perform. Billie Holiday and Blood, Sweat and Tears helped to make 'God Bless The Child part of the standard jazz literature. It is a beautiful arrangement! 'Nancy with the Laughing Face' is another beautiful Johnny Mercer melody arranged in a very singable a cappella setting. A short solo with choir backgrounds sets up a beautiful and sensitive ending. Phil Mattson's arrangement of 'Love For Sale' was originally written for Chanticleer with a female solist. Now your vocal group can enjoy this beautiful gem!
Various: Vocalese Charts
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Voice Dance (Greg Jasperse) SAATTBB
Voice Dance II (Greg Jasperse) SAATBB
Tango To Evora (Arr. Jon Washburn) SSAATTBB
The Barber of Seville Overture (Arr. Daryl Runswick) SATTBB
William Tell Overature (Arr. Julie Eschliman) SATB divisi.
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'Voice Dance,' and 'Voice Dance II' are wordless vocal dances celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. It's hard to keep a straight face while singing this hilarious novelty arrangement of 'William Tell Overture' for "serious" choirs. Sung entirely on syllables which imitate the sounds of Rossini's original orchestral percussion, brasses, and woodwinds, this one will be best when performed tongue in cheek. And from the initial fanfare to the final cadence, seasoned choirs will sound great on the full chords and percussive "Lone Ranger" themes. 'Tango to Evora' was masterfully arranged by Vancouver Chamber Choir conductor Jon Washburn. The sensual but innocent tango melody in the choir gives an expressive background to a 'floating' soprano solo. 'The Barber of Seville Overture' has been a long-time favorite in King's Singers concerts. From the subdued opening theme in the “strings” to the rousing “full-orchestra” close, this instrumental work is creatively brought to life – King's Singers style. Challenging, but well worth the effort.
UNC Jazz Press: Jazz/Pop Series
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Toccata and Fugue in D Minor (arr. Howard Burke)
A Time for Love (arr. Matt Falker)
Scat Blues in 'C' (arr. Randy Crenshaw)
Good Lovin' (arr. Issa Sorensen)
Rockapella (arr. Jeffrey Hess)
SATB divisi
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The unique six-voice a cappella orchestration of 'Toccata and Fugue in D Minor' is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. Matt Falker's arrangement of 'A Time For Love' (originally written by Johnny Mandel)' is a beautiful a cappella ballad. The chart is written for SSATBB voices and features a male/female duet in the latter part of the piece. 'Scat Blues in C' is a fun, medium-tempo big band-type bop head in an a cappella setting. Vocal "horns" and vocal "walking bass" make for an easy but effecive choir showpiece, with plenty of room for vocal scatting over the form. Issa Sorensen's arrangement of Bobby McFerrins 'Good Lovin' will bring the house down with its awesome groove. Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers!
UNC Jazz Press: Jazz/Pop Series Vol. 3 
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I Hold Your Hand In Mine - Arr. Randy Crenshaw (SATB)
I Don't Know Why (I Just Do) - Arr. Morgan Ames (SSAB)
Pure Imagination - Arr. Jeremy Landig (SSATB)
I Will Always Love You - Arr. Deke Sharon (SSATTBB)
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'I Hold Your Hand In Mine' is a hilarious novelty song by famed satirist/songwriter,Tom Lehrer, gets a pseudo-sophisticated arrangement here, resulting in a subtle but very witty comic effect! Great change-of-pace in a jazz vocal program! A few words can be changed if needed. "I Don't Know Why I Do' is a hot ballad of the 40's in block harmonies. The tempo is medium. Jeremy Landig's arrangement of 'Pure Imagination' is five parts and is inspired by the sound of the Real Group. "Crunch" chords and interesting turns of harmony abound, making this a real showoff piece. Set mostly in a rubato ballad style, it shifts dramatically and unexpectedly between keys in the first section. The bridge leads into a sublime soli section bringing the melody back in a slow swing reminiscent of Lil Darlin' but in 7/4! The bridge returns briefly (this time in a Take 6-influenced swing) before the arrangement winds to a close in the original ballad feel. Whitney Houston made Dolly Parton's 'I Will Always Love You' the longest running #1 hit in the country's history, and this arrangement is true to her legendary version: opening simply with the trademark soprano soloist alone, adding a rich pulsing texture after the first verse and building gradually to a chilling climax.
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Their Hearts Were Full Of Spring
Day In, Day Out
First Affair
Tom Dooley
TTBB
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'Their Hearts Were Full of Spring' is a Bobby Troup tune arranged by the great Dick Reynolds. A beautiful a cappella ballad with a great lyrics. 'Day In, Day Out' is a Four Freshmen favorite recorded with Stan Kenton on the Live at Butler album. 'First Affair' is a beautiful arrangement with lyrics by Ross Barbour and music by Ken Albers. 'Tom Dooley' is a challenging work but well worth the effort. The great old standard.
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Fools Rush In
Freshman Year
I’m Always Chasing Rainbows
Indian Summer
TTBB
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'Fools Rush In' is a sensative treatment of this standard, a must for any advanced men's Jazz group. 'Freshmen Year' is a beautiful work with music by Ken Albers with lyrics by Bill Comstock. 'I'm Always Chasing Rainbows' is a gorgeous ballad with beautiful harmonies, arranged by Dick Reynolds and originally recorded with strings. 'Indian Summer' is one of the few published Four Freshmen A cappella vocal arrangements, arranged by Nelson Riddle for Four Freshmen in Person Volume II.
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Love Lost
Oh, Lonely Winter
This October
I’ll Remember April
TTBB
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'Love Lost' is a collective work by Bob Flanigan, Don and Ross Barbour and Ken Albers. 'Oh, Lonely Winter' is from the Four Freshmen and Five Guitars Capitol record album. Lyrics by Bill Comstock and music by Ken Albers. 'This October' is considered one of the greatest of all hits of the Four Freshmen. 'I'll Remember April' was recorded on the Voices in Love albums, this great arrangement by Dick Reynolds is one of the all-time favorites.
Various Arrangers: Men's Romance
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Moondance (Marshall Webb)
You Are Too Beautiful (Rogers/Hart) arr. Dave Cross Level 3
Let's get Away From it All
I've Got a Crush on You
TTBB
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This is a nice, simple treatment of the Van Morrison favorite "Moondance". A solo in the second tenor range is true to the melody with some interesting chord subsititutions in the harmony parts. Beginning with a duet between solo and bass, there is plenty of room for some subtle, improvised vocal percussion from the other two voices. A bass part that doesn't get too low makes this a great choice for a young male quartet. An easy, yet effective arrangement of the all time Rodgers and Hart ballad "You Are Too Beautiful", that gives your men's section a chance to really shine! Here's a snappy, toe-tapping rendition of " Let's Get Away From It All". It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. "I've Got A Crush On You" starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. TTBB
Various Arrangers: Men's Standards 1
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Over The Rainbow (The Wizard of Oz), arr. Bob Zwirm
Without A Song (Rose/Eliscu/Youmans) arr. Robert Zwirn Level 4
You Are Too Beautiful (Rodgers/Hart), arr. Dave Cross
Sunday (Sinatra) arr. Bob Martin Level 3
TTBB
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A very happy version of "Sunday" inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation with no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangmenet. "Without A Song" What more can we say? A beautiful song, a beautiful arrangement. 'Over the Raininbow' is a simple, yet beautiful harmonization of the classic tune. 'You Are Too Beautiful' is an easy, yet effective arrangement of this all time Rodgers and Hart ballad, that gives your men's section a chance to really shine!
Bob Martin: Men's Standards 2
