In Celebration of the Human Voice - The Essential Musical Instrument
Displaying 51 - 100 of 847 items.
In the 1950s and '60s, the Anita Kerr Singers were one of the most popular group of backup vocalists in all of country music, appearing on countless recordings by renowned Nashville artists. Kerr was the group's leader, but was joined by alto Dottie Dillard, tenor Gil Wright, and baritone Louis Nunley, as the quartet initially gained attention by performing on the NBC radio program Sunday Down South in the early '50s, which led to a contract with Decca Records. In 1956, the Anita Kerr Singers landed a spot on the New York-based Arthur Godfrey Talent Scouts TV show, which led to further broadcast appearances (although the group never let their session work for others subside). Around the same time, Chet Atkins (then the head of RCA Records' country division) took the group under his wing, which led to the quartet appearing on countless recordings by renowned artists. The Singers continued to record and tour straight through the '60s, even managing to issue several of their own albums, including Anita Kerr Singers Reflect on the Hits of Burt Bacharach & Hal David, Velvet Voices and Bold Brass, and Simon & Garfunkel Songbook, among others.
The Anna Crusis Women's Choir is recognized as both an agent of social change and a premier performing arts group in the greater Philadelphia region. The Choir is committed to reaching diverse audiences, including people who have little access to the arts, and it supports the work of other progressive social justice organizations by singing at benefits and fundraisers.
Much has changed since Anna's founding in the 70's, when one of its primary objectives was to provide a safe haven for both gay and straight women to find their voices. Anna grew out of the grass roots feminist movement characterized by the local group "Wine, Women and Song. " Formed by songwriters/musicians Judith Palmer (who still sings with Anna) and Wendy Caplan, they composed much of their own music since little about women's lives - from a feminist perspective - was available.
Renowned for their unearthly vocal blend and virtuosic ensemble singing, the four women of Anonymous 4 combine musical, literary, and historical scholarship with contemporary performance intuition as they create ingeniously designed programs, interweaving music with poetry and narrative.
In addition to their unmatched medieval repertoire, Anonymous 4 has often reached out into the realm of contemporary music, and has premiered works by Peter Maxwell Davies, John Tavener, Steve Reich, and Richard Einhorn. The group has most recently expanded their repertoire to include traditional music of the British Isles and America.
Irish choral music has little or no history before the latter part of the twentieth century. In 1987 Dublin composer Michael McGlynn founded ANUNA, Ireland's National Choir. The name derives from the collective term for the three ancient types of Irish music, Suantra (lullaby), Geantra (happy song) and Goltra (lament). One of the choir's stated aims is to explore and redefine Irish choral music from ancient times through to the present. Anuna have created a unique choral voice for Ireland and have been widely accoladed and acknolwedged for the originality of their performances and recordings.
The group is Dublin-based and is an a cappella choir performing with between eleven and fourteen singers drawn from a larger group af approximately thirty members. Anuna do not work with a conductor, and use the entire space of a concert venue at different points in a performance. Most of their material is written or arranged for the group by McGlynn, and includes reconstructions of early and medieval Irish music. These songs are created specifically for the choir's unusual combination of classically trained and untrained voices.
Apes & Babes was formed in 1999 when eight singers with a background in Trondheim studentkor would spend the summer holidays to explore a different type of harmony than the traditional choir. We wanted to find out if it was possible to pop singing without instruments and still sound like a band - not a choir. Within a few weeks was 5-6 songs rehearsed, and the 3 August we held a concert at the TIRC Student Society in Trondheim. But that would only be a small summer project, took off from the first note! An enthusiastic audience demanded more. We thought it was fun, and would like to have a couple of concerts. After 2-3 attempts to keep the Closing, we understood that Apes & Babes had come to be ...
Aquabella is an all-female vocal group whose members live in Berlin, Bremen and Amsterdam. Sharing an interest in languages and cultures from around the globe, the singers of Aquabella have found a musical identity in their farreaching search for diverse cappellic beauty. Aquabella gathers sounds rich in story and emotion from the heart of distant lands and times past. The five dedicated singers bring a contemporary outlook to historic songs, creating music that embraces the past, yet remaining fresh in its conception.
Aquabella take their audience on a musical tour around the world and connect cultures with each other. They shout whisper and sing about big human dreams and also tell stories about of people, who could both live in your neighbourhood and at the other end of the world. In this fast-moving life the four AQUABELLA-singers create wonderful oases of the sound and give an insight into foreign cultures and old traditions. They touch brand-new themes, very often themes about human existence.
The most powerful and moving a capella choir I've ever heard. Thirty-two voices strong, the Addicts Rehabilitation Center Choir is burning-with-faith gospel from Harlem. Every singer will tell you proudly that the Center pulled them up out of the gutter, out of the fires of hell. They sing to praise the Lord that they've lived to tell others. The Choir's power will wrench your soul, get your feet moving and your hands clapping-and might just blow you off the sofa. Stereophile's Larry Archibald says this is his Record To Die For: "Imagine 32 people singing in your living room...a sensational job of delivering the music..."
Archangel Voices is a professional-level vocal ensemble whose goal is to create high-quality recordings of Orthodox liturgical music in the English language, and giving special emphasis to the creations of contemporary composers and arrangers, both living and recently deceased. Through its CDs, the ensemble aims to bring the beauty of Orthodox liturgical music before a wide audience of listeners, to serve as a vehicle for spreading the Orthodox faith through music, and to embrace various traditions and styles of Orthodox church music as they are manifest in the practice of parishes in North America.
Formed in 1959 in Brooklyn, New York, The Arrogants performed on street corners and at show clubs and dances in New York City's vibrant Doo-wop scene of the early nineteen sixties. In 1962, after recording two demos in Brooklyn ("My Heart Stood Still" and "Hold Me, Thrill Me, Kiss Me"), they ventured to California and recorded 2 songs for Lute Records: "Canadian Sunset" and "Mirror, Mirror". The producer of the Lute sessions was Marshall Lieb, who had a hit in 1960 as a singer with the Hollywood Argyles on the song "Alley Oop", and the Mar-Keys provided instrumental accompaniment.
Specializing in a cappella music of the Renaissance and the 20th and 21st centuries, the Ars Nova Singers of Boulder, Colorado are presenting their 25th concert season in 2010-2011. The professional-core vocal ensemble conducted by founding Artistic Director Thomas Edward Morgan is composed of 36 selectively auditioned choral musicians from the Denver/Boulder metropolitan region. In its history, the Ars Nova Singers has presented over 250 performances of more than 100 different concert programs.
The ensemble has received significant national recognition - the Aaron Copland Fund for Music selected the Ars Nova Singers for funding in 2003 and 2004 .The Performing Ensembles program of the Copland Fund supports organizations whose performances encourage and improve public knowledge and appreciation of serious contemporary American music. The ensemble has also been funded by the Chorus Program of National Endowment for the Arts.
In 1976 founding conductor, Kevin Culver, and soprano, Cheryl Bray, inspired by their mentor Robert Shaw and his Chorale, brought together a group of their friends for a few concerts, never thinking that The Atlanta Singers would last for over thirty years. Today, the group is known nationally and internationally through their recordings and performances aired on American Public Media's Performance Today, and by concerts streamed over the Internet.
Kevin retired from the Singers in 1992 after leading the group for fifteen years. David Brensinger became the second conductor of The Atlanta Singers in 1993.
Brensinger conducted the group for thirteen years before retiring in 2005. He broadened their audience through recordings and performances around the Southeast, and selections from many of their past Christmas concerts at Spivey Hall under his direction have been heard nationally on National Public Radio.
Acclaimed for the beauty, precision and expressive qualities of their singing, the Atlanta Symphony Orchestra Choruses have been an important part of the Orchestra's programming since their founding by the late Robert Shaw. Both the ASO Chorus and Chamber Chorus are composed entirely of volunteers, who meet weekly for rehearsals and perform with the ASO several times each season. They are also featured on the majority of the ASO's recordings, having garnered 14 Grammy awards (9 for Best Choral Performance; 4 for Best Classical Recording and 1 for Best Opera Recording).
The ASO Chorus, 200 voices strong, made its debut on September 24, 1970. It performs large choral-symphonic works with the full orchestra, under the batons of ASO Music Director Robert Spano and ASO Principal Guest Conductor Donald Runnicles. The Chorus has also sung for guest conductors such as John Adams, Roberto Abbado, Charles Dutoit, Alan Gilbert, Bernard Labadie, John Nelson and William Fred Scott.
Audiofeels is a group of friends, whose eight individual musical tastes unite in one fascination for the unique capacity of human voice. They represent Vocal Play, a style that uses human voice for making music in a way that transforms an a cappella performance into a rich vocal orchestra. Using only their vocal chords to replicate instruments, Audiofeels in fact become instruments to create an impression of an entire orchestra on stage. Their adventure began in the Adam Mickiewicz University Choir in Poznan, Poland where they met and where after years of singing together they decided to pursue their dreams in a different "direction".
In 1983 the Aurelius Sangerknaben Calw (= ASKC) were founded by Hans-Jorg Kalmbach. The name 'Aurelius' was choosen in remembrance of the first patron of the Hirsau monastery, which over centuries inspired the cultural and spiritual live in Western Europe. From simple beginnings the choir has increasingly become much-requested body of singers capable of both choral and solo duties. Spiritual and contemporary choir music is enchanted by the Aurelius Sangerknaben. Since 2001 Johannes Sorg continues to lead as the new director of music the educational and choir tradition as established in the early years. In 2002 he and his Aurelius Sangerknaben received the honour of the Bruno-Frey-Preis and he achieved the first prize at the "German Choir Contest" at Osnabruck with his men ensemble. Today the boy choir has an excellent reputation far beyond the borders of Germany.
Aurora Chorus is a 100 plus member women's chorus based in Portland, Oregon. Founded in 1992 by David York. In 1994, Joan Szymko became artistic director. Open to all levels, Aurora brings together novice and experienced singers to sing songs of peace and justice. Audiences of over 800 at every concert enjoy inspiring, empowering music. Aurora is lead by Joan Symko, a prolific composer whose works are sought after and widely preformed. Performances by Aurora always have Symko compositions sung. Aurora's mission is to inspire and reflect the universal yearning for peace by giving voice to women.
While several barbershop quartets have gone on to professional careers (the Hi-Los, Four Freshmen and Osmond Brothers, for example) the Auto Towners, 1966 International champions from the Detroit area, drew at least one of its members from a professional singing group.
Baritone Clint Bostick in the early 1950s was with the "Spellbinders", a mixed quintet that sang for two years on the Patty Paige television show, appeared for 13 weeks each on the Vic Damone and Tony Bennett shows and sang for 17 weeks with Judy Garland at the Palace Theater in New York City.
Female soloist of the group was Renee Craig, to whom Clint introduced his wife, Bobbie. Renee and Bobbie soon formed the Cracker Jills, who would claim the 1957 Sweet Adelines quartet championship. Thus Clint and Bobbie became the first husband and wife team to win gold medals in both the men's and women's organizations.
Avante Vocal Jazz is eight accomplished singers, based in Raleigh, NC with a truly unique contemporary style. A bold fusion of jazz and contemporary a cappella singing, Avante performs repertoire paying tribute to the great masters of vocal jazz, while adding a new twist to many familiar standards. Their repertoire ranges from contemporary choral works to cutting edge jazz with a modern flair. Routinely praised for its high standard of musicianship and unique arrangements, Avante tours the United States, appearing in concert, corporate venues and on college campuses. Avante's educational outreach provides workshops to students of all ages and boasts two nationally regarded clinicians within its membership.,
The group b vocal has been working for the last fifteen years in a surprising and innovative style: using just their voices, these five Aragonese musicians are able to recreate the soundscape of any musical piece (drums, guitars, brass, rhythm, etc.). With their entertaining shows, they have managed to popularize a cappella as a musical style in Spain through a perfect combination of songs and humour and a repertory of high quality music from both national and international sources.
Over the course of their career, they have often appeared on Spanish television: "The season's nationwide programme presentation gala" (Antena 3 Television), "Gala for the draw of the Copa del Rey (King's Cup) for the ACB (basketball)", El Conciertazo, La 2 News (TVE 2 and International Channel), "This is my story" (TVE 1 and International Channel), "Nighttime with Fuentes & co" (Tele 5), "Channel 4 Christmas Eve Gala" (Channel Cuatro), Programme Presentation Gala (Popular TV), Madrid Live and Madrid News (Telemadrid), Aragon Autonomous TV End of Year Gala, Aragon Decoded (Aragon TV), etc.
The Bach Children's Chorus is western New York's most respected children's classical music ensemble. The chorus appears regularly with the Rochester Philharmonic Orchestra, the Rochester Chamber Orchestra, Mercury Opera Rochester, and other area ensembles. The girls and boys in the group range in age from 8 to 16. and are known in Rochester's arts community as the best young singers in the area.
The BCC selects its members through rigorous audition each spring. Their repertoire consists of classical and folk music in many languages from the 18th through the 21st centuries. The children meet weekly for rehearsals throughout the academic year.
When they first stepped before the camera on Season 2 of "The Sing-Off,"opened their mouths and unleashed their jubilant harmonies, that was not only their network debut - it was the first time these gifted young men and women had ever sung together in public, anywhere.
And by the time they'd seized third place at season's end, they had ignited a blaze whose light had drawn thousands of fans not only to their unique sound but also to the contemporary a cappella phenomenon as a whole. No one in the Backbeats had any idea where their path would lead when they resolved to compete in the popular NBC series. But once it was over, they knew that they were riding a wave that would take them places none had imagined reaching before. That wave crests with the release of their self-titled, first album on the aptly named Arrival Records/Madison Gate imprint. Drawn together by their televised adventure, knowing that something bigger than their considerable individual gifts was leading them now, they hit the studio with a unified vision and a determination to spread the joy they draw from music to listeners everywhere.
Following in the path of classic harmony groups like Boyz II Men, The Temptations, and Take 6, with a mix of the classic and the contemporary, the five-member vocal band Ball in the House brilliantly blends a wide range of influences, from classic R&B to pop, hip-hop & gospel. With their extensive tour schedule (averaging 250 dates a year), Ball in the House reaches millions and is arguably one of the hardest working, most successful indie bands today. They have performed with such artists as The Beach Boys, Gladys Knight, The Jonas Brothers, Jessica Simpson, Fantasia, Blondie, The Temptations, Smokey Robinson, KC & The Sunshine Band, Kool & the Gang, and numerous others. All a cappella, but a sound that will astound and amaze you. 5 Guys, 5 Voices, THAT'S IT... A review from the Boston Globe put it very succinctly - "Ball in the House has everything you would expect to find in a successful pop/rock band....the one thing it doesn't have is instruments."
Built in 1999 by musician and conductor Hiran Monteiro, Banda de Boca has built a history of success throughout his career. Initially formed by six musicians, singers, now the band has four male voices and one female, who use excellence with the vocal resources they have in common. The Banda de Boca is one of the most original Brazilian music news emerged in recent times. The band has strong characteristics as the reproduction of the original sounds of instruments with his voice, like guitar, bass, percussion, drums, violins, cellos, horns, accordions and even the prosaic triangle. They master the art of making music without using instruments.
In 2002, the group has won national recognition by participating in St. Paul, V PRIZE FOR VISA MPB - Vocal Edition, competing with two thousand candidates across the country and winning the second place. In 2004 he released his first CD, with support from the Department of Culture and Tourism of the State of Bahia, through the record label Sounds of Bahia.
The Bar & Grill Singers, all of whom are practicing attorneys in Austin, Texas, have entertained lawyers and non-lawyers since their 1991 debut in a one-performance musical revue. Now appearing year-round across the nation, the Singers spoof themselves and their profession with clever lyrics set to a variety of musical styles. They needle everything and everyone around the law, including clients, billing practices, legal ethics, bored jurors, and - gulp - federal judges. Over the past 18 years, the Singers have benefitted volunteer legal services for the indigent, and have raised over $300,000 from their performances and CD sales. The Singers have released three CDs, "Licensed to Grill," "Grilling Me Softly" and "A Time to Grill," which are available for purchase at their performances, from this website, and from
Baravox has existed in its current setting since 1999. In 2001 the group released the CD "We're going up" which was distributed internationally. Later the same year the group won the European Vocal Grand Prix in Tampere, Finland (won the previous year by Finish group Rajaton). In 2003 Baravox was appointed Swedish vocal group of the year at a ceremony at Fashing, Stockholm. The group has toured within Sweden and Europe, performed at numerous festivals and TV-shows and conducted many workshops and clinics.
Barbara Furtuna is a polyphonic Corsican group of four men. Even though the group still finds its inspiration in the island's oldest traditions, it is now distinguished by its own creations and offers a music that answers our contemporary longings.
For ten years the group has been present on the international scene, Europe, North America and Australia, breeding prestigious venues both solo and through collaborations. With The baroque ensemble L'Arpeggiata, with the ancient music of Constantinople as well as with the Art'Mouv of contemporary dance, the quartet has shown that It could transcend a single register and traditional music and still has the ability to surprise us and to move us.
Ormonde Wilson and The Basin Street Boys were a vocal / instrumental group from Philadelphia. Like such contemporary 1940's (pre doo wop) vocal groups as The Cats and Fiddle and Four Vagabonds they based their style, in part, on the hugely popular Ink Spots. Working swanky nightclubs they sung a mixture of pop tunes, jazz-flavored jive novelties, ballads and occasionally injecting some blues flavor. The burbling bass sounds and floating tenor style that was to mark early 50's doo wop had not yet emerged and their contemporaries specialized in tight, clean harmony singing, sometimes baked up by fine jazz musicians. The group began recording for Exclusive Records in 1946 and enjoyed their biggest hit that year with the ballad I Sold My Heart To The Junkman which enjoyed chart success.
With a grand total of 4 international CARA awards, including "Best European Album" and "Best Holiday Album" the Danish vocal pop group Basix has proven themselves to be among the very best of a cappella groups worldwide.
Spanning pop, jazz, r&b, soul, and rock and blending strong original compositions with innovative arrangements of timeless songs, these six Danish vocalists continue to amaze an ever-increasing number of listeners around the world.
Basix strong vocal performance, which runs the whole gamut of emotions has dazzled audiences in a vast number of concert halls, theaters, clubs, cafes, churches, and at conferences and private events. So far the group has given concerts in U.S.A, Denmark, Norway, Germany, Holland, Austria, Belgium, Switzerland, Luxembourg, Slovakia and Cyprus, and every year the popularity of the group keeps growing.
Back around 1990, a couple of the founding members of the coed Microtones decided that they wanted to form a men's a cappella group at Microsoft so that they could sing the charts from their college groups. The original quartet consisted John Rae-Grant, bass and musical director, Bill Pope, baritone, Bob Gunderson, 2nd tenor, and David Olsen, 1st tenor. True to their profession, the group's chosen name, The Baudboys, referred to the method by which modem speeds were rated. The group performed only a few times in its first years of existence, doing lunch time gigs on the Microsoft campus.
As members left Microsoft over the years, they would also leave the Baudboys, prompting natural turnover in the membership. During the 1990's, the group expanded it's membership, aiming to have two full quartets within the group. Since that time, the group has remained at 7-9 members, but the expanded membership has allowed the group to sing more complex arrangements than the 4-part charts that the founders envisioned.
Splendid", "magnificently sung", "superbly sung", "wonderful" - these are recent critical plaudits for the BBC Singers. Britain's only full-time professional chamber choir is an ensemble internationally recognised as belonging to the first rank. Its breadth of repertoire and range of activities are unsurpassed anywhere else in the world. Established in 1924, the versatility of this virtuoso 24-voice ensemble is second to none. It is this flexibility which makes the Singers both an important resource in the broadcast music-making of the BBC and a significant presence in British musical life.
The BBC Singers' breadth of repertoire is unrivalled by any other choral group, singing everything from Renaissance music to the latest contemporary scores. Their unique expertise with the latter has brought about creative relationships with some of the most important composers and conductors of the 20th and 21st centuries.
"Beachfront" is not a piece of real estate along the ocean, but it is a hot property nonetheless. Described as sounding like "Manhattan Transfer" meets "Take 6," their smooth singing style combines the rich sounds of jazz with the fun and energy of pop music. They have shared the stage with Mel Torme, "The Four Freshman," "The Hi-los," Kenny Rankin, Crystal Lewis, "The Brothers Four" and "Emerson, Lake & Palmer." The success of Beachfront Property is found not only in a successful blending of harmonies, but in a blending of personalities.
"Not everyone can sing in a group like this," says Tom Dustman, Beachfront's artistic director and bass vocalist. "It takes a special person to give, and give, and give." The object is to entertain while also preserving some of America's most beloved classics, he says. "No one person is the star." Achieving this feat takes a great deal of effort and a lot of self-control, as the key is to blend the voices. Beachfront's four-part blend is spun out in seemingly effortless fashion creating mellow and exciting, woven-together-like-cloth chords that treat the listener to arrangements of familiar songs with a whole new sound.
Beat'achonis the world's premier Jewish A Cappella singing group, bringing a fresh and exciting new sound to the Jewish music scene. Beat'achon's unique blend is part "doo-wop," part pop and rhythm & blues, celebrating traditional Jewish lyrics with a vibrant contemporary musical style. The six-man ensemble combines rich vocal harmonies and catchy rhythms in its repertoire of original compositions and arrangements, ranging from spirited upbeat tunes to soulful ballads.
Beat'achon was formed in 1991 by six boyhood friends who grew up singing and harmonizing together at the Shabbat table. The six midwesterners, transplanted to Manhattan's Upper West Side, decided to prepare a few songs for a neighborhood talent show. They were a hit! The enthusiastic response convinced them there was an audience for their music. Many concert opportunities followed, for which they continued to write and arrange new songs, and in 1993 the group recorded its first album, Beat'achon: Jewish A Cappella. To date Beat'achon has performed extensively in North America in such cities as New York, Chicago, Boston, Miami and Dallas and even as far away as Hong Kong, China, with more cities and countries to come.
In the fall of 1962, a handful of Tufts men gathered to sing in the basement of West Hall. They named themselves "Jumbo's Disciples: The Beelzebubs" and prepared an original version of Winter Wonderland for Tufts' annual Winter Sing. By the end of the 1963-64 academic year, the Bubs had recorded their first album, performed with the Boston Pops, and traveled as far as New York City. Throughout the late sixties and early seventies, the Bubs' popularity grew on Tufts' campus and on college campuses throughout New England.
In 1973, the Bubs celebrated their tenth reunion at Cambridge's Sheraton Commander Hotel. Unfortunately, the mid-70's brought harder times. Larger issues such as the Vietnam War, the Watergate Scandal, and the oil crisis resulted in less enthusiasm and opportunity for extra-curricular campus activities. Fortunately, a small but dedicated group of undergraduate singers, with the help of the Beelzebubs Alumni Association, managed to keep the group alive and strong by singing, traveling, and recording.
The Beijing Angelic Choir is a children's choir based in Beijing, China Since its establishment, it has toured extensively in the world as well as in China. !t came to be known to the world when it won a National Association of Independent Record Distributors Award in the U.S. in 1995.
Winners of twenty two prizes at both Hungarian and international choral competitions this top-notch male choir has toured extensively world-wide and have gained great acclaim as performers and interpreters of the works of Zoltan Kodaly. While only approx. 20% of Kodaly works were for male choir they are considered some of his best compositions. Seventeen of these 24 pieces are original with some based on folk songs and others on the 17th century poet Horace. Challenging but certainly worthwhile, this CD should be in everybody's collection of male choir recordings.
Bella Voce Women's Chorus of Vermont was founded in March of 2004 by Dr. Dawn Willis and debuted their first full concert in May of that same year. The chorus of 45 auditioned singers performs existing and newly-commissioned sacred and secular works for women's voices throughout Vermont and the Northeastern United States. Our name, Bella Voce, is an Italian phrase meaning "beautiful voice" and we strive to achieve this artistic goal at all times. A non-profit organization, Bella Voce is governed by a 14-member Board of Directors guided by Director Dr. Willis' artistic vision.
Bella Voce Young Women's Choir is based in Rochester, Minnesota. Founded in 2007 as part of the independent non-profit organization Sing Out Loud, the choir consists of 65-70 singers in grades 8-12 drawn from communities throughout southeastern Minnesota. Our purpose is to create an inviting and safe community in which young women can share musical excellence, build confidence, and gain perspective about the world through the gift of music. The purpose of Bella Voce is to inspire young women, through singing, to realize their highest potential in order to more broadly impact the world.
The Chorale is the flagship, classical choral ensemble of the School of Music at Belmont University. It is also one of the earliest performing ensembles in Belmont's musical history. This auditioned, mixed ensemble performs diverse literature from all genres, and is currently under the direction of Dr. Jeffery Ames, Director of Choral Activities.
The Belmont Chorale has a distinguished history. It has been recognized for its musical excellence with performances at MENC conventions and the Southern Division of the American Choral Directors Association. The ensemble tours annually and has enjoyed great success with European tours. International performances include the St. Moritz Festival in Switzerland (1985 and 1987), Czechoslovakia, Hungary, Romania and Yugoslavia (1989), England (2004), and the Republic of China (2007).
Dion & The Belmonts (named for a neighborhood street - Belmont Avenue), one of the defining vocal groups of the late 1950's, members were Dion DiMucci - lead, Fred Milano and Angelo D'Aleo on tenor, and Carlo Mastroangelo on bass. At first Dion and The Belmonts were separate entities although they both recorded for the small independent Mohawk label - Dion with "The Chosen Few" and "Out In Colorado" and The Belmonts with "Teenage Clementine" and "Santa Margarita" none of which were hits. They then signed with Laurie Records and now together recorded "I Wonder Why" which became a big hit. They had several other hits such as "When You Wish Upon A Star" and "Where Or When" but in 19601 they parted ways with Dion DiMucci going on to successful solo career.
Dr. P. Bradley Logan, Professor of Music, is the Director of Choral Activities at Bemidji State University, where he conducts the Bemidji Choir and the Chamber Singers, and teaches conducting along with voice. He has served on the faculties of the University of Montevallo, Louisiana College, California State University, Long Beach, and Pelham High School. Dr. Logan holds his B.S. in Vocal Music Education from North Dakota State University, his M.A. in Choral Music from California State University, Long Beach, and his D.M.A. in Choral Conducting and Literature from the University of Illinois. He is Executor of the Edwin R. Fissinger Musical Estate and serves as co-editor of the Edwin Fissinger Choral Series published by Meadowlark Music Publications.
The nuns of the Abbaye Notre Dame de l'Annonciation, near Avignon, took a call. It was, improbably, Decca Records asking to visit. The company was launching a global search to find the world's finest female exponents of Gregorian chant - a talent contest for nuns. It had advertised in Catholic newspapers, hired a specialist nun-hunter, followed the leads. Two A&R men turned up at the abbey. The purity of the sisters' singing was obvious at once, yet the search continued: 70 auditions, from America to Africa. And then, in July, although warned that it would not find a more traditional order than the Abbaye sisters, Decca chose this group of 28 women, whose mystique and dignity are enhanced by their refusal to engage with the hype surrounding a record launch. They are wary of the world but say, 'We did this for others, for their spiritual wellbeing; it will bring peace to the people who listen to our music.'
Four seasoned jazz singer, who previously made a name soloist, above all do together and pay homage to the group sound - four singers, four voices blend into a sound.
The press now says: "One of the most vocal groups span be the Republic." (Zitty) or "New Sound of fresh throats! ... You can expect a lot from this new jazz quartet from Berlin. "(Berliner Morgenpost)
For all the vocal harmony, the four are united not always vigorously debating and struggling together for the best sound. This positive voltage is transmitted to the music of Berlin Voices.
The group draws the possibility of a deep personal and musical familiarity: Esther Kaiser, Marc Secara and Kristofer Benn sang in 1998 in the Vocal Section of the Federal Jazz Orchestra (BuJazzO) under the direction of Peter Herbolzheimer. During the joint vocal studies at the jazz department of the Academy of Music "Hanns Eisler" under Prof. Judy Niemack (USA) and Prof. Jiggs Whigham (USA) they learn about Sarah Kaiser and exist in its current form since 2000. All complete their studies with the highest rating a major in singing.
Billing themselves as '800 pounds of harmony,' Chillicothe, Illinois' Big Four became Sweet Adelines Quartette Champs in 1953. Fine singers and entertainers, they appeared on tv with Jack Paar, Steve Allen, Arthur Godfrey and Dave Garraway of the 'Today Show' to name just a few. This CD is a remastered album they recorded in 1958, plus several cuts gleaned from live shows. The Big Four are Bertha Bradley, bass, Sarah LeMaster, baritone, Inez 'Junior' Thompson, lead, and Lucille Miller and Mary Waters sharing the tenor duties. There are 14 studio recordings and 7 electrifying live performances here. By the pound or by any other measure, this is Entertainment!
The Big Chicken Chorus consists of men of good will who love to sing. We welcome men of all ages who have a desire to sing and perform for audiences locally, around the state of Georgia, with occasional out of state performances.
The BCC has performed throughout the United States, as well as in Europe and Canada. It is often a featured performer at events in our community, and sponsors its own shows to Standing Room Only audiences.
In 2007, the Big Chicken Chorus was selected by the Georgia Council for the Arts to be placed on their Touring Artist Roster. This designation has provided additional opportunities for the BCC to perform for other Georgia based non-profit organizations with financial assistance provided by the Georgia Council for the Arts
The Birmingham Sunlights developed their four-part a cappella style within the Church of Christ, where no musical instruments are permitted. Three brothers, James, Barry and Steve Taylor founded the group and are joined by Reginald Speights and Wayne Williams (replaced by current member Bill Graves) in performing well-known hymns as well as original pieces. Upon becoming aware of the rich Jefferson County gospel quartet tradition they sought training from a senior quartet, the Sterling Jubilees, to learn songs traditional to the area.
Besides appearing at numerous festivals across the nation, such as the National Folk Festival in Lowell, Massachusetts, the Sunlights have toured five countries in Africa and performed extensively in the Caribbean and Australia under the auspices of the U. S. Department of Information. Their recent dynamic performance on Garrison Keillor's American Radio Theater on National Public Radio won them many more fans across the nation. They recently performed in France as ambassadors of Alabama traditional culture.
Quietly and gently, informally and gradually, Black Voices was nurtured under the directorship of Carol Pemberton and Bob Ramdhanie. Since 1987, these two friends have steered Black Voices into one of the most solid performance and teaching companies, sharing a cappella, primarily from Africa but also throughout the Diaspora. The company is inspired by Sweet Honey in the Rock, Mahalia Jackson and Take Six, to name but a few, but since inception, has forged its own dynamic way of distilling and re-presenting black music from a Caribbean, black British perspective. Grounded in the black church, the group began presenting a cappella, both sacred and secular, which was always challenging and entertaining. From gospel to spirituals, Caribbean to African, jazz and blues, Black Voices is firmly rooted in music that energises and uplifts, challenges and educates. The company hosted and presented its own a cappella series with BBC Radio 2, has performed for radio and television in numerous countries around the world, has produced nine CDs, and has researched, produced, directed and performed in several international collaborations.
Blaenavon Male Voice Choir was officially formed in 1910 and so this year (2010) we are celebrating our centenary, however there is evidence to show that men gathered in Blaenavon to sing in harmony as far back as 1873 (so we could be a bit older than our 100 years). There are now over 60 members drawn from many parts of Blaenavon, Torfaen and the surrounding area. The Choir are very fortunate to have the services of an excellent musical team led by the extremely talented Musical Director Mr. Gareth Whitcombe MA, who is supported by a very accomplished pianist in Fran Mungovin and ably assisted with Deputy Conductors Mr. Ossie Arnold and Mr. Malcolm Broom taking over when required.
The Choir has had successful tours to Cork, Norway, Hungary, France the USA and Canada and in 2007 traveled to Spain. These tours combined with concerts in the UK make it a very busy - but enjoyable time for members of Blaenavon Male Voice Choir.
We're The Blanks, a quartet of friends who sing a cappella music and perform sketch comedy. We love to sing, entertain and make people laugh, so our shows include skits, antics, choreography (the kind a 5-year old could memorize), talking toys as lead singers (!), and mildly effective costume changes. We appeared on eight seasons of the TV show Scrubs as "Ted's Band" or "The Worthless Peons" - yup, we're those same four guys. Our unique live show appeals to fans of Scrubs but just as equally to fans of the TV show Glee, the Marx Brothers, the Three Stooges, and Monty Python.
Originally from Fargo, North Dakota, The Blenders are proud to call Minneapolis, Minnesota their home. They have spent the last 19 years touring the U.S. with their unique style of vocal harmony-based music. They have appeared with such acts as Jay Leno, Howie Mandel, Savage Garden, Blues Traveler, Chicago, The Righteous Brothers, Lou Rawls, Chuck Berry and many more. They have appeared on a variety of national and regional television shows including The Arsenio Hall Show (FOX), The Today Show on NBC, Crook and Chase (TNN), and WGN. Radio performances have included WGN and National Public Radio, to name a few. In 2007, their music was featured in the Queen Latifah film, The Perfect Holiday. In 2008, The Blenders' version of Lean on Me was featured in the film trailer for "Nothing Like the Holidays." They have also won 2 Emmy Awards for their work in television commercials for FOX9 in Minneapolis.
Bluff rock is vocal rock - more than vocal. more than rock. aggressive. dirty. human. texture that tingles. both familiar and surprisingly unique. gritty but not grating. edgy but not hard edged. a sound you've never heard before. unquestionably modern. undeniably rock. rich. dark. driving. enticingly organic. depth without pretention. no holds barred and widely appealing. what you're waiting for - believe your ears.
Bling! Quartet is the 2013 Sweet Adelines International Silver Medalists! This a cappella journey began in the summer of 2009 with four friends that love to ring those barbershop chords. Though barbershop is where their roots begin, they enjoy singing many other styles of music from contemporary to jazz. In the last four years, Bling! has earned many titles including; 2010 Region 9 Champions and most improved quartet, 2011 International 8th place and novice quartet winners , 2012 International 7th place quartet, and finally 2013 2nd place quartet in the world! These ladies are enjoying an amazing ride and can't wait to see where the road leads next!
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