

It was January 1972 and the Dallas Big D Chapter had volunteered to perform for the Waxahachie, TX charter night. On the way Al Kvanli, Bill Thornton, Brian Beck, ad Gary Parker decided to sing a few tunes in the back of the bus. Even over the engine roar it sounded promising. They decided to buy socks and give it a go. In August they drove straight through from Dallas to Kenosha, WI for Harmony College, a trip which proved to be the catalyst for their accelerated future development. It was there they met and learned from Bob Johnson, Mac Huff, and Don Clause, each of whom had a significant positive impact on their evolution. They squeezed about three years of rehearsal into the next ten months. The following summer in Portland OR they became the only quartet since 1952, and even to this day, to win the gold medal in their first international competition. The original four sang through 1976 when Brian moved to California to pursue his studio musician career. Dr. Greg Lyne, then a young choral professor at Eastern New Mexico University and one of the DCıs arrangers and coaches, stepped in to singing baritone through their final performance in 1978 at the BABS convention. In 1988, Bill, Brian, and Gary returned to the stage with Greg Clance, who grew up watching the DC take the Society by storm while singing in the Vocal Majority. With Greg they recorded their fourth successful album and performed for four more years before retiring at the 1992 international convention at the Super Dome in New Orleans. The DC is credited with ushering in a new era of vocal technique, and even today their recordings attract countless new and repeat fans.
| A Song Like Daddy Used to Play Back in Those Wonderful Days Who'll Take My Place When I'm Gone? At the Jazz Band Ball Old Fashioned Mother of Mine California, Here I Come Bring Back Those Good Old Days April Showers My Queen of the Senior Prom Sunshine of Virginia All Dressed Up With A Broken Heart Goodbye Dixie Goodbye S.P.E.B.S.Q.S.A. You Can Have Every Light on Broadway Redhead |
Thankfully for Barbershop fans, the vinyl classics of yesteryear are being reissued. This recording by the 1973 International Quartet SPEBSQSA champions is as vibrant today as 20 years ago. Among the breathtaking performances are "Who'll Take My Place When I'm Gone," "California, Here I Come" with its spine-tingling tag, "April Showers," and "Goodbye Dixie Goodbye." In addition to the original 12 songs are three bonus tunes: "S.P.E.B.S.Q.S.A.," "You Can Have Every Light On Broadway," and "Redhead." This one belongs in every barbershopper's collection!
| 5221 CD $14.98 |
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An Elegy to the Old South Coney Island Washboard Roundelay What'll I Do? This Ole House In the Still of the Night I'm My Own Grandpa Love Letters Straight From Your Heart The Lord's Prayer Didn't We Consider Yourself Brother Can You Spare a Dime Country Roads |
Well, you'll just have to get the complete set. That's all there is to it. The historic Texas Quartet begins Choice II (the original album title) with an eighteen minute "An Elegy To The Old South" which is a series of medleys with introductory narrations to keep it cohesive. Notable arrangements include an unusual "In The Still Of The Night," a version of the often repeated, humorous, "I'm My Own Grandpa" and the bass lead on "What'll I Do?" You'll find that the absolutely stunning version of "The Lord's Prayer" which was originally the last song on the vinyl album is followed by four additional bonus tracks on the CD, including "Brother Can You Spare A Dime" and "Country Roads." They're still champs to our ears!
| 5221 CD $14.98 |
| Have A Little Talk With Myself Chloe Simon & Garfunkel Medley Shenandoah I Can't Give You Anything But Love The Way We Were Yes Indeed! Contest Up-Tune Medley Together Ain't She Sweet? This Is All I Ask |
1973 International Quartet Champions Dealerıs Choice recorded this CD just prior to their appearance at the British Association of Barbershoppers Convention in 1978. Featuring a nice mix of traditional barbershop and pop tunes, such as a Simon & Garfunkel medley and the quintessential hankie-wringing movie theme, The Way We Were,² the group also includes the tongue-in-cheek ³Ainıt She Sweet,² and ³Chloe,² which begins subtly and then gradually swells into a broad chorus, followed by its apogee, the tag-the defining moment for any manly barbershop contingent!
Listen to "Chloe"
in Real Audio.
| 5223 CD $14.98 |
| Beach Boys Medley If You Could Read My Mind Hello Mary Lou Brian's Song I'm Looking At The World Through Rose Colored Glasses Where Is Love? I Don't Know Why I Love You Like I Do You'll Never Know Mr. Piano Man Like The First Tme |
A different line-up than that of the previous recording-Brian Beck and Greg Clancy assuming the positions of Al Kvanli and Greg Lyne-Volume Four nonetheless reflects the same fine close harmony that made Dealerıs Choice consistently popular, even today. Leading off with a crowd-pleasing Beach Boys medley, the Dealers segue into ³If You Could Read My Mind,² the seventies pop hit, the arrangement of which is entirely original and a barbershop how-to manual of stylistic conversion. A recommended selection for any fan of the genre, but Dealerıs Choice enthusiasts will want all four volumes.
Listen to "If You
Could Read My Mind" in Real Audio.
| 5224 CD $14.98 |
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