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These great collections let men sing four-part a cappella harmony with a professionally recorded barbershop quartet. The books include TTBB parts and the CDs feature full performances. Just turn on the CD, open the book, pick your part, and sing along! |
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This highly-popular series has become a yearly event to satisfy the appetites of collegiate music lovers, and it's a great way to expose oneself to the up-and-coming talent proliferating at our nation's higher institutions. Whether the Stanford Counterpoints 'Don't Speak,' the Tufts Amalgamates 'I Don't Want to Wait' or 'Don't Stand So Close To Me' by UPenn Off The Beat, the selections offer a tuneful portion of what's hip now in current or retro pop, and the quality is entirely professional. Over half the tracks were CARA nominated, a surefire harbinger of success. Many members of professional and semi-professional contemporary vocal bands started out in these very ensembles, so heads up! |
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The series continues, with a variety of well-known college ensembles contributing tracks, such as U. of Penn Off The Beat, Tuft's Belezebubs, Duke Out Of The Blue, Notre Dame Undertones, Harvard Opportunes and the Brown Derbies. Per usual, nearly all the tunes are skimmed from chart topping artists such as Sheryl Crow, Tori Amos and Elton John, but there are some unexpected covers too - from the soundtrack of the film 'Roja' and our favorite, 'Snow On The Sahara', originally performed by Anggun, sung here by the Stanford Harmonics. It's also clear how prominent the female voice has become in today's marketplace, and that's reflected here in the percentage of mixed or exclusively female groups. The skill level of these ensembles ranges from solid to professional quality, with everybody hitting their marks on cue. |
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We have to say two things about the BOCA seriesÐone, the studio production on the tracks keeps getting more professional, and two, so do the groups! Michigan (my alma mater) Amazin' Blues' 'Millennium,' for instance, will get you up and boogying, and Iowa State U's Shaggy Boys (see above cd review) 'Owner of a Lonely Heart' is unbelievable. UPenn Off the Beat, represented on 7 BOCAs, ride with 'Wild Horses,' and York University's Wibijazz'n grooves on Steely Dan's 'Peg.' All 17 tunes are good, but some notables: Stanford's Mixed Company, 'Someday;' USC's Sirens, 'Ray of Light' and SoCal VoCals, 'Total Eclipse of the Heart;' Illinois Extension Chords, 'Inside Out' and Northwestern Purple Haze, 'Cornflake Girl.' Smooth, energetic and entertaining. |
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Perhaps rather grandiosley named this recording nevertheless does indeed feature some of the most accomplised men's a cappella groups perforining on campuses today. Two tracks apiece from Duke's Pitchforks, Tufts Beelzebubs, Notre Dame's Undertones, Univ. of Illinois's The Other Guys, Indiana Univ. Straight No Chaser and UC Berkeley's Men's Octet.. As one might expect the testosorone level is way up yet there are several ballads that are sweet and tender. |
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Another BOCA collection of the best of the collegiate vocal groups never fails to impress us with the humor, arrangements and sheer talent of these young voices. 19 tracks, from UCLA Awaken's 'Walk Like An Egyptian,' and Indiana Straight No Chaser's 'I Belong to You,' to Duke Out of the Blue's 'Eve' and Tufts Beelzebubs' 'The Trial.' As admirers of Michigan Amazin' Blue, who give us 'She,' we were pleased to note that two other Ann Arbor groups made the cut, Michigan Compulsive Lyres singing 'Limp' and Michigan Dicks & Janes, with 'Everything You Want.' Other good stuff: U-Madison-Wisconsin's Tangled Up In Blue's 'Breathless,' Stanford Everyday People's 'Billie Jean/No Diggity' and USC Sirens' 'Beautiful.' But it's all good, reallyÐBOCA 2002 is a treat! |
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This year BOCA had the most submissions ever from collegiate groups to choose from, over 2,000 songs, and each collection, beginning in 1995, is more successful than the last! When these collections come out about this time every year, it's always a joy to see the enthusiasm and love for a cappella in these excellent college groups. 18 songs, from the Upenn Off the Beat's 'Crawling In The Dark,' Dartmouth College Aires' 'Workin' for the Weekend,' and the U of Michigan Dicks & Janes' 'Tonight and the Rest of My Life,' to York U.'s Wibijazzn's 'Rosanna,' Tufts Univ. Amalgamates' 'Killing Me Softly' and Stanford University Harmonics' 'Lady Marmalade,' this CD is a revelation. Many excellent collegiate groups sent songs, few were chosen, and the quality of those is very fine indeed! |
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The 2004 Best of Collegiate A Cappella recording boasts an impressive assortment of cover songs performed by our nation's premiere, young vocal groups. From the USC Sirens to the The Bostonians of Boston College, the groups performing on this CD are the best in their class, ousting hundreds of collegiate vocal groups that sought the BOCA title. Fans of collegiate a cappella, old and new, will enjoy the University of Virginia Academical Village People's rendition of Ben Folds' 'Kate,' or the University of Oregon on the Rocks' cover of Coldplay's hauntingly beautiful love ballad, 'Yellow.' |
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We always enjoy listening to the BOCA collection that arrives this time of year, because (a) it's exciting, spirited stuff from a cappella groups across the country we don't usually get to hear, and (b) it reminds us how alive and juicy the a cappella scene is on the country's campuses! Picking favorites from CASA's picks for the 20 best collegiate a cappella tunes, we have: Stanford U. Everyday People's 'Whatever You Want,' the Dartmouth Aires' rendition of Caedmon's Call's 'Somewhere North,' MIT Logarhythms' vocal percussion gem 'The Kids Aren't Alright,' U of North Carolina Clef Hangers' rap-flavored version of Outkast's 'The Way You Move,' UCLA Random Voices' lovely cover of Tori Amos' 'A Sorta Fairytale,' the Claremont Shades' cover of Garbage's nasty 'Push It,' Stanford Mixed Company's cover of Collective Soul's 'Run,' Clemson U TIGEROAR's cover of Matchbox 20's 'Unwell,' Duke Out of the Blue's cover of Maroon Five's 'She Will Be Loved,' Stanford Mendicants' cover of Wham!'s 'Wake Me Up Before You Go Go,' the Michigan Amazin' Blue's cover of Sarah McLachlan's 'Angel' and the U of Virginia Hullabahoos' raucous cover of Outkast's 'Hey Ya.' Some incredible voices, cutting-edge arrangements, hot vocal percussion and wonderful song selection-BOCA 2005 is another stone winner! |
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'Voices' is a generous, 2-CD set of the best of the collegiate a cappella groups, a total of 30 songs. We're particularly pleased to see and hear groups we've never heard of before, such as 'What It Feels Like For A Girl,' by Boston Aural Fixation, 'Into the Dark' by VT Juxtaposition, 'The Late Great Planet Earth' by UT Ransom Notes, 'Feel Good Time' by MIT Muses, 'Missing' by UPenn Penny Loafers, 'Collective Soul' by Colorado In The Buff, 'Only In Dreams' by Wash U in St. Louis Mosaic Whispers, 'Earth Song' by UCSB Naked Voices, and 'Beauty of Grey' by St. Louis Bare Naked Statues. There are familiar and welcome names from the BOCA yearly compilations, such as 'All Original' by the Stanford Fleet Street Singers, 'Ask the Lonely' by the Dartmouth Aires, 'When I Think About Angels' by the UVA Sil'hooettes, 'Never There by the Clemson TIGEROAR, 'Destiny/In The Waiting Line' by the USC Sirens, and 'Nothing' by Northwestern Purple Haze. The brazen, refreshing ensemble names, like the Duke Pitchforks, Cornell Class Notes, Oregon Divisi and Elon Twisted Measure go well with their music, which features innovative arrangements, rich harmonies, genuinely funny material and always interesting entertainment. Want to hear what's up in collegiate a cappella? Settle back, put the 2 CDs of 'Voices Only 2005' and enjoy! |
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Revised and expanded collection of wedding songs for the singer. Including Classical/Traditional, Broadway, Standards, Pop/Rock Classics, and Contemporary Christian. Available in 3 versions: High Voice, Low Voice, and Duets. The same 59 songs are in the high and low voice editions. |
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Revised and expanded collection of wedding duets for singers. Including Classical/Traditional, Broadway, Standards, Pop/Rock Classics, and Contemporary Christian. This Duets edition features 32 songs. |
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Revised and expanded collection of wedding songs for the singer. Including Classical/Traditional, Broadway, Standards, Pop/Rock Classics, and Contemporary Christian. Available in 3 versions: High Voice, Low Voice, and Duets. The same 59 songs are in both the high and low voice editions, including: Classical/Traditional songs. |
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The professionalism of the competing groups becomes more impressive with each passing year! Each and every ensemble that graces the stage with their talent has something special, and each group is distinct in its own way. Of course the contemporary and jazz groups are always popular - and in fact, Toxic Audio, the contemporary/jazz quintet from Florida, took first place, and another mixed jazz quintet, Bay Area favorites +4 db, were third - but, in addition, we feature the Perfect Gentlemen, a barbershop group from Los Angeles (2nd place), and the Total Experience Gospel Choir. Of course, 1999 champs, and your hosts, the contemporary Christian septet, Seven, perform two songs, and their virtuosity is undeniable. Audience favorites the Exboyfriends (who have won this category in previous New York regionals, flexing their performance muscles), swagger with Led Zeppelin's 'Ramble On,' while the reconstituted All Star Vocal Band (formerly the 17th Ave. All Stars) cover Journey and Stevie Wonder. Live Wire and Chapter Six represent the hot retro swing craze. It's a panoply of sound! |
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The sellout crowd at Marin Veterans Aud. in San Rafael, CA once again saw a dazzling Harmony Sweepstakes Final - Eight Regional winners from all over the country, giving their all in the 'most exciting twelve minutes in a cappella.' In this wonderfully recorded CD we hear Denver winner Eclipse's 'Danny Boy' and 'Look My Way,' Bay Area Winner III of a Kind's incredible cover of 'Man in the Mirror' and the Asian hit tune 'Anak;' returning winner (Pacific NW) The Standards' 'Ain't Got Nothing But Love' and heartfelt 'Prayer of the Children;' Boston Winner Groove's great covers of 'Anna Begins' and James Brown's classic 'I Feel Good,' and New York winner, the Russian group Autri, sings 'Keimanchuli' and a stunning original by one of its members, 'Tale of War.' Los Angeles' Perfect Gentlemen's cutting edge barbershop harmony soars into 'Blue Skies' and 'Patty Cake.' Washington, DC's Tone Rangers score with their offbeat covers of 'I Need You' and Simon & Garfunkel's 'Keep The Customer Satisfied.' Finally, Chicago winner Chapter 6 nails Queen's 'Bohemian Rhapsody' and finishes with a hilarious 'Wizard Of Oz Medley.' In the end the judges chose The Perfect Gentlemen as National Champion, (also chosen Audience Favorite) and we walked into the night, smiling and raving about one of the best a cappella shows of all time! |
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We're of the almost certainly biased opinion that the Harmony Sweeps Finals are the best a cappella shows in the world. Imagine 8 groups, who have come in first in Regional competition with 10 other groups in places like New York, Boston, the Bay Area, Chicago and LA, performing before a packed auditorium in San Rafael, CA for 12 minutes each, for the coveted National Championship. Each year outdoes the last, and 'electric' doesn't do justice to the 2003 Finals. There are 18 songs on the CD, two from each group and two from '02 Champs, and very funny hosts, LA's Perfect Gentlemen, 'Gimme Some Skin' and the guitar accompanied (!) 'Meanest Thing You Ever Did Was Kiss Me.' The Bay Area's hilarious Moosebutter brings us 'Psycho, The Musical,' winner of 'Best Original Song' (lyrics), and their trademark parody, 'Star Wars,' part of a set that won them 2nd place honors. The Pacific NW's Second Chance contribute a funky 'Go Tell It On The Mountain' and the very funny beach song parody 'Sand Down My Pants.' LA's Undivided Musical Group sing 'Amarte Mas' and nail Ward Swingle's arrangement of 'Mission Impossible Theme.' Boston's All About Buford do wonderful covers of the Gershwins' 'Summertime' and Rodgers & Hart's 'My Funny Valentine.' Chicago's Nightwatch sing two songs from their infamous 'Diner Set' (complete with ballistic donut), 'Truck Drivin' Man' and 'Yes Sir, That's My Baby,' and New York's very smooth Cadence covers 'Straighten Up and Fly Right' and 'Tempted' beautifully. Denver's Groove Society gets the crowd up and rocking with 'You're No Good' and the classic 'Listen to the Music.' Unbelievably, as good as all these groups were, the best was saved for last, Mid-Atlantic winner Idea of North from Australia, who shine on 'Mas Que Nada' (which won the David Lichtman Award for Best Arrangement) and Randy Newman's heart-tugging 'When She Loved Me.' Idea of North got the nod from the judges, and won Audience Favorite, while Moosebutter and Cadence placed 2nd and 3rd. A chorus of 'Goodnight Sweetheart' later we were all walking out of beautiful Marin Veterans Auditorium, not believing how good a show we had just seen and heard! |
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This year's Harmony Sweepstakes reminded all who participated, how magical making music can be. Now, we all can share that magic by listening to this excellent live recording. With 20 years gone by, this national competition is still going strong and bringing out the very best in a cappella singing. This year's show had an excellent assortment of various styles, including jazz, pop, contemporary, Latin and much more. There were lots of humorous moments, including the national champions, Chapter Six's original song, 7th Wheel, as well as somber/uplifting moments including the beautiful performance of Kiss From A Rose by Impulse. Of course no one could forget Clockwork's performance of Inna-Godda-Da-Vida or Vox Bop's Commercial medley. With continuous stellar performances from all eight groups, this 19 track CD is sure to keep you entertained. Listen to Walk The Straighter Road in RealAudio. |
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It always seems to us as the Harmony Sweeps celebrates another year of its existence (its 21st, in this case), that 'last year's Finals were so sublime, how could this year's possibly etc., etc.' - but then we're in the sold-out, excited audience for this year's, and the first group is about to come onÉ what we're trying to say is somehow each Sweeps Final is better than the last. And what we love about the CDs is that they're live, 9 of the best a cappella groups in the world on one stage, singing their hearts out for 13 short minutes, for the National Championship. Last May, Mid-Atlantic's Cartoon Johnny, Boston's Firedrill, Chicago's Fiveplay, NYC's Traces, Denver's Face, Pacific NW's Groove for Thought, LA's Undivided and SF's own Moodswing were those groups. 19 songs, including 'Joy to the World' and Best Original Song, 'Walk the Straighter Road' by Kevin Kunz of National Champions Groove For Thought, David Lichtman Best Original Arrangement winner 'Paper Moon' by Greg Murai of Moodswing, ('Moanin'' by Moodswing is also happily included), 3rd Place finishers Fiveplay sing Stevie Wonder's 'Superstitious/IWish' and 'I Never Knew,' and runner-up and Audience Favorite Face have 3 winners, 'Pink Panther Theme,' 'Harder To Breathe' and 'Safety Dance.' But let us not forget hosts Chapter 6, whose 'Ode to Krispy Kreme' and 'Don't You Worry 'Bout A Thing' drew standing O's, Firedrill's Motown classic 'Chain of Fools,' Traces' 'Mary Don't You Weep,' Undivided's 'What's Goin' On' and Cartoon Johnny's 'Crazy Love.' A savory sampler from a magic night in May in San Rafael, CA! Listen to Isn't She Lovely in RealAudio. |
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It's the first weekend in May, and the sold-out audience at Marin Veterans Auditorium in San Rafael, CA is buzzing with anticipation of seeing the Harmony Sweepstakes Finals, possibly the best live show in a cappella! 8 Regional-winning groups are backstage, having beat out as many as 8 other groups for the privilege of singing their hearts out for the National Championship. 'Finals' has 16 of the best tunes from that memorable night, including Bay Area winner Clockwork's jazzy 'My Baby Just Cares For Me,' and wonderful cover of Radiohead's 'Creep,' part of an excellent set that won them 3rd place, and the award for 'Best Original Arrangement.' We hear Mid-Atlantic-winning Regency's 'Only You' and high-energy 'Jump, Jive and Wail,' part of a great set that won them 2nd place. LA barbershop quartet Hi Fidelity, in 'Addams Family' costume, bring us the 'Addams Family' theme and a key-bending, hilarious 'Blackbird,' they won both Audience Favorite and the National Championship. New York Quartet 'Round Midnight's 'Take the A-Train' and 'Tin Roof Blues,' Chicago's Elmo Thumm's 'Last Train to Clarksville' and 'Shooting Star,' Denver's Curious Gage's 'Long Train Runnin'' and 'Windmills' show us how good Hi-Fidelity had to be to win. Boston's Traces sing 'As' and 'Wonderful World,' which won Best Original Song,' and the Pacific NW's Tongue Tied A Cappella give us a dynamic cover of the Starship's 'We Built This City.' Exciting cuts from a magic May evening in San Rafael! Listen to Blackbird in RealAudio. |
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Produced by Buddy Saleman / John Neal
On a perfect May Saturday night in San Rafael, CA, the sold-out audience witnessed another unbelievable evening of unaccompanied vocal harmony singing. Eight Regional winners were up on stage, singing their hearts out for the fans and the judges, with the National Championship on the line. The best 18 songs of the night, including from local favorites the folk/world female ensemble Solstice with 'Wade in the Water' and the dynamic 'Kappee.' A pair of songs from Audience Favorites Denver's 'Face,' includes the gritty, powerful rocker 'Home,' that won them 2nd Place. Three tracks from the evening's winners National Champs from Los Angeles, Moira Smiley & VOCO with the folk tune 'Bring Me Little Water, Silvie,' 'Szerelem' and the lovely, moving 'Stand in that River.' Other favorites are New York's The Fault Line's 'Some Kind of Wonderful;' the Pacific NW's V-Chords' 'Don't You Worry 'Bout a Thing', Boston's Men in Black's 'Run Around' and Chicago's Nightwatch's very funny 'Defying Gravity.' And let us not forget host group 2006 Champions Hi-Fidelity (hey, that's 2 in a row for L.A.!), whose 'Enterprise/Sulu Medley' reminds us how brilliant and funny they can be. Listen to Home in RealAudio. |
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This 25th Anniversary collection is 2 discs of prize-winning tunes and Big Fun from the first 25 years of the best a cappella show on the planet, The Harmony Sweepstakes National Finals! The first disc has 23 of our favorites from these shows, and it was, you might imagine, very hard to pick from:- let's see-8 Regional Winners per show times 25 equals 200 great groups, times 3 or 4 songs per group, well, you get the picture. How can we forget The Idea of North's 'Mas Que Nada,' Naturally Seven's 'Bridge Over Troubled Water,' Chapter 6's marvelous 'Wizard of Oz Medley' or Moosebutter's hilarious 'Star Wars?' Now we, and you, don't have to! Just to give you a taste of all the goodies on Disc 1, we present a list of the groups that are included: 17th Avenue All Stars, The Idea of North, +4db, Hi-Fidelity, Naturally Seven, Moira Smiley & Voco, Chapter 6, Clockwork, Traces, Harmonytrix, Acapelicans, Moodswing, The Coats, The New Originals, Pickups, Chicago Voice Exchange, Metropolis, Moosebutter, Face, Citylights and SoVoSo. The second disc has 18 songs from the amazing 25th Anniversary Finals, featuring 'Book of Love,' 'Cat is High' and 'Ghost Train' from 3rd Place winner Rezonate, 'Bye Bye Norman' and 'Bill Bailey Medley' from 2nd Place winner and Audience Favorite, the Bay Area's own The Love Notes, and 'Brand New Day' and 'Don't Break The Heart' by National Champs Maxx Factor. Also included are 'When the Lilacs Bloom' and 'Nothing At All' from 2008 Champs Vocaldente, plus tunes from Road Show, Mouth Beats, 3 Men and a Melody, Cartoon Johnny and Evolution. It always seems to us that every Harmony Sweeps National Finals is even better than the last, but there's really no comparison, because they all are wonderfully unique. So, for a very reasonable price, treat yourself to this Sweeps banquet, and, as we have, settle back and savor each of the a cappella goodies within! Listen to ChangeLife in RealAudio. |
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This compilation features the acclaimed singing group Te Vaka as well as recordings by David Fanshawe and more. Tracklisting: E keli (The Digging), Siva mai (Let's Dance), Te Maeva Welcome, Manihiki Action Song, Tautai e (The Master Fisherman), Ua Vii Keee Na Te Hatu (Lord's Message), Saki saki tu ni noqu bula marau, Na Ai Tutu Tuetue? Group Moana Nui, Lakalaka hihifo, Aparima Puurai, Aparima te maeva. |
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Now in its third year, The Sing-Off, NBC's smash series based on our own annual Harmony Sweepstakes, just keeps getting better and better. The show went weekly on primetime in 2011, and set out to find the country's best a cappella groups by holding auditions in four major cities, and this shows in both the quantity and quality of this year's contestants. 'Songs of the Season is a very Contemporary Christmas album of 13 cuts, some of our favorites are old favorites that sound completely new, such as Dartmouth Aires' big fun take on Doo-Wop take on 'Up on the Housetop,' Pentatonix' 'We Three Kings,' and U of Rochester Yellowjackets' 'Carol of the Bells.' Sonos' 'Coventry Carol' has a wonderful harmonic blend that sounds accompanied, giving it an urban sound while respecting its original haunting lyrics; Vocal Point's 'Infant Lowly, Infant Holy' is stunningly pure and lovely; 'Winter Wonderland' is another chestnut taken in a bright, new Doo-Wop direction by North Shore. 'In the Bleak Midwinter,' is given a beautiful, subtle arrangement by Kinfolk, building to a powerful, complex harmonic blend; and we would have to give Urban Method the award for 'most innovative' with their Hip-Hop take on 'I Saw Three Ships.' 'Jingle Bells,' the bonus track by last year's winners Committed, is given a sweet, urban edge, and serves as icing on the cake to this delightful, envelope-pushing collection! The quest, if you will, of the Harmony Sweepstakes since its founding 27 years ago has been to showcase the ultimate instrument, the human voice, and the Sing-Off has carried on this quest to a huge, admiring audience, which can only grow with great CDs like 'Songs of the Season.' And what can we say, but 'Bravo!' Listen to We Three Kings in RealAudio. |
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A beautiful collection of favourite songs by the Welsh Male Voice choirs from Porth Tywyn, Godre'r Aran, Bangor, Llangwm, Dyffryn Tywi, Caernarfon, Lleisiau'r Frogwy, Dyffryn Tywi, Hogia'r Ddwylan, Llanelli, Cwmbach, Brythoniaid, Dyffryn Peris, Pendyrus & Maesteg Gleemen. |
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Two great Welsh tradition have been brought together on this recording: the Male Choir tradition on the one hand, and the wealth of traditional folk songs on the other. Two traditions of the Welsh people, - two 'folk' tradition in the true sense of that over-used word. It is very difficult to say precisely how old these songs are, though it is evident tat some are considerable older than others. They mainly reflect the rural way of life, though there are more recent and urban connections to songs such as 'Ffarwel i ddociau Lerpwl' ('Farewell to Liverpool docks') and 'Sosban Fach', known the world over as Llanelli's rugby anthem. Two recurring themes are romance and the battle for Welsh independence, and there are also a lullaby and children's songs such as 'Hen fenyw fach Cydweli' ('The old woman of Kidwelly'). 24 traditional songs in all, - arranged for Male Choirs in four-part harmony. |

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Nine British trebles feature in this Regis release showcasing the tradition of the boy treble. The collection is taken over a 25 year period from the Alpha and Abbey labels and covers many different musical genres - an essential purchase for lovers of vocal/choral music and for those interested in the English Cathedral Tradition. |
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What could be more sublime than a wall of dark, rotund Russian voices shimmering against the rising, ornate walls of a great cathedral? Not much, and this compilation of absolutely magnificent music proves it. The label Hearts of Space returns on this third choral collection to the ominous Slavic chant of their first choral album, Sacred Treasures I, which gathered together recordings of stunning Bulgarian and Russian choirs portraying the sacred works of Rachmaninov, Tchaikovsky, and other composers. Whereas Treasures I pulled from varied sections of sacred liturgies, including solo passages, Treasures III most often stays in harmonic chant with select voices occasionally rising and rolling in polyphonic heavenly calls. The collective voice draws the emotive tension taut here, as on Rimsky-Korsakov's 'Our Father,' which uses the absence of darkness to later juxtapose bold, rising drama. The Kiev chant 'Blessed Art Thou O Lord' sends chills down the spine as the whispering consonants of the Russian language skip across the ancient repetition like sand skitters over a stormy beach. This is a collection as breathtakingly beautiful as the Cathedral of the Dormition itself. Not to be missed. |
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Outstanding holiday doo wop set featuring the fabulous harmonies of favorite vocal groups including Kenny Vance & The Planotones, Larry Chance & The Earls and many others. |
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The unique six-voice a cappella orchestration of 'Toccata and Fugue in D Minor' is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. Matt Falker's arrangement of 'A Time For Love' (originally written by Johnny Mandel)' is a beautiful a cappella ballad. The chart is written for SSATBB voices and features a male/female duet in the latter part of the piece. Issa Sorensen's arrangement of Bobby McFerrins 'Good Lovin' will bring the house down with its awesome groove. Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers! |
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One of the greatest songs of all time, Jerome Kern's classic romantic ballad 'The Way You Look Tonight' shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in a superb arrangement by Kirby Shaw. 'Smile' - This exquisitely lush a cappella setting of the familiar lyric, 'smile though your heart is breaking', shares a wonderful message of hope and perseverance. An ideal closing selection. The beautifully lyrical Gershwin ballad 'Love Walked In' has never before had such a well-crafted, fully textured setting! This gorgeous a cappella treatment is well suited to traditional concert and pop programs! Phil Mattson does a wonderful jazz arrangement of ' I'll Be Seeing You' while 'How Deep Is the Ocean' has varied choral textures and luscious harmonies that makes Irving Berlin standard an ideal selection for a cappella vocal groups. Ultimately romantic! |
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The classic Beatles song 'Yesterday', as recorded by the popular group Boyz II Men, is given a wonderful treatment here by Mac Huff, guaranteed to spellbind your audience. 'You Raise Me up' is now available in this a cappella concert arrangement, and the moving lyrics and soaring vocals of this Josh Groban classic will inspire all who hear it. Masterful! Here is a soulful a cappella rendition of '(Sittin' on) The Dock of the Bay', the #1 pop hit by Otis Redding, that's great for contemporary groups. 'From a Distance' is a stunning new a cappella setting of the #1 pop hit by Bette Midler. These powerful lyrics and a timeless melody will create an unforgettable concert moment. Magical! |
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There's nothing more fun to sing than a great show tune! An inspired a cappella treatment of the 'Fats' Waller classic 'Ain't Misbehavin''. Many fun options in the center section - 'Rudy Vallee' solo, tap solo, etc. Totally unique! A classic Kirby Shaw setting of a Gershwin ballad ' Love Is Here To Stay' is a delight. Here's a stunningly beautiful arrangement of the classic Broadway ballad 'On A Clear Day'. Steve Zegree's a cappella jazz voicings are breathtaking! Recorded by many artists including Tony Bennett, Frank Sinatra and Bobby Darrin, 'Once Upon A Time' was featured in the Broadway production of All American. Beautiful harmonies and a lyrical melody combine to make this special. |
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Add a breath of salty sea air to your repertoire with one of these traditional sea chanties. Lots of fun to sing and with performance notes. Originally from England, where 'All for Me Grog' was heard in music halls as well as on ships, the shanty was sung while working the capstan and the halyard. Swedish composer and conductor, Robert Sund wrote this playful arrangement of 'What Shall We Do With The Drunken Sailor?' leaving ample room for both women and men to excel in this well-known sea chantey. The tongue-twisting text brings this arrangement to an impressive ending! |
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Selected for the Ron Kean Multicultural Series, 'African Processional' utilizes sounds from African folk songs and a joyful chorus emerges with an occasional solo interjection. 'Ning Wendete' is a traditional folk song from Kenya and is a conversation between a man and a woman. 'I love you, but you do not love me. How is that? If you do not love me, you had better tell me so.' Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. 'The Coca Cola Song' is a playful contemporary African folksong and is a lot of fun to perform with layered vocal parts, African percussion, and humorous references to the choir members singing. Celebrative and highly rhythmic, 'African Noel' shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in its simplicity, your choir will have fun with this one! |
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'Big Bunch a Little Bunch' is a traditional Bahamian song about the many beloved recipients of a woman's roses. This lively, rhythmic arrangement for mixed choir is ideal for a world music concert or other festival performances. 'Ripe Tomata Green Peas' is a traditional market song by Bahamian composer/conductor Cleophas Adderley offers a light-hearted treatment that is sometimes solemn, sometimes frenzied. With optional hand percussion, this a cappella setting will bring your concert to a spirited conclusion! 'Jamaican Noel ' is a bright and cheerful original that will surely be heard resounding throughout the halls of your school - it's that irresistible! The delightful settings of 'Three Bahamian Folk Songs' are by the founder and director of the Bahamas National Youth Choir and will add a little caribbean calypso to you program. What fun! |
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Memphis has long been illustrious for its blues, jazz and soul roots. The essence of Memphis musical heritage is showcased in this collection of Gospel Quartets featuring: The Gospel Writers, Holy Ghost Spirituals, The Harmonizers, The Harps of Melody, The Pattersonaires, and the Spirit of Memphis Quartet. Reflecting on styles from the 30's through 80's, you will be taken on a historical and musical journey throughout the neighborhoods of Memphis. |
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Bluegrass, a brand of music appreciated for its intricate musicianship and instrumental virtuosity, has always maintained a fresh appeal while staying true to the gospel roots inherent to the genre. Sacred Voices is a gathering of Bluegrass big shots who have put down their instruments and opened their voices, sounding out an integrated variety of Gospel songs and continuing a tradition that started with Bill Monroe and the Blue Grass Boys. Doyle Lawson & Quicksilver sing 'Climbing Up The Mountain' and 'That New Jerusalem'. Peter Rowan & The Rowan Brothers sing a haunting 'Lone Pilgrim' while also making an appearance with the Nashville Bluegrass Band on 'Jesus Made the Wine'. 'Father I Stretch My Hand To Thee' and 'Roll Jordan Roll' also feature the Nashville Bluegrass Band. Tim & Mollie O'Brien contribute 'Shut De Do' and Ricky Skaggs and Tony Rice 'Talk about Suffering'. New Grass Revival adds a touch of live performance to the mix with 'Walk In Jerusalem' while Robin & Linda Williams & Friends keep the faith with 'He's Coming Again So Soon' and 'Don't You Want To Go To Heaven'. Also featured are 'Vision Of A Golden Crown' by Don Rigsby and a whole cast of vocals, 'My Heavenly Home' by Front Range, and 'Feel Like My Time Ain't Long' by The Country Gentlemen. First published in 1855 is the oldest and most recognizable song 'What A Friend We Have In Jesus', a riveting solo performance given by Doc Watson. Bluegrass and Gospel music are both inspiring and timeless; strip down to the naked voice and the result is something sacred. |
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'I Belong to This Band' follows the practice of shape-note singing from 1922 through to the present, offering 30 distinct cuts, spanning a mess of geographies, years, and intentions. Shape-note singing, a church-based southern song system based in four notes (sung as fa, sol, la, and mi), was initially designed as an all-inclusive, participatory choral tradition - it's not necessary to know how to read music to sing shape notes, most songs are transposed a cappella, and each piece is specifically engineered for swarms of singers, meaning the whole always trumps the parts. Although there are several shape note songbooks, The Sacred Harp is the most celebrated collection (published in 1844, by Benjamin Franklin Wright and Elisha J. King, it contains over 250 songs), and somewhere along the way, it became the movement's lone manifesto and remains tucked under the pillows of dedicated shape-note singers everywhere - appropriately, each track included here was born from The Sacred Harp. |
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This album includes traditional shanties from the early days of navigation around the New Zealand coasts. Shanties were divided into halyard shanties (hauling songs), windlass or capstan songs used for heaving the anchor, and pump songs, used for pumping the ship out. On this recording we have tried to bring together as many types of sea shanty as possible, as well as sailors' hornpipes. The songs range from the famous 'Drunken Sailor' to 'Orpheus,' relating the tragic loss of HMS Orpheus on the west coast of North Island. They are sung by members of the New Zealand sail training ship 'Spirit of Adventure.' |
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'I'm Always Chasing Rainbows' is a whimsical gem for female voices and will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. Mac Huff's arrangement of Bette Midler's #1 pop hit 'From A Distance' has powerful lyrics and a timeless melody that will create an unforgettable concert moment. Magical! Michele Weir's arrangements of 'Rock-A-Bye Baby' is a smooth jazz delight and the vocal jazz standard 'Java Jive'gets a great a cappella treatment with the Kirby Shaw touch! Still swings! |
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Produced by CASA, these compilation CDs are a great introduction to different genres of a cappella, and are particularly recommended to the novice listener. Including groups such as Penn off the Beat ('Fall from Grace') Heebee-jeebees ('Angels We Have Heard on High') Da Vinci's Notebook ('Liposuction') and the King's Singers ('Abendlied'), the proceeds benefit CASA and allow the organization to continue in its efforts to promote a cappella singing. Other groups featured are The Fairfield Four, Vox One and Rockapella. |
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The CARA acronym stands for the 'Contemporary A Cappella Recording Awards,' produced by CASA. These eighteen selections are a varied representation of many styles, including pop, world, barbershop and classical. This year's recipients include m-pact for their awesome version of Earth Wind and Fire's 'Fantasy,' the Alley Cats' 'Tears On My Pillow' - surely the most tuneful and exciting doo-wop group to emerge in a while - and 1998 Harmony Sweepstakes winners Metropolis, with 'Don't Blame Me.' Denmark's Vox P contribute their sultry 'Fly Me To The Moon,' Monkey Puzzle, their hypnotic 'Epitaph,' and the controversial Double Dong (a cappella punk?) provide the vocal gristle. Contemporary Christian artists Glad and Take 6 supply the polish with their usual exquisite arrangements. |
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The Contemporary A Cappella Society of America (CASA) created the Urban Harmony Movement to bring music, via free materials, coaching, and concerts to public high schools in need. For more information call (415) 563-5224. In the mean time buy and listen to another outstanding compilation of 16 tracks sung by both well known groups and four of the best college a cappella groups, with whom CASA is uniquely connected. Other notable contributors are The House Jacks, Five Live, The Persuasions, Bobby McFerrin, Vox One, The Nylons and M-Pact. |
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The enterprise called Rhino Records is in the compilation business, and they do it with flair and intelligence. The first two doo wop box sets were widely regarded as definitive collections. However, there was more yet to be done! The four CD's in this latest box set Ð plus fact and picture filled book Ð include the rare, the obscure and the out-of-print. Organized with the themes of 'The Hits,' 'The Should Have-Been Hits,' 'The Celebrity Picks' and 'Modern Doo Wop,' and including groups and solo artists alike, the track list features many household names (Platters, Flamingoes, Drifters, Dominoes), and then the fun begins: Enchanters, Fascinators, Solitaires and Strangers, ad infinitum. Robert Plant's celebrity pick: 'Indian Girl' by the Capris, Keith Richards chose 'Maybe' by the Chantels. Rock and roll couldn't have happened without doo wop, and we know a lotcouldn't have happened without rock and roll! Make someone happy this Christmas! Make someone happy this Christmas. |
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You know the drill - this is volume 12 of an a cappella doo-wop retrospective series on Starlight Discs. There are 20 cuts on this CD, featuring Dino & the Heartspinners, Charles Moffitt's Velours, Deja-Vu, The Four Sevilles, The Ovations, The Revelations, A Moment's Pleasure, and New Emage. The tunes are all doo-wop standards like 'Love Potion #9,' 'Ten Command-ments of Love,' 'Under the Boardwalk' and 'Why Do Fools Fall In Love' or songs that might have been doo-wop hits, like 'Mio Amore,' 'Sweetness' and 'Laura.' No info on the groups in the liner notes, but there's a vintage picture of the Velours is on the front, and a picture is worth... |
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This is volume 10 of an a cappella doo-wop retrospective series on Starlight Discs. There are 20 cuts on this CD, featuring Lewis Lymon & The Teenchords, Fred Johnson & The Marcels, The Chalets, The Revelations, The Prospects, Angel & the Allures, Cornerstone, Neighbor's Complaint, Elements of Life, The Four Sevilles and Street Dreams. The tunes are all standards like 'Angel Baby,' 'For Your Precious Love,' 'Lean On Me' and 'What's Your Name' or might-have-been hits, like 'Way Beyond Today,' 'In A Fairy Tale' and 'Lily Maebelle.' No info on the groups, but a cool picture of Lewis Lymon (Frankie's brother?) & The Teenchords on the front. |
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Volume 11 of a doo-wop retrospective series on Starlight Discs. 20 cuts on this CD, The Jesters, BQE, The Ovations, A Moment's Pleasure, New Emage, The Four Sevilles and Neighbor's Complaint. The tunes are all doo-wop standards like 'Stand By Me,' 'All In The Game,' and 'Heart And Soul' or songs that might have been doo-wop hits, like 'Paper Castles,' 'I Need Your Kisses' and 'It's Summer.' A groovy picture of the Jesters is on the cover. |
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Volume 14 of an a cappella doo-wop retrospective series on New York-based Starlight Discs. There are 20 cuts on this CD, featuring Dino & the Heartspinners, The Paragons, The Bob Knight Four, Yesterday's Today, Street Corner Serenade, Tears of Joy and Elements of Life. The tunes are all standards like 'Mr. Blue,' 'Blue Velvet,' 'Believe It Or Not' and 'I Love You So' or might-have-been hits, like 'Sugar Lump,' 'Last Night I Dreamed' and 'Betty.' A classic pic of the Bob Knight Four is on the front. |
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The earliest recording of a Harmony Sweeps National Finals that is still available. It was a classic year! |
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Hot off the presses from our own record label comes a great collection of some of the finest barbershop quartets aptly named 'Barbershop's Best'.This is the first recording to feature a wide selection of both champion male and female quartets and includes some of the finest groups to ever perform in the barbershop style. These studio tracks were in great part selected by the groups themselves and represents, in their opinion, some of their finest work. Featured are cuts from Platinum, Acoustix, Ambiance, Boston Common, Bluegrass Student Union, Panache, Fred and Rumors and more. 16 great tracks. |
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These awards are given by CASA, the Contemporary A Cappella Society, a non-profit organization promoting a cappella music. As the liner notes note, a cappella means literally 'in the chapel style,' but the 18 cuts prove it is closer to 'in any style.' Some of our favorites: Spiralmouth's 'Nothing Is Written,' Naturally Seven's powerful 'Bless This House,' Harmony Sweeps champs Toxic Audio's 'Loving You,' OcumŽ's 'Guantanamera,' Da Vinci's Notebook's 'Ally McBeal,' The Kinsey Sicks' hilarious 'Gay Sera Sera,' and m-pact's vocal-percussion jazz-pop gem, 'Caroling, Caroling.' CARA 2000 is a good sampler of how CASA sees today's a cappella music. |
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Compilation release featuring the top names in a cappella, including the Persuasions, Real Group, Nylons, Bobs and Rockapella. Every track on this sixteen song CD is strong, encompassing the traditional (Blenders' 'First Noel') to the novel (The Bobs' 'Christmas In L.A.'). World jazz group SoVoSo contributes the soulful original 'Snowflakes,' while French-Canadians La Bande Magnetik take on Tchaikovsky's 'Dance Of The Sugar-Plum Fairy' in an unconventional interpretation. Beachfront Property's 'Rudolph The Red-Nosed Reindeer' and Vox One's 'White Christmas' will thrill those who enjoy vocal jazz, as both are a virtual primer on the how-to's of the style. You will want to add this CD to your own holiday music collection, and it also makes a wonderful stocking stuffer or hostess gift! |
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Our own compilation, featuring a diverse line-up of artists. It's an original gift idea, particularly for those ears not yet familiar with a cappella. The track list includes the most popular, such as the contemporary Christian group Glad ('O Come All Ye Faithful'), the legendary doo-wop group the Persuasions ('Christmas Means Love') and The Swingle Singers ('Carol Medley'), whose vocal jazz technique is flawless. Several of the new and exciting vocal groups, such as Naturally Seven, m-pact, Go Fish and the Edlos are represented. All a cappella fans will appreciate Acoustix' 'You're A Mean One, Mr. Grinch' (from their new 'Cool Yule' CD), Just For Kick's 'A Child is Born' and ReGeneration 'Do You Hear What I Hear?'. The Blenders 'Christmas Song,' from Nog (one of the greatest holiday CD's ever), Chanticleer's 'In Dulci Jubilo,' (Chanticleer's holiday concerts are a highlight of every season) and the Accidentals' signature 'Rudiana' are also included. 17 tracks in all. |
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Enjoy the sound of Wales with this extensive collection performed by some of the country's most cherished choirs. Featuring traditional Welsh songs, West End musical classics and popular standards this collection is full of spirit and charm. A beautifully packaged 2 CD set. |
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A collection of some of today's top Southern Gospel artists get together to record an all a cappella recording. Artists include Reggie Smith, Mike Bowling, Jason Crabb, Kim Rubbe Lord, Ernie Haase, Jessica King and many others. |
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Gospel music in Southern Africa came about through a fascinating synthesis of religious music brought to Africa by missionaries, and traditional African music styles. The majority of South Africans today are Christians. Apart from the recognised international denominations, there are thousands of colourful African Independent Churches. Every Sunday, in every town and village, different services are being held, and they are accompanied by music... a simple choir, a band with solo singers, some drums... a myriad of styles and languages Congregants can be seen under trees, on hills, from Johannesburg to Cape Town. And today, you will hear many influences from American gospel to contemporary pop, as well as the original African roots.This selection presents some of the best of South African gospel today. The ZCC (Zion Christian Church) is the largest independent Christian Church in South Africa, numbering well over 4 million adherents. Their music is little heard, and we are privileged to have some ZCC tracks here. Steve Kekana is a pop icon in South Africa, here singing a gospel song. Other artists have been widely supported by the large South African gospel buying market, while the Soweto Gospel Choir has achieved amazing international recognition. Music styles range from South African pop, through traditional accompanied styles of hymn and gospel singing, to a cappella choir. This is joyful music, spiritually uplifting and colourful in the African way. |
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A second collection of popular songs edited by Sigmund Spaeth.f |
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This collection of Barbershop harmony is meant for all those singers who love to agree on chords and progressions that every devotee of this unique art will recognize by instinct. Original Society arrangements edited by Sigmund Spaeth |
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Twenty vintage barbershop classics. |
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Twenty Five songs arranged for male voices by Hugo Frey |
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A rare find! Mixed SATB arrangements of some great standards. |
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Arranged for male voices by Hugo Frey |
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Two of these six groups, The Standards and Eclipse, have won awards on the stage of the Harmony Sweeps Finals--and The Knudsen Brothers won it all in 1990. The Standards' 'Brown Eyed Girl,' 'I Can't Break Away' and 'Til I Found You;' Eclipse's 'Think Twice,' 'Hard Times Come No More' and 'Through It All;' and the Knudsen's 'Battle Hymn of the Republic' and 'Blue Suede Shoes/Hound Dog' Presley medley are some of our favorites on this excellent compilation. 7-man Gospel group from Mesa, AZ, 259's 'Jericho' and 'Nearer My God to Thee' are very fine, as is Barbershop/Gospel quartet Reprise's 'Because I Have Been Given Much' and 'I've Been Workin' on the Railroad.' Contemporary Gospel mixed quintet Shine's 'My Jesus I Love Thee' completes our favorites, and we have to say that we love to see a collection like this. The Spotlight is on the best stuff of several top-drawer, mixed-genre a cappella groups on a single CD-it all has a very Harmony Sweeps-like energy to it, and we appreciated and enjoyed every cut! |
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John Lennon and Paul McCartney were without doubt one of the finest songwriting teams ever and many of their songs are very well suited for a cappella. Here's an expressive a cappella setting of the classic 'Here, There and Everywhere', full of wonderful textures, lyric lines, and lots of opportunities for rubato styling! 'Yesterday' has lush chords with well-crafted vocal lines are the highlight of this warm a cappella setting. With opportunities for both male and female soloists, this classic Beatles tune is a perfect choice for many concert programs. This sensitive, well-crafted arrangement of the beautiful 'In My Life' is great for vocal jazz groups, pop/show ensembles, and concert choirs as well. Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. From the Beatles' 1966 hit movie and single 'Yesterday' is a fun and colorful a cappella arrangement and 'The Long and Winding Road' is skillfully arranged and will be a standout in any concert. Treat your audience to an a cappella moment they will remember for a long, long time. This great new arrangement of the beautiful Beatles song 'I Will' fits right into a fine concert or festival selection, and will challenge and reward good high school ensembles as well as university choirs. |
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California Screamin' is an eclectic recording from some of the Bay Area's top a cappella acts. This album is not your traditional a cappella. This high octane collection includes harmonies from Hookslide who contributed two tracks, including an exciting arrangement of Aerosmith's anthem, 'Dream On.' Harmony Sweepstakes finalists +4db add their unique sound. The eccentric group Speedzoo provide two tracks featuring their soulful lead vocalist Lisa Trevorrow. Other featured cuts include female fivesome Dilemna, Boyz Nite Out and their bumpin' vocal percussion, urban a cappella from Three 5 and 6, and Billboard chart toppers Kai. 12 tracks of excitment! |
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This CASA Awards 2001 CD contains an eclectic mix of rock, classical, barbershop, doo-wop, R&B, close harmony, gospel, jazz, folk, pop, hip-hop, world music and more, including some favorites of ours: SoVoS—'s 'Charity,' +4db's 'I Burn For You,' The Persuasions' 'Black Muddy Water,' Cadence's 'I Wish,' Gas House Gang's 'Go Tell It On The Mountain,' Real Group's 'Thousand Things,' The Magnets' 'All The Wrong Reasons,' Michigan Jake's 'I'm Beginning to See the Light,' Voice Male's 'Light In Your Eyes,' Artisan's 'Dancing With Words' and Univ. of Michigan Amazin' Blues' 'Millennium,' among others. The best of the year 2001 in a cappella, from CASA's point of view. |
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Produced by Buddy Saleman / John Neal
We are fortunate indeed to have assembled such a truly talented group of finalists for the 1998 Harmony Sweeps. Winners Metropolis, the barbershop quartet from Southern California, sing 'Some Lucky Day' and the entertaining 'Yakko's World.' Audience favorite (and second-place finishers) +4dB begin the festivities with 'In A Mellow Tone' and also perform the Real Group's 'Chile Con Carne.' Other groups include Canadians the Heebee-jeebees, catalog favorites Blind Man's Bluff, Ball in the House and Acapelicans (from Australia), Cool Shooz and the third place winners, the Sweet Adelines' quartet City Lights. Bonus performance: An improvised jam by our evening's hosts, SoVoSo. |
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This year's program was the most diverse and exciting yet. Filled with emerging groups, as well as Sweepstakes favorites such as Chicago Voice Exchange, the competition was intense indeed. Seven, from New York, garnered top honors, with their intricate and multi-textured voicings, heard to best advantage on 'Bridge Over Troubled Water'; the group's arrangements are expanding the universe of sound. Taking second place were the Standards, five brothers whose onstage appeal and energy charmed everyone. Minimum Wage's outrageous humor, as exemplified by 'The Last Cowboy Song,' had the audience begging for mercy (or more?) Other musical highlights include the ringing tones of last year's champs, Metropolis (a barbershop quartet), the Euphorics, with 'Message In A Bottle' and Pickup 6's medley of Beatles favorites. |
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United Records was one of the first successful black-owned record companies and was operated by Leonard Allen, a former policeman. With impecable taste Allen recorded some of the best performances of the top jazz, gospel and R&B acts between 1951 and 1957, especially in the Chicago area. This recording features some of United mightest gospel quartets who by this time had introduced a more modern sound that had taken the place of the more conservative jubilee tradition, and included knee-drop, ad-lib interjections, swing lead and exaggerated vocal ornamentation. Great stuff! |
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For the first time on video, legendary quartet singers like The Fairfield Four, Luther Barnes and The Sunset Jublilaires, The Swanee Quintet, The Racy Brothers, Robert Blair and The Fantastic Violinaires, Martin Jacox and Willie Rogers and Company, come together to pay tribute to one another and to pioneer gospel quartets. Hosted by Lou Rawls, who began his career as a quartet singer, covers a century of the music and history that have made the quartet one of the most beloved styles of music. All these living legends share the same stage, taking their turns at the microphone, with a backup band in a church-like concert hall with an enthusiastic audience. 15 tunes, with a lot of old photos and history in between, presented by Rawls. 'Precious Lord' is by the whole company, 'Noah,' 'There Must Be A City,' and 'I Couldn't Hear Nobody Pray' by the Fairfield Four, 'Soul Stirrers Medley' and 'Landed on the Shore' by Martin Jacox, Willie Rogers & Co., 'Old Time Religion' and 'Doctor Jesus' by Robert Blair and the Fantastic Violinaires,' 'Sit Down Servant' and 'Doctor Jesus' by the Swanee Quintet, 'Somebody Touched Me' and 'Count It As A Blessing' by The Racy Brothers, 'I've Got Heaven on My Mind' and 'I'm Going on With the Lord' by Luther Barnes and The Sunset Jubilaires, and the final 'Glory Hallelujah' by the assembled groups. This is great authentic gospel music by masters who are still with us, fascinating history and old photos-'Living Legends' is a joy! |
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For the first time on video, legendary quartet singers come together to pay tribute to one another in song and performance. See and hear The Mighty Clouds of Joy, Willis Pittman and the Burden Lifters, Luther Barnes and The Sunset Jubilaires, the Swanee Quintet, Tommy Ellison and the Singing Stars, Troy Ramey and the Soul Searchers, and the Soul Stirrers sharing the stage in the most powerful and electrifying performances captured on tape. With host Lou Rawls, who began his career as a quartet singer, Living Legends of gospel covers a century of the music an history that have made the quartet style one of the most beloved styles of music. |
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This is one of those historic compilations with pages of history in 5-point type and lots of cool old photos, and wonderful music that we haven't heard before but want to hear more of! This is brought to us by the SMGA, Southern Gospel Music Association, whose purpose was to build a Southern Gospel Music Hall of Fame and Museum, which opened in Dollywood in Pigeon Forge, TN in 1999. We just have to love groups called Rebels Quartet featuring Big Jim Waits, singing 'Hide Me Rock of Ages,' the Chuck Wagon Gang, singing 'Lead Me On,' and the Homeland Harmony Quartet (has nothing to do with Homeland Security), singing 'Lead Me to that Rock.' The Rangers' Quartet's 'I've Found a Hiding Place,' and the Vaughan Sand Mountain Quartet's 'I'll Not Deny My Savior.' Authentic, pioneering Gospel by some truly amazing groups. Beautiful and fascinating! |
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An important collection of original recordings of some of the earliest Sacred Harp singing groups. Extensive liner notes makes this compilation a must have for people intested in the Shape Note tradition. |
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This ambitious 3-CD A Cappella Gospel set is produced, recorded and mixed by Steve Ivey of Nashville, TN's IMI Productions. Steve also sings duets with artists such as Laura Jewel, Maryline Blackburn, Jesse Lee Campbell Taryn Trexler, Steve Carpenter, G. Crew and Daniel J. Groups include The Jordanaires, and New Bethel; solo artists are Gianna Jessen, Lisa Bevril, Morgan Cryar, George McCullum, Rickey Payton, Rick Cua, Ferrell & Ferrell and others. Some favorites of the 50 are 'Dig A Little Deeper,' 'Angel Band,' 'Nothing But The Blood,' When The Roll Is Called Up Yonder' and 'Rock of Ages' by the Jordannaires; Gianna Jessen's 'It Is Well,' Maryling Blackburn & Steve Ivey's 'Mercy Me,' 'When It's Over,' 'Trust' and 'Loose My Chains;' New Bethel's 'Go Tell It On The Mountain,' Take Me To The Water,' 'There Is a Balm in Gilead' and 'Everytime I Feel The Spirit;' 'Brethren We Have Met to Worship' by Morgan Cryar and Jesse Lee Campbell's 'Doxology;' and Laura Jewel & Steve Ivey's 'For The Beauty of the Earth,' 'Sweet Hour of Prayer' and 'I Need Thee Every Hour. But there really isn't a weak cut here. Ivey has assembled a talented, deeply spiritual and spirited group here, and the result is wonderful heartfelt Gospel songs from the beginning of disc 1 to the end of disc 3! |
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The popularity of the Gospel Choir is one of the major reasons for the growth of the genre. Crystal Rose searched its vault and selected the best live performances ever for a visually exciting gospel music experience. This DVD compilation provides pure gospel in the form of Praise & Worship as well as contemporary and traditional gospel songs by some of today's most recognized choirs. |
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It's always a good idea to remember that jazz, together with cinema, has been the major form of artistic expression for the past hundred years. The intention of SAGAJAZZ is to relate its history, and explore it in a new, original way. Seen from a different angle, its historic figures - Louis Armstrong, Duke Ellington, Billie Holiday, Charlie Parker, etc. - can now be rediscovered through a series of records devoted to various aspects of their work. This journey through Jazz-land is also accompanied by albums that are thematic, dealing with subjects as serious as styles, instruments, repertoire, humor, love, dancing, trains, cats... |
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What we have here is a gospel lover's advanced degree, in 71 minutes of music made up of 28 songs. The CD includes the entire album entitled All Of My Appointed Time (Forty years of A Cappella Gospel Singing). But that's not all! Part II includes rare and unissued transcriptions by Jubilee-influenced groups of the l940's. Among the male groups are the Golden Gate Quartet, The Kings Of Harmony, The Blue Jay Singers and The Soul Stirerrs with the fabulous R.H. Harris who coached Sam Cooke. Sam went on to join the Soul Stirerrs which was the beginning of his career. Among the women singers you will hear The Georgia Peach (Clara Hudman) who first recorded with the Atlanta congregation of the Rev. J.M. Gates. Additionally, you will find recordings by Bessie Griffin, Jeanette Harris and The Golden Harps and Marion Williams. Just think, a musicology degree in 71 minutes! |
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If you're a fan of a cappella gospel from the 1930s and '40s, you won't want to miss this CD! Best known of the five groups is the Soul Stirrers, who are credited with reshaping gospel and paving the way for modern R&B. Their historic first recordings are here and have never before been rereleased on CD. |
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Leading up to the emergence of doo-wop was the tradition of black quartet singing. It is one of the major tributaries of our musical evolution which led to rock 'n roll and R&B which led to... But we digress. Let's go back to the quartets. Between the World Wars was a period during which this style evolved from the schoolyards and churches of the southern Atlantic seaboard to finally become the sophisticated sounds of groups like the Golden Gate Quartet and the Silver Leaf Quartet Of Norfolk. This recording traces that evolution with some early, raw recordings from quartets at the beginning of the movement and lots of the highly sophisticated groups of the later years. It is a historian's dream as well as a testament to the human spirit. The accompanying booklet has wonderful notes to leave you much richer for the experience. |
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While students of American a cappella history can find many re-issues of gospel groups from the 1930's and beyond, this import from Austria is one of the few that captures the music from the roaring '20s. Of the four groups represented here, The Sunset Four were most productive with 13 of the 25 songs on CD They have snippets of future bass imitation on 'Jerusalem Morn' and barbershop - like chord ringing on 'Didn't He Ramble.' But perhaps 'Barnum's Steam Calliope' is most notable, for its unique vocal imitation of the famed circus instrument. The audio quality reflects the fact that old (and sometimes scratched) '78s were used to make the CD, but anyone interested in early 20th Century a cappella will happily overlook those flaws because of the unique performances captured here, all but two are a cappella. |
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Bulgarian choral art is known the world over. On their tours abroad, Bulgarian choirs are always met with the approval of the audience. The third CD of the series BULGARIAN CHORAL ART features performances of choirs which are laureates of international competitions. These are studio and live recordings made within a period of 30 years, thus presenting a review of choral art development in Bulgaria. The program includes mainly 20th-century songs, composed chiefly by Bulgarian authors. Many of the pieces were written specially for the choir which performs them. |
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Thad Jones, a wonderful writer, left us the beautiful, sensitive piece, 'A Child Is Born.' With all due respect to the music, the arrangement is simple, sparse and, of course, a cappella. Vocalists must work wholeheartedly with breathing, phrasing, matching of vowel shapes, cutoffs and impeccable dynamics. Ellen Hoffman's arrangement of 'A Song For Christmas' is a fun jazzy tune for all who love the season. A knockout amalgam of jazz waltz/traditional carol moves 'Carol of the Bells' along at a rocket pace with phrases alternating between straight 8th and swing, and harmonic content between jazz and traditional. The middle section of the piece offers a brief slowdown before returning to the fast-paced crescendo to the climax. With an uptempo swinging groove, a rockin solo and gorgeous background vocals, 'Merry Christmas Baby' is sure to be an audience pleaser at your holiday concert. |
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'All On A Christmas Morning' is one of the least performed but most hauntingly beautiful of the Alfred Burt Christmas carols, this male chorus version features tight four-and five-part voicings and jazz reharmonizations throughout, a rare step-out solo for the second bass, followed by another step-out solo for the first tenor. Rangy, but worthy addition to any Christmas program. This arrangement of 'Away In A manger' seeks to give the lyrics their proper focus. It very effectively catches the mood that was intended with the lyrics, alternating shimmering harmonies with unison lines. Each member of the quartet is featured with one verse per person. This jazz waltz arrangement of 'We Wish You A Merry Christmas' is reminiscent of Blue Rondo a la Turk. The top tenor has the melody throughout, sung sweetly above the energetic rhythmic bed of the others. Other than a few slightly tongue twisting lines, this arrangement is not at all difficult, but it is very effective. 'What Are The Signs?' This little Alfred Burt Christmas carol is effective on its own or as a prelude to other carols in the program, especially other Burt carols. It begins with a Gregorian chant effect with all voices in a very quiet, low unison, then opens into a beautiful four-part male chorale in its second half. Requires good low range in the second bass part. |
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From the poignant unison opening phrase through the stunning unfolding of breath-taking choral warmth, ;'I'll Be Home For Christmas' is not to be missed! Lushly romantic harmonies will create an unforgettable musical spell. The happiness and glow of the holiday season is brought to life in this warm a cappella arrangement of '(There's No Place Like) Home For the Holidays' by Mac Huff. Sumptuous harmonies support the simple and expressive melody line. From its lush bell-tone opening to the lyrical harmonic treatment of the chorus, there's no doubt this a cappella setting of 'The Christmas Song' is a rare treat! Written with Lowell Everson, 'Vocal Jazz A Cappella Christmas, a collection of fourteen vocal jazz Christmas treats, is arranged with delightful harmonies and skillful voice leading. The songs are challenging, yet accessible for the high school or college level vocal jazz ensemble. Also fun to sing when you want to liven up your Christmas carol session or holiday season! |
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'Let it Snow' is written for an a cappella jazz group with sort of a Manhattan Transfer meets Take 6 approach. The SAATBB a cappella arrangement of 'Silent Night' starts simply and plaintively, then fills out harmonically over three verses. Provides a nice quiet moment for a Christmas concert. 'Santa Claus Is Comin To Town' is transformed into a hard-swingin', lighthearted arrangement. It features solos for a male and female, a half chorus scat solo, and a big shout chorus finish. Light vocal percussion and a strong bass singer are necessary. You will love this harmonically challenging, yet rewarding piece! Students, pros and parents alike will love the a cappella swing arrangement of 'Winter Wonderland. Fun to sing and has a big ending. Low bass has a written walking-bass line. |
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The touching Alfred Burt/Wihla Hutson Christmas carol, 'Some Children See Him' is a gentle but jazz-flavored arrangement. Some reharmonization, yet retains the sweet quality of the original. Features female and male solo spots. The arrangement of 'O Christmas Tree' is an upbeat a cappella version featuring close harmonies and key changes. A brief, warm rubato opening is followed by a swing scat duet, full group in major and minor keys, a foray into 3/4, then a final swing section under a scat solo. SSATTB requiring a strong bass. 'Winter Wonderland,' is written for unaccompanied voices in a heasy-swinging, Take 6 style. Though this chart features written solos for both male and female voices, the climatic point is the difficult big band style soli later in the chart. This rousing crowd-pleaser is also filled with quotes from other related songs and styles. Requires a group with a great sense of swing! 'Have Yourself a Merry Little Christmas' has a light and happy feel. Bass pedals, soprano descant, bass lines and rhythmic shots occur throughout. A modulation in the last A section is delightfully unexpected. It's a great chart to end the Christmas show. |
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Mandatory for fans of vintage vocal jazz, this delightful collection also documents the musical evolution of the genre with great groups such as the Mills Bros., Andrews Sisters and Dandridge Sisters, as well as many less famous but still important ensembles. 'Caravan,' 'Tuxedo Junction,' ' Java Jive' and 'Stormy Weather' are included, but it's equally a treat to hear 'That's My Weakness Now,' (The Rhythm Boys, who had Bing Crosby as a member) or the silly humor of 'The Girl In the Little Green Hat.' All tracks are accompanied. |
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A fine collection of traditional and modern spirituals that are bound to get your group swayin' and a prayin'. These stiring and heartfelt songs will inspire audience and singers alike. |
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There's nothing more enchanting than a great Broadway tune and here are some of the best! 'The Music Of The Night', the powerful and dramatic Andrew Lloyd Webber song from The Phantom of the Opera. in a brilliant a cappella setting by Kirby Shaw and exquisite harmonies and accessible vocal writing make the Rodgers and Hammerstein standard 'If I Loved You' a real classic. 'If Ever I Would Leave You' is one of the top Broadway love ballads of all time, this arrangement is a natural for a cappella women. Fantastic lyrics offer unique opportunities for lyric expression. This lyrical setting of the Camelot classic love song is sensitive, yet lightly contemporary in feel. Here is a touching standard 'Till There Was You' from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. This stunning new a cappella arrangement of the Leonard Bernstein West Side Story ballad 'Somewhere' was a featured selection for the 2002 Iowa All-State Choir. Destined to become a classic! 'What I Did for Love' is every performer's anthem! From the Broadway classic A Chorus Line, this a cappella setting will leave your audience spellbound! |
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'That's The Rhythm' is a delicious collection of 20 examples of Black vocal group harmony from the early 1930s to the early 1950s, all at least lightly accompanied. The watershed moment for these groups was the rise of network radio, which made immediate stars of the Mills Brothers and the Ink Spots. By 1945 there were three routes an aspiring group could take, the 'jubilee' gospel style of the Golden Gate Quartet, which enjoyed a crossover appeal, the jump/jive stylings of the Four Vagabonds, which had an almost entirely Black following, or going into the pop crossover stylings of the Ink Spots/Mills Brothers, whose huge success was due to the support of a vast white audience. So many treats: The Three Keys' cartoon-like 'Somebody Stole Gabriel's Horn,' Three Sharps and a Flat's wonderful title tune, the raunchy, double-entendre 'Garbage Man' by the Four Aces, the very funny 'Wig Blues' by The Melody Masters, who also star on 'Subway Cutie,' The Four Vagabonds' swinging 'Choo Choo,' The Four Blues' boogie-woogie anthem 'It Takes A Long Tall Brown Skinned Girl,' the Four Knights' sweet 'Wrapped Up In A Dream,' The Three Riffs' silly 'Cherry In My Lemon And Lime,' The Beavers' torch song 'I'd Rather Be Wrong Than Blue'-these are unknown musical treasures on many levels. Funny, poignant, hip, romantic-it's all here, and some of the sweetest leads and harmonies you could imagine. We love this collection! |
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For over 50 years, the Alfred Burt Carols have brought joy and good cheer to holiday celebrations around the world. Now for the first time ever, some of our greatest singers and beloved holiday voices have been brought together in this landmark collection. The diversity and caliber of these artists is testament to the respect that the Burt carols inspire with performances by Natalie Cole, Simon & Garfunkel, Johnny Mathis, Dave Grusin, Julie Andrews and a dozen others. With 24 brand new performances and remastered originals, this remarkable CD release is an instant classic! |
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This two CD collection is a great value, containing over 50 tracks from the top vocal groups of the 1940's. Some rare tracks here as well including The Stardusters, Snowflakes and The Song Spinners along with many of the big hits of the era. This is a well-put together compilation and listeners well really get the feel for this great period for vocal harmony groups. |
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These are some of the very earliest recordings Black vocal groups and is an outstanding example of the genre including vaudeville, blues and spirituals sung in both the 'old style' with its integrated parts blending smoothly as if sung by one person, and the 'new' with its foregrounding of wailing, blue notes and syncopation. The most well known groups here come from the incredibly fertile area of Norfolk Virginia, known for its astonishing number of vocal quartets in the 1920's and 30's. In all there is plenty of top-notch material here for lovers of pre-war vocal groups, with some churning quartet blues recordings that are irresistible. |
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This second volume moves us chronologically into the 1930's, a time when slicker, smoother, more polished and sophisticated vocal groups were gaining ascendancy in pop quarters. The groups included here show some of the barbershop stylings and imitations of instruments made popular at the time by groups such as the Mills Brothers. These groups were capturing the imaginations of popular fans and Harlem hipsters alike with their smooth, sweet and sometimes swinging harmonies. |
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The classic Vincent Youman song 'Without a Song' has delighted audiences for decades and has been recorded by artists of every genre. Kirby Shaw has added his superior arranging talent to provide us with a truly wonderful new arrangement. You don't even have to hear this arrangement of 'My Funny Valentine' to know how good it is, because it already has the top two ingredients: 1) a great tune, and 2) one of the best arrangers around. Kirby has taken one of the most gorgeous ballads of our time and crafted a special arrangement that's bound to please. 'Skylark' - A superbly crafted a cappella rendition of the all-time Hoagy Carmichael favorite standard, carefully woven to ensure logical voice leading for each vocal part. The arrangement smoothly flows from one lush harmony to another, each locked into the surrounding sounds, creating a tightly knit fabric of pure vocal pleasure. Stunning! Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin classic 'Embraceable You.' Showcase your singers with this very special arrangement! |
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This mournful arrangement of the Thelonius Monk ballad, 'Round Midnight' starts with a rubato intertwining intro, then spotlights tense cluster voicings supporting a female soloist throughout. With imaginative reharmonizations, yet good voice leading, this chart is extremely effective and accessible. 'If You Wanna Fly' is an Al Jarreau-style showcase for a strong tenor-baritone soloist. This up-tempo samba features hot choral backgrounds throughout doing horn section licks, an a cappella vocal/percussion break in the middle and some quick unison passages with choir and soloist. 'Not Like This' is another exquisite ballad made popular by Al Jarreau. Contemporary harmonies and recorded by Voice Trek for their CD 'At Last.' Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. The recording by Phil Mattson and the P.M. Singers (Jubilee album) features vocal percussion throughout, emulating a true drum part. If you have an experienced group and you're looking for a showcase piece to feature a talented bass singer and vocal percussionist, this arrangement is for you! |
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This a cappella ballad version of 'If I Only Had A Brain' was inspired by Harry Connick, Jr.'s vocal/piano treatment of the hit from The Wizard of Oz. Tight voicings and substitute harmonies make this ideal for jazz concert/festival programming. The rubato styling provides a strong musical showcase for the full choir. This spirited, a cappella, medium swing arrangement of the old silver screen classic, 'Singin' In The Rain,' will challenge your singers and delight your audiences. An interesting reharmonization and clever scat section provide a wonderful contrast to the delightful melody. It is high energy, it swings and it's fun! 'Over The Rainbow,' the time-honored standard tune, is given a lush a cappella treatment. There is a feature solo for a soprano or tenor throughout the arrangement, and a very strong and powerful ending. In this sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard, 'Alice In Wonderland' ranges from unison opening to lush six-part harmony and features a tenor solo. One of the most popular charts. |
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'Make Someone Happy' goes from a tender unison beginning to an exciting climax and a deceptively moving ending. Much of the beauty of this piece lies in simplicity and pure sincerity. 'It Ain't Necessarily So' is sure to be a crowd pleaser. Solos (or should we say, 'sermons?') are passed from voice to voice while the bass line makes comical interjections about the lyrics. The close, melting harmonies of 'You Go To My Head' beautifully paints the lyrics and mood of Fred Coots' timeless ballad. Soprano and alto are in a warm and mellow low register for the majority of the tune, while tenor and bass have a light and airy quality to blend. Rhythmic notation should serve as a guideline only, as a very free interpretation of time is needed to bring out the intense imagery of the lyrics and the 'bouquet' of the music. Perform this song when you want your listeners to leave hearing in their minds a 'haunting refrain'. 'Embraceable You' features opening bass pedal with voices layering above. Contrasting open and dense voicing create lustrous harmonic interest. A perfect program piece - a short gem that young singers can really dig their teeth into. |
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This a cappella treatment of Rodgers and Hart's 'Little Girl Blue' has become a classic amung vocal groups. Plenty of vocal and dynamic range to give this chart lots of freedom for interpretation and make it your own. One of Harold Arlen's great ballads, 'Last Night When We Were Young' is written a cappella for SSATB choir with a short soprano solo. Chords are colorful but not difficult to hear. 'Exactly Like You' is a great a cappella medium swinger that is fun to sing and a fine program opener. Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. The recording by Phil Mattson and the P.M. Singers (Jubilee album) features vocal percussion throughout, emulating a true drum part. If you have an experienced group and you're looking for a showcase piece to feature a talented bass singer and vocal percussionist, this arrangement is for you! |
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The beautiful 1937 ballad, 'I Can Dream, Can't I?' moves between lush harmonies and flowing counterpoint. It is richly texutred, yet accessible to most groups. ''Their Hearts Were Full of Spring' is as close as a mixed group can get to the original TTBB, Four Freshman, original. A very romantic a cappella ballad with lush harmony throughout! 'Am I Blue' sounds incredibly lush for having a maximum of 4 parts. A la Gene Puerling but easier. A definite 'oo and ah' creator! |
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This lush a cappella arrangement of 'I've Never Been In Love Before' features the entire vocal ensemble. The emotional lyric and fresh harmonization make this chart fun to rehearse and perform. Billie Holiday and Blood, Sweat and Tears helped to make 'God Bless The Child part of the standard jazz literature. It is a beautiful arrangement! 'Nancy with the Laughing Face' is another beautiful Johnny Mercer melody arranged in a very singable a cappella setting. A short solo with choir backgrounds sets up a beautiful and sensitive ending. Phil Mattson's arrangement of 'Love For Sale' was originally written for Chanticleer with a female solist. Now your vocal group can enjoy this beautiful gem! |
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'Aspen Waltz' is a lush a cappella original, by Randy Crenshaw, with a twelve-tone treatment of melody, supported by rich, Singers Unlimited-sytle chordal textures. Features soprano soloist, small group or section. Written by Bobby McFerrin and featured on his first album, 'Jubilee' is full of energy and fun. This arrangement is a cappella, with the bass singer doing an instrumental-like bass line throughout. It begins as a samba, goes to swing for a vocal improvisation solo and an ensemble 'soli' section, then back to the samba. 'Straighten Up and Fly Right' is a famous Nat Cole song heard on Natalie Cole's multi-Grammy winning Unforgettable album. There are solos for alto or tenor. Featuring traditional jazz-type harmonies, the feeling is bright with a lively tempo. 'Spring Can Really Hang You Up The Most' is a fun, beautiful piece fill with great jazz harmonies. 'Alice in Wonderland' is a sensitive ballad interpretation of the popular jazz waltz by Sammy Fain and Bob Hilliard. Ranges from unison opening to lush six-part harmony and features a tenor solo. |
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'Teach Me Tonight' is an excellent arrangement by Jason A. Smith. Lots of room for improvisation! 'Stolen Moments' is an Oliver Nelson classic with lyrics by Mark Murphy. bittersweet clusters and quartal voicings are followed by a 12-bar minor blues solo vamp and out. 'He's Asleep' is a little known tune, written by Alf Clausen (composer for The Simpsons and Moonlighting), and the great lyricist, Tommy Wolf. The arrangement features contrapuntal vocal lines that weave around through mysterious text. Although the piece is harmonically sophisticated, when performed well, it has a feeling of simple innocence. This arrangement would be a worthy challenge for any experienced group. 'The Man I Love' is a 6-part arrangement with fresh reharmonizations. It features an alto soloist, who can stick to the score or embellish freely, depending on her character. 'How Do You Keep The Music Playing' is a beautiful ballad that was originally recorded by James Ingram and Patti Austin as the theme song for the movie, Best Friends. This four-part a cappella arrangement is sensitive to the melodic and lyrical development of the tune, and features the soprano section and/or a female solo throughout. |
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A very happy version of 'Sunday' inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation with no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangmenet. 'Without A Song' What more can we say? A beautiful song, a beautiful arrangement. 'Over the Raininbow' is a simple, yet beautiful harmonization of the classic tune. 'You Are Too Beautiful' is an easy, yet effective arrangement of this all time Rodgers and Hart ballad, that gives your men's section a chance to really shine! |
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This is a nice, simple treatment of the Van Morrison favorite 'Moondance'. A solo in the second tenor range is true to the melody with some interesting chord subsititutions in the harmony parts. Beginning with a duet between solo and bass, there is plenty of room for some subtle, improvised vocal percussion from the other two voices. A bass part that doesn't get too low makes this a great choice for a young male quartet. An easy, yet effective arrangement of the all time Rodgers and Hart ballad 'You Are Too Beautiful', that gives your men's section a chance to really shine! Here's a snappy, toe-tapping rendition of ' Let's Get Away From It All'. It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. 'I've Got A Crush On You' starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with 'oo's' behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. |
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The arrangement of 'Bye, Bye, Blackbird' is a rubato ballad version of this pretty, old song. There is some re-harmonizaton, but overall the chords remain pretty square. You will find much opportunity to interpret phrasing as you like. The infectious original chart, 'Love Will Find a Way' starts out with a bed of close harmonies that explodes into a funk groove, highlighting a tenor solo. After the ensemble is featured in the bridge, the arrangement moves up a whole step. There is plenty of room for soloing as the tune moves through the chorus and ends with a thick-textured finish. The perfect showcase for your men. The 8-part arrangement of 'Eleanor Rigby' challenges the singer without detracting from the great lyrics. The first two verses can be baritone solos or the entire baritone section in unison. The third verse incorporates some unison and some unusual chord substitutions. The tenor 1 part is mostly in the falsetto range. The tenor 2 part usually falls in the head voice range and is all harmony. Works well as a showcase piece or closer for a male group with strong part-singing skills. |
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An a cappella, medium swing version of the great standard ' Bye, Bye Blackbird' arranged especially for four-part women's voices. The arrangement features a special introduction, tag and open improvisation section. Playing with melody and rhythm, the arrangement offers a fun challenge to singers and promises to be a hit with audiences. Requires wide ranges (E below middle C for Alto II, and high C for Soprano I). 'I Can Dream, Can't I?' is from the composers of the standard, 'I'll Be Seeing You', this beautiful 1937 ballad moves between lush harmonies and flowing counterpoint. It is richly texutred, yet accessible to most groups. 'Send In The Clowns: is the hauntingly beautiful ballad from Stephen Sondheim's A Little Night Music is arranged for four female voices. Unusual text painting devices are used to highlight the lyrics as well as tongue-in-cheek circus music. The arrangement will provide a challenge for the female group who seeks a unique setting of this wonderful show tune. |
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'How About You'. This a cappella tour-de-force is designed to feature a quartet or the entire choir. This vocal adaptation of the Rosemary Clooney/Hi-Lo's recording will challenge the most adept vocalists and will likewise impress the haughtiest self-proclaimed vocal jazz aficionado. 'For All We Know' is a lush four-voice a cappella ballad for soprano soloist. Written for and performed by UNC's SUS 4. The inclusion of the verse at the end is inspired by Mark Murphy's rendition. 'Cielito Lindo' is a traditional tune with very unusual rhythm approach. Tempo: breakneck. Requires good, strong sopranos. This intense rubato arrangement of the Rogers & Hart classic ' My Funny Valentine', though accessible to an upper-level high school SSAA group with some jazz experience, is challenging and muscially rewarding enough for the collegiate ensemble as well. Ranges are moderate: Soprano I extends up to F5, Alto II down to Bb3, keeping the harmonies close. A soprano solo is featured in the bridge over a three-part background, leading to a dramatic high point at 'Stay, little Valentine, stay!' Suggestions for breaths, expressive markings and dynamics are detailed in the score. |
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A warm and beautiful melody with poignant lyrics set in a sensitive, a cappella arrangement makes 'Try A Little Tenderness' a festival or concert favorite. The lyrics and melody to 'Draw Me A Circle' have an almost child-like simplicity. Setting it within the framework of a harmonically sophisticated arrangement has created a lovely and poignant piece. It is a cappella, rubato and features a fairly lengthy soprano solo. 'Sounds Like Fun' is a short and sweet showpiece. It is part ballad, part rhythmic masterpiece. The hot chords and flashy vocal moves eloquently, but not difficultly, to the very end. This chart is sure to be enjoyed by all those who sing it or just listen to it! 'Nina Never Knew' is an expressive and sensitive ballad setting with a beautiful, lyric melody. Medium difficult, but well worth the effort! |
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This close harmony version of the Simon and Garfunkel classic 'The Sound Of Silence' works well for beginning groups looking for interesting material, or advanced groups interested in a beautiful mood piece allowing for emotional interpretation. Mixing close harmony with arpeggiated textures, this arrangement allows each voice a turn with the solo line, and plenty of opportunity for rubato and expressive dynamics. This upbeat finger snappin' pop version of the doo-wop classic ' Rockin' Robin' will add some spark (and tweet) to your repertoire without being too difficult. The solo moves from part to part, allowing every singer a chance in the spotlight. 'Goodbye Old Paint' is a delightful western classic using modern harmonies and approach and 'I Don't Know Why I Love You Like I Do' is a ballad of the 40's in block harmonies. The tempo is medium. 'Don't Get Around Much Anymore' is one of the many great Ellington songs, arranged here for treble voices. The singers can feel free to alter the scat if it works better that way. 'Silent All These Years'. Tori Amos broke onto the music scene with this introspective ballad, and this arrangement captures all of the original's delicate moodiness. The background voices weave smooth patterns and ring warm chords. This is an excellent showcase for an expressive soloist (can either be a soprano or alto 1). SSSAA a cappella (4 part with solo). |
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An English/American folk standard, this arrangement of 'Aura Lee' is a group feature and begins as a ballad with octave unison, then some traditional harmony continues with ever-increasing reharmonization and works its way into a medium-swing setting with tight, rich harmony. 'Amazing Grace' is a traditional gospel, shuffle arrangement with jazz harmonies is sure to satisfy. The larger the ensemble, the better this one will sound. The 6/8 meter keeps the gospel flow and the harmonic structure will keep the jazz ears awake with its reharmonization. The opening and closing solo melody may be as free as your gospel ear desires. The 'Shenandoa' arrangement is here in a spiced up ballad setting. It begins with a tenor solo with later group entrance featuring diverse, harmonic settings, key changes, soprano solo, short tenor/soprano duet and, at the end of the group harmony, gently fades just like the ol' river. Close harmony chords and arpeggiated textures combine to make for a lush, complex, and moving rendering of, the Irish ballad, Danny Boy. A tenor solo and baritone duet share the melody with the ensemble. The simple folk melody in 'The Water is Wide' is the foundation for this complex choral work. Each verse has its own flavor, ranging from flowing arpeggiated textures to rich close harmonies. |
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Add a touch of Hollywood to your repertoire! The popular love theme from the hit movie Titanic, originally recorded by Celine Dion, is now available in an exquisite setting by Kirby Shaw. The essence of this very moving, emotional ballad, with its haunting melody and tender lyrics, is beautifully captured with word painting and lush harmonies. Guaranteed to create a moment of sheer magic in your concert. The breathtaking ballad 'Can You Feel The Love Tonight?' from The Lion King has a sonorous setting for a cappella ensembles. 'Under The Sea' is the showstopper from The Little Mermaid in a dynamite a cappella rendition by the incomparable Kirby Shaw. |
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Kirby Shaw's exquisite arrangements of two Billy Joel ballads 'And So It Goes' and 'Lullaby', one of the most poignant and beautiful songs of the '90s, are simply stunning. The moving lyrics and soaring vocals of the Josh Groban classic 'You Raise Me Up' will inspire all who hear it and powerful poetry, deep emotion, warm choral textures are all highlights of the Sarah McLachlan hit 'Angel', now in an expressive a cappella setting. Haunting! |
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In this video, some of the best and most renowned vocal arrangers share their special techniques for developing vocal group charts. You will learn how vocal charts differ from instrumental arrangements, and how to optimize the potential of an a cappella arrangement regardless of the 'style.' Other featured topics include chord voicings, writing for specific ensembles, how to make charts 'sing-able,' and the unique requirements of singers. Presented in an informal and conversational tone, 'Arranging for Vocal Groups' is a valuable instructional resource for a cappella singers and arrangers, from beginning to advanced. Interviews with: Andrew Chaiken - The House Jacks, Members of The Swingle Singers, Larry Detweiler - High School A Cappella, Derric Johnson - The Liberty Voices, Britt Quentin - M-Pact, Gary Rosen - Sixth Wave, Richard Bob Greene - The Bobs, Deke Sharon - The House Jacks, The CASA Songbooks, Vybe (Walt Disney), Gabe Rutman-Spiralmouth, Michelle Weir. Director: Richard Bob Greene is a Grammy nominated arranger, songwriter, recording artist and producer. As the co-founder and creator of the nu-wave a cappella super group The Bobs, Greene 'fractured and reconstructed the rules for popular music.' As a composer and songwriter/librettist, Greene has received commissions from Lincoln Center, the Los Angeles Theater Center, ABC and many others. He has written music for the feature films 'Breaking the Rules,' 'For Better or Worse' and 'Man in the Moon.' He has recently produced CDs for other a cappella groups including 'Throat Culture,' 'Toxic Audio' and 'Da Vinci's Notebook.' Running Time: 56 minutes |
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A collection of quality anthems easy to learn for those slim Sundays. This compilation of eight selections plus bonus benediction will stretch your budget and save the day with SAB, two-Part and simple SATB anthems ideal for smaller choirs. |
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A Garland For Linda is an evocative and moving anthology of works for a cappella chorus to commemorate the life of Linda McCartney. Modelled on the precedent of A Garland For The Queen (1953), nine British composers, including Paul McCartney, Richard Rodney Bennett, John Rutter and John Tavener, have been inspired to compose music of considerable expressiveness and beauty. The anthology shows the power of music to provide hope to those who are suffering from ill health. |
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A collection of classic madrigals from the masters of the genre. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. Duets for Soprano-Tenor Volume 1 includes: Parigi, o cara (Verdi) - Libiamo ne'lieti calici (Verdi) - Tornami a dir che m'ami (Donizetti) - O soave fanciulla (Puccini) - O terra, addio (Verdi). |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. |
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With a companion CD of orchestrated accompaniments, as well as full performances with singers. Most titles match the original artist recordings, however some new arrangements have also been done especially for this collection. |
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A fantastic series featuring the best songs from Broadway classics. Collections are organized by voice type and each book includes recorded piano accompaniment on CD. |
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This outstanding series is an encouragement to beginning singers in preparing a vocal solo. Songs have been carefully chosen for each voice type after consulting many official state contest repertoire lists. All the songs, for instance, are on the Texas list. The series will be useful to any novice singer, not just limited to those preparing an actual contest solo. Each volume contains 10 songs: 5 art songs in English, an African-American spiritual, 2 songs in Italian, a song in German and a song in Spanish. There are new editions and engravings of all songs. Biographical information is included on each composer. Interpretive suggestions are given for each song, and the preface on 'Learning a Song' is especially instructive. Each companion CD includes beautiful performances of all the songs by a professional singer, and excellent accompaniments by pianist Laura Ward. Also on the CD are pronunciation guides in Italian, German and Spanish. |
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A terrific, useful collection of 10 songs for the wedding, including both popular songs and contemporary Christian material. There are two versions of each song on the companion CD, first with full performances with singers, then with the instrumental accompaniments only. Most of the recordings match those done by the original artists. |
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A terrific, useful collection of 10 songs for the wedding, including both popular songs and contemporary Christian material. There are two versions of each song on the companion CD, first with full performances with singers, then with the instrumental accompaniments only. |
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Sixteen performance pieces arranged for male singers and piano. Includes accompanying CD with backing tracks to sing along to. |
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Sixteen performance pieces arranged for female singers and piano. Includes accompanying CD with backing tracks to sing along to. |
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Includes piano/vocal arrangements of 30 songs for weddings, plus an accompanying CD for 5 new songs. |
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10 classic Disney songs have been chosen as being especially appropriate solos for children. This collection of piano/vocal music comes with a companion CD, which includes a full performance by a child singer, and a piano accompaniment track for practice. |
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As a follow-up to the hit book/CD pack Disney Solos for Kids, here are 10 more songs that kids will love. |
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Songbirds unite! MMO's best-selling vocal album ever is now beautifully remastered in digital stereo! These classic soprano aria accompaniments, drawn from the greatest operatic repertoire, are well worth the effort to learn - and Mr. Wustman, your world-famous accompanist, makes it a comfortable workout for the vocal chords! |
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Mr. Wustman has developed that rare quality of bringing a strength and character to his accompaniments which create a true collaboration between the singer and the pianist. |
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This broad collection of advanced contest solos for tenor features challenging repertoire, performed by George Shirley, and then by you, the soloist. Includes a high-quality printed vocal score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by stereo accompaniments to each piece, minus the soloist. |
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A wonderful album of baritone arias from the best musical history has to offer, with the great John Wustman as your accompanist. Includes a printed vocal score; and a CD+G graphics-encoded compact disc with stereo accompaniments to each piece. |
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Eight Madrigals arranged for SSA or SSAA Choir. |
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Forty-one classic and modern anthems for the church year. This anthology draws on over 180 years of publishing to provide an invaluable resource for parish and cathedral choirs. The selection features many of the leading sacred composers of the nineteenth and twentieth centuries. All the anthems are for SATB, the majority with keyboard and some unaccompanied. There is a diversity of style and difficulty. Pieces for every season of the church year and every church occasion are included. |
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Fantastic heart-on-the-sleeve American standards in new arrangements designed to flatter any singer, with interesting harmonies and accompaniments. The arrangements are in the spirit of the performance tradition established by singers such as Judy Garland, Tony Bennett, Frank Sinatra, Nat King Cole, Peggy Lee and others. Keys have been carefully chosen and will be comfortable for most voices. The book contains arrangements for voice and piano accompaniment, plus a section of 'fake book'-style arrangements convenient for performing. The accompanying CD includes great performances of each song by a singer backed by piano, bass and drums, as well as trio acompaniment tracks only for practice or performance. |
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Cabaret is a form of entertainment featuring comedy, song, dance, and theatre, distinguished mainly by the performance venue - a restaurant or nightclub with a stage for performances and the audience sitting at tables (often dining or drinking) watching the performance being introduced by a master of ceremonies, or MC. Here are 54 essential cabaret classics. |
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This unprecedented collection includes 31 songs heard in today's New York cabarets, and in Broadway and Off-Broadway shows. These songs, many of which have never before appeared in print, have been performed and recorded by Tony Bennett, Barbara Cook, Amanda McBroom, Michael Feinstein, Andrea Marcovicci, Patti LuPone, Karen Akers and many others. |
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There's never been such a singer-friendly fake book! Songs include material from the entire rock era, with ballads as well as many up-tempo dance tunes. Over 100 songs every singer needs, in appropriate keys, with intros, interludes, endings and background vocal harmonies. |
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More than 100 country favorites all in the key of C, arranged with simplified harmonies and melodies and complete lyrics. A fake book has one-line music notation consisting of melody, lyrics, and chord symbols. This lead sheet format is a 'musical shorthand' which is an invaluable resource for all musicians - hobbyists and professionals. In the event that you haven't used chord symbols to create accompaniment, or yourexperience is limited, a chord speller chart is included at the back of the book to help you get started. |
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Pick your part and sing along with a professionally recorded choir! This collection features 8 Disney movies favorites in 4-part arrangements, and the accompanying CD contains full-performance recordings. |
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Sling that sensual voice around like a black feather boa! This collection contains 35 great standards in low keys especially for women singers. |
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80 of the all-time best blues tunes in one jam-packed collection! |
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45 songs published in two keys, perfect for singers! Almost all of these songs have only ever been available in one key. This new edition allows a singer to find a favorite song in a comfortable key. There are beloved Disney classics up through contemporary songs. Songs were chosen particularly because of their melodic appeal to singers. This will be a treasured book for decades of use! |
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45 songs published in two keys, perfect for singers! Almost all of these songs have only ever been available in one key. This new edition allows a singer to find a favorite song in a comfortable key. There are beloved Disney classics up through contemporary songs. Songs were chosen particularly because of their melodic appeal to singers. This will be a treasured book for decades of use! |
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The Society of Singers is an organization which benefits the health and welfare of professional singers. Every year, they present an 'Ella Award' (named for its first recipient, Ella Fitzgerald), to an artist who is chosen for his or her contribution to the music world and their dedicated efforts to benefit the community and worldwide humanitarian causes. This songbook features 2 signature songs from each of the 13 recipients of the Ella Award. |
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120 holiday songs especially arranged for voice in appropriate singing keys with introductions, suggested repeats, modulations, and extended tag endings. Features a wide variety of titles. |
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A wonderfully diverse collection of comedy songs, character songs, Vaudeville numbers, dramatic songs, and ballads for the actor who sings. A perfect resource for finding an audition piece or specialty number. Two editions, one for women and one for men, with a completely different selection of over 50 songs in each. |
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A wonderfully diverse collection of comedy songs, character songs, Vaudeville numbers, dramatic songs, and ballads for the actor who sings. A perfect resource for finding an audition piece or specialty number. Two editions, one for women and one for men, with a completely different selection of over 50 songs in each. |
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The Real Vocal Book has many of the selections from volumes 1 and 2 of the instrumental Real Books, but now with the lyrics added to the pre-existing melody line. Nearly 300 essential songs compiled especially for singers. |
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32 top tunes from Latin jazz repertoire |
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17 Inspirational Love Songs from Today's Top Country Artists. A great collection of love songs, including: Always Sixteen (Billy Ray Cyrus) - Amazed (Lonestar) - Because You Love Me (Jo Dee Messina) - Forever and Ever, Amen (Randy Travis) - I Swear (John Michael Montgomery) - I Will Always Love You (Dolly Parton with Vince Gill) - She's My Kind of Rain (Tim McGraw) - With This Ring (Sawyer Brown) - and more. |
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25 of 2007's biggest hits, including: Bless the Broken Road (Selah) - Cry Out to Jesus (Third Day) - I Will Lift My Eyes (Bebo Norman) - Lifesong (Casting Crowns) - Made to Worship (Chris Tomlin) - My Savior, My God (Aaron Shust) - Strong Tower (Kutless) - What It Means (Jeremy Camp) and more. |
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The power of the gospel choir comes to life in this uplifting and spiritual holiday collection by today's top gospel stars including Kirk Franklin and the Family, Patti LaBelle, Israel & New Breed, Fred Hammond, Hezekiah Walker and Donald Lawrence. Voices: A Gospel Choir Christmas features inspirational choir arrangements of holiday classics together in one special collection, offered at a value price. Voices brings the sounds of the gospel choir right into your home. Now listeners anywhere can feel that special spirit that could only come from a gospel choir, with classics like Silent Night, The First Noel, Go Tell It on the Mountain and O Holy Night. |
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46 classic and contemporary carols celebrating the season as recorded by artists such as Avalon, Ray Boltz, Michael Card, Steven Curtis Chapman, Steve Green, Phillips, Craig & Dean, Point of Grace, Rebecca St. James, and more. |
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This great fake book contains over 400 contemporary Christian songs, ranging from the standards to today's current hits. Artists represented include: Avalon, Steven Curtis Chapman, DC Talk, Amy Grant, Jars of Clay, Crystal Lewis, Sandi Patty, Petra, Point of Grace, Rebecca St. James, Michael W. Smith, Jaci Velasquez, and more! |
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An anthology of some of the most beautiful and most popular tunes in this genre in new and fresh arrangements, all with easy piano accompaniment. The separate voice part contains an optional part for a second voice. For guitarists there is fingering notation as well as chord symbols. |
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Don't you love hymns and praise songs? This hymn book includes the best of the old and the best of the new, all in one collection. Features include easy-to-read large print notation in SATB hymnal-style arrangements with chord symbols included. The sturdy wire-ring binding lies flat when opened Ð making it perfect for home use or for accompaniment at church. This book is loaded with timeless favorites and makes a great gift! |
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48 timeless classics from Irving Berlin to The Beatles and beyond! |
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15 fun songs of faith for church in kid-friendly keys with a companion CD of full performances by children soloists with piano accompaniments. |
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These outstanding volumes contain 30 wonderful songs appropriate for weddings, published for the first time in two keys. |
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This must-own collection includes 635 songs spanning all jazz styles from more than 9 decades - from traditional to swing to modern jazz, carefully chosen chords with common practice chord substitutions, lyrics to accomodate vocalists, easy-to-read music, and composer and performer indexes. |
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21 hits from country's top female stars including Shania Twain, LeAnn Rimes, Wynonna Judd, Faith Hill and The Dixie Chicks. |
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40 favorites from yesteryear, featuring songs by The Platters, Five Keys, Spaniels, Monotones, Four Seasons and many, many more. Includes some very good tips and suggestions for performing each and every song. |
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This collection is designed for those students, of any age beyond early teens, in the early stages of voice study, although the arrangements are so satisfying that more advanced singers will also enjoy them. The ranges are modest, and songs have been chosen for both genders. The new arrangements are lovely, fresh and interesting, but keep the simple vocal line in the forefront. The piano accompaniments were deliberately designed for an intermediate level player. The CD includes beautiful performances of each song by professional singers to be used as a learning tool, and a piano accompaniment track for practice. Joan Boytim, the leading American expert on teaching the young voice, has added a preface about how to use these songs in the studio. |
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This collection is designed for those students, of any age beyond early teens, in the early stages of voice study, although the arrangements are so satisfying that more advanced singers will also enjoy them. The ranges are modest, and songs have been chosen for both genders. The new arrangements are lovely, fresh and interesting, but keep the simple vocal line in the forefront. The piano accompaniments were deliberately designed for an intermediate level player. The CD includes beautiful performances of each song by professional singers to be used as a learning tool, and a piano accompaniment track for practice. Joan Boytim, the leading American expert on teaching the young voice, has added a preface about how to use these songs in the studio. |
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Over 50 of the most requested love songs, from Irving Berlin and Burt Bacharach, to James Taylor and Joshua Kadison. |
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This second edition features 70 sad, sultry favorites full of longing |
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Go backstage at a Championship contest with this exciting PBS video, featuring performances by FRED, Revival, Bank Street, Turning Point, The Alexandria Harmonizers, and Vocal Majority (singing 'Jericho'). See firsthand what it takes to become a championship quartet! |
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From Berlin to Gershwin to Carmichael to Cahn, this folio features a comprehensive collection of standards from the greatest American composers, along with photos and bios of these masters of song. |
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The ancient Greek 'sign of the fish' (Ichthys) is an instantly recognizable Christian symbol in pop culture. It is used on car bumpers, clothing, jewelry, business logos, and more. Hal Leonard is proud to offer The Fish Series, showcasing the wide variety of music styles that comprise the Contemporary Christian genre. From the early pioneers of CCM to today's current hits, there's something for everyone! |
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This useful, inventive collection of sacred solos is a valuable resource for classical singers looking for church service material, or the songs are also appropriate for a traditional recital. The collection includes art-song type settings of traditional songs, plus more conventional classical material. |
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A great collection for women singers. All songs have been chosen especially for this type of voice, with careful attention to range and keys. |
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Contains over a hundred charming melodies, including old favorites, new arrangements and original works by Barrie Carson Turner. The collection encompasses a range of musical styles and genres. Designed for 2 to 6 parts, with ostinato accompaniments, the canons and rounds are suitable for all voices and all ages. |
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This first installment in the new Portraits in Song Series is an outstanding collection of hymnwriters and arrangers. Each of these solos may be performed separately, or Ð paired with the brief biographical information Ð together, creating an excellent recital or special worship program. |
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This first installment in the new Portraits in Song Series is an outstanding collection of hymnwriters and arrangers. Each of these solos may be performed separately, or - paired with the brief biographical information - together, creating an excellent recital or special worship program. |
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The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole-creating an exceptional resource for worship or recital planning. |
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The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole-creating an exceptional resource for worship or recital planning. |
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The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. |
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The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. |
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These great collections let men sing four-part a cappella harmony with a professionally recorded barbershop quartet. The books include TTBB parts and the CDs feature full performances. Just turn on the CD, open the book, pick your part, and sing along! |
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These great collections let men sing four-part a cappella harmony with a professionally recorded barbershop quartet. The books include TTBB parts and the CDs feature full performances. Just turn on the CD, open the book, pick your part, and sing along! |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera books include versions for voice and piano of the world's most famous arias, plus plots and translations. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and a performance by an established artist. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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With standard vocal/piano aria editions, plot notes and English translations, and with a CD of full performances and orchestral accompaniments. |
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Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
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With both recorded full performances and orchestra accompaniments, this book presents the standard voice and piano reduction of each aria, a short plot summary and translation. Includes |
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With both recorded full performances and orchestra accompaniments, this book presents the standard voice and piano reduction of each aria, a short plot summary and translation. |
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With both recorded full performances and orchestra accompaniments, this book presents the standard voice and piano reduction of each aria, a short plot summary and translation. |
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With both recorded full performances and orchestra accompaniments, this book presents the standard voice and piano reduction of each aria, a short plot summary and translation. |
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With both recorded full performances and orchestra accompaniments, this book presents the standard voice and piano reduction of each aria, a short plot summary and translation. |
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This edition includes vocal scores and a CD containing a complete version as well as an accompaniment-only version. It includes the lyrics and background notes in Italian and English and information on the Compagnia d'Opera Italiana. |
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This book provides hours of singalong fun around the piano! |
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39 songs for hours of singalong fun! |
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How many times have we heard women pop singers complain about the printed keys of standard songs? 'They're too high for me!' is the predictable comment. Here's a new collection that addresses that concern, transposing great songs down into a comfortable belting range. |
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25 songs kids love to play during the holidays! |
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Everyone knows a blockbuster is something that makes quite an impression. Similarly, a Barbershop Blockbuster is certain to make quite an impression on a connoisseur of barbershop singing. The arrangements were prepared by the finest arrangers in the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America. |
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The ultimate in barbershop arranging takes place when you combine a good melody and a top arranger; such a combination is contained within this book. Most of the songs in this book meet the rigid standards of competition for SPEBSQSA. Music educators and directors of the male choruses will find this book has much to offer in providing not only variety, but an opportunity to 'ring' a few chords in the typical barbershop fashion. Barbershoppers will welcome this material to expand their existing repertoire. |
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review pending |
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A wonderful collection of songs arranged by some of the best in the field. |
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A great selection from the Society's 1991 International Finals. |
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A fun selection from the Society's 1990 International Finals. |

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The Broadway hit Wicked continues to enchant audiences all across the country. In 'The Wizard and I', Elphaba dreams of the life before her and her dreams for the future. The stirring ballad 'For Good' reminds us of the positive influence we can have on others. ... I have been changed for good. 'Defying Gravity' is a showstopper and will be an instant favorite with your choirs. Filled with hope and determination, the powerful lyrics speak to all ages. 'What is this feeling?' Not love, but loathing, unadulterated loathing! Your SSA groups can show a little attitude with this fun and funny number from the Broadway smash hit Wicked. A fantastic change of pace! 'I'm Not That Girl' is a delicate song of self discovery, this expressive ballad will be a wonderful selection for SSA groups. Piano accompaniement. |
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This terrific collection includes over 70 songs associated with some of the greatest female vocalists ever recorded. These 'ladies of song' include Barbra Streisand, Etta James, Liza Minnelli, Peggy Lee, and Sarah Vaughan, to name but a few. |
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As hundreds of Barbershop quartets descended on Nashville in July of 2008, it occurred to ten of the best of them to record a tribute to the Music City. Thus was born this sweet little collection of 10 tunes: Gotcha!'s 'Be My Baby Tonight,' OC Times' 'Honey (Open That Door)/Hey Good Lookin' Medley,' Realtime's 'Rocky Top,' The Rounders' (featuring the Jordanaires) 'Are You Lonesome Tonight,' Men In Black's 'Roly Poly,' Vocal Spectrum's 'Daddy Sang Bass,' Great Nashville Singout's 'Crazy,' Tonehenge's 'Senior Citizen Blues,' State Line Grocery's 'Tennessee Waltz' and Rural Route 4's 'I've Been Everywhere.' 'Welcome' is a tasty smorgasbord of country flavors that will make you want to sing along! |
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This is a great resource for any quartet who would like to have the satisfaction of creating their own arrangements. All the fundamentals are here including sections on barbershop chord voicing, harmonic progressions, alternative harmonies and embellishments (swipes, echos, patter, slides). |
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Since the couple of months in the Spring of 2008 that producers from NBC followed Primarily A Cappella's John Neal around and their camera crews filmed the Harmony Sweepstakes A Cappella Finals in San Rafael, CA, the a cappella world has gone through some big changes. The Sing-Off showed off the Sweeps' brand of exciting, unique mixed-genre a cappella competition to new studio audiences and millions of new Primetime tv viewers. Harmony Sweeps Finals veterans like Face and MAXX Factor were showing off their stuff, and the first year's champion was Nota, whose three core members performed as Alpha at the '04 Sweeps Finals. 'The sing-off, The Best of Season 2' features 2005 Sweeps champs Groove for Thought, and these 11 songs, like 'Beautiful Day' by all the sing-off contestants, 'Apologize' by 1st place winners Committed, Radiohead's 'Creep' by Street Corner Symphony, Stevie Nicks' 'Landslide' by The Backbeats, Jerry Lawson & Talk of the Town's 'Mercy,' Eleventh Hour's 'Baby,' Groove for Thought's 'Cooler Than Me,' The Yale Whiffenpoofs' 'Grace Kelly,' Pitch Slapped's 'Good Girls Go Bad,' Men of Note's 'Take a Bow' and On The Rocks' 'The Final Countdown' simply underscores how much vocal talent has been assembled here for all to see and hear. Buy 'The Best of Season 2' and listen to a cappella take off like a harmonious, vocal percussioning rocket on national TV! Listen to Apologize in RealAudio. |
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'The Sing-Off,' based on our beloved Harmony Sweepstakes, is putting a cappella on America's Prime Time Doorstep, and drawing huge viewing audience numbers for NBC. Some very bright person from the show in Hollywood got the very good idea of recording a Christmas CD featuring the 10 groups still in the running for the Sing-Off 2010 championship. Thus we have in our hands a unique Christmas album, a 'best of the Sing-Off best,' if you will! Beginning with Pitch Slapped's upbeat, spirited cover of 'Joy To The World,' On The Rocks' sweet, harmonious 'White Christmas' and The Backbeats' powerful 'O Holy Night,' we continue with Eleventh Hour's classic Pop cover of 'Santa Claus Is Comin' To Town,' Men Of Note's ringing 'The First Noel,' Yale's Whiffenpoofs' intricately arranged and harmonized 'God Rest Ye, Merry Gentlemen,' Committed's surprising bluenote arrangement of 'Angels We Have Heard On High,' Jerry Lawson & Talk of The Town's Motown-flavored 'Silent Night,' Harmony Sweeps champs Groove For Thought's wonderful 'We Three Kings/O Come, O Come, Emmanuel' medley and Street Corner Symphony's driving vocal percussion gem 'Auld Lang Syne.' As we saw so many times at the Sweeps National Finals, each of these groups is marvelous in their own way, and we could only be sure as we heard their sets that we didn't envy the judges. But for now, let us take home and treasure this unique Christmas album from ten of the best a cappella groups in the country, and bless The Sing-Off, a beautifully-wrapped gift to a cappella music! Listen to God Rest Ye Merry Gentlemen in RealAudio. |
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One of the most successful vocal harmony groups of the 60's were the Four Seasons and their songs are as iconic as ever thanks in part to the hit Broadway show Jersey Boys. 'Walk Like a Man' was one of the songs that propelled the Four Seasons to stardom and a showstopper in Jersey Boys that chronicles their rags-to-riches story, your men's group will bring down the house with the soaring falsetto over solid rock and roll harmonies. With soaring falsetto and smooth harmonies, 'Sherry' was a #1 hit in 1962 and will make your guys the stars of the show. Audiences will love hearing these songs and watch out of they might sing along with the choir!! |
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Enjoy singing 8 Christmas favorites all arranged for female voice. The Ultimate Sing-Along books give you everything you need to sing with your favorite Christmas songs. Each book has the lyrics, music notation and chords with lyrics-only pages included. There are two versions of every song on the CD: a full performance track with a sound-alike recording, and a professional accompaniment track so you can sing along. When you play the CD on your computer (Mac or Windows) you can easily change the tempo and key to individualize the playback for just your voice and style. |
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Enjoy singing 8 Christmas favorites all arranged for male voice. The Ultimate Sing-Along books give you everything you need to sing with your favorite Christmas songs. Each book has the lyrics, music notation and chords with lyrics-only pages included. There are two versions of every song on the CD: a full performance track with a sound-alike recording, and a professional accompaniment track so you can sing along. When you play the CD on your computer (Mac or Windows) you can easily change the tempo and key to individualize the playback for just your voice and style. |
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This truly unique songbook will open wide a new range of repertoire for jazz vocalists. It contains music written by some of the world's finest jazz composers and performers Ð many selections which were originally instrumental compositions with lyrics written later. The book includes tables of contents listing the lyricized titles as well as the 'instrumentally known as' titles, plus indexes by composer, lyricist and tempo/style. Songs included are in keys comfortable for most medium-range singers. |
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This instructional package for beginning vocals includes a DVD, an interactive CD-ROM, and a portable book/CD set. The DVD introduces the instructors, shows how they got started, what it is like to perform, what music means to them, and how to buy your first gear. Learn some basic techniques and start singing right away! Come back and sing with the band in the interactive Virtual Jam Session! The CD-ROM contains your first 50+ vocal lessons. Allen, Anna, Aron, Daniel, Lillian and SaBella, will teach you how to use your voice, find your range, and learn to sing different styles of music. Also included are Karaoke style practice tracks that will get you singing right away. The full color AudioBook is the pocket reference manual that works with the Audio CD that contains your first 50+ lessons and gives you the flexibility to practice and keep learning where ever you are. Just match the tracks in the Book to the tracks on your CD player and follow along. Great for younger aspiring singers. |
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Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. Steve Zegree's jazz harmonies in this classic ballad, 'Try To Remember,' from The Fantasticks simply shimmers in this warm a cappella setting! This beautifully lyrical classic ballad, 'The Very Thought Of You,' is expressively arranged in a lush a cappella setting. Varied choral textures and luscious harmonies make 'Hello Young Lovers' an ideal selection for a cappella vocal groups. Also included is 'Georgia On My Mind.' |
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As one of the earliest forms of a cappella singing every group should know at least some of the doo wop classics. 'Under The Boardwalk', the 1964 hit by the Drifters, is one of the all time a cappella hits and should be in every group's repertoire. Here's a super doo-wop arrangement of Ben E King's 1961 'Stand By Me' and ' In The Still Of The Night', a doo wop gem that's fun to sing. 'Come Go With Me' - Put a special soloist out front with this doo-wop hit of the '50s! |
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Absolutely stunning! The classic 'Moon River' is expertly arranged by noted jazz educator Steve Zegree to show your group at its best. A wonderful opportunity to develop blend, phrasing and intonation. 'I've Grown Accustomed To Her Face' is the exquisite ballad from My Fair Lady beautifully arranged here by Steve Zegree. Barbra Streisand's classic 'The Way We Were' in a lovely a cappella setting. 'My Heart Will Go On', the popular love theme from the hit movie Titanic, originally recorded by Celine Dion, is now available in an exquisite setting by Kirby Shaw. The essence of this very moving, emotional ballad, with its haunting melody and tender lyrics, is beautifully captured with word painting and lush harmonies. Guaranteed to create a moment of sheer magic in your concert. |
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A stimulating collection of unique concepts on teaching and conducting by 57 of today's most outstanding music educators. Contains to-the-point, thought-provoking ideas proven successful by master teacher-conductors. Problem solving tips, philosophical concepts and ensemble-building skills all in one easy-to-read collection. An ideal source of exciting strategies for all levels of performance ensembles. Proceeds from the sale of this book go to The American Music Conference. |
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Designed for use in schools, churches, and with other community choirs, Voice for Life offers four levels of vocal training for beginning through advanced singers. Whether a child or an adult, singers will develop skills in five core areas: using the voice well; musical skills and understanding; repertoire; belonging to the choir; and choir in context. With more than 300 pages, this book contains all the teaching material, guidance notes, and practical advice needed to train and assess singers with confidence at all four levels. Includes reproducible pages for lessons with singers for all four levels. |
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Designed for use in schools, churches, and with other community choirs, Voice for Life offers four levels of vocal training for beginning through advanced singers. Whether a child or an adult, singers will develop skills in five core areas: using the voice well; musical skills and understanding; repertoire; belonging to the choir; and choir in context. Level 1 includes interactive questions, exercises, puzzles, quotes from singers, voice care tips, and more! Targets and goals are clearly defined, with a space for the director to sign off when a goal is completed. |
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Designed for use in schools, churches, and with other community choirs, Voice for Life offers four levels of vocal training for beginning through advanced singers. Whether a child or an adult, singers will develop skills in five core areas: using the voice well; musical skills and understanding; repertoire; belonging to the choir; and choir in context. Level 2 includes interactive questions, exercises, puzzles, quotes from singers, voice care tips, and more! Targets and goals are clearly defined, with a space for the director to sign off when a goal is completed. |
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Designed for use in schools, churches, and with other community choirs, Voice for Life offers four levels of vocal training for beginning through advanced singers. Whether a child or an adult, singers will develop skills in five core areas: using the voice well; musical skills and understanding; repertoire; belonging to the choir; and choir in context. Level 3 includes interactive questions, exercises, puzzles, quotes from singers, voice care tips, and more! Targets and goals are clearly defined, with a space for the director to sign off when a goal is completed. |
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Designed for use in schools, churches, and with other community choirs, Voice for Life offers four levels of vocal training for beginning through advanced singers. Whether a child or an adult, singers will develop skills in five core areas: using the voice well; musical skills and understanding; repertoire; belonging to the choir; and choir in context. Level 4 includes interactive questions, exercises, puzzles, quotes from singers, voice care tips, and more! Targets and goals are clearly defined, with a space for the director to sign off when a goal is completed. |
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An LWT South Bank Show, presented by Melvyn Bragg, exploring the phenomenon of countertenor singing With its unique, soaring beauty, the high male voice is today enjoying a huge resurgence in popularity. Heirs to the celebrated castrati of the sixteenth and seventeenth centuries, today's countertenors produce their voices by wholly natural means. In this program international stars Michael Chance, Andreas Scholl and James Bowman, as well as pop star Jimmy Somerville, shed light on the appeal of the male falsetto. Meanwhile, experts such as Michael White place today's countertenors in their historical context. What emerges is a compelling portrayal of an unmistakable vocal style, rooted in church and operatic tradition, yet completely up-to-date, resonating louder today than at any time in the last two hundred years. Following the South Bank Show is a 70-minute program of specially recorded performance material, showcasing the extraordinary talents of today's most popular countertenors. |
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The spiritual culture of Russia is reflected in the beauty of its churches and monasteries, paintings and frescoes that adorn them and - above all - in the sacred music that is sung in them. This program celebrates the history of Christmas in Russia and features 15 beautiful holiday songs. Holy Russia is a vocal and musical treasure that you will enjoy year after year. |
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Written, researched, and compiled by choral scholars and educators with a wealth of teaching and conducting experience, Teaching Music through Performance in Choir, Volume 2 aids conductors and educators on the quest toward full musical awareness. This book is an ideal tool for anyone seeking a deeper understanding of the preeminent music composed for choir and a wonderful opportunity to learn from some of the most expert voices in the choral profession. Contributing composers: Jerry Blackstone, Janet Giavan, Ann Howard Jones, James Jordan, Libby Larsen, Heather J. Buchanan and Matthew W. Mehaffey. |
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Anyone who has ever wanted to delve into the minds of leading composers for choir will be enlightened by the commentary of leading choral voices in Composers on Composing for Choir. Learn how Libby Larsen views the changing role of the twenty-first-century composer and how she sees the performance art evolving in years to come. Uncover Rene Clausen's approach to selecting poetic texts for his pieces. Read John Rutter's commentary on singing as an 'expression of our deepest selves' and why he thinks amateur music making is so important. In addition, master composers David N. Childs, Morten Lauridsen, Kirke Mechem, James Mulholland, Z. Randall Stroope, Andre Thomas, and Gwyneth Walker share their insights on writing for choir. The composers, in turn, discuss their backgrounds, views of the creative process, and the relationship between text and music; they give advice on performing their works, approaching commissions, and mentoring young composers. They list individuals who influenced their development and careers and ten choral works all conductors should study. The renowned composers then conclude with thoughts on the future of choral music and supply a comprehensive list of their works for choir. The insights in Composers on Composing for Choir will help any choral professional bring more thoughtful interpretations and more musically sensitive performances to some of the best choral literature. Conductors, performers, and composers will find valuable reference materials for their development and a treasure trove of inspiration to carry over into any choral endeavor. |
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SATB choirs are always on the look-out for approachable show-stopping concert pieces guaranteeed to bring the house down. This is such a collection, containing 24 varied numbers carefully collected by editor Peter Gritton, and ranging in character from classic, sentimental leave-taking items, through humorous or quirky pieces, to exciting fast-moving numbers. As well as containing well known standards of the repertoire there are many new compositions by such acknowledged choral experts as John Rutter, Andrew Carter and Bob Chilcott. |
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Editied by John Rutter these songs come from the British Isles and North America, ranging widely in regional origin and character. |
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Edited by John Rutter all these songs come from the British Isles. |
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Most people don't think about singing when they think about revolution. But song was the weapon of choice when Estonians sought to free themselves from decades of Soviet occupation. The Singing Revolution is an inspiring account of one nation's dramatic rebirth. It is the story of humankind's irrepressible drive for freedom and self-determination. Hundreds of thousands of people faced down their oppressors... armed only with hope, truth and song. Recommended. |
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Billed as the choral event of the Century, this CD brings together five midwestern Lutheran colleges in a concert celebrating the 125th Anniversary of F. Melius Christiansen's birth. Features Concordia Choir, Luther College Nordic Choir, St Olaf Choir, The Festival Choir and The Augberg Choir. |

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The 1950's were the golden age for the close harmony girl groups with many of them enjoying top pop hits and regular TV appearances. Many of the female harmony groups of today owe much to these early pioneers and this collection of songs are some of the finest of the era. Includes number one hits from the Andrews Sister, McGuire Sisters and the Chordettes. With piano accompaniment. |
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These Christmas songs have been chosen from those transcribed by Andrienne Block and are particularly interesting because the music was originally composed for secular texts, and the Christmas texts were substituted in the following decades. Unaccompanied with rehearsal piano. |
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Popular Russian romances and folk songs for chorus a cappella, with solos. |
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An overview of choral music past and present which has stood the test of time, taste and taskmasters, these are 25 short works and excepts from larger works. This collection contains enough inspired music to comprise varied programs for choruses of average to excellent abilities. |
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This is an impressive two-CD set of some of the finest a cappella groups in Africa, including Ladysmith, Baswa Ba Tumelo (South African Zionist Church Choir), Zyac Choir (Zulu Church group), Maogane A Tumelo (N. Sotho Zion Church choir), Majalefa A Morena (South Sotho Choir), and ten others, including the Zulu a cappella group The King Star Brothers. There are 30 authentic tunes here, 15 on each side, sung by groups that are, individually, and collectively, the heart and soul of Africa. This is an important collection on many levels, and enjoyable for the listener fairly new to African music as well as to say, a Ladysmith fan who wants to hear some of the lesser-known, but often equally amazing, voices from Africa. |
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'Global Voices' is exactly as it says, 19 songs of praise from around the world, from the Sistine Choir in Italy's 'Rorate Caeli-Song of Advent/Gregorian Chant,' and Brazil's Wayna Picchu singing 'Jesus Christo,' to the Cook Island Choir's 'Imenetuki Mangaia' and Baswa Ba Tumela, Sotho Gospel group of South Africa, singing 'Jesu Oa Re Lwela.' In addition, Greece, Russia, Slovakia, Croatia, Germany, Canada, Mexico, Bolivia, Peru, Dominican Republic, Marquesas Islands, Fiji, Sri Lanka and 'Mbube' and 'Zulu' choirs of South Africa. What is impressive about this compilation goes beyond the high quality of the songs, from composition and arrangement to the incredible singing-it's the commonality of feeling and purpose that runs through the various cultures: praising God. An inspiring and impressive collection! |
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Take 24 of the world's best-loved melodies, ask Noel Rawsthorne and Christopher Tambling to turn them into really attractive choral pieces, and commission Nick Fawcett to write fine new texts. The result: an exquisite collection of wonderful anthems that will become beloved by choirs, just as the original compositions have taken hold of generations of music lovers. |
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A treasury of traditioal songs, favorite hymns and choice carols, from all ages and from many lands selected for your singing christmas. Compiled and arranged for mixed voices (SATB) or unisonal singing by Theo Preuss |
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Includes transcriptions, 2 audio CDs with performance, pronunciation & practice tracks for each song, and instructional DVD. Also pronunciation guide to major South African languages, and introduction by Matlakala Bopape. |
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The CARA judges had to make some hard decisions this year, and may we have the envelopes, please. 17 songs, from Tonic Sol Fa's 'Na, Na, Na' and 2001 Harmony Sweeps winner Sixth Wave's brilliant 'Gimme That Wine,' 'Jezebel' by Millennium, and the Cadillacs' 'You've Lost That Lovin' Feeling' to the Swingles' 'Fool on the Hill,' the Heebee-jeebees' hilarious 'Arrest This Bearded Gentleman,' local boys Hookslide's cover of 'Dream On,' and Summit favorite Dilemma's 'Wishing.' Some unexpected treats are the Washington Univ. Mosaic Whispers' 'Uninvited' and The Happy Campers' 'Camp Minnie Mickey Medley.' We won't go into which individual awards were won by whom, but we enjoy hearing CARA's take on the best of the year-- it's all pretty amazing stuff! |
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Billy Joel is certainly one of the great American songwriters of the modern pop era and his works are often particularly suitable for an a cappella treatment. His iconic hit 'Piano Man' from the 1970s will make a nice concert change of pace in this arrangement by Philip Lawson of King's Singers fame. Smooth vocal backup and great harmonies give 'New York State of Mind' a special appeal. 'Lullabye (Goodnight, My Angel)'is one of the most poignant and beautiful songs of the '90s, now in an a cappella setting. This ballad is simply stunning. Kirby Shaw's exquisite a cappella arrangement of 'And So It Goes' is stunning. Don't miss it! Billy's 1978 pop hit 'Just The Way You Are' expresses a universal truth in a simple and beautiful way, and this a cappella setting will resonate with listeners at many concert occasions. This is a great collection and will have the audiences singing along.. |
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Create a moment of magic in concert with Fantine's (and now Susan Boyle's) 'I Dreamed A Dream', the famous song of broken dreams from the hit musical Les Miserables in a mesmerizing a cappella setting. The classic Disney song 'A Dream is a Wish Your Heart Makes' is arranged in a warm a cappella jazz setting for a stunning showcase for jazz, pop or concert choirs. The soaring melody lines and exquisite phrasing will create a memorable performance moment. A Dramatic and expressive contemporary setting of the Rodgers and Hammerstein classic 'Hello Young Lovers' will create a powerful effect of your audience. This unaccompanied setting features striking contrasts in texture and dynamics than enhance the emotional quality of the lyrics. From Finian's Rainbow, revived on Broadway in 2009, comes 'How Are Things in Glocca Morra?', one of the score's most famous numbers, here in an expressive a cappella setting. The gently undulating melodies and the heartfelt lyrics create a tenderness that is truly sublime! A Dramatic and expressive contemporary setting of the Rodgers and Hammerstein classic 'Goodnight, My Someone' will create a powerful effect of your audience. This unaccompanied setting features striking contrasts in texture and dynamics than enhance the emotional quality of the lyrics. |
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Develop your choir's a cappella skills with 'Alleluia Madrigal', a straightforward original madrigal by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrasting dynamics and a lilting three-four meter create a joyful song that is good for Christmas or general use. 'What'cha Gonna Bring For Christmas?' - Feature your best solo crooner(s) on this '50s inspired a cappella chorus that begs Santa for a timeless teen wish: 'Won't you bring me someone to love?' The choir serves equally as the featured act (of the chorus and bridge) and the backup singers (for two dreamy verses). The final falsetto phrases and 7th chord cadence deliver a sweet doo-wop ending. 'Christmas Eve Is Here' - A fresh approach to this early French carol. Polyphony resounds as sections of the choir perform unique and overlapping lines in a minor mode. Performance options include any combination of a cappella choir, handbells or tonechimes, piano, hand drum, and tambourine. Impressive. 'Come, See The Baby' is a new, original Christmas spiritual by Jay Althouse. This full-sounding work features much three-part singing over a solid, traditional bass part, as well as an echo section between the women and the men. Sudden dynamic changes are powerful and effective (and simple to sing). |
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Sixteenth century composer Lodovico Viadana created the wonderful work 'Exultate Justi' that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting that will give either your men a chance to shine. The well-known song 'Psallite' by Praetorius from the German Renaissance period has long been a part of our choral repertoire. Russell Robinson has created an easy-to-sing SATB setting as well as a three-part men's edition. A perfect way to present standard choral repertoire to your developing choirs. |
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The French chanson 'Mon Coeur Se Recommande A Vous' (a polyphonic song popular in the 15th and 16th centuries) focuses on the subject of love. Performance notes and a pronunciation guide for the eight lines of French are included in the publication, or use the sensitive English text provided by Dr. Robinson. New edition for SSA choirs! 'Exsultate Justi' - Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting that will give your women a chance to shine. The most famous of all 15th Century Italian madrigals 'Fa Una Canzona' is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included. This fine collection offers arrangement that are both challenging and rewarding and will certainly help boost your singers confidence. |
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Some choral pieces speak for themselves! 'Salvation Is Created' is just such a work. Don Moore brings this song into the reach of many choirs who may have been unable to perform the original edition. All of the rich sonorities have been captured in this wonderful new edition. Don't miss this one! With ''Tis The Gift To Be Simple' Alice Parker combines her incredible arranging skill together with her knowledge and understanding of American hymnody to bring us this wonderful setting of the ever-popular Shaker tune. Robert DeCormier's highly successful SATB edition of 'Let Me Fly' has been part of the choral repertoire for decades. Now he has provided us with a wonderful SSAA arrangement that is the perfect showcase for your women's ensemble. The strength of thes teady, walking-tempo spiritual 'Keep Your Lamps Trimmed And Burning' comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythmic pulse. 'Prayer Of The Children' - This extraordinary work by renowned composer Kurt Bestor has established itself as one of the truly remarkable additions to choral repertoire in the '90s. It has been performed by many of the finest choirs throughout the world. Now Andrea Klouse has scored it for your women's choir. |
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The need to provide our students with exposure to the music of all of the world's cultures has never been greater. Lana Walter brings us the rhythmic work 'Ning Wendete' for women's choir from Kenya. All of its authentic charms are captured in the rhythmic variation. A complete translation and pronunciation guide are provided. A new treatment for women's choir of the renowned Scottish air 'Loch Lomond'. Beautiful, flowing harmonies and solo opportunities combine to create a lush yet sensible setting of this classic folk favorite. Gentle flashes of 'Simple Gifts' add a grace and charm that make this a truly unique setting! Robert DeCormier's a cappella setting of the American folk melody 'Wayfaring Stranger' has been part of the choral repertoire for many years. If you haven't performed this recently, do it now! |
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'Keep Your Lamps Trimmed And Burning' - The strength of this steady, walking-tempo spiritual comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythmic pulse. 'Live A Humble' is an incredible spiritual arrangement that your 4-part choir will truly enjoy singing. Originally published for a cappella mixed choirs, and now available for men's voices, Live-a-Humble's full chords, rhythmic intensity, and featured bass part are irresistible. A awesome College Glee Club sound. Dramatic dynamics, articulations, and modulations add interest. |
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The wonderful choral work 'Prayer Of the Children' has been heard by audiences across the nation. The piece was featured by the Luther College Choir conducted by Weston Noble during their 1996 tour and was performed at the national MENC conference in Kansas City. Also recently performed by the Georgia All-State Choir, 'Prayer of the Children' is perfectly suited for concerts or festivals! Now men's choirs can enjoy the famous arrangement 'Hark, I Hear The Harps Eternal' by Alice Parker, originally written for the Robert Shaw Chorale. The strong walking pulse and juxtaposed motives have made it exceptionally popular for over 40 years. Some choral pieces speak for themselves! 'Salvation Is Created' is just such a work. All of the rich sonorities have been captured in this wonderful new edition. Don't miss this one! |
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Arcadelt is known for his homophonic, tuneful settings. Provided with a new English text by the editor, the late Renaissance work 'Come Join In Singing' is perfect for the emerging mixed ensemble. The boys' range is limited to five notes. Performed a cappella, with keyboard or with instruments, this work is ideal for concert, contest or festival. The easy-to-sing concert work 'Sing Gloria!' is built on Billing's Wake Ev'ry Breath canon. It's an ideal concert opener that will be a welcome addition to every choral library. 'Laudate Dominum' - Victoria, one of Spain's finest composers of the Renaissance, has been immortalized for his combination of melodic lines which weave beautiful tonal tapestries. This work, in our Easy Choral Masterworks series, is very short and accessible for young voices. Perfect for concert or contest. The most famous of all 15th Century Italian madrigals 'Fa Una Canzona' is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included. |
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From Gaither Music Company comes this dynamic collection featuring four classic songs from the pen of Bill and Gloria Gaither. Titles include Jesus is Lord of All, Peace Shall Come, Every Eye Shall See and Come, Holy Spirit. Ovid Young, known as one of the leading choral arrangers in church music today, originally created these arrangements for the worship services at the Gaither's Indianapolis Praise Gathering. After receiving many comments and requests, we have for the first time made these outstanding arrangements available to you. These are challenging, yet accessible arrangements that will greatly enhance your worship service. Includes a second volume of songs which includes More Of You, Gentle Shepherd, I Believe, Help Thou My Unbelief and Peace, Be Still. Designed to compliment and strengthen your worship services. |
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Classic hymn tunes have been carefully crafted for young men's choirs to help changing voices sound their best. Excellent a cappella choice for contest. Thie new edition of 'Bless The Lord, O My Soul' by Joyce Eilers is perfect for beginning TTB choirs. The optional piano part helps to build the confidence of your young singers. The famous masterwork 'Bless The Lord, O My Soul' by Russian composer Mikhail Ippolitov-Ivanov has been arranged for younger choirs. Excellent for developing style, blend and intonation. |
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'The Glory Manger' - Well-written straightforward arrangement of one of the more unusual spirituals, suitable for a holiday concert or worship service. Familiar harmonies make it an easily learned, readily programmed piece. David Morrow, conductor of the Morehouse College Glee Club, has written a dramatic and profoundly moving setting of the traditional spiritual 'Jacob's Ladder'. The powerful original spiritual 'Fire In The Furnace' recounts the tale of Shadrach, Meshach and Abegnego as they escape the mighty fiery furnace of King Nebuchadnezzar. A super showcase for men's groups! |
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Judy Herrington established her reputation through her conducting work with the Tacoma Youth Chorus. Later, her books, folk song arrangements and choral series produced an ardent following. This a cappella arrangement of one of the great American hymns 'How Can I Keep From Singing' is another tribute to her excellent work. 'Bound For The Promised Land' - Canonic imitation and development propel this sturdy folk setting to a powerful and dramatic conclusion arranged by Emily Crocker. Here is an arrangement of 'Almighty Father' by the great Leonard Bernstein. |
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'Barbara Allen' - Singers can display expressiveness and beauty of phrasing in this lovely a cappella setting of the beloved English folk ballad. It tells the story of the unrequited love between Barbara Allen and Sweet William. Originally composed for a festival in Newfoundland, 'The Game of Cards' is based on an old English folk song. It should be sung with a storyteller's sense of delight in his own story; part wide-eyed wonder, part knowing smile. 'Chickens In the Garden' is a carousing English toasting song, hearty and robust and perfect for the pub with raised glass in hand Ð or, if the chance arises, perhaps for your next rollicking encore or concert piece! 'The text exists merely to give form to the music and is meaningless,' says Finnish composer Mantyjarvi, whose 'El Hambo' in 1999 was an instant success with American high school choirs. In 'Pseudo-Yoik' he takes a humorous look at the stereotype of the Lapland folk music. |
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Now available for men's voices only, this elegant setting of the Latin translation of an Edward Esch poem 'Lux Aurumque ' by Eric Whitacre will captivate choir and audience alike. Moderately difficult for an advanced high school choir. Already a great success for mixed choir! 'Lux Aeterna' is now available for men's voices, this breathtakingly beautiful award-winning composition offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. The familiar poem 'A Red, Red Rose' by Scottish national poet Robert Burns receives exceptional treatment from noted young composer Eric Barnum. This artistic, deeply expressive setting seamlessly incorporates mixed meter, close harmonies and unusual key modulations. Of moderate difficulty, it makes an excellent festival selection. |
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'Come, come, shepherds let us go! Let's run to Bethlehem.' Written in the 'Bambuco Fiestero' rhythm of the Andes Mountains of Columbia, the characteristic dance rhythm of 6/8 against 3/4 is the main feature of this a cappella setting. In Spanish, with English translation. 'Canticos De Navidad' - Juan Orrego-Sala, a noted Latin American composer, is Professor Emeritis of Composition and Latin American Music at the Indiana University School of Music. This charming set of Christmas pieces reflects his native country, Chile, not only in the language, but in the characteristic rhythms and harmonies. The second of the three, Alleluya, can be extracted for year-round performance, and, although diminutive in length, deserves a place along side the well-known 'Alleluia' by Randall Thompson with whom the composer studied. The original settings of 'Four Spanish Lullabies' create the feeling of tenderness and sorrow so typical of the Spanish lullaby. A litling Brazilian style lullaby, a 3-part a cappella chorus, a flight of imagination and a comical nursery rhyme make up this compelling set. The energetic Colombian folksong 'Maquerule' tells the tale of a friendly baker who learns the hard way to collect the cash upfront! Strong syncopation and a staccato singing section add to the fun. Includes suggestions for using optional percussion. |
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Singers can display expressiveness and beauty of phrasing in this lovely a cappella setting of the beloved English folk ballad 'Barbara Allen'. It tells the story of the unrequited love between Barbara Allen and Sweet William. 'My Love Has Departed' is about the sorrow of an Ojibway lady when her lover leaves her for Saul Ste. Marie. She thinks she hears his returning, splashing oar, but it is merely a loon splashing water. With optional drum part. Veljo Tormis has perfected the craft of choral composition in devotion to his native Estonia and similar heritages. These short, vivid songs come from related Ugric nationalities: the Hanti and Mansi of Siberia, and the Hungarians. The fleet-footed setting of a medieval French folksong 'J'ai Cu Le Loup' is packed with energy and self-assurance. Sure to please! |
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A collection of prayer songs that will both inspire and delight singers, congregations and audiences alike. For unaccompanied mixed voices. |
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Rhonda Woodward is not a new writer, but she will become even more noticed with this new setting of 'O God Our Help in Ages Past'. The words of Isaac Watts have been refreshed with a new a cappella tune that soars to brilliant heights. Energetic and strong, the music lifts the voices in joyful accord with careful craftsmanship and memorable melody. The substantial a cappella work 'I Will Lift Up Mine Eyes' is a bold and striking contemporary anthem for mixed chorus. The text is Psalm 121: 'I will lift up mine eyes unto the hills from whence cometh help.' Powerful! Meditative and pensive, 'God's World' is a short choral recitative that sensitively expresses Edna St. Vincent Millay's magnificent poem musing on the beauty of the natural world. |
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This recording features some of the finest artists practising the academic choral art in Bulgaria. The release contains a compilation of performances of Bulgarian choirs, starting with the children's, through the female, chamber, mixed, and ending with the male choirs. The earliest recording in the release is of the song 'I'm leading a Horse, Mother' by Georgi Dimitrov. It is performed by one of the earliest children's choirs - Bodra Smyana Choir. Then follow a number of children's choirs, all with acknowledged international prestige: Bulgaria National Radio Children's Choir, Sofia Boys' Choir, etc. Then come the female choirs: Hristina Morfova Female Choir, Polyphonia Chamber Choir, Vassil Arnaudov Sofia Chamber Choir, and the mixed and male choirs: Dobrudjanski Zvutsi Mixed Choir, Morski Zvutsi Mixed Choir, Kaval Male Choir, Gusla Male Choir, etc. A wonderful selection from a country that produces world class choral music. |
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This hardbound treasure is a goldmine of hundreds of historic hymns rendered in the traditional shape note style. Essentially, shape notes consist of four shapes - triangle, square, oval and diamond - which correspond with a syllable: fa, sol, la and mi. These shapes and syllables are then associated with notes on a scale. This system, and the Shape Note singing books such as the Sacred Harp (which was originally published in 1844), were ubiquitous, particularly in the South, in the 18th and 19th centuries. Music was an integral part of the camp meetings and revivals of the period, and the shape note method was intended to simplify the reading of music, so that anyone so moved could participate. The thematic content is almost exclusively religious in nature, reflecting the predominant attitude of the composers, as well as the publishers, of the time. The polyphony of the shape note is characterized by lively chordal movement, and dyadic harmony based on fourths and fifths, often in parallel. Contemporary renditions, sung in the shape note style, can be heard on the soundtrack to the Civil War film, 'Cold Mountain.' The book also includes an introductory section entitled the 'Rudiments of Music,' a thorough primer in the fundamentals of theory. Updated in 1991 with the addition of 62 songs, 'The Sacred Harp' will keep a group of part-singers entertained for years. Can also be used by those accustomed to conventional notation. |
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Praise & Worship includes ready-to-sing vocal solos containing the lyrics, melody and chord symbols for some of the world's best praise and worship music! The enclosed Split-Track CD contains a vocal demonstration of each song plus an accompaniment track. Practice (or perform!) with the tracks by choosing the appropriate button on your PC with Windows, or by adjusting the balance control on your Mac, CD player, or stereo. BONUS! The enclosed CD includes printable PDF files with a full Piano/Vocal/Guitar version of each song as well! iSing Praise & Worship is perfect for personal worship, singing in church and leading worship. |
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Few pop songs feature better harmonies that those of the Beach Boys, and 'Help Me Rhonda' is one of their best, with a great close harmony chorus over a swinging bass line. The melody is in the Tenor 1 line, allowing either a single or group solo. The Classic Rock 'Jet Airliner' anthem originally made famous by the Steve Miller Band is a perfect set-opener or closer, with soaring vocal guitar lines and powerful rock trio harmonies. The melody is in the Tenor 2 line, allowing for a single or multiple soloists. Yeah, yeah, yeah! This 1970's pop hit 'Come In From The Rain' translates beautifully into a lush and deeply felt a cappella ballad. Perfect for graduation, end-of-the-year programing of a special concert feature, you will want to perform it again and again! 'We Will Rock You' - Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house! |
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'We Will Rock You' - Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house! 'Yellow Submarine' - From the Beatles' 1966 hit movie and single, recently re-released in theaters and DVD, in a colorful and fun a cappella arrangement. 'Sixteen Tons' - Here's a great a cappella setting of the Tennessee Ernie Ford work song from the '50s. Excellent independence of voices! |
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The 1970's pop hit 'Come In From The Rain' translates beautifully into a lush and deeply felt a cappella ballad. Perfect for graduation, end-of-the-year programing of a special concert feature, you will want to perform it again and again! Introduce your choir to the fun of a cappella singing with this accessible arrangement of the Lee Ann Womack hit 'I Hope You Dance' that topped the charts in 2001. Crafted for success, this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture. 'We Will Rock You' - Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house! Here is the tender love ballad from 'Where Is Love?' Oliver in a shimmering a cappella setting for women's voices. A gem! |
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'Unchained Melody' - This timeless ballad is simply breathtaking! Perfect for concert groups or pop ensembles, this is an arrangement will become a staple in your repertoire. 'I Wish You Love' features two special soloists in this stunning a cappella arrangement that will work equally well for a large concert choir of smaller jazz or pop ensemble. Smooth legato lines and rich harmonies will create a breathtaking moment in performance! 'Skylark' - Display beauty of tone and the deep emotion inherent in the lyrics of this contemporary a cappella setting of the Hoagy Carmichael/Johhny Mercer standard. Challenging, but impressive! 'Last Night When We Were Young' - The splendor of falling in love is perfectly rendered in this stunning ballad that will create a moment of sheer breathtaking beauty in concert. This challenging setting explores the full palette of harmony and offers interesting contrasts in dynamics and texture. |
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This CD is the second of the Bulgarian Choral Art Series. It presents some of the best samples of choral music in Bulgaria. All of the pieces are arrangements by Bulgarian composers of original folk melodies. The recording includes performances by a variety of choirs: mixed, male, female and children's. The singing heard on this CD is in a Western classical style rather than the very pointed sound often associated with Bulgarian singing. The liner notes give translations of the songs. |
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Here is the 1970 pop hit by Crosby, Stills, Nash & Young 'Teach Your Children' in an a cappella setting that is fresh and unique! Rhythmically free and expansive, the melody harmonized in triads is juxtaposed against long accompanying vocal lines to highlight the powerful message inherent in the text. The Crosby, Stills and Nash song from their debut 1969 album 'Helplessly Hoping' translates perfectly to the signature vocal style of the King's Singers. 'After The Gold Rush' is the haunting song by Neil Young in a richly expressive a cappella setting. Audiences love these pop classics and great for the parents to sing along with. |
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'Mission: Impossible Theme' - It's the instantly recognized theme from television and film! A great a cappella showcase for pop, jazz and show choirs, your singers will build performance skills and have fun in the process! 'Our Town' - Time brings changes but life goes on - this is the poignant message of the Randy Newman song recorded by James Taylor for the Disney movie 'Cars'. Alternating between solo melodic lines with vocal accompaniment and full homophonic phrases, this vocal setting will create a moment of sheer enchantment in your performance. Under The Sea - 'It's better down where it's wetter' with this comical calypso king'singers' arrangement of this favorite Disney hit. 'Alfie' - From songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson, this song and text is among the most meaningful in contemporary music. Rich harmonies highlight the powerful emotions inherent in the text. |
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'My Soul's Been Anchored In The Lord' - The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections, this is a work that will bring down the house! 'Keep Yo' Lamps' - Renowned composer Rosephanye Powell takes a traditional 'field shout' and presents it with care for an authentic sound. There is great passion in this approach and will provide an excellent opportunity to teach the history of the African American spiritual and its importance. 'Hold Me, Rock Me' - Brian Tate cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish. Brian Tate has been composing and arranging a steady string of choral hits that deserves our attention.'Roll, Jordan, Roll' - This great, rocking spiritual arranged by Brian Tate is simply fun to sing! A repeated ostinato section builds to the final ending. |
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The Beatles iconic song 'Eleanor Rigby' from 1966 in a stunning a cappella setting that crosses boundaries between pop, jazz and concert choral in a spectacular fashion! This arrangement is breathtaking! Your choir will love to explore the sounds and rhythms and textures of a cappella music with this accessible arrangement of the classic Beatles song 'Girl' also from 1966. Great solo showcase, too! Rhythmic vitality infuses this a cappella setting of the 1964 #1 hit 'Can't Buy Me Love' that is sure to become an audience and singer favorite! The Beatles classic 'Drive My Car' is given a modern a cappella twist by noted arranger Deke Sharon. |
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Wow! The #1 pop hit from 1977 'I Wish' by Stevie Wonder in an a cappella vocal setting that really cooks will be tons of fun to rehearse and absolutely killer in concert! Featuring optional vocal bass and percussion and an exciting shout chorus, this chart is hot, hot, hot! 'Vincent' is the hit song by Don McLean written as a tribute to Vincent van Gogh. It is also known by its opening line, 'Starry Starry Night', a reference to van Gogh's painting The Starry Night . The 1975 pop hit 'You Are So Beautiful' by Joe Cocker translates beautifully to an a cappella setting. Lush harmonies and vocal textures create a special musical atmosphere. A superb a cappella setting by Steve Zegree of the Beatles classic 'In My Life', this will be a fine showcase for pop, jazz and concert groups. |

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Rent - It's the show that made Broadway history! Now available in an a cappella setting by Steve Zegree, the inspirational rock anthem 'Seasons of Love' will be an uplifting concert highlight. More than a few critics consider 'Send In The Clowns' to be the greatest Broadway song ever written. This a cappella arrangement is stunning and certainly worthy of Stephen Sondheim's brilliant music and lyrics and could be performed by SATB choirs of any size, including concert choirs. A breathtaking selection for any concert! A dramatic and expressive contemporary setting of the Rodgers and Hammerstein classic 'Hello Young Lovers' will create a powerful effect of your audience. This unaccompanied setting features striking contrasts in texture and dynamics than enhance the emotional quality of the lyrics. From Frank Loesser's incomparable Guys and Dolls, 'More I Cannot Wish You 'is gorgeous ballad is set in a stunning a cappella arrangement by the noted jazz educator and arranger Phil Mattson. |
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Coldplay's biggest hit to date 'Viva La Vida', this pop juggernaut manages to marry sweeping melodies with repetitive textures reminiscent of Steve Reich of Phillip Glass-esque minimalism. The rich overlapping vocal lines split into as many as nine different parts at times (in addition to the Tenor solo), but the repeating patterns keep it from being challenging. 'Fix You' was also recorded by the English alternative band Coldplay, this song explores themes of grief and comfort as it gradually builds to an emotional high point. This a cappella setting intensifies the emotion through powerful vocal writing. A challenging work, but impressive! The 2008 mega-hit 'Mercy' by Duffy revives the classic Motown sound, complete with sassy 'hoo hoo's' and 'uh-uh' and 'yeah, yeah, yeah's.' The solo is perfect for soprano or alto, and although the end result is full and powerful, this arrangement is surprisingly easy to learn and sing. 'I'm Yours' was one of the biggest pop songs of 2008, this arrangement features a tenor solo supported by a six part vocal-instrumental texture, weaving together in a light reggae feel that supports the original's sweet harmonies. The haunting ballad 'Apologize' was a #1 hit in 16 countries, including the U.S., making it one of the biggest songs of 20e8. The setting is in the contemporary collegiate a cappella style, featuring simple lines layered into a complex, rich interwoven texture, supporting a gorgeous tenor solo. |
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'We Will Rock You' - Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house! A powerful soprano solo sits atop your SATB band as they groove their way through the Blondie classic 'Heart of Glass'. A great way to introduce your singers to modern polyrhythms and non-standard syllables in a format that's easy for them to understand and internalize. '(Everything I Do) I Do It For You' - The 1991 pop hit by Bryan Adams makes a spectacular a cappella feature with its rich harmonies and expansive melodies. Ideal for Valentine's Day concerts, graduation or a special dedication any time of year! The 1970's pop hit 'Come In From The Rain' translates beautifully into a lush and deeply felt a cappella ballad. Perfect for graduation, end-of-the-year programing of a special concert feature, you will want to perform it again and again ! 'I'll Stand By You' - A modern ballad by the Pretenders that translates well from small ensemble to large chorus, with a timeless message and powerful harmonies. Solo can be sung by an alto, soprano or tenor. Great for graduations and other events. |
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Few country tunes in the past decade have had a bigger impact that his future classic 'Mayberry' by Rascal Flatts, which reminds us how good the good old days were. The fast-moving harmonies and sixteenth note background textures supporting the tenor solo sound far harder to sing than they are, resulting in a great 'show-off' piece for your group. Craig Hella Johnson's setting of Dolly Parton's 'Light of a Clear Blue Morning' is infused with light and hopefulness as it opens with a solo soprano and gradually builds to a joyful overflowing of sound and vocal texture, then gently relaxing into a reflective conclusion. The tender a cappella ballad 'When You Say Nothing at All' recorded by Alison Krauss captures all the emotion and expressiveness you could ever want. Perfect for jazz and pop groups, you'll create sheer magic in concert! Introduce your choir to the fun of a cappella singing with this accessible arrangement of the Lee Ann Womack hit 'I Hope You Dance' that topped the charts. Crafted for success, this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture. Whether you sing it straight or camp it up, the novelty tune 'Happy Trails' from the King of the Cowboys makes a great encore. A cappella or accompanied, you'll ride off into the sunset in style! |
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Add some fun to your Christmas shows! 'I Want A Hippopotamus for Christmas' - If you've been looking for a fresh, playful holiday song to put a big smile on everyone's face, look no further! This forgotten classic from the late 1950's big, bright, brassy, and sassy, with the melody shared by all four voice parts, and even a section where the group becomes a (vocal) brass band. It is a Dr. Demento Christmas staple. 'Up on the Housetop' - 'Bring me an iPhone with lots of apps' - this jazzy update to the traditional Christmas song really connects with the good little boys and girls of the wired generation! Easily customized with your own personal gift list, this will be a perfect holiday novelty song for concerts and caroling gigs alike! The impeccable Michele Weir touch is clearly evident in this warm un-accompanied arrangement of the Charlie Brown classic song 'Christmas Time Is Here'. Bells are associated with the holiday season as well as celebratory and inspirational tributes and events. 'Ding-a Ding-a Ding' will be your favorite choral imitating the ring and sound of bells. Polyphonic and homophonic sections play off each other and add to the diverse sound. Based on Chopin's Minute Waltz, this lighter arrangement called 'Christmas In A Minute' will lift any group to a new level. An excellent encore! |
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The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating the evocative classic 'Rain, Rain, Beautiful Rain'. 'Amavolovolo' is a popular Zulu traditional song as arranged by Rudolf de Beer, former conductor of the Drakensbeg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authentic percussion and movement suggestions give this selection great visual appeal. The Zulu dowry song 'Imaliyam' will be a challenging and impressive concert feature. An excellent choice for better high school choirs and up. |
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The choir book Musica Sacra Hungarica provides a survey of the broad spectrum of sacred vocal music produced in Hungary during the 20th century. Following on from the romantic heritage an individual Hungarian vocal style was developed, which became known internationally through the sacred and secular vocal works of Bela Bartok, Zoltan Kodaly and Lajos Bardos. |
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'Have Yourself a Merry Little Christmas's is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite. 'Dance of the Sugar-Plum Fairy' - Using this famous movement from the timeless holiday ballet The Nutcracker Suite, this new 3-part voicing of Jeff Funk's popular choral arrangement provides a wonderful performance opportunity for school choirs. Lighthearted programming for holiday concerts. 'Christmas a la Fa La La' Something new and different for the holidays! This fantastic choral work quotes moments of your favorite carols, all on a 'fa la la' text-that is until a bit of the 'Hallelujah Chorus' appears near the end. Festive fun for everyone! Can be sung a cappella or with the optional keyboard accompaniment. 'The World's Desire' is an exquisite madrigal-style carol using a text by the respected English author, G.K. Chesterton. TThis lovely anthem is perfect for worship or concert, and church or school during the season of Christmas. Don't miss this tremendous jewel! 'Christmas Eve is Here' - A fresh approach to this early French carol. Polyphony resounds as sections of the choir perform unique and overlapping lines in a minor mode. Performance options include any combination of a cappella choir, handbells or tonechimes, piano, hand drum, and tambourine. Impressive. |
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'Rain, Rain, Beautiful Rain' - The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating this evocative work. 'Harambee' - In Kenya, the Swahili word harambee has multiple meaning. When a group of people gather to complete a difficult physical task, they often say, 'one, two, thre ... harambee!!' In this context the words means: 'let's go, let's get it done.' A special gathering to raise money for building a church or school is also called a harambee. These gatherings often feature long speeches, music and dancing. In the context of this composition, harambee means unity - working together. In a time of increased multi-cultural awareness, Bwana Awabariki offers an ideal piece of African culture for both churches and schools. The song emphasizes rhythm, blend, and African-style vocalism with broad, open chords and the familiar low, low bass part. This warm a cappella blessing would be especially effective with added percussion. This a cappella setting of a traditional South African praise song 'Gabi, Gabi' just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. |
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The Alfred Top Pop collections feature outstanding arrangements of songs from the popular music genre. These publications provide exciting contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. |
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This collection attempts to provide repertoire for treble-voice groups who desire to sing madrigals. Although a great wealth of madrigal literature exists for mixed voices, some attention has therefore been given to the text of each selection in order to make it more appropriate for feminine choruses. |
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Youth Music's Singbook is an essential, inspirational resource for all singing leaders working with children and young people and contains twelve songs by some of the most exciting songwriters and lyricists working today, including Howard Goodall, Steve Martland, Richard Stilgoe, Lin Marsh and Barry Russell.It explores a wide range of musical styles and topics, to inspire all young people from keystages 2 to 4, and celebrates our culturally diverse community: from Gujarati, Chinese and Albanian songs to music by some of the UK's best-known songwriters. Each song is presented as a complete 'unit', fully supported by interviews with the composers, with learning strategies, warm ups and creative music-making ideas. Photocopiable vocal parts and lyric sheets have additional questions and starting points to help singers get to grips with the meaning of each song.Singbook is stunningly produced in full color throughout, with two professionally produced CDs of complete performances and backing tracks of the songs. The book has been carefully graded and color-coded into three levels - starting, developing and challenging - from songs in unison to those sung in parts. The book also includes a dedicated section on warm ups, with a wide range of material to complement the songs and encourage good singing practice. |
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Recreate the performances of your favorite a cappella groups from the show with these complete keyboard arrangements. Chord symbols, lead vocal lines, and full vocal harmonies provide pianists and vocalists with everything they need! |
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The Alfred Top Pop collections feature outstanding arrangements of songs from the popular music genre. These publications provide exciting contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. |
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Wonderful and Wacky Holiday Chorals for 2-part Voices. The Alfred Top Pop collections feature outstanding arrangements of songs from the popular music genre. These publications provide exciting contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. |
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The Alfred Top Pop collections feature outstanding arrangements of songs from the popular music genre. These publications provide exciting contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. |
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To make positive change in the world, start with the face you see in the mirror! Michael Jackson's pop hit from 1988 makes a powerful impact through the immediacy of a cappella vocals! 'Axel F' - Rocketing to popularity originally with the film Beverly Hills Cop and more recently with the internet sensation Crazy Frog, this song retains incredible popularity with all ages. This a cappella setting will be tons of fun to perform with mixed or men's voicings. 'Lullabye (Goodnight, My Angel)' - The Philip Lawson arrangement of the sweet and simple lullaby by Billy Joel on his River of Dreams album is stunning. 'Right Here Waiting' - This #1 pop hit by Richard Marx will provide a wonderful romantic moment in a Valentine's concert, spring concert or any time you need a special expression of love! The background vocals create a warm texture and the melodic phrases will warm the heart! |
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Lots of fun here for young singers and audiences alike. A delightful arrangement of the child's poem Santa Claus, Santa Claus (You are Much Too Fat) is bound to amuse as will the turkey's lament 'Beware at Christmas.' Everyone can appreciate how hectic the holidays can be! Marti Lantz and Lois Brownsey capture the craziness in the delightful choral 'Deck the Halls with Craziness.' The fast-paced lyrics are set to a fun original tune that partners with 'Deck the Halls.' Novelty at its best! Walt Disney's Mickey's Christmas Carol brings us this joyful seasonal salute. From bells ringing to frosted window panes, this song is easily-learned and will put everyone in the holiday spirit! |

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Another great collection of arrangements from song of the best in the business. Everybody but everybody ebjoys an Beatles song! 'Penny Lane' - Using vocals only to create the musical tapestry from the rhythmic and harmonic background to the iconic piccolo trumpet line, this #1 Beatles hit from 1967 will really wow your audience and be a blast to rehearse and perform! 'Here Comes The Sun' - Perfect for a spring concert, this bright Beatles classic in an appealing a cappella setting features rich harmonies and light arpeggiated textures resulting in a warm sound without being too complex. 'When I'm Sixty-Four' - Playful, sweet, melodic... this arrangement brings out all of the best elements of this Beatles ditty, with the melody bouncing between the various voices. When your singers are sixty-four, they'll still be humming along to this timeless classic! 'Imagine' - This simple, sweet setting of John Lennon's song of hope features a soprano soloist. Perfect for a group looking for a good first a cappella song, or a more advanced group interested in focusing on nuance and sincerity. |

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Your group will love to explore the sounds and rhythms and textures of a cappella music with this accessible arrangement of the classic Beatles song Girl' from 1966. Great solo showcase, too! 'Here Comes The Sun' - Perfect for a spring concert, this bright Beatles classic in an appealing a cappella setting features rich harmonies and light arpeggiated textures resulting in a warm sound without being too complex. 'Yesterday' - a #1 pop hit for four weeks in 1965, this iconic Beatles song is the most recorded song of all time, making it a standard that transcends generational labels. A perfect choice for programs at any time of year! |
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The famous jazz piano piece 'Linus and Lucy' by Vince Guaraldi is often featured on the animated 'Peanuts' television specials, making it extremely popular for many generations of fans. It is now available as an a cappella choral for use throughout the year, especially the holiday season. Challenging, yet accessible, this piece is a surefire novelty hit with your audiences for many years to come. 'Chanson D'Amour (The Ra-Da-Da-Da-Da Song)' is the title song of one of the King's Singers best-sellling albums in a fanciful arrangement by Paul Hart. 'Golliwogg's Cake Walk' - You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and perform, and impressive in performance! 'New York VoiceDance' - If you have enjoyed Greg Jasperse' VoiceDance series, you will love this new addition written for the all-camp choir at the New York Voices Vocal Jazz Camp. A dance of joy and celebration, this new VoiceDance gives the opportunity for improvisation and percussion with Greg suggests several ways to perform the piece, making it adaptable for different choirs and performance times. Stunning in its creativeness and choral excellence. |
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The top-selling VoiceDance, first in the SATB series, is now available for women's voices in an exciting SSAA voicing. Now treble choirs can experience the rhythmic fun and challenge of this unique vocal jazz classic! 'Bumble Bee' - Shape this song to your own needs! Arranged and performed by the incredible Real Group! It is written for high school women's voices, but the optional TB line makes it a SSAATB setting for mixed choir. You may have optional guitar and electric bass play the TB part. Or let loose your vocal jazz ensemble! The flowing melody with text about nature's every day wonders requires some extra attention to rhythms, phrasing and dynamics - but it is all worth it! |

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Without doubt Irving Berlin was one of America's greatest songwriter and his music will be performed for generations to come. His songs lend themselves well to harmony arrangements and here are some of his greatest songs arranged by some of the best in the business. The impeccable Mattson touch is clearly evident in this warm a cappella setting of 'Count Your Blessings Instead Of Sheep'. Full harmonies envelop the listener in a rich blanket of sound and the lyrics flow expressively and naturally in a simple but meaningful way. Varied choral textures and luscious harmonies make 'How Deep is the Ocean?' an ideal selection for a cappella vocal groups. Ultimately romantic! 'They Say It's Wonderful' will work equally well for a large concert group or a smaller ensemble such as a show or jazz choir. Smooth a cappella vocal lines and expressive jazz textures will create a special moment in your concert! |
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Lullabies have been around for thousands of years and in almost all cultures and are probably some of the very first songs ever sung by humans. A lullaby is not surprising appreciated by many of us even as we age and they can be a pleasant addition to any concert. Here are a collection of interesting arrangements of lullabies from Europe. |
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Paul Simon is certainly one of the greatest songwriters of the modern popular song and here are some classics that are sure to please. The phenomenal Simon & Garfunkel #1 hit from 1970 'Bridge Over Troubled Water' in a powerful a cappella setting! From the wistful opening phrases, this iconic song builds to a full-voiced forte, alternating between rich homophonic choral textures and solo melodies with vocal accompaniment sections, before its quiet and gentle closing tones. The King's Singers setting of the famous Simon and Garfunkel song 'April Come She Will' explores the seasons through a gentle vocal tapestry of rhythm and rich harmony with a smooth lead floating above it all. 'Baby Driver' - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! |
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Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume, dedicated to anthems and motets, presents both favourite and lesser-known works, from the exceptional Renaissance polyphony of Taverner, Tallis, and Byrd, through the Restoration led by Purcell, to the glorious works of the great nineteenth- and twentieth-century composers, including Wesley, Elgar, Stanford, Vaughan Williams, and Howells. The volume contains a number of more substantial works, including Mendelssohn's Hear my prayer, Stainer's I saw the Lord, and Naylor's Vox dicentis: Clama, as well as a wonderful selection of shorter pieces, from Gibbons's O Lord, in thy wrath to Walton's Set me as a seal upon thine heart. With the second companion volume of canticles and responses, this bipartite collection presents a comprehensive survey of English sacred music at its best. |

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'Soul Bossa Nova' is not for the faint of heart! The Quincy Jones instrumental used in the Austin Powers' movies has been adapted to an a cappella vocal setting that really cooks and will totally wow your audience! Bailando is the gerund of the Spanish word, 'bailar' which means to dance, move rhythmically to music, as well as to skip or bounce in a dance-like manner. This arrangement by Greg Jaspere id bound to get everybody swingin' along. 'O Sapo' - In this irresistible Brazilian song setting, vocal lines imitate percussion patterns to create a truly infectious groove. 'Gota' - The music line and wordless vocal jazz treatment fuses with ethnic folk music in a truly original way. A true 'performance piece' and favorite in the repertoire of Swedish vocal giants The Real Group, Gota has quickly gained recognition world wide. For vocal jazz oriented high school and beyond. |
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Who knew Jolly Old St. Nick was a jazzy cat? Swingin' rhythms, scat syllables, and ''instrumental'' new lyrics abound in the hip partner song 'Jazzy Saint Nick' arranged by Russell Robinson. Equally accessible and educational. Oh my goodness, Santa, is 'zat really you knockin'? Audiences won't believe the fabulous rhythms and rhymes in this killer arrangement of ''Zat You, Santa Claus?'! A jazzy tune recorded by the likes of Louis Armstrong, Garth Brooks, and Harry Connick, Jr. Talk about change of pace! 'It Came Upon a Midnight Clear, ''The Coventry Carol,'' and ''Angels We have Heard on High'' like you have never heard them before. This brief holiday medley delights with its jazzy harmonies and swingy waltz tempos that break only once in the balladic middle. It's here that Donald Moore weaves in two additional Christmas themes. |
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Yo! Santa! Tell us about those reindeer! Dealing with the Reindeer - 'Eating and eating, always feeding. We need a haystack the size of the Superdome.' It's a part rap, part song and 100% fun! Sure to bring down the house at your Christmas concerts. Features a rappin' Santa and singing elves who complain that the reindeer are 'eating us out of house and home.' Santa's reindeer are bringin' down the house this year with their funky music, rhythmic rap, and hip-hop moves! Wake up, I think I hear Santa and his eight reindeer. And they're rocking out to the jolly sounds of this 1950s inspired tune by Sally K. Albrecht and Jay Althouse. You won't need to spend much time learning these simple voice parts, clever words, or fun choreography, but the audience at your holiday concert will really put their hooves together for this runaway hit. You may even get a standing 'Hoove-ation!'. These are all fun arrangements that will liven up any Christmas concert. |
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Add a multi-cultural element to your Christmas concerts and celebrate the Navidad season. The Mexican tradition of ''La Fiesta de la Posada'' recreates the search for a room at an inn. This delightful number by Sally Albrecht recreates that tradition in song with an English text that tells the story ('when we light luminarias and swing at the pinata.'). Features an optional solo/duet in each verse. 'Cantemos' is a beautiful, rhythmic Venezuelan folk carol with an English/Spanish text. 'Vamos todos a Belen' - A detailed translation/pronunciation guide makes it easy to master the Spanish text of this traditional Mexican-American Christmas song, or perform it in English. Lilting six-eight piano creates a gentle rocking motion as we sing about going to Bethlehem to see the baby. In the middle, a solo is briefly accompanied by only the chorus before a thrilling modulation and final flourish to the glorious end. |
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Haiku is a Japanese form of poetry comprised of three lines of five, seven, and five syllables. Jerry Estes has crafted a set of four short pieces set to original haiku... one for each season of the year. All are beautiful in their simplicity. Well suited for Orff accompaniment; bells and rhythm instrument parts are included in the publication. An outstanding learning and performing piece for 2-part choirs. A delicate melody swirls and twirls like drifting snow in this tasteful arrangement of a traditional Japanese school song 'Yuki'. The three short Japanese phrases (and several English words) are easy-to-learn and bring to mind icy images of wintertime. 'Uji River' is the most unique multicultural piece you will sing this year. A primarily English text tells the spectacular story of an ancient Japanese fishing tradition on the Uji River. And a traditional Asian folk melody floats above a gentle koto-like piano. Magical for treble voices, and highly effective when TB singers sound like fishermen. Tsuki means 'moon,' and is one of just a few Japanese words sung in this pentatonic scale-based song. Other words describe the beauty of the Japanese moon throughout the year. A captivating and memorable piece. |
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These are songs that everybody knows and loves and these wonderful classics are sure to please. Especially arranged for younger choirs, these classic Rodgers and Hammerstein songs are a wonderful introduction to the music of Broadway. Crafted for success, this setting will be a joy to rehearse as well as perform. Just like the Von Trapps, when you know the notes to sing, you can sing most anything! A perfect choice for any concert program! |
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Grab your sunglasses and beach gear and add some Sixties sizzle to your concert! These 60's pop hits by the Beach Boys captures all the authentic fun in the sun you could ever want and is a perfect choice for younger choirs! You'll have fun, fun, fun with these Discovery Pop arrangements. Written especially for developing choirs, the repetitive voice parts help accelerate the teaching process. Great harmony songs. |
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Let's Swing! Younger and developing groups will build important vocal jazz skills in this straight-ahead swing arrangement of Jingle Bells. Good voice-leading, well-voiced chords and a supportive and authentic accompaniment will make it right in the pocket for a successful experience! 'Swing into Christmas' - Three Christmas favorites combine in a 3-minute mini-medley that will dress up your holiday concerts with some jazz style! Great for jazz, pop or concert choirs of all levels. |
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Here's some jazzy takes on old holiday favorites. 'Jazzy Old St. Nick' has surprise pauses and clever orchestration and make this the perfect novelty or concert closer. Who's that up there in the sky, singin' and swingin' as he flies by? Why it's Beboppin' Santa Claus, of course! This jazz original is perfect for show and jazz groups and makes a great opener for your holiday programs. Even your youngest singers will dig this jazzy Jingle Bells! With lots of unison and easy call-and-response vocal parts, this arrangement will practically sing itself. |
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Share the rich culture of a Spanish Christmas with your students. These charming Spanish folk carols will bring joy to every performance. From a variety of cultures these creatively arranged songs will add a multi-cultural element to your concert and will be appreciated by the Spanish speakers in your audiences. Perform them in Spanish, English, or a combination of both. |
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We all love the traditional carols however how about livening up the Christmas concerts with some humor with these unique novelty songs. 'An Elvis Christmas' - Santa is definitely in the building with this fun 4-minute medley of Christmas songs identified with the King of Rock & Roll . 'Grandma's Killer Fruitcake' by the esteemed Roger Emerson is a hilarious holiday spoof that everyone will enjoy! 'All Because of Mr. Santa Claus' is a light-hearted song by Hal David and John Cacavas is sure to put everyone in the holiday spirit! Lots of fun here. |
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Titles in the Original Keys for Singers series are designed for vocalists looking for authentic transcriptions from their favorite artists. The books transcribe famous vocal performances exactly as recorded and provide piano accompaniment parts so that you can perform or practice exactly as your favorite artists sang them! This volume features more than two dozen holiday hits as sung by famous female crooners. |
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Here's some classic Christmas songs plus a couple of fun Christmas novelty numbers that will liven up any Christmas concert. Arranged by some of the best in the barbershop business these songs will be a great addition to any group's repertoire. |
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The Music Man is one of the greatest American musicals and was instrumental in popularizing barbershop music thanks to the endearing performances of the Buffalo Bills. Here are TTBB a cappella arrangements in the barbershop style of many of the Meredith Willson classic songs. |
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Northern Harmony, Edmonton, Alberta's a cappella festival, the only a cappella 'battle of the bands' in Canada, celebrated its 8th year in 2005 with a 'best of' CD, 'Do No Harm.' Specifically, these 22 cuts represent all 1st, 2nd and 3rd place winners, Audience Favourite, Best Soloist, Best Original Song and even Best Bass, between 1998-2004, by 16 groups, some of which don't exist anymore. Calgary's Heebee-Jeebees, who brought their manic humor south to our Harmony Sweeps Final, have 3 winners here: 'Use the Force,' 'Gitarzan' and 'Channel 12.' Quintessential's crazed country-western 'The Auctioneer' and 'Quintessential Harmony' are excellent, as is 'Let the Rest of the World Go By' by barbershoppers About Face. Contemporary group Real F/X do a hot cover of the Young Rascals' 'Good Lovin',' and No Assembly Required has a nice pair, 'Criminal on the Cross' and Billy Joel's 'And So It Goes.' Standing Room Only's very funny 'Mr. Taxman' (to the tune of 'Mr. Sandman'), OnCue's 'Name Song,' Voce's 'Let It Go,' InSync's 'The River (Sailing)' medley, CNote's folky 'Old Brown's Daughter,' The Fabulous Doo-Wop Boys' cover of Weird Al's 'One More Minute,' and CHICKAdivas' crazed 'Logdriver's Waltz' join our list of favorites. A cappella is burning brightly in the north country, and the pilot light can be found in Edmonton, Alberta! |
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The choral music of the Russian Orthodox Church is designed to set the soul soaring beyond earthly cares. Sung by the finest Russian and Bulgarian choirs, this extraordinary collection of transcendent prayers and hymns highlights a timeless Russian tradition of faith and devotion. Lush harmonies float in space, angelic high voices pour down from heaven, deep bass voices intone from the center of the earth, and the great bronze bells toll with awesome grandeur. The solemn ecstasy in the music of the Russian Orthodox Church can trace its roots back to the earliest days of Christian worship, via the great Byzantine Empire of the Near East. It presents an uncompromising search for peaks and depths of expressive fervor, aloof from all gimmicks. That was true of the music's multi-cultural roots as monastic chant, and was maintained as it evolved into full choral harmony in the late Romantic period. |
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If you love a cappella vocal jazz then this CD is for you. These four groups from four countries are certainly some of the top vocal groups performing today and this compilation features some of their best songs. The Real Group (Sweden), Idea of North (Australia), M-Pact (US) and Rajaton (Finland) are highly regarded by aficionados and this recording is a great introduction to the genre. |
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The 6th World Symposium on Choral Music took place in Minneapolis and St. Paul, MN, in August of 2002, hosted by the American Choral Director's Association. The Symposium takes place every 3 years and features prominent choral specialists and choirs from around the world in lectures and concerts. This 2-CD set features live recordings of 27 choirs from around the world, beginning with Chanticleer's 'I Dream of Jeannie,' and ending with the combined choirs singing 'What A Mighty God.' Representing the US, besides Chanticleer, are AmericaFest, singing 'One By One (from the Lion King),' Michigan State U. Children's Choir, singing 'My Lord, What a Morning' and 'Billy and Ming do the Be-Bop Thing,' the St. Olaf Choir, singing the Moses Hogan-arranged 'This Little Light of Mine,' Dale Warland Singers, with 'Snow (The King's Trumpeter)', and VocalEssence Ensemble Singers, singing 'Antiphon for the Virgin.' There is so much amazing music on this CD, we will mention a handful of other favorites: Cantoria de Merida of Venezuela's 'El Gavan,' Univ. of Pretoria Concert Choir's 'A Selection of Traditional African Folk Music,' Garganta Profunda of Brazil's jazzy 'O pato,' National Youth Choir of Namibia's 'Sangena' and The Norweigian Soloists Choir's 'Mon Dieu, mon adore.' But if you are interested in the best of Contemporary Choral music, 'Choral Highlights' is for you! Some light accompaniment, beautiful, extensive liner notes. |
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Catch that 'Bieber fever' with this irresistible collection of Justin Bieber favorites. Features popular songs from his certified platinum recordings, 'My World' and 'My World 2.0', including three of Justin's biggest singles. Your students will beg to sing these chart-topping tunes! 'Born to Be Somebody' was featured in the motion picture 'Never Say Never', and this inspirational power ballad works beautifully for graduation and spring concerts. 'I was born to be somebody . . . and this world will belong to me.' |
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A selection of songs from the movies include 'Alfie' from songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson. This song and text is among the most meaningful in contemporary music and is a personal favorite of this reviewer. Rich harmonies highlight the powerful emotions inherent in the text. The lush a cappella setting of the love ballad 'Till There Was You' from The Music Man will be a wonderful choice for more advanced men's ensembles from high school to adult. An ideal festival selection! 'Candle On The Water' from Pete's Dragon is available for the first time in men's a cappella setting. This Disney classic will once again enchant your audience. Beautiful harmonies gently accompany the easily-sung melody. Men's choruses will create a magical spell with this richly expressive setting for unaccompanied TTBB voices 'The Nearness of You' with solo of the famous Hoagy Carmichael standard. A challenging work but well worth the effort! |
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Stephen Stills wrote 'Find The Cost of Freedom' after visiting a Civil War battle site and the emotion is still potent today: 'All the brave soldiers that cannot get older been asking after you ... Find the cost of freedom buried in the ground.' The a cappella texture makes it especially moving. 'Come Go With Me' - Put a special soloist out front with this doo-wop hit of the '50s! Here's a super arrangement of the top pop hit 'Stand By Me' from 1961. 'Sixteen Tons' - Here's a great a cappella setting of the Tennessee Ernie Ford work song from the '50s. Excellent independence of voices! |
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The pop hit 'Lonely No More' by Matchbox Twenty frontman Rob Thomas is scored here for your advanced beginner to intermediate men's group. The hook is way catchy, and your singers will be begging to perform this one over and over again! First performed by The Persuasions and popularized by The Nylons 'Good Old A Cappella', this tune has become a standard for contemporary a cappella groups. 'Be True To Your School' - Perfect for pep rallies, sporting events and school assemblies, the breakdown in this arrangement gives your singers a chance to get everyone in the bleachers chanting and clapping along. Rah Rah Sis Boom Bah! 'Change The World' is classic Eric Clapton! This bluesy a cappella doo-wop setting has a great message and is easy to learn. A great pop or jazz choir feature. |
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Edwin Fissinger's music has a distinctly American sound, and his choral set 'Dakota Prairies' uses poems that describe some of our north central states' most beautiful scenery. 'The Wild Prairie Rose' uses a poem by Alice Sinclair Page. The madrigal-style writing is excellent for choirs of all sizes, from festival to chamber groups. 'The Wind in the Wheat' is based on a poem by Jessamine Slaughter Burgum. One can almost smell the air of the northern plains through the poetry and music of this classic Fissinger selection, published here for the first time. 'The Prairie' captures the essence of America's great open spaces in a text by Anne Murry Marius. 'Night on the Prairies', a Walt Whitman setting, returns us to our American heritage roots and the thoughts and feelings the prairie invites. 'Sing As The Prairie' was written by John Neihardt, who was revered by Nebraskans as their poet laureate. Because his love of nature is evident in each phrase, the music incorporates the enchanting sounds of nature and the prairie. Arrangement by Mary Goetz. |
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Without doubt some of the finest songs ever written were those by Lennon and MacCartney and here is a collection of some of their finest song all arranged for unaccompanied voices. 'The Long and Winding Road' - Skillfully arranged, this #1 hit by the Beatles will be a standout in any concert. Treat your audience to an a cappella moment they will remember for a long, long time. 'Here, There and Everywhere' - Here's an expressive a cappella setting of the classic Beatles song, full of wonderful textures, lyric lines, and lots of opportunities for rubato styling! 'Yellow Submarine' - From the Beatles' 1966 hit movie and single, recently re-released in theaters and DVD, in a colorful a cappella arrangement. 'Hey Jude' - This timeless Beatles classic is given a hip contemporary treatment. |
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17 Groups! 26 Selections! 6 Bonus Tracks! 5 Previously Unreleased Tracks! Yo, get yer classic doo-wop street corner harmony here! Ronnie Italiano, affectionately and professionally known as Ronnie I, almost single-handedly is responsible for the flouishing doo-wop scene. He created Clifton Records, Ronnie I Productions and is the founder of the United In Group Harmony Association. This is the first of two volumes of great street corner singing. Most of the recordings were made in the late seventies and 1980's. You will hear selections from the entire spectrum of performance in the doo-wop style. We have the Computones, a rare mixed group, singing 'The Only Love' with Brenda Mitchell on lead. Our favorite is Charm's live version of the World Was II song, 'Rosie The Rivieter.' It was originally recorded by the Four Vagabonds but the Charm version with the long Mills Brothers style horn arrangement is superb! |
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20 Groups!! 26 Selections!! 11 Previously Unreleased Tracks!! Sound familiar? It should for this is the second mega-release by Ronnie I Productions of great street corner singing by groups who so often had only local followings in New Jersey, New York and Philadelphia. Doo-wopp, streetcorner style usually consists of five parts: lead, 1st tenor, 2nd tenor, baritone and bass. You just have to hear the individual stylization that different groups bring to songs which make them uniquely their own. There's one guy in the group Street Corner Memories who can roll his tongue so accurately it's hard to believe! Jackie Bland is the female lead of Windsong, who, with a superb quartet backing sings 'Imagination.' Once again Ronnie I has packaged a primer of this uniquely American music. |
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Here's a collection of four classic songs that are fun to sing and guaranteed to be audience favorites. This perennially popular song 'Chile con Carne' from The Real Group is now available for treble voices, allowing you to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn. 'Alfie' is from songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson, this song is among the most meaningful in contemporary music. 'I Have Dreamed' has rich harmonies highlight the powerful emotions inherent in the text. Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. 'What a Wonderful World' was written for and first performed by Louis Armstrong, this popular standard rejoices in the simple enjoyment of everyday life. This lush setting is perfect for SSAA ensembles from high school and up. |
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'Poor Lonesome Cowboy' is an original arrangement by Norman Luboff of this famous cowboy's lament. 'All The Pretty Little Horses' is a traditional Southeastern American folksong featuring canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning. 'Sacramento - Sis Joe' is a wiry, spiky combination of two American folk songs; one very well-known; one somewhat obscure. The better known is Stephen Foster's 'Camptown Races' but it's appearance here, however, is with a completely different text that captures the excitement of a mid-1800's trip to California in search of gold! 'Sis Joe' is a traditional railroad song that was used by Aaron Copland in 'Rodeo'. |
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Our fascination with the music of the medieval era continues to grow and grow. This collection with contemporary notation and helpful performance options offers the modern choir an opportunity to celebrate the music of the past. 'If Ye Love Me' is one of the most recognized anthems from the English Renaissance, in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would work well in both concert and worship settings, and provides a great way to introduce young singers to historical choral works. 'Domine Fili Unigenite' features canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning. 'Gloria Patri' has powerful antiphonal effect provides a dramatic vehicle for the English or Latin text! An appealing Renaissance work for both your mixed and treble ensembles! 'Exultate Justi' is the famous Psalm 33 motet by Lodovico Grossi da Viadana adapted for younger ensembles. This composition is written in the typical Renaissance style of motets (a cappella sacred works) and madrigals (a cappella secular works). 'Celebrate This Day Together' - energetic and rhythmic 16th-century piece is an excellent introduction to the music of the Renaissance. Includes secular or Christmas lyrics and optional hand drum. |
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'Nukapianguaq' (pronounced Nuhk-ah-pee-ang-guaq) attempts to present Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition. Inuit chants are usually reflective in nature and spiritual in intent. 'On The Rooms' - An audience need not be familiar with the history of Newfoundland and Labrador, Canada's easternmost province, to get the sense that an epic story is unfolding before them. Based on the maritime heritage of Newfoundland and Labrador, this modern folk song creates an atmosphere of sea air and hard work. The arrangement of this beautiful Indian song 'Land of the Silver Birch' was made by the Finnish music educator Pentti Paalanen in the 1970s for his high school choir in the town of Joensuu. Since all three verses are set to the same music, the necessary contrasts must come from a careful consideration of the text. These contrasts, or variations, need not be very great, however, as a certain monotony and mystery belongs to the character of this song. This Canadian Folksong 'Petty Harbour Bait Skiff' describes the tragic sinking of a Bait Skiff near Petty Harbour in 1852, losing all but one of the crew. |
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'Toshima Mochi Tsuki Bushi' is a Japanese folk song from Tokyo-To (Tokyo District). It is celebratory in nature, and implies that it might be sung as a work song while pounding rice into rice balls (mochi). The making of mochi is a collaborative family activity associated with the new year. Comprised of a children's song, a lullaby, and a love song, this collection of Filipino folk tunes is full of lively rhythms and enchanting melodies. |
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Cantor Rena Shapiro's take on the Israeli classic 'Eili, Eili' is a fantastic a cappella addition to any repertoire. The setting's savvy utilization of just three voices gives it lots of mileage with a beginning choir but provides plenty for an advanced one to work with in terms of expression and nuance. The piece includes sections in both Hebrew and English. The flowing, contrapuntal movement in Cantor Davidson's setting of Psalm 121 ('A song of ascents...') is at once modern and madrigal, and provides options for singing in English, Hebrew, or both. The song S'Vivon depicts the Hanukkah dreydl, a small top with four sides. Each side of the dreydl contains one of the four Hebrew initials of the phrase, '(A) Great Miracle Happened There.' |
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Norway is a country rich in folk tradition, and in these piece, elements of folk dance and instrumental music are clearly represented. These tunes are fun, singable, and would fit perfectly on a program of multicultural music, or as a stand-alone on a concert of a more diverse nature. Complete IPA guide included. 'The text exists merely to give form to the music and is meaningless,' says Finnish composer Mantyjarvi, whose 'El Hambo' in 1999 was an instant success with American high school choirs. In 'Pseudo-Yoik' he takes a humorous look at the stereotype of the Lapland folk music. Fun stuff! |
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'Kalinka' is about a young man sitting under a red berry bush (Kalinka), singing of his feelings for his sweetheart. The expressiveness of the song is achieved through the contrast between a lively and rhythmic chorus and the more legato and subdued verses. The Russian folk song 'One Day By The River A Young Cossack Roamed' is transcribed and arranged here based on a version sung by Olga and Kristina Bashirin in Irkutsk, Russia, in July of 1993. Includes both English and Russian text with pronunciation guide for the Russian. |
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The traditional English carol 'Masters in This Hall' is given a lush a cappella treatment by one of the top arrangers in the field. This Haitian folk carol 'Haitian Noel' is in the style of a Merengue and will give your concert Caribbean sparkle! A pronunciation guide is provided for the Creole lyrics and English lyrics are also included. 'Song of The Angels' is a uniquely evocative setting of the Gloria. Elegant and fluid lines suggestive of Gregorian chant are changed into a freely sung soundscape of great beauty and richness. The gentle, jazz-flavored arrangement of the treasured Gustav Holst/Christina Rossetti carol 'In The Bleak Midwinter' will be absolutely stunning in performance! Lush choral textures and rich harmonies unfold one after the other for a magical concert moment! 'Do You Hear What I Hear?' -The talented arranger Mac Huff worked his magic on this traditional carol and makes it something that will add a special touch to your Christmas concerts. |
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This romantic a cappella setting of the Carpenters classic 'Merry Christmas, Darling' will put everyone in the holiday spirit! Warm harmonies and lush choral textures give this rendition its special appeal. 'Home For The Holidays' - The happiness and glow of the holiday season is brought to life in this warm a cappella ballad arranged by Mac Huff. Sumptuous harmonies support the simple and expressive melody line in a setting that will put every listener in the holiday spirit ! From the poignant unison opening phrase through the stunning unfolding of breath-taking choral warmth, this a cappella ballad setting is not to be missed! Lushly romantic harmonies will create an unforgettable musical spell. 'I'll Be Home for Christmas' - From the poignant unison opening phrase through the stunning unfolding of breath-taking choral warmth, this a cappella ballad setting is not to be missed! Lushly romantic harmonies will create an unforgettable musical spell. 'Santa Baby' - A Christmas list for all the good big girls! This a cappella doo-wop version of the famous Christmas classic is a sweet and saucy change-of-pace for holiday programming! 'Tis The Season- A Christmas Madrigal' - Deck the halls and be jolly with this rollicking a cappella setting of the holiday favorite! Fun to perform, it will be easily programmed at all types of concerts and community events. |
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'Carol of the Ladder' is a limpid andante whose transparent texture and tone of sweet melancholy creates a meditative calm. Although technically unsophisticated on the surface, this arrangement offers many opportunities for phrasing, blending, word painting and subtle interpretation. This soulful a cappella setting of the traditional Christmas spiritual 'Rise Up Shepherd and Follow' will inspire your audience. A gem! 'O Holy Night' - African percussion serves as a fantastic background to a cappella voices in a compelling new arrangement by Kirby Shaw. Awe-inspiring! A classic arrangement from the great Zoltan Kodaly of the Christmas classic 'O Come, O Come Emmanuel'. |
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This setting of one of America's favorite folksongs 'Shenandoah' is a great opportunity for students to perform an a cappella work. As the piece floats along, propelled by a gentle surge of eighth notes symbolizing the 'rollin' river,' dissonances and melodic shifts lie beneath to challenge your choir. 'All For Me Grog' - The rough and tumble life of a sailor and his adventures on the high seas is celebrated in this rousing English sea shanty known from Nova Scotia to Australia. This a cappella setting of a traditional South African praise song 'Gabi, Gabi' just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. 'Eili, Eili' - Cantor Rena Shapiro's take on this Israeli classic is a fantastic a cappella addition to any repertoire. The setting's savvy utilization of just three voices gives it lots of mileage with a beginning choir but provides plenty for an advanced one to work with in terms of expression and nuance. The piece includes sections in both Hebrew and English. |
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'With The Sound of Singing' - Let music fill your heart with joy in this delightful madrigal style piece. Easily learned and a great concert change of pace! 'This Day Of Joyful Pleasure' is a perfect piece to introduce madrigal style. Easy ranges; voices may be doubled by instruments. 'Sweeter Than The King's Wine' is a fun original madrigal by the talented Stephen Hatfield that mixes light, dancing textures of the madrigal with a soulful singing style. Here's a 3-part a cappella arrangement of a Thomas Morley madrigal 'Spring-Time' that is ideal for young ensembles at concert and contest performances. Excellent for developing style, phrasing, intonation and dynamic contrast. New English lyrics highlight the bright madrigal style of 'Come Make Merry And Sing' by the Italian composer Thomaso Cimello. An excellent and accessible way for young singers to develop madrigal technique. A delightful setting of 'While Joyful Springtime Lasteth' is lively and colorful. An excellent contest or ensemble selection. |
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Beginning choirs will love the imagery and contemporary harmonies in the a cappella original 'A Pawnee Prayer'. Perfect for contest or concert use, the optional hand drums provide additional rhythmic background. 'Ezekiel Saw The Whee'l - An invigorating adaptation of one of the great spirituals! 'Plenty Good Room' - Using jazz articulations in an exuberant spiritual style, this original provides an exciting dimension to choral programming! 'When It Was Yet Dark' - Set to a beautiful old hymn tune from an 1855 collection, this piece offers much scope for phrasing and word painting as the singers recreate the setting from outside the tomb, and explore the psychology of one of the Bible's most famous and timeless characters, Mary Magdalene. 'Who Rolled The Stone Away?' - This exciting arrangement of a traditional gospel swing is full of accents, scoops and body percussion that will challenge your choir to internalize the lively and spirited gospel style. |
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Here's a selection of new arrangements that will get your choir in the Holiday spirit. 'Jingle Bells' - Pop and jazz groups will show their skill with this jazzy take on a winter classic! Great vocal licks, solo opportunities and a lot of fun to sing! 'A Christmas Madrigal' - This joyous original madrigal is designed for the limited ranges of the younger choir. Excellent voice leading allows you to transpose easily for all-treble/women's choir! Exceptional! 'We Wish You a Merry Madrigal' - Based on the 'We Wish You a Merry Christmas' this fun arrangement by Russell Robinson is sure to be a crowd pleaser. |
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This CD rerelease is an important piece of history. It has to do with Stan Krause who started Catamount Records in 1964. Stan was an unabashed acappella fan who started his label while working the presses in his dad's record pressing plant, Kay Records. I Dig Acappella was put together by Stan and two friends, Bobby Miller who had a small acappella label of his own and 'Uncle Steve' Piva who had a radio show called 'Oldies Express' on WFDU-FM in Teaneck N.J. The recording was an article of faith in the emerging musical field of acappella and featured groups of varying talents who had recorded on their small labels. Stan started with amateur groups but went on to more polished performers such as the Royal Counts and The Persuasions and thereby was pivotal in creating today's field of a cappella music. I Dig Acappella features The Five Fashions, The Zircons, The Versailles and the Savoys. This is a historical gem. |
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'Canzonette a Tre' - These four songs describe the pangs of thwarted romantic love: torment, desire, and longing. (The third may be the world's only love song declaring envy of a flea--including hopping rhythms.) These songs include a wide range of Renaissance musical devices, including imitation, cadential suspensions, metric changes, and dance-like rhythms. Since they are short and strophic, they give your singers multiple chances of mastering idioms of Renaissance polyphony on a small scale. 'Virgines Prudentes' - This very easy double chorus piece, with Chorus I-II echoes, is a wonderful introduction to the world of more than four parts. The text, based on the parable of the wise and foolish virgins, is suitable for Advent. 'Congratulamini Mihi Omnes' - 'Rejoice with me, all ye who love the Lord' is the beginning of the text, expressing Mary's joy in a first-person responsory text incorporating parts of the Magnificat. This sturdy polyphonic setting concludes with an exultant homophonic section in triple meter. 'Tragico Tecti Syrmate' - This angels' lament for the destruction of a city is the crown of Renaissance music for upper voices. While each of the largely syllabic parts is independent, together they interweave in a stately harmonic rhythm, conveying both the dignity of formal mourning, and the richness of the city and its people that are no more. |
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'O Virgin Resplendent' - A late medieval canon, moving almost entirely in fluid eighth-note triplets, comes to rest at the end of each phrase. Edited by Mark Winges for the Piedmont Children's Choirs, this piece works beautifully as a processional. 'Marriage bed of Chastity' - This lively 13th-century conductus from the Las Huelgas manuscript, with added optional percussion parts, makes a very effective processional. Mary is the 'marriage bed of chastity' sought by God the Father for bearing the Son. 'O frondens virga' - This new edition of Hildegard's antiphon places it in its liturgical context, pairing it with a plainchant 'Magnificat' (included in this edition by William Flynn). The reprise of the antiphon has an optional added voice in organum, reflecting medieval performance practice. Latin, with full translation and historical and performance notes. 'Dancing' - 'I stumble and tumble,' begins this freely-rendered medieval text, set in 6/4 over a delightfully lurching scat ostinato in 12/8. Written for the women of the Cornell University Chorus, it works easily when conducted in a big 2. English. 'Circle' - In this medieval mystic text the circle is an image for meditation, first excluding, then embracing, the world. The musical setting reflects the image with contracting and expanding textures, and a soprano solo. |
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Ronnie I and his Clifton Records continue to produce a proliferation of doo-wop CD's - this 1999 collection includes 15 previously-unreleased tracks, of 26 in total. Groups such as Charm, the Emerys, Camelots, Choice, Sheps and Attributes, some of whom never made it big, or even into the record books, but were nonetheless distinctive contributors to the doo-wop scene, are preserved on the Showdown Series. What an opportunity to check out rare and collector's cuts, from the Emerys' version of 'Baby, Walk On In,' (written by the Shells' Nathaniel Bouknight and Hiram Johnson), the Four Fellows performance of Hoagy Carmichael's 'Skylark' and the Attributes peformance of 'So Much,' as popularized by Little Anthony and the Imperials and written by Richard Barrett of the Valentines, one of New York's most representative doo-wop groups...a wealth of material! |
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The carol text 'The Burning Babe' is by the same sixteenth-century poet--Robert Southwell--as the better-known 'This Little Babe.' Like its sister text, it explores an unusual metaphor for the infant Jesus--in this case, a refining fire which purifies the believer. The strophic setting, with soprano solo, is dissonant and chromatic, with edgy rhythms: a fine selection to balance against sweeter Christmas settings. This raucous arrangement of 'Wassailin'' with 'doo-wah' patterns goes 'all over the town' in its depiction of a rowdy Christmas feast. Try it as a change of pace at a madrigal dinner! Choral drones, small percussion, and canon are some of the simple but extremely effective devices in this arrangement of 'Puer Nobis Nascitur' in 6/8 time. This piece will make a fine processional for your Christmas concert. This gentle, homophonic setting of 'Dormi, Jesu!', with its low tessitura and repeated rhythmic pattern, would definitely comfort the baby. This piece is perfect for setting a quiet mood for a Christmas service or concert. 'O Regem Coeli ' - This loveliest of all Christmas motets for upper voices, long out of print in the U.S., is newly edited from the original print of 1572, with literal word-by-word and prose translations and keyboard reduction. |
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These songs gives your choir the chance to sing something different and have lots of fun while doing so! 'A Song Of Rain' gives your chorus a chance to play with sound: tone clusters build, and the choral wind machine cranks up, to herald the storm. Then the choral 'pitter-patter,' using hocket and overlapping rhythms, portrays the rain falling on parched Australian towns. Elizabeth Barrett Browning meets Mae West in this swing setting of the immortal love poem 'How Do I Love Thee?', paraphrased by the composer. 'Boh-doo' and 'wah-wah' scat passages put an original spin on this text, and bring the house down when it is performed with gusto. Winner of the Diva Complex 1996 Composition Contest. The utterly silly text free-associates from 'Tango Dada' ('A tutu and also a tattoo') as the chorus sings sultry tango rhythms. With castanets, of course! Written for Diva Complex. With pentatonic tunes backed by syncopated repeated patterns 'Make Melody', in 4/4 throughout, recalls Alice Parker's leading of improvisatory sings. |
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The central poem 'Sea Song', by Madeleine L'Engle, depicts Neptune as a Sea Bishop who blesses all the creatures of sea and land. Gawthrop's vocally grateful text setting is particularly strong here, with occasional imitative entrances. The legato lullaby 'Dream Song' with rocking rhythms imagines dreams coming in on little boats at sunset, then sailing away again at dawn. Three ships full of wheat come into port, and sailors and young women haggle over their wares. Who will be cheated? The rousing concert-closer 'Roulez jeunes gens, roulez ' features clapping and stomping body percussion. It is high-energy entertainment, written for the Cornell University Glee Club, and now part of their permanent repertoire. |
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This powerful plea for peace makes a fine invocation, or opening selection for a concert dedicated to issues of nonviolence, war and peace. Easier than it appears, its clear tonal center provides a firm footing for introducing techniques such as sudden harmonic changes and gradually built tone clusters. Sung by the Peninsula Women's Chorus, Dr. Patricia F. Hennings, Director, at the 1992 Western Division ACDA convention in Honolulu, this piece is exceptionally rewarding for both singers and audience. 'The fruit of silence is prayer...' Thus begins Mother Teresa's statement of faith and purpose 'Fruits of the Selfless Heart', a poem which she entitled, 'A Simple Path.' This gentle setting with long note values is given in both a short version, and a longer version with a soloists' counter-melody. It is particularly suitable for use as a benediction, or for repeated singing during the administration of communion, whenever a mantra-like effect of sung prayer is desired. 'When Diana's silver light' - Both sound and sense of the Carmina Burana text on the restful loveliness of moonrise are beautifully set in this lyrical, technically strong piece. |
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A fine collection of unaccompanied Spanish Christmas carols with both English and Spanish text along with a pronunciation guide. The Emily Crocker arrangements, as always, are delightful and are most rewarding in performance. The King's Singers arrangements of three traditional carols are a special treat and the Norman Luboff arrangement of 'A La Nanita Nana' is from his Holiday hit album 'Songs of Christmas'. Rounding out the collection are three arrangements of sixteenth century carols from the New York Pro Musica series. |
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Sea shanties are an early tradition in a cappella music and are great fun to sing. Here we offer a selection of classics for male voices. 'The Sailor's Song' is an energetic and appealing a cappella sea chantey for Tenor Bass choirs that will be fun to rehearse and a showstopper in performance! Great for building skills and camaraderie! Noted arranger Vijay Singh brings us three classics that will provide excellent programming materials for male quartets, ensembles and choirs. 'Leave Her, Johnny, Leave Her' is a playful arrangement in which the ensemble encourages one of its own (Johnny) to bid farewell to his female shore leave companion. Encourage the singers to imagine they are loading the ship for departure and watching with amusement as young Johnny tries to bid his lady farewell. 'Bangidero' is derived from a traditional sea chantey in which a crew sings of admiration for its captain and his tales of shore leave opportunities in South America. 'Her Bright Smile', based on the plaintive words of an anonymous sailor poem, details the sailor's loneliness and longing for his ladylove. Marshall Bartholomew, arranger for much of the Yale Glee Club repertoire, does a fine job with the traditional 'What Shall We Do With The Drunken Sailor?'. |
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'Casita de Campo' is one of the most popular love songs from the Dominican Republic. It describes a modest, and yet beautiful, little rural house in the Cibao region where the composer evokes the consummation of a passionate and virginal love. It is a 'cancion-bolero,' a typical Caribbean romantic song form in quadruple meter, slow-paced, which is also a centerpiece of serenades. 'Chanflin' is a typical Dominican merengue in its melody and form. Chanflin is a young woman, very good looking. The merengue section refers to a 'neighborhood gossip.' The jaleo section refers to Chanflin dressing in a finicky manner. 'La Lluvia' is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion. 'Son de Camaguey' is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general. 'O Sapo' - In this irresistible Brazilian song setting, vocal lines imitate percussion patterns to create a truly infectious groove. Newly arranged for SSATB chorus. With optional percussion. |
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This is a fine collection of unaccompanied music from some of the master's of the golden age of polyphony. Missa Ave Regina Coelorum (c.1464) is Dufay's crowning achievement and we know that Dufay requested that this Angus Dei be sung on his deathbed. Crucifixus was originally intended for solo voices, but is transcribed here for four-part male chorus. It may be sung effectively by solo voices, chamber choir, or full chorus. Everybody's repertoire should include some examples of this early music style and are both fun and interesting to perform. This music has been sung for 500 plus years and still continues to please! |
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The heart-felt setting of 'Farewell' was originally included in the popular 'A Garland for Linda', a celebration of the life of the late Linda McCartney. Combining a poignant text adapted from Milton, Shakespeare, and Elizabeth Speller with emotive harmonies, this is an attractive piece by one of Britain's foremost contemporary composers. 'Even Such Is Time' is a peaceful and uplifting meditation on death and the afterlife, with softly overlapping upper voices that weave a hypnotic texture over a gentle melody in the tenors and basses to magical effect. The popular text 'Go before us, O Lord', with a straight-forward, sensitive music setting is suitable for all sorts of liturgical occasions, not least both weddings and funerals. |
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'You and Me' comprises two expressive love songs, each exploring a different side of love. 'Brightness' is a rapturous hymn to a beloved, its gentle syncopations and flexible rhythms building to a passionate intensity before the piece ends with a final, wistful refrain. 'The Good Side of Me', with text by Elizabeth Jennings, employs colourful harmonies to tell of a more complex, uncertain love, before reaching an affirmative, peaceful end. 'Love' is is a quiet, expressive piece setting Tennyson's poem very simply. It has an easy solo line for soprano and tenor. Memorable lilting melodies are woven together in a texture of free counterpoint in this lush setting of 'Now Sleeps the Crimson Petal' that captures the quiet ecstasy of Tennyson's famous love poem. Rhythmically challenging but very rewarding for the singer, this would make an ideal opener or closer for a program of love songs. |
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'Seasons Of Love' - Rhythmic challenges will reward more advanced a cappella ensembles in this arrangement from the Broadway hit, RENT! 'I Have Dreamed' - Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. 'Sun & Moon' - Here is the tender ballad from Miss Saigon in a warm and expressive a cappella setting. The imploring melody emerges from the rich vocal accompaniment like a beacon. Stunning! 'AllI Ask Of You' - The King's Singers give special treatment to this Andrew Lloyd Webber classic from The Phantom of the Opera! |
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Deck the halls and be jolly with these rollicking a cappella setting of the holiday favorites! Fun to perform, 'Tis The Season - A Christmas Madrigal' will be easily programmed at all types of concerts and community events. 'Santa Baby' - A Christmas list for all the good big girls! This a cappella doo-wop version of the famous Christmas classic is a sweet and saucy change-of-pace for holiday programming! 'Jingle Bells' - Pop and jazz groups will show their skill with this jazzy take on a winter classic! Great vocal licks, solo opportunities and a lot of fun to sing! 'We Wish You A Merry Madrigal' is based on 'We Wish You a Merry Christmas', this fun arrangement by Russell Robinson is sure to be a crowd pleaser. |
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Unusual and charming but not unduly difficult, this fun arrangement by honored Canadian choral master Jon Washburn can be sung in either transliterated Chinese or in English. Includes 'Kang Ding Love Song' and 'Looking for Plum Blossoms in the Snow.' 'Hsiao Cheng Ku Shih' and 'Diu Diu Tang' are skillfully interwoven in this unique setting for Philip Lawson of the King's Singers. |
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The upbeat gospel-flavored anthem 'Rock-a My Saviour' is a real treat. With a quiet energy, it soon builds to a celebrative song of praise. Beginning with a basic melodic pattern from the men, the other voices join for a rich and spirited anthem with a hushed conclusion. The original a cappella Christmas spiritual 'Run To The Manger' is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. The master of the African American spiritual Moses Hogan creates a glorious arrangement of 'Glory, Glory, Glory to the Newborn King', and adds his own words and music, based on the spiritual 'Go Tell It On The Mountain'. Selected for the Paul A. Smith Choral Series, 'See Dat Babe' features excellent writing for the a cappella choir, with all the rhythm and vigor to bring the house down. |
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'The Stone House Carol' is based on the old French Carol, 'Noel Nouvelet' and has a beautiful melody and words. By joining this with the English Language Easter Carol version, it was possible to write a piece meditating on the Greatest Love (and Sacrifice) of all. After a short mysterioso introduction the main theme is stated three times, at first tentatively, then triumphantly. The final verse returns to the sense of awe and mystery of the introduction, ending with a musical question mark that is perhaps testing our response to the words being uttered. The two popular Swedish Christmas Carols, 'Nu Ar Detv Jul Igen' and 'Na Juldagsmorgon Glimmar', capture complementary aspects of the Christmas spirit. Nu Ar Detv Jul Igen is in the style of the Hambo, one of the most popular of Swedish folk dances. At Christmas time, the Hambo is danced around the Yule tree by children gaily singing these playful verses. Nar Juldagsmorgon Glimmar is a more expressive carol, filled with the magic of Jesus' birth in the humble manger. Throughout the arrangement, the dance carol should be sung lightly and accented, with a dancing buoyancy. Nar Juldagsmorgon Glimmar should be sung legato with expressive lines and should never be covered by the quicker carol. 'Joulupuu on Rakennetu' is a Finnish carol and two Norman Lubuff arrangements makes this a great collection. |
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Very cool! A rhythmic and refreshing twist on a holiday favorite! 'God Rest Ye Merry, Gentlemen' features dynamic syncopation and vocal interplay between parts. The traditional melody is presented in a slightly less than traditional way amidst the dramatic vocal ostinatos and countermelodies of the other parts, then finishes with fabulous glee club choral sound. 'Go Tell It on the Mountain' has always been one of our livelier Christmas traditions and Carolyn Jennings's arrangement and additional text is spectacular. This exuberant arrangement for men's voices is bubbling over with joy and good tidings. Great for glee club or men's chorus, or to give the male voices in your mixed choir a moment in the spotlight. This is a real showstopper. With more than eighteen million copies of his works have been sold Don Besig is the recipient of several ASCAP Special Awards and is much in demand as a guest conductor, clinician and adjudicator. Here we include three of his compositions that will be sure to liven your concerts. |
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Jazz educator, Michele Weir, has thoughtfully created a fresh new treatment of the timeless Alfred Burt classic, 'Caroling, Caroling'. The 5/4 meter creates a rhythmic and energetic feel. Michele's use of harmonic twists adds to the thrill of this unaccompanied work. A must for any choir that sings a cappella. 'Have Yourself A Merry Little Christmas' - Tight jazz harmonies give new dimension to this traditional holiday favorite. This a cappella gem is a great way for high school, college, or community choirs; vocal jazz groups; or concert choirs to end their Christmas concerts. This new musical setting of 'Bethlehem' the familiar hymn text with additional original text is the newest addition to our Jazz for Christmas Series. 'Bethlehem' features an a cappella introduction and tight, jazz harmonies that build to a dramatic modulation in the piano accompaniment. The solo provides an opportunity for ad-libbing in pop/jazz style. The humorous a cappella work 'New Dance for the Sugar Plum Fairy' is a reduction of the original orchestral work from The Nutcracker Suite. Michele Weir is known for her vocal jazz arrangements, but this choral is a departure from the familiar. Here Michele has crafted this familiar holiday favorite with adorable lyrics by Amy Engelhardt (The Bobs) into a choral work that is delightful and fun to learn and perform. |
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The text of 'Wind Song' is derived from the names for different types and characters of winds found all over the globe. Each wind is presented in its own language, and the mood of each is reflected in the music. Written to excite and intrigue, the creative and improvisatory work for women's choir ''s No Wonder' highlights the double meaning of the title. It's no wonder that winter itself creates snow wonder. The musical structure of 'How Can I Keep From Singing?' is similar to the well known American folk hymn, Amazing Grace. A verse of Amazing Grace is included in the last section of this arrangement. 'Songs From Gahu is a recreational piece of the Ewe (eh-weh), who live in Ghana and Togo, West Africa. Gahu' is a rich texture of singing, dancing, drumming, drama and the visual impact of colorful costumes. It originated in Nigeria and was brought to Ghana in the 1950's by Ewes who had travelled there, 'Gahu' means 'expensive dance' and refers to the elaborate nature of the costumes. These four songs (among many others) accompany the dancing and drumming of Gahu. |
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The arrangement of 'The Virgin Mary Had A Baby Boy' explores the Caribbean style known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Every section of the choir is spot-lit; every section gets its turn to lead. The piece would especially suit a choir in search of something seasonal but upbeat which is not a 'novelty number.' The Basque carol 'The Angel Gabriel' in an exuberant setting by Audrey Snyder can be performed a cappella or accompanied. A wonderful showcase for SSA voices. These a cappella works are a nice addition to the repertoire for women's chorus and includes 'Jetzt ist die rechte Freudenzeit' and' Ecce Maria' (Praetorius) with German and English texts. |
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Your women's ensemble will shine with this joyous a cappella original 'Jubilate Deo'. Powerful and joyous in expression, this is an ideal concert/festival opener. 'O Clap Your Hands' is an exciting showpiece for contest or festival! Rhythmic vitality and solid harmonies propel this work to a powerful conclusion. 'Joyfully Sing' - Irrepressible joy fills the air in this superb a cappella concert work for the women of your choir. Dynamic! |
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'Oh, Follow, Follow On' (France) & 'Spring, Now Spring' (Germany) add lightness to any women's choir repertoire - one of new love, the other of Spring's new birth. In French and German respectively with English translations. In three sections, 'O Lovely Dove' employs overlapping legato entries marked by mild dissonance. This piece is a model of expressive writing and sung sensitively, will be moving both to audiences and performers. Let music fill your heart with joy in this delightful madrigal style piece of 'With The Sound Of Singing'. Easily learned and a great concert change of pace! The short piece 'Kikkehihi' was written early in Schein's life and is typical of the Italian madrigal. The polyphonic writing offers each voice a melodic line to shape, and imitation to listen for the other voices. Kikkehihi is a rousing way to begin a program and to introduce the choir and audience to the charm of madrigals. |
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The text of 'Across The Bridge Of Hope' was written by a young junior high Irish boy who very soon after lost his life in a street shooting. And so the poem became the voice of all children, victims in a world of war and violence, and for their universal longing and hope for peace. 'O Son Of Spirit' speaks of justice and respect for one another and the music is serene yet powerful. Excellent for high school, college, as well as church, Mr. Levine's understanding of the a cappella choir is apparent. This is a beautiful piece that deserves high consideration. |
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Now available for treble choirs, this readily accessible setting of 'Ubi Caritas' sounds at once modern and medieval. Starting in unison and evoking plain chant, it gradually unfolds into wider harmonies and more modern harmonic language. When a choral publication becomes a 'hit,' everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting 'The Word Was God' comes this new treble voice edition. The John 1:1-3 text breaks all barriers and sings successfully in school and church venues. 'Sing Alleluia, Sing' - Impressive for contest use, yet extremely effective as a training piece for treble voices. Julie Knowles writes practical yet exciting music for school use. The setting of 'Pie Jesu', a prayer from the traditional Requiem mass ,uses added-tone harmonies and repetition to create a serene, prayerful mood. |
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A collection of a cappella spirituals for male voices including a couple from one of the masters of the genre Brazeal Dennard whose Chorale is one of the nation's leading performers of traditional African-American spirituals. |
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Kathleen McGuire has created an outstanding arrangement of the glorious song 'Harriet Tubman', originally penned by Walter Robinson, about the famous leader of the famous Underground Railroad. A cappella vocals that build with a 'come on up' followed by rhythmic vocals under the hypnotic melody. Optional cabaca part suggested. Layered under that is the sound of percussion imitating a train and vocal nuances resembling the sound of chains and also a train whistle. Incredibly powerful and moving! It's a must for every choir's library. Eric Lane Barnes has a very unique writing style and he has done it again with the choral, Glee! This creative a cappella gem is quite entertaining, hearkening back to the days of the glee club songs of Yale and Harvard. This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word, 'glee.' Novel, yet eloquent in its style and performance possibilities, Glee is 'gleefully' a winner for any program. There is an early American feel to 'Come, Thou Fount of Every Blessing' that coordinates wonderfully with the text and adds a sense of authenticity to the whole. This treatment is a welcome addition to other versions of this piece because of its unique approach. Use during Pentecost or for general use. For harvest time, consider this medley of Thanksgiving favorites arranged by Chuck Bridwell. Contrasting sections include We Gather Together set to the tune Ash Grove, a fresh harmonization of Now Thank We All Our God sung a cappella, and a lovely arrangement of Handel's Thanks Be to Thee. Gracious and festive, Songs of Thanksgiving is the perfect adoration medley for the season of gratitude. The sturdy American folksong 'Meeting Is Over' has been given new life through the skillful arranging of James Clemens. Maintaining the hollow, open harmonies and steady rhythmic movement of Early American music, Clemens adds some fresh counterpoints and syncopations to really liven things up. Meeting Is Over is dynamic! |
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A collection of songs suitable for funerals or memorial services. The hearty folk hymn 'I'm Going Home' has a strength and vitality so typical of the songs of the Sacred Harp. I'm Going Home was featured in the oscar-nominated film, Cold Mountain, and Pepper Choplin's accessible a cappella arrangement is destined to be just as successful. Simple, but not simplistic, this sturdy chorus will stir the soul. 'Depart in Peace' is a wonderful closing for any service. Your congregation will leave with this blessing in song echoing long after. Everyone needs good benedictions and parting blessings and no one does them better than Don Besig. He features a new version of the classic 'God Be with You Till We Meet Again' as well as several other original blessings to round out this useful grouping. The writing is well-suited to choirs of every level of achievement. Essential! The anthem 'We Are Not Alone' touches the heart with its reassuring message of God's faithfulness and power. The choir supplies rhythmic energy with its repetitive phrase, We Are Not Alone, while the soloist glides above in smooth sustained lines. The piece will leave the congregation singing this simple but profound truth long after the service has ended. |
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The haunting melody of 'No Room' is harmonized in the Dorian mode and captures the irony of the Son of Man having no place to lay his head. No Room has a spiritual-like quality, yet the modal tonalities and occasional 'jazz' chords give it a unique, almost ethereal feel. Seamless, chilling, and very moving. 'I Am the Vine' is a beautiful worship or concert octavo. Tight harmonies and a flowing mixed meter give this expressive anthem a smooth ebb-and-flow, give-and- take feeling, very much like the spiritual relationship described in the text. 'When I Was A Child' - Larry Nickel takes texts from both the Old and New Testaments and touches them with his creative magic to produce a lush tapestry of choral color and sound. This challenging octavo gives thoughtful directors ample opportunity for expressive performance moments. A multi-use choral, it is well suited for use as an introit, benediction or theme anthem. 'Grace Be With You' - Joel Phillips takes the words of John 2:3 and touches it with a cappella beauty in this fresh new anthem. Suitable as a benediction or as a general use anthem, this choral uses a lush tonal vocabulary that brings to the text warmth and expressiveness that are very compelling. 'They Shall Soar On Wings Like Eagles' - The celebrated words of Isaiah 40:28-31 take wing in this Tim Rumsey choral setting. There are many beautiful moments in this work and larger ensembles will revel in the thick divided harmonies. The expressive palette of choral colors and textures build the work to an impressive climax. This inspiring affirmation of God's strength and care is appropriate for programming any time of year. There is a joyful spirit to this a cappella choral from this new Mark Foster composer with a gentle 'islands' feel, making it the perfect sorbet for your menu of music this year. Use the optional percussion for an authentic festive touch. |
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'O Magnum Mysterium' was written in the late Renaissance period by Tomas Luis de Victoria, this beautiful piece captures the wonder and mystique of Christ's birth. Russell Robinson has arranged O Magnum Mysterium, making it more accessible to both school and church choirs, by setting it in a slightly higher key than the original, and with notation that is more easily understood. The music of the Renaissance has a pure clarity of sound that every singer should experience. Ruth Elaine Schram's setting of 'Agnus Dei' is a lush setting with parts intertwining in the most unexpected ways, forming uniquely beautiful harmonies. The cyclical nature of the piece reiterates the meaning of the text, a fervent prayer, 'Lamb of God, grant us peace.' Festival or contest piece for schools, and a moving Lenten anthem for the sanctuary. A passionate Latin text, 'Adoramus Te' embodies all of the purity and pristine beauty of Renaissance music. Sung a capella, this reverent masterwork may be used in concert, contest, or festival settings by school or church groups. Appropriate for high school children. Robert Shaw commissioned Chester Alwes to make an edition of Tomas Luis de Victoria's motet, 'O Vos Omnes', which was to be sung as part of the Robert Shaw Summer Festival in France. Robert Shaw has added tempo indication and expressive and dynamic marks, which indicates his feelings about how the piece should be realized in contemporary performance giving modern conductors the guidance of one of America's foremost choral musicians. The a cappella madrigal from the high Renaissance 'Adieu, Sweet Amaryllis' is now available as a choral. It features opportunities for dynamic contrasts and development of musical line. John Leavitt has edited the piece with optional cue notes to make the tenor range more accessible to a larger group of singers. This madrigal is stunningly beautiful. This buoyant Spanish love song'Catinga' includes words by Gil Vincente and extols the beauty of one beyond compare, asking sailor, soldier, and shepherd if they have ever seen such loveliness. Cantiga is sung a cappella, with the voices simulating the strumming of a guitar and providing percussive accompaniment to the melody. Great fun! |
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Who needs the piano when the voices sound this good on their own? Joseph Graham and David Angerman provide a real winner with this unique approach to the Easter celebration. The highly animated original gospel tune 'Hear The Music! Jesus Is A-Risen!' makes use of the traditional spiritual My Lord, What a Morning! but turns the text a bit to make it ideal for Easter acclamations. Here is a classic approach to the quintessential Christ the King anthem 'Crown Him With Many Crowns'. An a cappella section and verse with descant color this anthem for a spectacular presentation. There are lots of options with this ideal opener or congregational participation number. Written in Haitian 'rara' style, Alelouya by Emile Desamours captures the celebratory nature of this musical style in an exuberant anthem proclaiming Christ's resurrection. Sung a cappella in the Haitian Creole dialect with finger snaps and tongue clicks, the joy and ecstasy of Easter overflow. For choirs that may find the Haitian text a bit too challenging, Alelouya will also be very effective performed using the English text. This is a truly electric piece! The useful collection of a cappella benedictions 'Three Linten Benedictions' from David Angerman and Barbara Furman is especially designed for use during Holy Week and Lenten services. There is not much service music devoted to this important time and this needful trio will be helpful indeed. The organ may quietly play with the singers for ease of performance. Introspective. The vigorous vocal fugue, sung a cappella, would make a dynamic worship opener for Easter. Written in classical style, the opening vocal lines imitate a trumpet fanfare. Descriptive text and evolving layers of color and texture make this fresh resurrection anthem a true delight. The title says it all... 'Easter Song of Triumph'. |
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The wonderful 'Boar's Head Processional' is the perfect selection to begin a concert or a madrigal dinner. The hand drum and handbell parts included within the choral enhance the composition, but certainly this piece can be sung a cappella. Historic and unique, this arrangement by Rick Weymuth will stunningly set the mood for any holiday concert or madrigal dinner. 'Sir Christemas, Good Day!' is a fun and light musical opening for holiday and Christmas concerts! Donald Moore has written a madrigal-style choral that helps teach contrapuntal and imitative styles. Simple and effective for programming, this smart and sparkling composition is suitable for middle school and high school choirs. 'Seasons For Singing' includes a song for Fall 'Autumn Breezes', Spring 'The Dance of Spring' and winter 'A Winter Gift'. These a cappella pieces are designed for choirs with changing/developing voices. |
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These useful benedictions and blessings is perfect for those occasions when you want to showcase your male voices. It includes a traditional favorite, the celebrated The Lord Bless You and Keep You by Peter Lutkin. Arranged here for the first time for men's voices, this familiar response is followed by a new, original composition, Benediction, that is more contemporary in nature. Both pieces contain lush harmonies and a rich glee club sound that bring out the best in a men's choir. Put a beautiful ending on your worship service with Two Benedictions for Men. 'A Parting Blessing' is a proven winner that has stood the test of time. We are pleased to award that prestigious status to A Parting Blessing. The familiar words and melody will resonate with your audiences. A great way to close your concert. In a time of increased multi-cultural awareness, 'Bwana Awabariki' offers an ideal piece of African culture for both churches and schools. The song emphasizes rhythm, blend, and African-style vocalism with broad, open chords and the familiar low, low bass part. This warm a cappella blessing would be especially effective with added percussion. Well suited for World Communion, mission emphasis, or any multi-cultural gathering, Bwana Awabariki is fun. |
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The Ivy and the Holly is a superb collection of carols and motets for Advent, Christmas, and Epiphany by contemporary composers. Scored for mixed voices - a cappella and with organ - the pieces present a wide range of styles and sonorities. A great collection for church and concert choirs alike. The New Horizons series showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music. |
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Turn down the lights and grab the one you love. This collection of doo-wop ballads assembled by Rhino features eighteen of your romantic favorites. Selections include, 'Since I Don't Have You' by The Skyliners, 'I Only Have Eyes For You' by The Flamingos, 'Gloria' by The Cadillacs and '16 Candles' by the Crests. These classic love songs will transport you back in time. |
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Drift back to a gentler time with the tunes and harmonies of the doo wop groups of the late 50's and early 60's. From the timeless and haunting 'Since I Don't Have You' to the upbeat 'Barbara Ann', this collection of beloved music will unlock a treasure trove of memories. The incredible PBS special 'Doo Wop: Vocal Groups Live' is proof that through all the musical changes of the past 50 years, the voice is the ultimate instrument and harmony is still the language of love. |
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'Stars' is a generous collection of 20 previously unreleased Doo-Wop tunes, mostly by The Valids, who we enjoyed on 'The Valids Acappella, but also well-represented are The Autumns, The Del Capris, The Five Sharks, The Zircons, and Joel and the Concords. Some favorites are The Valids' 'Unchained Melody' and 'Blue Moon,' The Zircons' 'The Lone Stranger' and the Five Sharks' 'The Lion Sleeps Tonight,' Great stuff! |
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Step back in time with your favorite performers live in concert. Learn about their humble beginnings with music icon Herman Santiago, original member of the Legendary Teenagers. You'll be singing along with every one of these songs and reminiscing of days gone by. Who can forget 'Charlie Brown' by Carl Gardner's Coasters and 'The Girl I Love' By Earl Speedo & The Cadillacs? This DVD is a must for your collection and will be sure to bring back Yesterday's Memories. Look for Volume @ with more great hits such as 'The Lion Sleeps Tonight' By Jay Siegel & The Tokens and 'Pennies From Heaven' by Jimmy Beaumont & The Skyliners and many more. |
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This is authentic stuff by some of the great original Doo Wop groups like The Drifters ('White Christmas'), The Orioles ('It's Gonna Be A Lonely Christmas' and 'What Are You Doing New Year's Eve'), ' The Marcels ('Merry Twistmas'), The Cadillacs ('Rudolph the Red-Nosed Reindeer'), The Heartbeats ('After New Year's Eve'), Harmony Grits ('Santa Claus Is Coming To Town'), and Ray Charles ('Christmas Time'). 10 sweet-harmonied (all accompanied) holiday hits from the exciting early years of Doo Wop. This is a joyous, finger-snapping collection that's sure to make your holiday merry and bright! Listen to White Christmas in RealAudio. |
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'All the Way' is a reissued collection, (originally recorded in 1967) of classic Doo-Wop, featuring the Atlantics, Hudsons, Variations, Ad-Libs and 2 bonus tracks by the Gentle-Tones. 18 tracks, most of which we are hearing for the first time, some of our favorites: 'Human' and 'New York In the Dark' by the Ad-Libs; 'Every Boy and Girl' and 'Now That The Thrill Is Gone' and 'Grand Hotel' by the Atlantics; The Hudsons' 'You're The Girl' and 'Everybody's Got A Home But Me;' and the Variations' 'Because of You,' and the very funny 'Beans;' and the Gentle-Tones' 'Darling' and 'It Was Never Meant To Be.' But basically, every cut is a treat here because these groups are talented, solid and have the sweet Doo-Wop harmonies down cold. Listen to It Was Never Meant to Be in RealAudio. |
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Lovers of authentic, original remastered recordings of a cappella Doo-Wop will find a rich treasure in 'Top 20.' Of course we have heard most of these cuts before, but these excellent groups are all new to our ears. The Arrogants' versions of 'Sh-Boom,' 'Get A Job,' Who's That Knockin', and 'Church Bells May Ring' are top-drawer, as are Norman Fox & the Rob Roys' 'Dance Girl Dance' and 'Tell Me Why.' The Revelations weigh in with 'Spanish Harlem,' BQE sings 'What Time Is It,' 'Sherry' and 'The Lion Sleeps Tonight;' John Kuse & the Excellents, Image, Yesterday's Today, Five Kings, Bravado, Dino and the Heartspinners, Lar-Kings, Tokens-the list, and the hits, go on and on. Open this one like a sweet, rich vintage wine straight from the 1950s and enjoy! |
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Clifton Music's Ronnie I presents this generous collection of 20 1950s Doo Wop group recordings, 19 of them previously unreleased, featuring 14 groups. The CD has an authentic feel and competitive spirit about it, a showdown between some of the best surviving group singers of the era. Some favorites: The Balladeers' 'Red Sails in the Sunset,' the Decibelles' 'Don't Sit Under the Apple Tree,' the Endings' 'Oh Baby,' Magic Moments' 'A Casual Look,' Street Corner Five's 'My Love Will Never Die,' Vintage's 'Gypsy Woman,' Spellbound's 'A Rose,' Cosmic Rays' 'Daddy's Gonna Tell You No Lie,' Bop Shop's '10 Commandments of Love,' Jarmels' 'Love' and Nutmegs' 'Beautiful Dreamer.' Great stuff, a lot of which we haven't heard, by some of the original artists, who still sound wonderful! |
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The Vocal Group Hall Of Fame was created to honor the Greatest Vocal Groups of the World, to preserve their music at a world-class museum, to promote their music and memories throughout the world and to pay tribute to the inductees as National Music Treasures. The Vocal Group Hall of Fame was designed to perpetuate the life long careers of the Inducted Artists, recognizing them as inventors and creators of the music that influenced today's pop culture, promoting their music to many fans, and bring to the attention of the world, their legacy for many generations to come. The Vocal Group Hall Of Fame's Annual Induction Ceremony honors these great groups and features their legendary music. |
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Philadelphia, in its heyday and today, is a place where a cappella Doo-Wop has been sung, recorded, appreciated and preserved. In that spirit, Ronnie I has brought together 6 of the best contemporary Doo-Wop groups in his recording studio, 'Cornerstone,' '5/3 Woodland,' 'Classic Harmony,' 'Steel Belted Radials,' 'Hearts of Stone' and 'Street Corner 5' to record material from the mid-50s to early 60s. 13 of the 19 cuts were originated by NY or Philly groups. Favorites are 'Shadows' by Cornerstone, 'Everybody's Somebody's Fool' by Steel Belted Radials,' 'Babalu's Wedding Day' by 5/3 Woodland, 'Stand By Me' by Hearts of Stone, 'I'm So Young' by Classic Harmony and 'Welcome Home' by Street Corner 5. There's a lot of material here we've never heard before, nicely done by some of the best Doo-Wop groups in Philly! |
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The Vocal Group Hall Of Fame was created to honor the Greatest Vocal Groups of the World, to preserve their music at a world-class museum, to promote their music and memories throughout the world and to pay tribute to the inductees as National Music Treasures. The Vocal Group Hall of Fame was designed to perpetuate the life long careers of the Inducted Artists, recognizing them as inventors and creators of the music that influenced today's pop culture, promoting their music to many fans, and bring to the attention of the world, their legacy for many generations to come. The Vocal Group Hall Of Fame's Annual Induction Ceremony honors these great groups and features them performing their legendary music. |
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This beautifully-done DVD is like a History Channel documentary on the Doo-Wop phenomenon of the 1950s and 60s, starting with its streetcorner roots in cities like NYC, Philadelphia, Baltimore and SF, and progressing into the recording and performance mainstream of American culture. Along the way we hear fascinating interviews with people like Ronnie (I) Italiano, DJs Don K. King and Bobby Jay, Louis Lymon (Frankie's Brother and a star in his own right), Pookie Hudson of the Spaniels (who wrote 'Goodnight, Sweetheart' to his first love, not to write a hit), Earl 'Speedo' Carroll of the Cadillacs, and Arlene Smith of the Chantels (who talks about being 12 years old when they scored their first hit with 'Maybe'). We hear about and see vintage footage of the first Doo-Wop sex symbol, Sonny Till, The Ravens singing what arguably is the first Doo-Wop song, 'Count Every Star,' and the 1940s roots groups, The Deep River Boys, the butter-smooth Mills Bros. and SF's Golden Gate Quartet. We hear why and how a cappella, nonsense syllables and silly lyrics were used by poor young singers to create a full sound and 'get noticed,' the bombshell effect on the recording industry of Frankie Lymon and the Teenagers' 'Why Do Fools Fall In Love' ... I could rave on and on here, but I'll just give you the Chapter headings to give you a taste of what's here: 'The Early Years,' 'Frankie Lymon and the Teenagers,' 'Romance and Innocence,' 'The Urban Streets,' 'The Girl Groups,' 'The Tour Bus' (which goes into the racism the mostly Northern groups encountered in the South), 'The Business of Doo-Wop,' 'The Cadillacs' and 'The End of An Era.' Lots of great vintage footage here, of singers, cities, recording studios, live performances with star-studded playbills in lights-this is a sumptuous feast for the a cappella, R&B and pop music fan, as well as anyone who is interested in the amazing cultural history of the 50s and 60s. Enough said--'The Doo-Wop Sound' is a winner from beginning to end! |
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The Vocal Group Hall Of Fame was created to honor the Greatest Vocal Groups of the World, to preserve their music at a world-class museum, to promote their music and memories throughout the world and to pay tribute to the inductees as National Music Treasures. The Vocal Group Hall of Fame was designed to perpetuate the life long careers of the Inducted Artists, recognizing them as inventors and creators of the music that influenced today's pop culture, promoting their music to many fans, and bring to the attention of the world, their legacy for many generations to come. The Vocal Group Hall Of Fame's Annual Induction Ceremony honors these great groups and features their legendary music. |
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New York City's Apollo Records was a key fifties R&B label that released great groups, blues and gospel. In their archives, however, was unearthed a treasure trove of audition tapes of early a cappella groups, The Casanovas, Miriam Grate & The Dovers, the Gentlemen, The Keynotes, and the Avalons. This is a collection of 20 of the best songs rescued from the dusty boxes in Apollo's warehouse: 'A Star' and 'Early One Morning' by the Keynotes, 'Pleading from My Heart' and 'Night Rider' by the Casanovas,' The Dovers' tasty 'My Love' and 'Sweet as a Flower,' 'Baby Looka Here' by the The Avalons, and 'Story of a Love Gone Cold' by the Gentlemen are some of our favorites. Most of these songs are new to us, and they showcase the raw talent and creativity of the early Doo-Wop scene, where dozens of groups were a record contract or some radio play away from a hit and stardom. |
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The Vocal Group Hall Of Fame was created to honor the Greatest Vocal Groups of the World, to preserve their music at a world-class museum, to promote their music and memories throughout the world and to pay tribute to the inductees as National Music Treasures. The Vocal Group Hall of Fame was designed to perpetuate the life long careers of the Inducted Artists, recognizing them as inventors and creators of the music that influenced today's pop culture, promoting their music to many fans, and bring to the attention of the world, their legacy for many generations to come. The Vocal Group Hall Of Fame's Annual Induction Ceremony honors these great groups and features their legendary music. |
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Early fans of Doo-Wop will know that Times Square Music first introduced the A Cappella sound to the New York area with 'All Mine' by the Five Satins on the Nite Train show on WADO and the George Tucker Show on WINS. The label originally released 'The Sound of the City,' all unreleased a cappella songs from the 1960s, as an lp in 1965. 20 authentic tunes from the birth of Doo-Wop, some favorites: The Vitones' 'La Di Da,' The Tear Stains' 'Too Young,' Tommy & The Tears' 'Punishment,' The Knick Knoks' 'Temptation,' The Revlons' 'I Lost My Job,' The Memories' 'Stop, Look & Listen,' The El Sierros' 'This Is The Nite,' The Monty's 'Teardrops' and the Nutmegs' 'Roseanne.' Sweet music from the day when you could go out on a streetcorner in the Bronx and harmonize with these guys! |
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This is a best-of the genre grab bag on, appropriately enough, Doo-Wop Records. The Heartbeats' 'A Thousand Miles Away' segues into Jive Five's 'My True Story,' the Chords' immortal 'Sh-Boom' and 'Coney Island Baby' by the Excellents. The Moonglows' 'In My Diary,' The Chimes' 'Chop Chop,' 'I Remember' by the Five Discs, The Elegants' 'What's Your Name,' the Channels' 'Bye Bye Baby,' the Rob Roys' 'Dream Girl,' The Devotions' 'Rip Van Winkle,' The Earls' 'Looking for My Baby' and the Ad Libs' 'The Boy from New York City' (we just knew this was originally a Doo-Wop tune)-this is all good stuff. The cream of authentic roots Doo-Wop all on one CD-what could be better? Life could be a dream, but '30 Doo-Wop Favorites! Acappella!!' is real! |
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The psalm 'Miserere mei Deus' is a prayer for mercy, contrition and renewal. Since the 1630s, Gregorio Allegri's famous setting has been sung at dawn during Holy Week, while the Pope kneels in prayer in the solemn candlelit atmosphere of the Sistine Chapel. This contemporary version, recorded in the spectral grandeur of Osnabruck Cathedral, adds new material composed by Vladimir Ivanoff to the ethereal harmonies of the Osnabruck Youth Choir and the elegiac brass tones of the cornetto, recreating the mysterious beauty of this sacred classic. |
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Wales is famous for its choirs and SAIN is Wales' foremost recording company, and over the years, it has built up the most comprehensive catalogue ever of Welsh choral singing, including all the leading male voice choirs. This compilation has been carefully selected from the Sain catalogue of recent years to reflect the best of Welsh male choral singing. All the tracks were recorded digitally, ensuring a consistently high standard of sound quality throughout. |
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This CD is a collection of colourful music from South Africa. A number of tracks are religious in nature and are sung in multi-part harmony with heartfelt spiritual feeling and intensity. The musical styles presented here include Mbube, Zulu gospel, South Sotho choral and Tswana gospel, all representing different choral approaches and arrangements. |
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These tunes have been taught to singers of every age, ability, background and musical taste. They work. There is, perhaps, no other easily accessible choral music that is as much fun to sing. The music is stark, rhythmic, frequently modal, and very distinctive, set to the fierce rhymed poetry of Issac Watts and others. We recommend this volume to singers and conductors everywhere, first and foremost because it is a collection of powerful and exciting music. In the last two decades, there has been a tremendous resurgence of shape-note singing all over the country. This shape-note revival has inspired an outpouring of splendid new songs by young singer/composers. Over a third of this edition is accounted for by contemporary compositions.The largest part of this volume presents a selection of plain tunes, fuging tunes, and anthems written by American composers during the years 1770-1810, most of them hitherto unavailable in modern editions. |
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The history of Georgian music is primarily that of folk song. Polyphonic singing has always had its place in Georgian social life. Genres include hunting songs, labor songs, ritual songs, laments, love songs, wedding songs, marching songs, and historical ballads. This unique collection of ten traditional three-part folk songs from the Caucasus Republic of Georgia provides a broad sampling of these genres, from several of Georgia's distinct regions. |
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Georgia has one of the world's most ancient polyphonic singing traditions. Polyphony refers to music where each vocal line is equally important, sharing the melody among them; (as opposed to homophony, in which melodic interest is concentrated in a single line). The singing tradition in the Caucasus is unique in its harmonic and -- especially in western Georgia -- its extreme polyphonic approach. Many songs have distinct archaic traits dating from pre-Christian times, and in most traditional music the intervals are flexible and do not coincide with tempered scale intervals (with the exception of the fifth). The harmonies are unlike anything in European music, with untempered intervals and striking harmonic convergences. |
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The result of months of collaborative work between Patty Cuyler (Village Harmony) and Matlaka Bopape (Polokwane Choral Society), The Folk Rhythm, Volume I is a choral director's dream. 16 rich, arresting songs arranged for SATB choir, accompanied by cds to guide choruses toward an 'authentic' sound (and, where appropriate, dancing) style. One of the main characteristics of South African folk and traditional music is the syncopated nature of rhythms, which often defy the measure system. An accompanying dance often adds a new rhythmic pattern to the mix, with song and dance together forming a complex and not easily defined rhythmic structure. Because of this, most songs are best understood through careful listening and close observation if one wants to capture the essence of the performance. Recordings and video therefore accompany Folk Rhythm , to assist in this regard, as notation alone cannot adequately capture all these nuances of the rich South African folk music tradition. |
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Includes 29 traditional Balkan village songs from Croatia, Bosnia, Serbia, Macedonia and Bulgaria. With full musical transcriptions, translations and pronunciation guide. Mostly transcribed from village sources; but also included are a few Kutev and Lado arrangements. Songs for women's voices as well as for mixed voices. Twenty-three of these songs are recorded on the companion Village Harmony album. |
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This outstanding series is an encouragement to young singers in preparing a vocal solo. Songs have been carefully chosen for each voice type, after consulting many official state contest repertoire lists. Each volume includes Five art songs in English, one African-American Spiritual, one art song in Spanish, one art song in German, two art songs in italian, new editions and engravings of all songs, historical notes on each composer represented, interpretive suggestions for each song, translations for study and a preface on 'learning a song.' Each enhanced CD includes beautiful performances of each song by talented professional artists, excellent recorded accompaniment tracks for practice, pronunciation lessons in German, Italian and Spanish. In addition to piano accompaniments playable on both your CD player and computer, the enhanced CD also includes tempo adjustment and transposition softward for CD-ROM compute use only. This edition is for Tenors. |
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This outstanding series is an encouragement to young singers in preparing a vocal solo. Songs have been carefully chosen for each voice type, after consulting many official state contest repertoire lists. Each volume includes Five art songs in English, one African-American Spiritual, one art song in Spanish, one art song in German, two art songs in italian, new editions and engravings of all songs, historical notes on each composer represented, interpretive suggestions for each song, translations for study and a preface on 'learning a song.' Each enhanced CD includes beautiful performances of each song by talented professional artists, excellent recorded accompaniment tracks for practice, pronunciation lessons in German, Italian and Spanish. In addition to piano accompaniments playable on both your CD player and computer, the enhanced CD also includes tempo adjustment and transposition softward for CD-ROM compute use only. This edition is for Mezzo-Sopranos/Altos. |
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For well over a century, the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also recorded on CD by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas. |
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For well over a century, the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also recorded on CD by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas. |
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A fantastic series featuring 11 of the best songs from Broadway classics. This collection features songs appropriate for Tenor soloists and includes recorded piano accompaniments on CD. |
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An ingenue, a pretty young woman, is a well-defined character type in musical theatre. The songs in this collection represent repertoire from famous soprano ingenues such as Julie Andrews, Barbara Cook, Shirley Jones, and many others, with songs from Camelot, My Fair Lady, Show Boat, The Music Man, Oklahoma!, The Sound of Music and 18 other shows. Now includes a set of two piano accompaniment CDs Ð playable on CD players and also enhanced with tempo adjustment and transposition software for computer use. |
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10 songs from contemporary stage productions, including the shows Evita, Les Miserables, Nine, Miss Saigon and Dick Tracy. The companion CD offers wonderful performances by talented artists and accompaniments for practice. Many of the songs have never been recorded apart from the original cast albums. |
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This outstanding series is an encouragement to young singers in preparing a vocal solo. Songs have been carefully chosen for each voice type, after consulting many official state contest repertoire lists. Each volume includes Five art songs in English, one African-American Spiritual, one art song in Spanish, one art song in German, two art songs in italian, new editions and engravings of all songs, historical notes on each composer represented, interpretive suggestions for each song, translations for study and a preface on 'learning a song.' Each enhanced CD includes beautiful performances of each song by talented professional artists, excellent recorded accompaniment tracks for practice, pronunciation lessons in German, Italian and Spanish. In addition to piano accompaniments playable on both your CD player and computer, the enhanced CD also includes tempo adjustment and transposition softward for CD-ROM computer use only. This edition is for Sopranos. |
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This edition includes vocal scores and a CD containing a complete version as well as an accompaniment-only version. It includes the lyrics and background notes in Italian and English and information on the Compagnia d'Opera Italiana. |
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Available for the first time in a collection, these 10 theatre duets by some of Broadway's best writers includ complete background notes about each composer, musical, song and character featured. Repertoire includes outstanding selections for Any Combination, Male/Female, Male/Male, and Female/Female duets. An invaludable resource for musical theatre performers and appreciators! |
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This expansive series takes an in-depth look into contemporary theatre repertoire for singers, spanning the 1980s, '90s and into the 21st century. Some songs in these collections have never before appeared in print. Approximately 35-40 songs per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. Every auditioning singer will find plenty of intriguing possibilities! |
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This expansive series takes an in-depth look into contemporary theatre repertoire for singers, spanning the 1980s, '90s and into the 21st century. Some songs in these collections have never before appeared in print. Approximately 35-40 songs per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. Every auditioning singer will find plenty of intriguing possibilities! |
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This expansive series takes an in-depth look into contemporary theatre repertoire for singers, spanning the 1980s, '90s and into the 21st century. Some songs in these collections have never before appeared in print. Approximately 35-40 songs per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. Every auditioning singer will find plenty of intriguing possibilities! |
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This expansive series takes an in-depth look into contemporary theatre repertoire for singers, spanning the 1980s, '90s and into the 21st century. Some songs in these collections have never before appeared in print. Approximately 35-40 songs per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. Every auditioning singer will find plenty of intriguing possibilities! |
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This expansive series takes a deep look into contemporary theatre repertoire for singers, spanning the 1980s to the 1990s and into the new century. Some songs in these collections have never before appeared in print. Approximately 35-40 selections per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Cantolopera is a series that proposes a totally new way to approach the great opera repertoire: versions for voice and piano of the most famous arias, accompanied by a compact disc containing the corresponding orchestral bases, recorded with a 130-piece orchestra, to allow the professional, the student and the opera fan to practice, as well as a version sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short summary and background information on the 'Compagnia d'Opera Italiana' Orchestra and the performers. |
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Hot new arrangements of some old favorites! The book contains arrangements for voice and piano accompaniment. The CD contains full orchestrations with singers, followed by the instrumental accompaniments sing along. High Voice. |
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Hot new arrangements of some old favorites! The book contains arrangements for voice and piano accompaniment. The CD contains full orchestrations with singers, followed by the instrumental accompaniments sing along. Low Voice. |
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The perfect answer for those Christmas solo needs at church or school! These 15 carol arrangements are very flattering to child singers. The vocal range of the book generally spans middle C up a ninth. Children will be inspired to excel by hearing each song sung by someone their own age. Practice accompaniments are also on the Enhanced CD (when put into a computer, you can change the tempo and key of each song). |
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Christmas music selected especially for the classical singer. For Low Voices. In addition to piano accompaniments and full performances playable on both your CD player and computer, this enhanced CD also includes tempo adjustment and key changes. |
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This wonderful collection contains an astounding 100 old and new cherished gospel favorites. The arrangements are written in 4-part harmony, 'hymn style,' with chord symbols and are perfect for both quartet and chorus who are looking for accessible 'singable' Christian songs. |
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Don't miss this comprehensive collection of 100 all-time-favorite gospel songs written in 'hymn style,' 4-part harmony arrangements with chord symbols. |
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Alfred's Singer's Library of Musical Theatre features a treasury of the finest musical theatre songs. Presented in their original keys and authentically transcribed from the original vocal scores, the songs were selected for each voice type with careful attention to the vocal range of the song, as well as the voice of the character from the original Broadway cast. Each volume includes a variety of shows, spanning every important decade of musical theatre. This authoritative series features historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song, making it the most useful and relevant collection of its kind. This is the Baritone / Bass Edition. |
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Alfred's Singer's Library of Musical Theatre features a treasury of the finest musical theatre songs. Presented in their original keys and authentically transcribed from the original vocal scores, the songs were selected for each voice type with careful attention to the vocal range of the song, as well as the voice of the character from the original Broadway cast. Each volume includes a variety of shows, spanning every important decade of musical theatre. This authoritative series features historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song, making it the most useful and relevant collection of its kind. This is the Tenor Edition. |
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Alfred's Singer's Library of Musical Theatre features a treasury of the finest musical theatre songs. Presented in their original keys and authentically transcribed from the original vocal scores, the songs were selected for each voice type with careful attention to the vocal range of the song, as well as the voice of the character from the original Broadway cast. Each volume includes a variety of shows, spanning every important decade of musical theatre. This authoritative series features historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song, making it the most useful and relevant collection of its kind. This is the Soprano Edition. |
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Alfred's Singer's Library of Musical Theatre features a treasury of the finest musical theatre songs. Presented in their original keys and authentically transcribed from the original vocal scores, the songs were selected for each voice type with careful attention to the vocal range of the song, as well as the voice of the character from the original Broadway cast. Each volume includes a variety of shows, spanning every important decade of musical theatre. This authoritative series features historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song, making it the most useful and relevant collection of its kind. This is the Mezzo Soprano / Alto Edition. |
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Ten classic Disney songs for High Voices! The CD contains demos for listening, and separate backing tracks so you can sing along. The CD is playable on any CD Player, and it is also enhanced for PC and MAC computer users so you can adjust the recording to any pitch without changing the tempo. |
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Ten classic Disney songs for Low Voices! The CD contains demos for listening, and separate backing tracks so you can sing along. The CD is playable on any CD Player, and it is also enhanced for PC and MAC computer users so you can adjust the recording to any pitch without changing the tempo. |
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Selections culled from the past 10 years of Disney Pop/Rock especially for teen singers. The CD includes fully-orchestrated, sound-alike instrumental tracks with talented young singers in full performances. The accompaniment tracks are also on the CD. |
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Singers, hobbyist thru professional, will have loads of fun practicing and performing an array of the most popular songs ever performed on American Idol! This deluxe volume provides Piano/Vocal/Guitar sheet music plus MP3 compatible backing tracks, enabling the singer to be prepared for any situation, whether live or recorded accompaniment is desired. A foreword by American Idol's vocal coach Debra Byrd offers valuable vocal tips. The convenient Tone 'n' Tempo changer allows custom key and tempo playback adjustment when CD is played on Mac or PC. |
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Singers, hobbyist thru professional, will have loads of fun practicing and performing an array of the most popular songs ever performed on American Idol! This deluxe volume provides Piano/Vocal/Guitar sheet music plus MP3 compatible backing tracks, enabling the singer to be prepared for any situation, whether live or recorded accompaniment is desired. A foreword by American Idol's vocal coach Debra Byrd offers valuable vocal tips. The convenient Tone 'n' Tempo changer allows custom key and tempo playback adjustment when CD is played on Mac or PC. |
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Singers, hobbyist thru professional, will have loads of fun practicing and performing an array of the most popular songs ever performed on American Idol! The book provides Piano/Vocal/Guitar sheet music plus MP3 compatible backing tracks, enabling the singer to be prepared for any situation, whether live or recorded accompaniment is desired. A foreword by American Idol's vocal coach Debra Byrd offers valuable vocal tips. The convenient Tone 'n' Tempo changer allows custom key and tempo playback adjustment when CD is played on Mac or PC. |
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Singers, hobbyist thru professional, will have loads of fun practicing and performing an array of the most popular songs ever performed on American Idol! The book provides Piano/Vocal/Guitar sheet music plus MP3 compatible backing tracks, enabling the singer to be prepared for any situation, whether live or recorded accompaniment is desired. A foreword by American Idol's vocal coach Debra Byrd offers valuable vocal tips. The convenient Tone 'n' Tempo changer allows custom key and tempo playback adjustment when CD is played on Mac or PC. |
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Singers, hobbyist thru professional, will have loads of fun practicing and performing an array of the most popular songs ever performed on American Idol! The book provides Piano/Vocal/Guitar sheet music plus MP3 compatible backing tracks, enabling the singer to be prepared for any situation, whether live or recorded accompaniment is desired. A foreword by American Idol's vocal coach Debra Byrd offers valuable vocal tips. The convenient Tone 'n' Tempo changer allows custom key and tempo playback adjustment when CD is played on Mac or PC. |
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A truly Gregorian Christmas album, this prayerful recording of seven different chant choirs includes the Benedictine Abbeys of Montserrat, Maumont, Einsiedeln, the Dominican Schola of France, the Paris Gregorian Choir and more. Outstanding performances of 23 chants for Masses and other liturgical events on Christmas Eve, Christmas Night and Christmas Day. |
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Doo wop a cappella has influenced so much of today's sound and here we present some cool arrangements of some of the all-time classics. Here is Ed Lojeski rendition of The Nylons hit 'Silhouettes' which has an irresistible energy and drive that make this an audience favorite! 'Under The Boardwalk', the 1964 classic hit by the Drifters, should be in every group's repertoire as should the 1962 Gene Chandler hit 'Duke of Earl'. Would you believe the '50s hit 'Book of Love' was inspired by a toothpaste commercial? It's a terrific male parody on 'how to keep your girl' put in an a cappella 'street-style' setting and the Boyz 11 Men version of 'Under The Boardwalk' is bound to be a crowd pleaser! |
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It was in 1965 that Eddie Gries put together 20 acappella songs in the first Relic Record album, Best of Acappella Vol 1 (Relic #101). It featured cuts from the masters which Eddie had purchased from the proprietor of the famous Times Square Record Store, Irving 'Slim' Rose. Additional cuts came from odd sources including the one that came from a tape found on the bathroom floor of the Times Square Record Store! One cut by the popular local group, the Savoys, was provided by Stan Krause's Catamount Records. Folks, this is history! The record came out and was a surprising success in the big city markets where streetcorner culture was huge. Our fascination with this recording is the fact that it is the very beginning of Relic Records. |
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It was still in 1965 that the second Relic Record was produced. The first was selling well in a streetcorner underground around New York City and Philadelphia. Eddie Gries and his partners decided to start producing their own acappella sessions. They began with the popular group, the Chessmen. The Holidays were a young group which auditioned right in the Times Square Record Shop. The Citadels were the first mixed group to record acappella, streetcorner style. The Youngtones were a young Latino group who almost made it big. This second record was rounded out with leased masters by the Delstars of 'Zoop Bop' fame (remember them?) and the Five Jades. None of these songs had been released before Best of Acappella Vol 2. The CD is packaged with the same images which a adorned the original album jacket and includes the original album notes. |
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Yo! It's just now 1966. The British invasion is in full force, even in New York and New Jersey, the last bastion of doo-woppers. As most of the groups were composed of members seventeen to nineteen years old and the draft was going gangbusters, groups were disappearing right and left. But acappella survived in spite of the fact that it received no airplay except on WHBI-FM. Volume 3 introduces seven new groups, The Islanders, The Durhams, Count Five, Horizons, Nicky & Naks, the Apparitions and the Enchantments in addition to the two veterans, the Citadels and the Quotations. So you'll find the nine groups singing twenty tunes on this CD reissue. The digital restoration of the original tapes is a work of art. Relic's presentation is a fascinating slice of the history of acappella music. |
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By the time volume 4 was produced, even though it was still 1966, the sales of acappella were beginning to fall off but there was still enough interest to do just one more for people who loved the music. This recording was different in that there are the first two all girl acappella groups, ever. We mean girl groups. Ginger And The: Adorables, from West Orange, NJ, had three sixteen year old and two fourteen year old girls! The other all girl group was the Rondells. Little Joe and The Majestics could barely speak English and became the first recorded acappella in Spanish. There was another departure from the previous albums and that was a barbershop harmony song by the Notations. We're talking radical departure. This is the end of the beginning of the great Relic Records. They promoted a Vol 5 in these album notes but there is no evidence it was ever produced. Aah, the good old days! |
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A live recording featuring six contemporary doo-wop groups, billed as 'an acappella tribute to R & B vocal group harmony,' recreating the doo-wop classics of yesteryear (save Reunion, who throw a curveball by including Thin Lizzy's 'Boys Are Back In Town'). As promoted by Ronnie I, Choice, the Delmonicos, Larkings, Reunion, Things To Come and the Valentinos (the only mixed male/female group)render their own interpretations of 'I Like It Like That' (Spaniels), 'Why Did You Have To Go' (Dells), 'Story Untold' (Nutmegs), 'Since I Don't Have You' (Skyliners) and 'Memories Of You' (Harptones) and many more. |
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More great tracks in this classic series from maestro Ronnie Italiano. |
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From the vaults of the late legendary doo wop producer Ronnis I comes this great collection of classic Christmas songs sung by some of the top vintage harmony of the era. Twenty two carols from the well known groups such as The Sheps, The Swallows, Choice, BQE, and the Jaguars to talent but lesser-knowns such as The Stotytellers, Keystoners and the Crosstones. A real Christmas treat for doo wop fans. Listen to Just a Lonely Christmas in RealAudio. |
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This reviewer is the owner of Primarily A Cappella and an ExPat Englishman living in the US and each of these songs are ones I remember fondly from my youth growing up in England. These are all very popular traditional songs that most every Englishman knows and are classics of their kind. They are highly enjoyable songs that will add lots of fun to your repertoire and certainly will be thoroughly enjoyed by not only any British folks in the audience. |
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Billy Joel is surely one of the great songwriters of contemporary pop songs and many of his songs are particularily suited for a cappella singing. Kirby Shaw's exquisite a cappella arrangement of his pop ballad 'And So It Goes' is stunning and Kirby also does a fantastic job with 'Lullaby (Goodnight, My Angel), one of the most poignant and beautiful songs of the '90s. 'The Longest Time' is an excellent piece for featuring and recruiting men for your choral program. It is an authentic transcription of the original Billy Joel hit, and as such it will have automatic appeal with both singers and audiences. |
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As one of the earliest forms of a cappella singing every group should know at least some of the doo wop classics. 'Under The Boardwalk', the 1964 hit by the Drifters, is one of the all time a cappella standards and probably should be in every group's repertoire. Here's a super doo-wop arrangement of Ben E King's 1961 'Stand By Me' and a lovely medley by Ed Lojeski of four doo wop gems. These songs are always crowd pleasers. |
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This arrangement of 'Shuffle Off To Buffalo' takes the listener on a captivating journey by train from a Buffalo of the 40's to one of the 90's. Equipped with train sounds and humorous quotes, this Warren/Dubin tune is lively and fun to sing. Each chorus is introduced with a rubato verse which creates a pleasing contrast. 'Longing for My Love' is a composition in the style of Take Six, but much easier to learn. Surprising jazz harmony changes on uh-syllables. Very contemplative and a nice change for a normally vacuous repertoire. 'Blame it On My Youth' is in the style of Autumn Leaves with notated vocal jazz improvisation part. In this emotional jazz ballad the lyrics tell of longing while two loving people are apart. 'Remember Me' is a beautiful SSAA a cappella ballad. Although it is a harmonically lush arrangement, it is very singable. |
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The 83 songs in this collection can be sung by any quartet of four part chorus, male or mixed. The melody can be found in the upper part except where it is indicate. |
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Estonia is a small nation, and again and again a quarter of them get together on the Song Festival Ground, with its massive 'Arch of Song' and grounds, by the high limestone bank of Lasnamae, Tallinn, to take part in this wonderful festival, either as a singer or a listener. They arrive in a long, colorful parade, and then the fanfares start sounding, playing the theme from Ludig's song 'The Dawn.' The first of these festivals took place in 1869, and they have always been an expression of national consciousness and pride in this small Soviet-bloc nation as it strove for self-governance and freedom from oppression. 'The Dawn' is joined by U. Vinter's powerful, a cappella 'The Song of the Northern Land' as the two songs that resonate most in the hearts of the oppressed nation. There are 24 songs here, anthems that express the Estonians' pride and love for their country, beautiful examples are A. Kunleid's 'My Fatherland Thou Are My Love' and 'Until I Die;' K.A. Hermann's 'Let Us Go Up To the Hills,' R. Tobias' 'The Young Blacksmiths' and 'Wouldn't You Know;' G. Erneasaks' 'The Young Spring' and 'The Reaping Song;' M. Saar's 'The Northern Spirit' and R. Eespere's 'The Era of Awakening.' There is occasional accompaniment, and extensive, colorful liner notes tell the story in both Estonian and English. A joyous collection from this powerful, phenomenal Festival of Song! |
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A unique CD music pack specially developed for female singers auditioning for shows, revues, and bands. Make a big impression at auditions with these 13 hit songs, carefully selected to bring out the best of your talent! The music book features each song in piano/vocal/guitar arrangements. The CD gives you full, professional backup tracks--each specially recorded in an appropriate key. |
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SATB choirs are always looking for top quality show stopping concert pieces guaranteed to bring the house down with shouts of 'Encore!' 'Encores for Choirs 2,' which follows in the wake of the hugely successfully 'Encores for Choirs 1,' boasts a bumper selection of 30 fabulous pieces, ranging in style from the classic and sentimental to the humorous and madcap-something to suit every mood and occasion. Jostling with must-have standards of the repertoire are new pieces and fresh arrangements by some of the finest musicians in the business, including the editor Peter Gritton, John Rutter, Bob Chilcott to name but a few. Together, the volume provides an unrivalled kaleidoscope of concert choices for the accompanied or a cappella choir and 30 irresistible reasons to bring that audience to its feet. |
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Includes 18 of the greatest jazz standards, in arrangements and keys perfect for women singers. The companion CD features terrific accompaniments by a jazz trio of piano, bass and drums. |
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15 great standards in custom arrangements for singers, with a companion CD of tasty jazz trio accompaniments (piano, bass, drums). The women's songs are in appropriate, low keys for this style of music. |
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All fifty arrangements of jazz standards in this book are written in a single line 'fake book' or 'lead sheet' format. However, they are not just the standard renditions of the songs. All are custom arrangements, logical suggestions for repeated sections, and simple but stylish song endings. The chords below the lines are the traditional harmonies. The chords above the line are more advanced, alternate harmonies. A musician using these arrangements may use just one set of these chord changes, or a mixture of them within a song. |
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15 songs in custom arrangements for singers, with a companion CD of tasty jazz trio accompaniments (piano, bass, drums). The men's songs are in a medium range. |
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The hymns and anthems contained herein represent some of the most loved examples of sacred song literature. Most of the hymns are arrranged for simple four part singing with or without accompaniment. Only in a few cases, notably 'Holy, Holy, Holy' and 'O Come All Ye Faithful,' have the numbers been arranged into anthem style for special occasions! Such numbers will be more effective with accompaniment, although special treatment is included so that they may be sung unaccompanied. |
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Jazz lovers will truly enjoy this sensitive a cappella setting of 'My One and Only Love'. Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. With 'What A Wonderful World' Rene Clausen provides a most sensitive arrangement of this timeless standard. Beautiful harmonies entwine around the familiar melody captivating the listener. Kirby Shaw does a great job with 'When I Fall In Love'. Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Phil Mattson's a cappella arrangement of the vocal jazz standard 'September Song' will leave your audience spellbound. Stunning! From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of the classic Kurt Weill song 'Lost in the Stars' will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs. |
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This package contains four, lush quid of vocal harmony for you and your mixed-voice ensemble, including 'Only the Moon Has Secrets,' based on a poem that speaks of the moon keeping a child 'from fear and from harm' while pursuing its 'bright silver journey' across the sky. Also featured is 'Amor de mi Alma,' based on a highlight of Spanish Renaissance poetry by Garcilaso de la Vega. Also included are 'Blow the Candles Out' and 'Music, hen the Soft Voices Die.' |
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'The Barber of Seville Overture' has been a long-time favorite in King's Singers concerts. From the subdued opening theme in the 'strings' to the rousing 'full-orchestra' close, this instrumental work is creatively brought to life - King's Singers style. Challenging, but well worth the effort. 'Voice Dance,' and 'Voice Dance II' are wordless vocal dances celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. It's hard to keep a straight face while singing this hilarious novelty arrangement of 'William Tell Overture' for 'serious' choirs. Sung entirely on syllables which imitate the sounds of Rossini's original orchestral percussion, brasses, and woodwinds, this one will be best when performed tongue in cheek. And from the initial fanfare to the final cadence, seasoned choirs will sound great on the full chords and percussive 'Lone Ranger' themes. 'Tango to Evora' was masterfully arranged by Vancouver Chamber Choir conductor Jon Washburn. The sensual but innocent tango melody in the choir gives an expressive background to a 'floating' soprano solo. |
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'Lullay, Lullow' (aka 'Mary's Lullaby') is a 2 part arrangement of the 15th Century English carol. Short, but sweet, this carol is perfect for your beginning choir. Betty Bertaux's 3 part arrangement of 'The Holly and the Ivy' is an excellent edition to your Holiday program, and it also is a great tool to help your children's choir learn to sing polyrhythmic harmonies. 'Christmas Bells' is based on the text written by Heny Wadsworth Longfellow, which he wrote in 1863. During that Christmas season, his son was critically wounded in a war, and the text expresses his anguish over war and his longing for peace on earth. The message is as timely today as it was over 125 years ago. While technically challenging, this setting is a must have in your repertoire! Mary Goetze's arrangement of 'Wexford Carol' (from Ireland) has exquisite 3 part harmonies and gives that special voice in your choir the opportunity for an 8 measure solo. Her arrangement of 'Infant Holy' is another 3 part masterpiece, not to be missed! Both pieces would work well for an advanced children's choir or young women's choir. |
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'I Hold Your Hand In Mine' is a hilarious novelty song by famed satirist/songwriter, Tom Lehrer, gets a pseudo-sophisticated arrangement here, resulting in a subtle but very witty comic effect! Great change-of-pace in a jazz vocal program! A few words can be changed if needed. 'I Don't Know Why I Do' is a hot ballad of the 40's in block harmonies. The tempo is medium. Jeremy Landig's arrangement of 'Pure Imagination' is five parts and is inspired by the sound of the Real Group. 'Crunch' chords and interesting turns of harmony abound, making this a real showoff piece. Set mostly in a rubato ballad style, it shifts dramatically and unexpectedly between keys in the first section. The bridge leads into a sublime soli section bringing the melody back in a slow swing reminiscent of Lil Darlin' but in 7/4! The bridge returns briefly (this time in a Take 6-influenced swing) before the arrangement winds to a close in the original ballad feel. Whitney Houston made Dolly Parton's 'I Will Always Love You' the longest running #1 hit in the country's history, and this arrangement is true to her legendary version: opening simply with the trademark soprano soloist alone, adding a rich pulsing texture after the first verse and building gradually to a chilling climax. |
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Some of the most exciting and original contemporary composers of a cappelal sacred music are gathered together in this superb collection. Specially geared towards the choirmaster who is looking for something special to perform at Christmas. |
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Fourteen traditional and modern Christmas texts, all set by contemporary composers for various choral combinations and levels of accomplishment. Includes works for Unison, SSA and SATB choirs. But for one or two more adventurous pieces, these carols are sufficiently melodic and straighforward to be tackled by choirs of any size or with limited rehearsal time, while still being fresh and challenging works of today. |
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This book has become a classic and can be found in the repertoire of many high school choirs across the land. |
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Spread a little Christmas cheer with the doo-wop-style arrangement of the classic '50s pop song ' Rockin' Around The Christmas Tree'. Works great in all the voicings. 'A Holly Jolly Christmas' is easily transportable for carorling or other programming options, this doo-wop style a cappella setting of this holiday classic will be a favorite. The traditional Ukrainian bell carol ' Carol Of The Bells ' has new lyrics by Kirby Shaw, and a jazz waltz setting that is unique. Irving Berlin's classic ' White Christmas ' is exquisite and 'Silver Bells', one of the most loved Christmas songs of all time, will bring a special moment to every holiday performance! There's a campy doo-wop setting of the Meredith Willson classic ' It's Beginning to Look A Lot Like Christmas' and a playful doo-wop setting of 'Deck the Hall' with solo opportunities and choreography possibilities, this piece is transportable for program options and caroling. |
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Beautiful harmonies and a lyrical melody combine to make 'Once Upon A Time' a true classic. Recorded by many artists including Tony Bennett, Frank Sinatra and Bobby Darrin, the song was featured in the Broadway production of All American. The touching standard ' Till There Was You', from The Music Man, in a beautiful a cappella setting by Kirby Shaw with jazz harmonies that will enchant both your singers and your audience. 'If Ever I Would Leave You ' is one of the top Broadway love ballads of all time, and this arrangement is a natural for a cappella women. Fantastic lyrics offer unique opportunities for lyric expression. The new setting of 'Memory' from the pen of former King's Singers Philip Lawson has sensitive harmony and thoughtful voice-leading making this Broadway chestnut a winner! |
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'This Is My Father's World' - This favorite hymn has been tastefully arranged for 4-part women's a cappella voices. Singers will enjoy the interesting lines, and listeners will celebrate a new arrangement of this classic hymn. In keeping with Sister Rosetta Tharpe's stylistic blend, this arrangement of 'Heaven Somewhere ' has a funky doo-wop flavored middle section that reminds us just how many different rock styles go back to the gospel source. This fresh treatment of the timeless 'The Water Is Wide' allows for solos, duets and all voices in a largely homophonic setting. Strong harmonies with additional new lyrics add a positive and uplifting message. 'Prayer' is a powerful and moving work and includes the traditional Kyrie Eleison. |
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A calypso-flavored treatment of the familiar English carol ' The Holly and the Ivy' with a fa-la-la chorus, fresh harmonies and a cool 'bass' line for the 2nd altos. Most recently recorded by Clay Aiken, the contemporary carol ' Mary, Did You Know?' has continued to grow in popularity. Equally suited for use in school or church, this well-crafted a cappella arrangement is sure to be the highlight of any concert. Absolutely stunning! ' Still, Still, Still A Lullaby' is the expressive German carol 'Still, Still, Still' paired with an original tune by Michelle Hynson. For high school women's ensembles and beyond. In this gentle a cappella setting, Mac Huff inventively weaves together two Christmas classics 'Still, Still, Still' and 'Silent Night' for a magical effect. Here is the treasured Franz Gruber folk carol ' Stille Nacht' as arranged for the king'singers. This unique island-flavored setting is a joyful and energetic treatment of the traditional 19th century Austrian carol ' As Lately We Watched'. The heart-warming medley of carols ' A Carol Consort' was especially chosen and arranged for SSAA unaccompanied voices. The exquisite voice-leading and contrasting textures make this a must-sing for all women's groups. |
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Features soulful arrangements of 57 of America's greatest blues tunes. |
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'Candle On The Water' is a simply breath-taking setting for women's voices and 'Sittin' On The Dock Of The Bay' is a soulful a cappella rendition of the 1968 #1 pop hit by Otis Redding that's great for pop and jazz groups. From the Beatles' 1966 hit movie and single 'Yellow Submarine' is a colorful, fun arrangement and Kirby Shaw does a wonderful job with the beautiful 'Somewhere Out There' from American Tail. |
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Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin classic 'Embraceable You.' Showcase your singers with this very special arrangement! The 1978 movie Ice Castles featured a musical score by Marvin Hamlisch and lyrics by Carole Bayer Sager. This wonderful ballad ' Through the Eyes of Love ' lives on and has been recorded by artists the world over. Kirby Shaw uses his exceptional arranging skill to bring us this very special arrangement. Don't miss this one! Kirby Shaw presents a lush a cappella arrangement of 'The Rose' the beautiful song made popular by Bette Midler in the film of the same name. The classic Vincent Youman song ' Without a Song' has delighted audiences for decades and has been recorded by artists of every genre. Kirby Shaw has added his superior arranging talent to provide us with a truly wonderful new arrangement. |
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Beautiful lyric lines and warm harmonies are the centerpiece of this stunning a cappella setting of the beloved Irish folk melody 'Danny Boy' and this work is sure to leave your listeners spellbound! A colorful and lively Scottish ballad 'Geordie' and tells the tale of Lady Ann, gone to Edinburgh to save her man Geordie from wrongful execution. Each of the four vocal parts has its chance to sing! The second selection 'Whitest Stockings' is from a set of Five Latvian Folk Songs, this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful, with off-the-beat accents strewn in and the melody line weaving through the four-part women's arrangement. Featured in the 2001 National ACDA concert, this makes a fine festival or competition selection. Moderately difficult. The a cappella classic 'Kumbaya' starts with a vocal rhythm pattern behind a solo, gradually building in intensity into a duet, a trio and finally a triumphant SSAA 4th verse. All the parts have interesting vocal lines, the drama is constant and the lyrics are inspiring - a unique and powerful arrangement! 'Scarborough Fair' is one of the most famous of British folk songs and with good reason which this arrangements showcases and the 'Three Flower Songs' are American classics and these arrangements are published by the Library of Congress. |
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This warm a cappella arrangement of 'Maria' beautifully portrays the emotion and thrill of falling in love for the first time. From the Leonard Bernstein classic West Side Story, this is a welcome addition to the TTBB repertoire. From The Little Mermaid, 'Kiss The Girl' is in a fantastic a cappella arrangement. Fun Latin rhythms and a variety of vocal inflections make this a great change of pace for any concert! The breathtaking Elton John ballad 'Can You Feel The Love Tonight' in a sonorous setting suitable for all a cappella ensembles. From the Broadway classic A Chorus Line, 'What I Did For Love' is in an a cappella setting that will leave your audience spellbound! This is every performer's anthem! |
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'America the Beautiful' and 'The Star Spangled Banner' are two of our nation's most beloved patriotic songs. Here we offer a practical and well-crafted collection of top-notch a cappella arrangements for men's voices and there is bound to be at least one that suitable for your group. In an excellent arrangement by David Dickau, the a cappella vocal lines flow easily for each part, providing all the fervor you could want with just enough new material to bring a freshness to the performance. These arrangements are distinctive settings of America's national anthem and are an excellent choice for many performance and civic events. |
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Spread a little Christmas cheer with the doo-wop-style arrangement of the classic '50s pop song ' Rockin' Around The Christmas Tree'. Works great in all the voicings. 'A Holly Jolly Christmas' is easily transportable for carorling or other programming options, this doo-wop style a cappella setting of this holiday classic will be a favorite. The traditional Ukrainian bell carol ' Carol Of The Bells ' has new lyrics by Kirby Shaw, and a jazz waltz setting that is unique. Irving Berlin's classic ' White Christmas ' in an exquisite a cappella setting. ' Run To The Manger' is an original a cappella Christmas spiritual and is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. ' Follow That Star to Bethlehem' celebrates Christmas with an energized rhythmic drive, an optional soloist, and solid, well-crafted vocal harmonies. An excellent holiday feature! |
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A selection of traditional carols from around the world arranged for men's voices. includes carols from Cornwall, Germany, Spain and America. |
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Christmastime should certainly be a time for peace around the world so add an international flavor to your holiday program by including some Christmas songs from other nations. 'Jamaican Noel' is a bright and cheerful original by Kirby Shaw and will surely be heard resounding throughout the halls of your school - it's that irresistible! Noted choral arranger John Bertalot with a delightful arrangement of ' Calypso Carol'. The traditional Spanish carol ' Fum, Fum, Fum' highlights the night of Jesus' birth in joyful celebration! Light vocal style is highlighted by the placement of an 'extra' quarter rest! Fresh! The joyful Filipino Christmas Carol 'Pasko Na Naman: is a welcome addition to the season. San Francisco conductor and arranger George Hernandez, has masterfully arranged a simple SATB, a cappella setting that simply works!. High school, college and community choirs will love this piece. |
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'Bonnie Mary of Argyle', from the Scottish Folksong Suite, is a stunning ballad perfect for male chorus. The SATB edition of 'African Processional' was one of the best-sellers of all time and continues to be so. Part of the Ron Kean Multicultural Series, this TTBB edition was commissioned by Charles Bruffy and the Phoenix Bach Choir for the educational outreach program. This song of welcome uses African percussion and provides a plethora of creative staging ideas. 'Evening' is a great classic of 20th century Scandinavian choral literature, evoking pastoral voices echoing in the mountains, now available for male voices. Engish lyrics by Norman Luboff. 'Sailor Songs' is a set of three a cappella songs which will be a fun addition to you program and 'Songs From Karad' by the master Zoltan Kodaly is an English Version by Nancy Bush after a translation by Matyas Seiber. |
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Disney certainly knows how to create a great tune and here are some of their very best. The breathtaking Elton John ballad 'Can You Feel the Love Tonight' from The Lion King in a sonorous setting for a cappella ensembles. The entertaining novelty song 'I Wan'na Be Like You ' from Walt Disney Pictures' The Jungle Book, originally sung by Louis Prima) has been arranged by the King's Singers' Philip Lawson for a cappella ensembles. Challenging, but worth it - it's a perfect encore! From The Little Mermaid, 'Kiss The Girl' is available in a fantastic a cappella arrangement. Fun Latin rhythms and a variety of vocal inflections make this a great change of pace for any concert! The theme song from the Disney animated classic 'Alice in Wonderland' simply sparkles in a warm a cappella arrangement. Nominated for a Best Score Academy Award, this music is timeless. Here's the showstopper 'Under The Sea ' from The Little Mermaid in a dynamite a cappella rendition by the incomparable Kirby Shaw. Great Caribbean change of pace! Available for the first time in a mixed and men's a cappella setting, the Disney classic 'Candle on the Water' will once again enchant your audience. Beautiful harmonies gently accompany the easily-sung melody. Special! |
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'Carols of the Nativity' is a set of treasured carol texts featured in these original new contemporary settings by composer Richard Hynson. Each carol has its own distinctive charm and together they create a profoundly beautiful effect. Includes: 'Angels We Have Heard on High,' 'Infant Holy, Infant Lowly,' 'It Came Upon the Midnight Clear.' The powerful setting of the cherished Christmas, 'O Holy Night'' standard is ideal for mass finale or processional use. Builds to a dramatic conclusion! 'Masters In The Hall' is presented in an exceptional a cappella setting which emphasizes the beauty of this traditional French carol. The distinctive choral artistry of conductor Dale Warland is clearly evident in this expressive choral version of 'Of The Father's Love Begotten.' The simplicity of the melody and the compelling majesty of the text are captured in an a cappella setting 'Silent Night.' Also included in this package is an arrangement of Britten's 'The Holly And The Ivy'. |
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Spread a little Christmas cheer with this doo-wop-style a cappella arrangement of the classic '50s pop song. 'Rockin' Around The Christmas Tree.' This arrangement works great in all the voicings! Here is a playful 'doo-wop' flavored setting of the traditional English carol, 'God Rest Ye Merry Gentlemen.' With great solo opportunities, 'Silver Bells,' is ideal for concerts, caroling and more! One of the most loved Christmas songs of all time, in a lush a cappella setting, will bring a special moment to every holiday performance! Here's a campy doo-wop setting of the Meredith Willson classic, 'It's Beginning To Look Like Christmas.' Don't miss it! This version of 'Carol Of The Bells' has new a cappella lyrics by Kirby Shaw, and a jazz waltz setting that is truly unique! This package also includes a playful doo-wop setting of 'Deck the Hall' with solo opportunities and choreography possibilities. Arranged for a cappella voices, this piece is transportable for program options and caroling. 'White Christmas' is included in this package as well. |
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There were so many great pop hits in the 60's so we offer a package of these classic gems. Here is a soulful a cappella rendition of the 1968 #1 pop hit by Otis Redding, 'Sittin On The Dock Of The Bay,' that's great for pop and jazz groups. There is the 1964 pop hit, 'People,' by Barbra Streisand in an expressive a cappella setting and the 1969 pop hit, 'Workin' On A Groovy Thing,' by the 5th Dimension gets a '90s attitude with this contemporary doo-wop treatment by Mac Huff. Also included in this package is, 'Happy Together,' as sung by the Nylons and arranged by Mac Huff. |
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Luckily the 70's were not just disco and here are some great pop songs from the era. 'Longer' takes on a whole new sound in this fresh a cappella treatment by Kirby Shaw. Smooth vocal backup and great harmonies give this Billy Joel song, 'New York State Of Mind,' special appeal. This may be the arrangement to end all arrangements of 'One Voice!' It features extensive divisi and dynamic contrast. The emotional impact of John Lennon's classic, 'Imagine,' is most timely in today's world. Also included in this package is an expressive a cappella version of, 'If,' the pop hit from the '70s. |
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'Silent Night' is set in an exquisite new musical setting! Beautiful countermelody and lyrical piano writing enhance a wonderfully refreshing new text! Excellent for all ages, school and church! 'O Blessed Christmas' is an original Christmas work by Stan DeWitt with a Frank Pooler text is absolutely stunning! Ideal for high school choirs and beyond. In this gentle a cappella setting, Mac Huff inventively weaves together two Christmas classics 'Still, Still, Still,' and 'Silent Night' for a magical effect. Your choir will love sharing the 'good news' with this brand new arrangement of 'Glory Hallelujah To The Newborn King' by Roger Emerson. Guaranteed to bring down the house! Also included in this package is 'Fanfare For Christmas,' and 'Mary Did You Know?.' |
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A sophisticated take on the old standard 'Jolly Old Saint Nicholas.' This fun arrangement offers a great lighter option for your holiday concerts. The familiar lyrics will engage the audience and the novel treatment will hook your choir! 'Hark! A Herald Voice Is Calling,' suitable for Christmas concerts, this gem from rising young Norwegian composer Ola Gjeilo will challenge and enchant advanced choirs. Donald Bailey, Choral Director from Baylor University, has created a beautiful Christmas selection for a cappella voices. In 'The Blessed Child,' the choral parts flow through tender suspensions to warm resolutions. Although a sacred text, the piece will find a place in many college and good high school venues as well. Every a cappella choir will want 'Christmas Is A-Comin'' on their Christmas program. Jack Halloran, of 'Witness' fame, has captured an all-American sound in this energetic piece. His a cappella arrangements have a distinctive flavor that makes them choral favorites. An excellent choice for the Christmas season. This original spiritual, 'Follow That Star To Bethlehem,' celebrates Christmas with an energized rhythmic drive, an optional soloist, and solid, well-crafted vocal harmonies. An excellent holiday feature! Also included in this package is 'Love Came Down At Christmas.' |
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Experience this fiery work, 'Every Time I Feel The Spirit' and 'feel the Spirit' add vitality to any choral program. Hold on to your choir robes! This invigorating a cappella adaptation of 'Sinner Man' will bring your audience to their feet! In keeping with Sister Rosetta Tharpe's stylistic blend, this arrangement of 'Heaven Somewhere' has a funky doo-wop flavored middle section that reminds us just how many different rock styles go back to the gospel source. In , 'Go Down, Moses,' Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Perhaps the spiritual closest associated with Norman Luboff's arranging style is 'Deep River.' It requires the fine singing of a well trained a cappella choir, high school choir and beyond. Moderately difficult. Destined to become a standard this new setting of 'Witness' for men's voices features the classic Moses Hogan style. Opening with a section of sustained close harmony, 'Plenty Of Good Room,' moves into a medium tempo jazz-flavored groove that's pure delight! An ideal showcase for men's chorus! From the quiet beginning to the joy-filled ending, your men will gladly proclaim, 'Rise and Shine and Give God the Glory!' |
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'America the Beautiful' and 'The Star Spangled Banner' are two of our nation's most beloved patriotic songs. Here we offer a practical and well-crafted collection of top-notch a cappella arrangements for mixed voices and there is bound to be at least one that suitable for your group. 'The Star Spangled Banner' - Kirby Shaw's rich a cappella setting sounds much more difficult than it is, thanks to careful voice leading. It will give a special touch to assemblies or any other performance. David L. Brunner - This fresh new arrangement was written in response to the events of September 11, 2001. Barry Talley - Written for the 2000 Texas All-State Choir, this distinctive setting of America's national anthem is an excellent choice for many performance and civic ceremonies. 'America the Beautiful' - Katherine Lee Bates arrangement brings freshness to the familiar, this gospel-tinged a cappella arrangement of the powerful patriotic classic will have audiences out of their chairs and onto their feet. Jack Halloran's unique arranging style brings a special quality to this stirring American patriotic classic. 'Lift Your Voice, America' is a distinctive a cappella pairing of 'America the Beautiful' and 'Battle Hymn of the Republic', this setting is a refreshing change of pace. |
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A collection of a cappella sacred motets. |
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The a cappella, Fred Prentice arrangement of ' Sing We Now Christmas' has been a popular selection for years and was made popular by the Dale Warland Singers. 'See Dat Babe' was selected for the Paul A. Smith Choral Series, and this Christmas spiritual features excellent writing for the a cappella choir, with all the rhythm and vigor to bring the house down. Every a cappella choir will want ' Christmas Is A-Comin'' on their Christmas program. Jack Halloran, of 'Witness' fame, has captured an all-American sound in this energetic piece. His a cappella arrangements have a distinctive flavor that makes them choral favorites. An excellent choice for the Christmas season. 'The Blessed Child' - Donald Bailey, Choral Director from Baylor University, has created a beautiful Christmas selection for a cappella voices. In this setting, the choral parts flow through tender suspensions to warm resolutions. Although a sacred text, the piece will find a place in many college and good high school venues as well. Three delightful Christmas miniatures complete the package. |
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This breathtakingly beautiful ACDA award-winning composition, 'Lux Aeterna,' offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. This expressive a cappella original by Audrey Snyder, 'O Lux,' is perfect for contest and festival use. Excellent voice-leading makes this sound more difficult than it really is. An optional soprano solo completes this spellbinding work. Matthew Harrisbrings us this simple and eloquent new setting of the well-known prayer, 'Ave Maria.' Based on Elgar's own piano transcription of his Enigma Variations, the rich harmonies and depth of expression of this setting of 'Agnus Dei' with sacred text may be performed by a variety of choirs. With Sanctus already available in print, the 'Kyrie' is the second installment in a mass in progress by this Swedish composer, whose Lo, How a Rose E'er Blooming has been frequently performed and recorded both in Sweden and abroad, including the United States. A fine selection for festival or competition use. Winner of the ACDA sponsored 'Raymond Brock Memorial' competition, 'Kyrie,' was premiered at the 2005 ACDA convention and is a part of the Paul A. Smith Festival Series. Kentaro Sato has taken a universal text and created colors of sound that suspend and resolve in various shades and hues. |
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Rollicking and upbeat, this playful setting of 'Tell My Man,' a traditional Irish children's song, is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! The King's Singers bring home a winner with their arrangement of 'Irish Lullaby.' Both fun and challenging, this soothing 6-part gem is sure to be enjoyed by all. Fred Prentice's compelling arrangement of 'O Danny Boy' has a beautiful tenor solo and rich 8 part harmony throughout. Another King's Singers classic, 'She Moved Through The Fair,' this beautiful Irish ballad is one of the their favorite and most-requested concert selections. With 'The Irish Blessing,' Joyce Eilers Bacak uses the traditional lyric, 'May the road rise to meet you.' Her a cappella creation makes a moving, easily-taught concert closer. |
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'O Jesus, Grant Me Hope and Comfort' is a 17th Century composition by Johann Wolfgang Franck, whose compositions have enjoyed great popularity due to their pure melodies and the warm faith expressed in their text. A Choral Motet by Hugo Distler, 'Praise to the Lord' is based on the melody by Stralsund Gesangbuch, from Distler's Opus 6, No. 2. The beautiful melodies in each of the 4 parts create a beautiful dissonance that is magical to the ears. David A. Gerig's original composition, 'Shout to God' starts out unison, but soon breaks into 2-part cannon, then the voices join for beautiful 4-part harmony. Tschesnokoff's 'Let Thy Holy Presence' is beautifully arranged by Walter Ehret. All 4 parts divisi at one time or another, making this a challenging, but fun, sacred tune. Carolina Sandell Berg's Swedish folk tune , 'Children of the Heavenly Father,' is beautifully arranged for 4-part mixed voices by Paul Christiansen. Stanley Glarum's 'Sing Praises' is a thrilling exhortation to all the people of the earth to revere God and sing His praises. The echo effects should brought out as though the people were responding to the bidding the psalmist. The anthem is suitable for Thanksgiving or general services |
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'La Lluvia' is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing 'Las Amarillas' it that the rhythms must be very incisive and exact, yet the precision must be combined with the devil-may-care festive attitude that prevents the precision from sounding clinical. Mangulina is a dance derived from Zapateado Espanol (a Spanish heel-tapping dance). 'Guayacanal,' originally written in the 1950's by Dominican songwriters Luis Kalaff and Bienvenido Brens, embodies what is known as the Mangulina today, and is so famous that when asked, people often think it's a folk song. This piece is best accompanied with tamborra (a double-headed drum from the Dominican Republic) and guira (a metal scraper from the Dominican Republic, scraped with a metal fork.) These delightful miniatures are wonderful for concert, contest and small ensembles. Careful part-writing and attention to range make these a good choice for younger treble groups. Includes: 'A la puerta del cielo (At the Gate of Heaven),' 'El Senor nacio en Belen (The Lord Was Born in Bethlehem),' and 'Gloria a Dios en las Alturas (Glory to God in the Highest.)' |
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Henry Mancini was awarded an oscar for the score to 'Peter Gunn.' While there is no lyric to this exceptional theme, Jeff Funk has created an extraordinary 'scat'-style choral setting that will be a very special addition to any pop or show music concert. Don't miss this one! 'Blue Moon,' the classic Rodgers and Hart song, takes on a whole new life with its upbeat do-wop arrangement by Jeff Funk. It was featured on the Grease soundtrack. The 1978 movie Ice Castles featured a musical score by Marvin Hamlisch and lyrics by Carole Bayer Sager. The wonderful ballad 'Through the Eyes of Love' lives on and has been recorded by artists the world over. Kirby Shaw uses his exceptional arranging skill to bring us this very special arrangement. Don't miss this one! Kirby Shaw's arrangement of 'The Shadow of Your Smile' has beautiful 4 part harmonies. Halfway through, there is a solo opportunity. The audience is sure to enjoy this gem! From Don Moore comes a wonderfully fresh a cappella edition of the classic movie-music favorite, 'I'm Always Chasing Rainbows.'' Finger snaps and the straight-ahead swing style give this arrangement that street corner doo-wop styling. Sure to be a favorite with singers and audiences! Russ Robinson brings us a very singable a cappella setting of this all-time classic, 'Over the Rainbow' from 'The Wizard of Oz.' The 1998 theatrical release of the movie created a whole new wave of interest in this wonderful music. |
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'Dance of the Sugar-Plum Fairy' - Jeff Funk's choral adaptation of this selection from The Nutcracker Suite has been a huge success in its original SATB setting and will provide wonderful lighthearted programming for your next holiday concert. 'Waltz of the Flowers' - Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting. 'Parade of the Wooden Soldiers' - This traditional holiday favorite comes alive in an exceptionally creative a cappella setting from Jeff Funk. It's the perfect sequel to Jeff's highly successful 'Dance of the Sugar Plum Fairy.' Sure to be a hit with both singers and audiences! Also included is 'Have Yourself a Merry Little Christmas', one of our most performed popular Christmas songs that is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite. |
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Kirby Shaw's tradition for creating exceptional a cappella ballads continues with this wonderful arrangement of the Gershwin classic 'Embraceable You.' Showcase your singers with this very special arrangement! The 1978 movie Ice Castles featured a musical score by Marvin Hamlisch and lyrics by Carole Bayer Sager. This wonderful ballad, 'Through The Eyes Of Love,' lives on and has been recorded by artists the world over. Kirby Shaw uses his exceptional arranging skill to bring us this very special arrangement. Don't miss this one! Russell Robinson embraces all the beauty and sensitivity of this Errol Garner pop tune, 'Misty,' in a very simple setting that will add a touch of class to any choral concert. Also included in this package is 'Java Jive' arranged by Kirby Shaw, and Jeff Funk's arrangement of 'Blue Moon.' |
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A sophisticated take on the old standard, the fun 5 part, divisi, arrangement of 'Jolly Old Saint Nicholas' offers a great lighter option for your holiday concerts. The familiar lyrics will engage the audience and the novel treatment will hook your choir! Edwin Fissinger's 'Love Came Down At Christmas' is a gorgeous new Christmas carol. With divisi in all 4 parts, it gives the choir a challenge, while filling the listener's ears with those beautiful ringing chords. Another Edwin Fissinger original, sacred, Christmas carol, 'Come To The Stable' will give your choir the opportunity to show off their harmonizing chops, this tune is sure to become a classic in Christmas choral repertoire. 'Hark! A herald Voice Is Calling' is an English translation of a Latin text, 'En clara vox redarguit.' Drawn from the Catholic tradition, it has been used as a hymn for Lauds on weekdays and Sundaysduring advent. Ola Gjello's setting pays great tribute to this text! A Mixure of sacred and secular themes, 'Four Christmas Vignettes,' is sure bring the Christmas spirit to your Holiday concert! |
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'Do You Hear What I Hear' is an exquisite a cappella setting of the beloved Christmas classic! 'Ding Dong Merrily on High' is a delightful setting of this appealing dance carol! Ed Lojeski has developed a wonderful madrigal-style extension to the traditional melody, and counterpoints it all with 'Good King Wenceslas'. 'I Saw Three Ships' i a fun and easily learned arrangmeent for any size vocal ensemble. The German baroque chorale ' Lo, How a Rose E'er Blooming' (Est Ist Ein' Ros' Entsprungen), is a tasteful adaptation by John Leavitt, featuring the tenor on the melody of the second verse and a soprano descant on the third verse. Includes English and German texts. Edwin Fissinger's simple, elegant arrangement of 'Silent Night' features both English and German verses. It's easy to prepare, yet is sure to be one of the most stunning pieces on any holiday program. |
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