A selection of standards arranged by Deke Sharon and Anne Raugh from the popular CASA songbook series. Women's arrangements - especially interesting ones - are in very short supply. That's why we're very pleased to offer this songbook. Many old standards are here, plus there are a few more challenging contemporary pieces.

This highly-popular series has become a yearly event to satisfy the appetites of collegiate music lovers, and it's a great way to expose oneself to the up-and-coming talent proliferating at our nation's higher institutions. Whether the Stanford Counterpoints 'Don't Speak,' the Tufts Amalgamates 'I Don't Want to Wait' or 'Don't Stand So Close To Me' by UPenn Off The Beat, the selections offer a tuneful portion of what's hip now in current or retro pop, and the quality is entirely professional. Over half the tracks were CARA nominated, a surefire harbinger of success. Many members of professional and semi-professional contemporary vocal bands started out in these very ensembles, so heads up!

The series continues, with a variety of well-known college ensembles contributing tracks, such as U. of Penn Off The Beat, Tuft's Belezebubs, Duke Out Of The Blue, Notre Dame Undertones, Harvard Opportunes and the Brown Derbies. Per usual, nearly all the tunes are skimmed from chart topping artists such as Sheryl Crow, Tori Amos and Elton John, but there are some unexpected covers too - from the soundtrack of the film 'Roja' and our favorite, 'Snow On The Sahara', originally performed by Anggun, sung here by the Stanford Harmonics. It's also clear how prominent the female voice has become in today's marketplace, and that's reflected here in the percentage of mixed or exclusively female groups. The skill level of these ensembles ranges from solid to professional quality, with everybody hitting their marks on cue.

We have to say two things about the BOCA seriesÐone, the studio production on the tracks keeps getting more professional, and two, so do the groups! Michigan (my alma mater) Amazin' Blues' 'Millennium,' for instance, will get you up and boogying, and Iowa State U's Shaggy Boys (see above cd review) 'Owner of a Lonely Heart' is unbelievable. UPenn Off the Beat, represented on 7 BOCAs, ride with 'Wild Horses,' and York University's Wibijazz'n grooves on Steely Dan's 'Peg.' All 17 tunes are good, but some notables: Stanford's Mixed Company, 'Someday;' USC's Sirens, 'Ray of Light' and SoCal VoCals, 'Total Eclipse of the Heart;' Illinois Extension Chords, 'Inside Out' and Northwestern Purple Haze, 'Cornflake Girl.' Smooth, energetic and entertaining.

Perhaps rather grandiosley named this recording nevertheless does indeed feature some of the most accomplised men's a cappella groups perforining on campuses today. Two tracks apiece from Duke's Pitchforks, Tufts Beelzebubs, Notre Dame's Undertones, Univ. of Illinois's The Other Guys, Indiana Univ. Straight No Chaser and UC Berkeley's Men's Octet.. As one might expect the testosorone level is way up yet there are several ballads that are sweet and tender.

A new reissue combining the BOCA '97 and '98 CDs in their entirety.

Another BOCA collection of the best of the collegiate vocal groups never fails to impress us with the humor, arrangements and sheer talent of these young voices. 19 tracks, from UCLA Awaken's 'Walk Like An Egyptian,' and Indiana Straight No Chaser's 'I Belong to You,' to Duke Out of the Blue's 'Eve' and Tufts Beelzebubs' 'The Trial.' As admirers of Michigan Amazin' Blue, who give us 'She,' we were pleased to note that two other Ann Arbor groups made the cut, Michigan Compulsive Lyres singing 'Limp' and Michigan Dicks & Janes, with 'Everything You Want.' Other good stuff: U-Madison-Wisconsin's Tangled Up In Blue's 'Breathless,' Stanford Everyday People's 'Billie Jean/No Diggity' and USC Sirens' 'Beautiful.' But it's all good, reallyÐBOCA 2002 is a treat!

This year BOCA had the most submissions ever from collegiate groups to choose from, over 2,000 songs, and each collection, beginning in 1995, is more successful than the last! When these collections come out about this time every year, it's always a joy to see the enthusiasm and love for a cappella in these excellent college groups. 18 songs, from the Upenn Off the Beat's 'Crawling In The Dark,' Dartmouth College Aires' 'Workin' for the Weekend,' and the U of Michigan Dicks & Janes' 'Tonight and the Rest of My Life,' to York U.'s Wibijazzn's 'Rosanna,' Tufts Univ. Amalgamates' 'Killing Me Softly' and Stanford University Harmonics' 'Lady Marmalade,' this CD is a revelation. Many excellent collegiate groups sent songs, few were chosen, and the quality of those is very fine indeed!

The 2004 Best of Collegiate A Cappella recording boasts an impressive assortment of cover songs performed by our nation's premiere, young vocal groups. From the USC Sirens to the The Bostonians of Boston College, the groups performing on this CD are the best in their class, ousting hundreds of collegiate vocal groups that sought the BOCA title. Fans of collegiate a cappella, old and new, will enjoy the University of Virginia Academical Village People's rendition of Ben Folds' 'Kate,' or the University of Oregon on the Rocks' cover of Coldplay's hauntingly beautiful love ballad, 'Yellow.'

We always enjoy listening to the BOCA collection that arrives this time of year, because (a) it's exciting, spirited stuff from a cappella groups across the country we don't usually get to hear, and (b) it reminds us how alive and juicy the a cappella scene is on the country's campuses! Picking favorites from CASA's picks for the 20 best collegiate a cappella tunes, we have: Stanford U. Everyday People's 'Whatever You Want,' the Dartmouth Aires' rendition of Caedmon's Call's 'Somewhere North,' MIT Logarhythms' vocal percussion gem 'The Kids Aren't Alright,' U of North Carolina Clef Hangers' rap-flavored version of Outkast's 'The Way You Move,' UCLA Random Voices' lovely cover of Tori Amos' 'A Sorta Fairytale,' the Claremont Shades' cover of Garbage's nasty 'Push It,' Stanford Mixed Company's cover of Collective Soul's 'Run,' Clemson U TIGEROAR's cover of Matchbox 20's 'Unwell,' Duke Out of the Blue's cover of Maroon Five's 'She Will Be Loved,' Stanford Mendicants' cover of Wham!'s 'Wake Me Up Before You Go Go,' the Michigan Amazin' Blue's cover of Sarah McLachlan's 'Angel' and the U of Virginia Hullabahoos' raucous cover of Outkast's 'Hey Ya.' Some incredible voices, cutting-edge arrangements, hot vocal percussion and wonderful song selection-BOCA 2005 is another stone winner!

'Voices' is a generous, 2-CD set of the best of the collegiate a cappella groups, a total of 30 songs. We're particularly pleased to see and hear groups we've never heard of before, such as 'What It Feels Like For A Girl,' by Boston Aural Fixation, 'Into the Dark' by VT Juxtaposition, 'The Late Great Planet Earth' by UT Ransom Notes, 'Feel Good Time' by MIT Muses, 'Missing' by UPenn Penny Loafers, 'Collective Soul' by Colorado In The Buff, 'Only In Dreams' by Wash U in St. Louis Mosaic Whispers, 'Earth Song' by UCSB Naked Voices, and 'Beauty of Grey' by St. Louis Bare Naked Statues. There are familiar and welcome names from the BOCA yearly compilations, such as 'All Original' by the Stanford Fleet Street Singers, 'Ask the Lonely' by the Dartmouth Aires, 'When I Think About Angels' by the UVA Sil'hooettes, 'Never There by the Clemson TIGEROAR, 'Destiny/In The Waiting Line' by the USC Sirens, and 'Nothing' by Northwestern Purple Haze. The brazen, refreshing ensemble names, like the Duke Pitchforks, Cornell Class Notes, Oregon Divisi and Elon Twisted Measure go well with their music, which features innovative arrangements, rich harmonies, genuinely funny material and always interesting entertainment. Want to hear what's up in collegiate a cappella? Settle back, put the 2 CDs of 'Voices Only 2005' and enjoy!

The professionalism of the competing groups becomes more impressive with each passing year! Each and every ensemble that graces the stage with their talent has something special, and each group is distinct in its own way. Of course the contemporary and jazz groups are always popular - and in fact, Toxic Audio, the contemporary/jazz quintet from Florida, took first place, and another mixed jazz quintet, Bay Area favorites +4 db, were third - but, in addition, we feature the Perfect Gentlemen, a barbershop group from Los Angeles (2nd place), and the Total Experience Gospel Choir. Of course, 1999 champs, and your hosts, the contemporary Christian septet, Seven, perform two songs, and their virtuosity is undeniable. Audience favorites the Exboyfriends (who have won this category in previous New York regionals, flexing their performance muscles), swagger with Led Zeppelin's 'Ramble On,' while the reconstituted All Star Vocal Band (formerly the 17th Ave. All Stars) cover Journey and Stevie Wonder. Live Wire and Chapter Six represent the hot retro swing craze. It's a panoply of sound!

If you were there in San Rafael on May 5th, 2001, you know what an incredible show this was. Eight of the best groups in the world, Sixth Wave, Voice Trek, Freestyle, Vox Bop, So Rare, T Minus 5, 4:2:5 and Eclipse, on stage for 12 incredible minutes each, the show hilariously hosted by last year's winner, Toxic Audio. The sellout (always) audience was blown away by one amazing performance after another, ranging from the ridiculous, T Minus 5's side-splitting 'Red Neck Avenger' and Freestyle's very funny 'Paper Doll,' to the unbelievable, Vox Bop's genre-hopping commentary on all things a cappella, 'Slinky Variations,' and Voice Trek's tour-de-force 'William Tell Overture;' to the sublime, So Rare's 'Ain't Misbehavin' and 4:2:5's 'Still The One.' In the end, the judges had a difficult choice, and went with Los Angeles' Sixth Wave, whose 'Grazin' in the Grass' and 'Mambo' are representative of their wonderful vocal jazz set. Add two songs by Toxic Audio, which makes 18, and you have a barn-burner CD of one of the best a cappella shows of all time. Wow!

The sellout crowd at Marin Veterans Aud. in San Rafael, CA once again saw a dazzling Harmony Sweepstakes Final - Eight Regional winners from all over the country, giving their all in the 'most exciting twelve minutes in a cappella.' In this wonderfully recorded CD we hear Denver winner Eclipse's 'Danny Boy' and 'Look My Way,' Bay Area Winner III of a Kind's incredible cover of 'Man in the Mirror' and the Asian hit tune 'Anak;' returning winner (Pacific NW) The Standards' 'Ain't Got Nothing But Love' and heartfelt 'Prayer of the Children;' Boston Winner Groove's great covers of 'Anna Begins' and James Brown's classic 'I Feel Good,' and New York winner, the Russian group Autri, sings 'Keimanchuli' and a stunning original by one of its members, 'Tale of War.' Los Angeles' Perfect Gentlemen's cutting edge barbershop harmony soars into 'Blue Skies' and 'Patty Cake.' Washington, DC's Tone Rangers score with their offbeat covers of 'I Need You' and Simon & Garfunkel's 'Keep The Customer Satisfied.' Finally, Chicago winner Chapter 6 nails Queen's 'Bohemian Rhapsody' and finishes with a hilarious 'Wizard Of Oz Medley.' In the end the judges chose The Perfect Gentlemen as National Champion, (also chosen Audience Favorite) and we walked into the night, smiling and raving about one of the best a cappella shows of all time!

We're of the almost certainly biased opinion that the Harmony Sweeps Finals are the best a cappella shows in the world. Imagine 8 groups, who have come in first in Regional competition with 10 other groups in places like New York, Boston, the Bay Area, Chicago and LA, performing before a packed auditorium in San Rafael, CA for 12 minutes each, for the coveted National Championship. Each year outdoes the last, and 'electric' doesn't do justice to the 2003 Finals. There are 18 songs on the CD, two from each group and two from '02 Champs, and very funny hosts, LA's Perfect Gentlemen, 'Gimme Some Skin' and the guitar accompanied (!) 'Meanest Thing You Ever Did Was Kiss Me.' The Bay Area's hilarious Moosebutter brings us 'Psycho, The Musical,' winner of 'Best Original Song' (lyrics), and their trademark parody, 'Star Wars,' part of a set that won them 2nd place honors. The Pacific NW's Second Chance contribute a funky 'Go Tell It On The Mountain' and the very funny beach song parody 'Sand Down My Pants.' LA's Undivided Musical Group sing 'Amarte Mas' and nail Ward Swingle's arrangement of 'Mission Impossible Theme.' Boston's All About Buford do wonderful covers of the Gershwins' 'Summertime' and Rodgers & Hart's 'My Funny Valentine.' Chicago's Nightwatch sing two songs from their infamous 'Diner Set' (complete with ballistic donut), 'Truck Drivin' Man' and 'Yes Sir, That's My Baby,' and New York's very smooth Cadence covers 'Straighten Up and Fly Right' and 'Tempted' beautifully. Denver's Groove Society gets the crowd up and rocking with 'You're No Good' and the classic 'Listen to the Music.' Unbelievably, as good as all these groups were, the best was saved for last, Mid-Atlantic winner Idea of North from Australia, who shine on 'Mas Que Nada' (which won the David Lichtman Award for Best Arrangement) and Randy Newman's heart-tugging 'When She Loved Me.' Idea of North got the nod from the judges, and won Audience Favorite, while Moosebutter and Cadence placed 2nd and 3rd. A chorus of 'Goodnight Sweetheart' later we were all walking out of beautiful Marin Veterans Auditorium, not believing how good a show we had just seen and heard!

This year's Harmony Sweepstakes reminded all who participated, how magical making music can be. Now, we all can share that magicÊby listening toÊthis excellent live recording. With 20 years gone by, this national competition is still going strong and bringing out the very best in a cappella singing.ÊÊThis year's show had an excellent assortment of various styles, including jazz, pop, contemporary, latin and much more. There were lots of humorous moments, including the national champions, Chapter Six's original song, 7th Wheel, as well as somber/uplifting moments including the beautiful performance of Kiss From A Rose by Impulse. Of course no one could forget Clockwork's performance of Inna-Godda-Da-Vida orÊVox Bop's Commercial medleyÊ. With continuous stellar performances from all eight groups, this 19 track CD is sure to keep you entertained.

Listen to Walk The Straighter Road in RealAudio.

It always seems to us as the Harmony Sweeps celebrates another year of its existence (its 21st, in this case), that 'last year's Finals were so sublime, how could this year's possiblyÉetc., etc.'-but then we're in the sold-out, excited audience for this year's, and the first group is about to come onÉ what we're trying to say is somehow each Sweeps Final is better than the last. And what we love about the CDs is that they're live, 9 of the best a cappella groups in the world on one stage, singing their hearts out for 13 short minutes, for the National Championship. Last May, Mid-Atlantic's Cartoon Johnny, Boston's Firedrill, Chicago's Fiveplay, NYC's Traces, Denver's Face, Pacific NW's Groove for Thought, LA's Undivided and SF's own Moodswing were those groups. 19 songs, including 'Joy to the World' and Best Original Song, 'Walk the Straighter Road' by Kevin Kunz of National Champions Groove For Thought, David Lichtman Best Original Arrangement winner 'Paper Moon' by Greg Murai of Moodswing, ('Moanin'' by Moodswing is also happily included), 3rd Place finishers Fiveplay sing Stevie Wonder's 'Superstitious/IWish' and 'I Never Knew,' and runner-up and Audience Favorite Face have 3 winners, 'Pink Panther Theme,' 'Harder To Breathe' and 'Safety Dance.' But let us not forget hosts Chapter 6, whose 'Ode to Krispy Kreme' and 'Don't You Worry 'Bout A Thing' drew standing O's, Firedrill's Motown classic 'Chain of Fools,' Traces' 'Mary Don't You Weep,' Undivided's 'What's Goin' On' and Cartoon Johnny's 'Crazy Love.' A savory sampler from a magic night in May in San Rafael, CA!

Listen to Isn't She Lovely in RealAudio.

It's the first weekend in May, and the sold-out audience at Marin Veterans Auditorium in San Rafael, CA is buzzing with anticipation of seeing the Harmony Sweepstakes Finals, possibly the best live show in a cappella! 8 Regional-winning groups are backstage, having beat out as many as 8 other groups for the privilege of singing their hearts out for the National Championship. 'Finals' has 16 of the best tunes from that memorable night, including Bay Area winner Clockwork's jazzy 'My Baby Just Cares For Me,' and wonderful cover of Radiohead's 'Creep,' part of an excellent set that won them 3rd place, and the award for 'Best Original Arrangement.' We hear Mid-Atlantic-winning Regency's 'Only You' and high-energy 'Jump, Jive and Wail,' part of a great set that won them 2nd place. LA barbershop quartet Hi Fidelity, in 'Addams Family' costume, bring us the 'Addams Family' theme and a key-bending, hilarious 'Blackbird,' they won both Audience Favorite and the National Championship. New York Quartet 'Round Midnight's 'Take the A-Train' and 'Tin Roof Blues,' Chicago's Elmo Thumm's 'Last Train to Clarksville' and 'Shooting Star,' Denver's Curious Gage's 'Long Train Runnin'' and 'Windmills' show us how good Hi-Fidelity had to be to win. Boston's Traces sing 'As' and 'Wonderful World,' which won Best Original Song,' and the Pacific NW's Tongue Tied A Cappella give us a dynamic cover of the Starship's 'We Built This City.' Exciting cuts from a magic May evening in San Rafael!

Listen to Blackbird in RealAudio.

On a perfect May Saturday night in San Rafael, CA, the sold-out audience witnessed another unbelievable evening of unaccompanied vocal harmony singing. Eight Regional winners were up on stage, singing their hearts out for the fans and the judges, with the National Championship on the line. The best 18 songs of the night, including from local favorites the folk/world female ensemble Solstice with 'Wade in the Water' and the dynamic 'Kappee.' A pair of songs from Audience Favorites Denver's 'Face,' includes the gritty, powerful rocker 'Home,' that won them 2nd Place. Three tracks from the evening's winners National Champs from Los Angeles, Moira Smiley & VOCO with the folk tune 'Bring Me Little Water, Silvie,' 'Szerelem' and the lovely, moving 'Stand in that River.' Other favorites are New York's The Fault Line's 'Some Kind of Wonderful;' the Pacific NW's V-Chords' 'Don't You Worry 'Bout a Thing', Boston's Men in Black's 'Run Around' and Chicago's Nightwatch's very funny 'Defying Gravity.' And let us not forget host group 2006 Champions Hi-Fidelity (hey, that's 2 in a row for L.A.!), whose 'Enterprise/Sulu Medley' reminds us how brilliant and funny they can be.

Listen to Home in RealAudio.

The unique six-voice a cappella orchestration of 'Toccata and Fugue in D Minor' is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. Matt Falker's arrangement of 'A Time For Love' (originally written by Johnny Mandel)' is a beautiful a cappella ballad. The chart is written for SSATBB voices and features a male/female duet in the latter part of the piece. Issa Sorensen's arrangement of Bobby McFerrins 'Good Lovin' will bring the house down with its awesome groove. Not to be confused with the sensational A Cappella band with the same name, 'Rockapella' is an original a cappella piece with a slow, almost Baroque opening that builds into a high-intensity groove. Features soloist and doo-wop bass line for added energy. A lot of fun for audience and performers!

One of the greatest songs of all time, Jerome Kern's classic romantic ballad 'The Way You Look Tonight' shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in a superb arrangement by Kirby Shaw. 'Smile' - This exquisitely lush a cappella setting of the familiar lyric, 'smile though your heart is breaking', shares a wonderful message of hope and perseverance. An ideal closing selection. The beautifully lyrical Gershwin ballad 'Love Walked In' has never before had such a well-crafted, fully textured setting! This gorgeous a cappella treatment is well suited to traditional concert and pop programs! Phil Mattson does a wonderful jazz arrangement of ' I'll Be Seeing You' while 'How Deep Is the Ocean' has varied choral textures and luscious harmonies that makes Irving Berlin standard an ideal selection for a cappella vocal groups. Ultimately romantic!

The classic Beatles song 'Yesterday', as recorded by the popular group Boyz II Men, is given a wonderful treatment here by Mac Huff, guaranteed to spellbind your audience. 'You Raise Me up' is now available in this a cappella concert arrangement, and the moving lyrics and soaring vocals of this Josh Groban classic will inspire all who hear it. Masterful! Here is a soulful a cappella rendition of '(Sittin' on) The Dock of the Bay', the #1 pop hit by Otis Redding, that's great for contemporary groups. 'From a Distance' is a stunning new a cappella setting of the #1 pop hit by Bette Midler. These powerful lyrics and a timeless melody will create an unforgettable concert moment. Magical!

There's nothing more fun to sing than a great show tune! An inspired a cappella treatment of the 'Fats' Waller classic 'Ain't Misbehavin''. Many fun options in the center section Ð 'Rudy Vallee' solo, tap solo, etc. Totally unique! A classic Kirby Shaw setting of a Gershwin ballad ' Love Is Here To Stay' is a delight. Here's a stunningly beautiful arrangement of the classic Broadway ballad 'On A Clear Day'. Steve Zegree's a cappella jazz voicings are breathtaking! Recorded by many artists including Tony Bennett, Frank Sinatra and Bobby Darrin, 'Once Upon A Time' was featured in the Broadway production of All American. Beautiful harmonies and a lyrical melody combine to make this special.

Add a breath of salty sea air to your repertoire with one of these traditional sea chanties. Lots of fun to sing and with performance notes. Originally from England, where 'All for Me Grog' was heard in music halls as well as on ships, the shanty was sung while working the capstan and the halyard. Swedish composer and conductor, Robert Sund wrote this playful arrangement of 'What Shall We Do With The Drunken Sailor?' leaving ample room for both women and men to excel in this well-known sea chantey. The tongue-twisting text brings this arrangement to an impressive ending!

Selected for the Ron Kean Multicultural Series, 'African Processional' utilizes sounds from African folk songs and a joyful chorus emerges with an occasional solo interjection. 'Ning Wendete' is a traditional folk song from Kenya and is a conversation between a man and a woman. 'I love you, but you do not love me. How is that? If you do not love me, you had better tell me so.' Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. 'The Coca Cola Song' is a playful contemporary African folksong and is a lot of fun to perform with layered vocal parts, African percussion, and humorous references to the choir members singing. Celebrative and highly rhythmic, 'African Noel' shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in its simplicity, your choir will have fun with this one!

'Big Bunch a Little Bunch' is a traditional Bahamian song about the many beloved recipients of a woman's roses. This lively, rhythmic arrangement for mixed choir is ideal for a world music concert or other festival performances. 'Ripe Tomata Green Peas' is a traditional market song by Bahamian composer/conductor Cleophas Adderley offers a light-hearted treatment that is sometimes solemn, sometimes frenzied. With optional hand percussion, this a cappella setting will bring your concert to a spirited conclusion! 'Jamaican Noel ' is a bright and cheerful original that will surely be heard resounding throughout the halls of your school Ð it's that irresistible! The delightful settings of 'Three Bahamian Folk Songs' are by the founder and director of the Bahamas National Youth Choir and will add a little caribbean calypso to you program. What fun!

Memphis has long been illustrious for its blues, jazz and soul roots. The essence of Memphis musical heritage is showcased in this collection of Gospel Quartets featuring: The Gospel Writers, Holy Ghost Spirituals, The Harmonizers, The Harps of Melody, The Pattersonaires, and the Spirit of Memphis Quartet. Reflecting on styles from the 30's through 80's, you will be taken on a historical and musical journey throughout the neighborhoods of Memphis.

Bluegrass, a brand of music appreciated for its intricate musicianship and instrumental virtuosity, has always maintained a fresh appeal while staying true to the gospel roots inherent to the genre. Sacred Voices is a gathering of Bluegrass big shots who have put down their instruments and opened their voices, sounding out an integrated variety of Gospel songs and continuing a tradition that started with Bill Monroe and the Blue Grass Boys. Doyle Lawson & Quicksilver sing 'Climbing Up The Mountain' and 'That New Jerusalem'. Peter Rowan & The Rowan Brothers sing a haunting 'Lone Pilgrim' while also making an appearance with the Nashville Bluegrass Band on 'Jesus Made the Wine'. 'Father I Stretch My Hand To Thee' and 'Roll Jordan Roll' also feature the Nashville Bluegrass Band. Tim & Mollie O'Brien contribute 'Shut De Do' and Ricky Skaggs and Tony Rice 'Talk about Suffering'. New Grass Revival adds a touch of live performance to the mix with 'Walk In Jerusalem' while Robin & Linda Williams & Friends keep the faith with 'He's Coming Again So Soon' and 'Don't You Want To Go To Heaven'. Also featured are 'Vision Of A Golden Crown' by Don Rigsby and a whole cast of vocals, 'My Heavenly Home' by Front Range, and 'Feel Like My Time Ain't Long' by The Country Gentlemen. First published in 1855 is the oldest and most recognizable song 'What A Friend We Have In Jesus', a riveting solo performance given by Doc Watson. Bluegrass and Gospel music are both inspiring and timeless; strip down to the naked voice and the result is something sacred.

'I'm Always Chasing Rainbows' is a whimsical gem for female voices and will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. Mac Huff's arrangement of Bette Midler's #1 pop hit 'From A Distance' has powerful lyrics and a timeless melody that will create an unforgettable concert moment. Magical! Michele Weir's arrangements of 'Rock-A-Bye Baby' is a smooth jazz delight and the vocal jazz standard 'Java Jive'gets a great a cappella treatment with the Kirby Shaw touch! Still swings!

Produced by CASA, these compilation CDs are a great introduction to different genres of a cappella, and are particularly recommended to the novice listener. Including groups such as Penn off the Beat ('Fall from Grace') Heebee-jeebees ('Angels We Have Heard on High') Da Vinci's Notebook ('Liposuction') and the King's Singers ('Abendlied'), the proceeds benefit CASA and allow the organization to continue in its efforts to promote a cappella singing. Other groups featured are The Fairfield Four, Vox One and Rockapella.

The CARA acronym stands for the 'Contemporary A Cappella Recording Awards,' produced by CASA. These eighteen selections are a varied representation of many styles, including pop, world, barbershop and classical. This year's recipients include m-pact for their awesome version of Earth Wind and Fire's 'Fantasy,' the Alley Cats' 'Tears On My Pillow' - surely the most tuneful and exciting doo-wop group to emerge in a while - and 1998 Harmony Sweepstakes winners Metropolis, with 'Don't Blame Me.' Denmark's Vox P contribute their sultry 'Fly Me To The Moon,' Monkey Puzzle, their hypnotic 'Epitaph,' and the controversial Double Dong (a cappella punk?) provide the vocal gristle. Contemporary Christian artists Glad and Take 6 supply the polish with their usual exquisite arrangements.

The Contemporary A Cappella Society of America (CASA) created the Urban Harmony Movement to bring music, via free materials, coaching, and concerts to public high schools in need. For more information call (415) 563-5224. In the mean time buy and listen to another outstanding compilation of 16 tracks sung by both well known groups and four of the best college a cappella groups, with whom CASA is uniquely connected. Other notable contributors are The House Jacks, Five Live, The Persuasions, Bobby McFerrin, Vox One, The Nylons and M-Pact.

The enterprise called Rhino Records is in the compilation business, and they do it with flair and intelligence. The first two doo wop box sets were widely regarded as definitive collections. However, there was more yet to be done! The four CD's in this latest box set Ð plus fact and picture filled book Ð include the rare, the obscure and the out-of-print. Organized with the themes of 'The Hits,' 'The Should Have-Been Hits,' 'The Celebrity Picks' and 'Modern Doo Wop,' and including groups and solo artists alike, the track list features many household names (Platters, Flamingoes, Drifters, Dominoes), and then the fun begins: Enchanters, Fascinators, Solitaires and Strangers, ad infinitum. Robert Plant's celebrity pick: 'Indian Girl' by the Capris, Keith Richards chose 'Maybe' by the Chantels. Rock and roll couldn't have happened without doo wop, and we know a lotcouldn't have happened without rock and roll! Make someone happy this Christmas! Make someone happy this Christmas.

You know the drillÐthis is volume 12 of an a cappella doo-wop retrospective series on Starlight Discs. There are 20 cuts on this CD, featuring Dino & the Heartspinners, Charles Moffitt's Velours, Deja-Vu, The Four Sevilles, The Ovations, The Revelations, A Moment's Pleasure, and New Emage. The tunes are all doo-wop standards like 'Love Potion #9,' 'Ten Command-ments of Love,' 'Under the Boardwalk' and 'Why Do Fools Fall In Love' or songs that might have been doo-wop hits, like 'Mio Amore,' 'Sweetness' and 'Laura.' No info on the groups in the liner notes, but there's a vintage picture of the Velours is on the front, and a picture is worth...

This is volume 10 of an a cappella doo-wop retrospective series on Starlight Discs. There are 20 cuts on this CD, featuring Lewis Lymon & The Teenchords, Fred Johnson & The Marcels, The Chalets, The Revelations, The Prospects, Angel & the Allures, Cornerstone, Neighbor's Complaint, Elements of Life, The Four Sevilles and Street Dreams. The tunes are all standards like 'Angel Baby,' 'For Your Precious Love,' 'Lean On Me' and 'What's Your Name' or might-have-been hits, like 'Way Beyond Today,' 'In A Fairy Tale' and 'Lily Maebelle.' No info on the groups, but a cool picture of Lewis Lymon (Frankie's brother?) & The Teenchords on the front.

Volume 11 of a doo-wop retrospective series on Starlight Discs. 20 cuts on this CD, The Jesters, BQE, The Ovations, A Moment's Pleasure, New Emage, The Four Sevilles and Neighbor's Complaint. The tunes are all doo-wop standards like 'Stand By Me,' 'All In The Game,' and 'Heart And Soul' or songs that might have been doo-wop hits, like 'Paper Castles,' 'I Need Your Kisses' and 'It's Summer.' A groovy picture of the Jesters is on the cover.

Volume 14 of an a cappella doo-wop retrospective series on New York-based Starlight Discs. There are 20 cuts on this CD, featuring Dino & the Heartspinners, The Paragons, The Bob Knight Four, Yesterday's Today, Street Corner Serenade, Tears of Joy and Elements of Life. The tunes are all standards like 'Mr. Blue,' 'Blue Velvet,' 'Believe It Or Not' and 'I Love You So' or might-have-been hits, like 'Sugar Lump,' 'Last Night I Dreamed' and 'Betty.' A classic pic of the Bob Knight Four is on the front.

Hot off the presses from our own record label comes a great collection of some of the finest barbershop quartets aptly named 'Barbershop's Best'.This is the first recording to feature a wide selection of both champion male and female quartets and includes some of the finest groups to ever perform in the barbershop style. These studio tracks were in great part selected by the groups themselves and represents, in their opinion, some of their finest work. Featured are cuts from Platinum, Acoustix, Ambiance, Boston Common, Bluegrass Student Union, Panache, Fred and Rumors and more. 16 great tracks.

These awards are given by CASA, the Contemporary A Cappella Society, a non-profit organization promoting a cappella music. As the liner notes note, a cappella means literally 'in the chapel style,' but the 18 cuts prove it is closer to 'in any style.' Some of our favorites: Spiralmouth's 'Nothing Is Written,' Naturally Seven's powerful 'Bless This House,' Harmony Sweeps champs Toxic Audio's 'Loving You,' OcumŽ's 'Guantanamera,' Da Vinci's Notebook's 'Ally McBeal,' The Kinsey Sicks' hilarious 'Gay Sera Sera,' and m-pact's vocal-percussion jazz-pop gem, 'Caroling, Caroling.' CARA 2000 is a good sampler of how CASA sees today's a cappella music.

Compilation release featuring the top names in a cappella, including the Persuasions, Real Group, Nylons, Bobs and Rockapella. Every track on this sixteen song CD is strong, encompassing the traditional (Blenders' 'First Noel') to the novel (The Bobs' 'Christmas In L.A.'). World jazz group SoVoSo contributes the soulful original 'Snowflakes,' while French-Canadians La Bande Magnetik take on Tchaikovsky's 'Dance Of The Sugar-Plum Fairy' in an unconventional interpretation. Beachfront Property's 'Rudolph The Red-Nosed Reindeer' and Vox One's 'White Christmas' will thrill those who enjoy vocal jazz, as both are a virtual primer on the how-to's of the style. You will want to add this CD to your own holiday music collection, and it also makes a wonderful stocking stuffer or hostess gift!

Our own compilation, featuring a diverse line-up of artists. It's an original gift idea, particularly for those ears not yet familiar with a cappella. The track list includes the most popular, such as the contemporary Christian group Glad ('O Come All Ye Faithful'), the legendary doo-wop group the Persuasions ('Christmas Means Love') and The Swingle Singers ('Carol Medley'), whose vocal jazz technique is flawless. Several of the new and exciting vocal groups, such as Naturally Seven, m-pact, Go Fish and the Edlos are represented. All a cappella fans will appreciate Acoustix' 'You're A Mean One, Mr. Grinch' (from their new 'Cool Yule' CD), Just For Kick's 'A Child is Born' and ReGeneration 'Do You Hear What I Hear?'. The Blenders 'Christmas Song,' from Nog (one of the greatest holiday CD's ever), Chanticleer's 'In Dulci Jubilo,' (Chanticleer's holiday concerts are a highlight of every season) and the Accidentals' signature 'Rudiana' are also included. 17 tracks in all.

A collection of some of today's top Southern Gospel artists get together to record an all a cappella recording. Artists include Reggie Smith, Mike Bowling, Jason Crabb, Kim Rubbe Lord, Ernie Haase, Jessica King and many others.

Gospel music in Southern Africa came about through a fascinating synthesis of religious music brought to Africa by missionaries, and traditional African music styles. The majority of South Africans today are Christians. Apart from the recognised international denominations, there are thousands of colourful African Independent Churches. Every Sunday, in every town and village, different services are being held, and they are accompanied by musicÉ a simple choir, a band with solo singers, some drumsÉ a myriad of styles and languages Congregants can be seen under trees, on hills, from Johannesburg to Cape Town. And today, you will hear many influencesÉ from American gospel to contemporary pop, as well as the original African roots.This selection presents some of the best of South African gospel today. The ZCC (Zion Christian Church) is the largest independent Christian Church in South Africa, numbering well over 4 million adherents. Their music is little heard, and we are privileged to have some ZCC tracks here. Steve Kekana is a pop icon in South Africa, here singing a gospel song. Other artists have been widely supported by the large South African gospel buying market, while the Soweto Gospel Choir has achieved amazing international recognition. Music styles range from South African pop, through traditional accompanied styles of hymn and gospel singing, to a cappella choir. This is joyful music, spiritually uplifting and colourful in the African way.

A second collection of popular songs edited by Sigmund Spaeth.f

This collection of Barbershop harmony is meant for all those singers who love to agree on chords and progressions that every devotee of this unique art will recognize by instinct. Original Society arrangements edited by Sigmund Spaeth

Twenty vintage barbershop classics.

Twenty Five songs arranged for male voices by Hugo Frey

A rare find! Mixed SATB arrangements of some great standards.

Arranged for male voices by Hugo Frey

Two of these six groups, The Standards and Eclipse, have won awards on the stage of the Harmony Sweeps Finals--and The Knudsen Brothers won it all in 1990. The Standards' 'Brown Eyed Girl,' 'I Can't Break Away' and 'Til I Found You;' Eclipse's 'Think Twice,' 'Hard Times Come No More' and 'Through It All;' and the Knudsen's 'Battle Hymn of the Republic' and 'Blue Suede Shoes/Hound Dog' Presley medley are some of our favorites on this excellent compilation. 7-man Gospel group from Mesa, AZ, 259's 'Jericho' and 'Nearer My God to Thee' are very fine, as is Barbershop/Gospel quartet Reprise's 'Because I Have Been Given Much' and 'I've Been Workin' on the Railroad.' Contemporary Gospel mixed quintet Shine's 'My Jesus I Love Thee' completes our favorites, and we have to say that we love to see a collection like this. The Spotlight is on the best stuff of several top-drawer, mixed-genre a cappella groups on a single CD-it all has a very Harmony Sweeps-like energy to it, and we appreciated and enjoyed every cut!

Gospel music is an integral part of everyday life in South Africa's urban townships and rural communities, and it constitutes one of the largest genre segments of the local recording industry. This widespread popularity has spilled over onto the international stage with groups and artists like Ladysmith Black Mambazo and Rebecca Malope. 'The Rough Guide' brings together 22 powerful performances recorded over the last 40 years, in styles ranging from apostolic choirs to pop-influenced gospel divas. Some accompaniment. It's hard to pick favorites here, but 'Bayahuba Abantwana' by St. Moses Choir, 'Morena Boluka,' by Amagugu Odumu, 'Hamba Jona' by Michael Nkole & His Apostles, 'Tumelo' by 'I.P.C.C.,' 'Izindaba' by 12 Apostles Church Choir, ''There's Room Enough' by King's Messengers Quartet,' 'Hosanna Nkosi Yami' by Davey Angels, 'Usizo Lwam' by Rebecca Malope, ''Ha Ba Tshela Jordane' by Holy Cross Choir, 'Baba Wethu Singenile' by Ladysmith, 'Ka Lifu Laka' by Z.C.C. Mukhukhu and 'Wemngoma Lishonile' by Holy Spirits Choir are particularly wonderful. Spirited, joyful, rhythmic music from some of the best Gospel choirs and singers in the world that will have you singing along, boogying to the beat and feeling fine!

Listen to There's Room Enough in RealAudio.

John Lennon and Paul McCartney were without doubt one of the finest songwriting teams ever and many of their songs are very well suited for a cappella. Here's an expressive a cappella setting of the classic 'Here, There and Everywhere', full of wonderful textures, lyric lines, and lots of opportunities for rubato styling! 'Yesterday' has lush chords with well-crafted vocal lines are the highlight of this warm a cappella setting. With opportunities for both male and female soloists, this classic Beatles tune is a perfect choice for many concert programs. This sensitive, well-crafted arrangement of the beautiful 'In My Life' is great for vocal jazz groups, pop/show ensembles, and concert choirs as well. Warm harmonies and gently nuanced textures give Roger Emerson's setting special appeal. From the Beatles' 1966 hit movie and single 'Yesterday' is a fun and colorful a cappella arrangement and 'The Long and Winding Road' is skillfully arranged and will be a standout in any concert. Treat your audience to an a cappella moment they will remember for a long, long time. This great new arrangement of the beautiful Beatles song 'I Will' fits right into a fine concert or festival selection, and will challenge and reward good high school ensembles as well as university choirs.

California Screamin' is an eclectic recording from some of the Bay Area's top a cappella acts. This album is not your traditional a cappella. This high octane collection includes harmonies from Hookslide who contributed two tracks, including an exciting arrangement of Aerosmith's anthem, 'Dream On.' Harmony Sweepstakes finalists +4db add their unique sound. The eccentric group Speedzoo provide two tracks featuring their soulful lead vocalist Lisa Trevorrow. Other featured cuts include female fivesome Dilemna, Boyz Nite Out and their bumpin' vocal percussion, urban a cappella from Three 5 and 6, and Billboard chart toppers Kai. 12 tracks of excitment!

This CASA Awards 2001 CD contains an eclectic mix of rock, classical, barbershop, doo-wop, R&B, close harmony, gospel, jazz, folk, pop, hip-hop, world music and more, including some favorites of ours: SoVoS—'s 'Charity,' +4db's 'I Burn For You,' The Persuasions' 'Black Muddy Water,' Cadence's 'I Wish,' Gas House Gang's 'Go Tell It On The Mountain,' Real Group's 'Thousand Things,' The Magnets' 'All The Wrong Reasons,' Michigan Jake's 'I'm Beginning to See the Light,' Voice Male's 'Light In Your Eyes,' Artisan's 'Dancing With Words' and Univ. of Michigan Amazin' Blues' 'Millennium,' among others. The best of the year 2001 in a cappella, from CASA's point of view.

We are fortunate indeed to have assembled such a truly talented group of finalists for the 1998 Harmony Sweeps. Winners Metropolis, the barbershop quartet from Southern California, sing 'Some Lucky Day' and the entertaining 'Yakko's World.' Audience favorite (and second-place finishers) +4dB begin the festivities with 'In A Mellow Tone' and also perform the Real Group's 'Chile Con Carne.' Other groups include Canadians the Heebee-jeebees, catalog favorites Blind Man's Bluff, Ball in the House and Acapelicans (from Australia), Cool Shooz and the third place winners, the Sweet Adelines' quartet City Lights. Bonus performance: An improvised jam by our evening's hosts, SoVoSo.

This year's program was the most diverse and exciting yet. Filled with emerging groups, as well as Sweepstakes favorites such as Chicago Voice Exchange, the competition was intense indeed. Seven, from New York, garnered top honors, with their intricate and multi-textured voicings, heard to best advantage on 'Bridge Over Troubled Water'; the group's arrangements are expanding the universe of sound. Taking second place were the Standards, five brothers whose onstage appeal and energy charmed everyone. Minimum Wage's outrageous humor, as exemplified by 'The Last Cowboy Song,' had the audience begging for mercy (or more?) Other musical highlights include the ringing tones of last year's champs, Metropolis (a barbershop quartet), the Euphorics, with 'Message In A Bottle' and Pickup 6's medley of Beatles favorites.

'Fathers and Sons' celebrates The Soul Stirrers gospel quartet, whose recordings and live performances in the 1930s would extend far beyond gospel, mostly thanks to the first gospel stylist in quartet, R.H. Harris. Originating in Trinity, Texas, the group was raised on shape-note music, and their serene background harmonies were centered on that pure tonality, a perfect base for Harris' soaring, melancholy tenor. Harris' acolyte Sam Cooke made Harris' style famous, influencing countless pop singers who don't even know the name of the man they are echoing. 8 wonderful a cappella Stirrers tunes, 'Walk Around,' 'Sleep On Mother,' 'Precious Lord,' 'Lord I've Tried,' 'Remember Me,' 'Does Jesus Care' and others. Next are 4 tracks from the Five Blind Boys of Mississippi, clearly influence by the Stirrers: 'I'm Going to Tell God,' 'I Was Praying,' 'Will Jesus Be Waiting,' and 'Jesus Is A Rock.' Finally we have 4 by The Nightingales, who evolved into The Sensational Nightingales: 'Vacant Room in Glory,' 'See How They Done My Lord,' 'I'm Coming Up Lord' and 'Somewhere To Lay My Head.' Listen to 'Jesus Is A Rock,' and hear the music that pop singers Aretha Franklin, Smoky Robinson and Diana Ross, among many others, were singing in church before they added some different lyrics and went into recording studios. Some light accompaniment. This is dynamic stuff, from soulful laments to foot-stomping revival meeting call-and-response spirituals, by the pioneer groups that changed popular music by finding more expressive ways to praise their Lord.

United Records was one of the first successful black-owned record companies and was operated by Leonard Allen, a former policeman. With impecable taste Allen recorded some of the best performances of the top jazz, gospel and R&B acts between 1951 and 1957, especially in the Chicago area. This recording features some of United mightest gospel quartets who by this time had introduced a more modern sound that had taken the place of the more conservative jubilee tradition, and included knee-drop, ad-lib interjections, swing lead and exaggerated vocal ornamentation. Great stuff!

For the first time on video, legendary quartet singers like The Fairfield Four, Luther Barnes and The Sunset Jublilaires, The Swanee Quintet, The Racy Brothers, Robert Blair and The Fantastic Violinaires, Martin Jacox and Willie Rogers and Company, come together to pay tribute to one another and to pioneer gospel quartets. Hosted by Lou Rawls, who began his career as a quartet singer, covers a century of the music and history that have made the quartet one of the most beloved styles of music. All these living legends share the same stage, taking their turns at the microphone, with a backup band in a church-like concert hall with an enthusiastic audience. 15 tunes, with a lot of old photos and history in between, presented by Rawls. 'Precious Lord' is by the whole company, 'Noah,' 'There Must Be A City,' and 'I Couldn't Hear Nobody Pray' by the Fairfield Four, 'Soul Stirrers Medley' and 'Landed on the Shore' by Martin Jacox, Willie Rogers & Co., 'Old Time Religion' and 'Doctor Jesus' by Robert Blair and the Fantastic Violinaires,' 'Sit Down Servant' and 'Doctor Jesus' by the Swanee Quintet, 'Somebody Touched Me' and 'Count It As A Blessing' by The Racy Brothers, 'I've Got Heaven on My Mind' and 'I'm Going on With the Lord' by Luther Barnes and The Sunset Jubilaires, and the final 'Glory Hallelujah' by the assembled groups. This is great authentic gospel music by masters who are still with us, fascinating history and old photos-'Living Legends' is a joy!

For the first time on video, legendary quartet singers come together to pay tribute to one another in song and performance. See and hear The Mighty Clouds of Joy, Willis Pittman and the Burden Lifters, Luther Barnes and The Sunset Jubilaires, the Swanee Quintet, Tommy Ellison and the Singing Stars, Troy Ramey and the Soul Searchers, and the Soul Stirrers sharing the stage in the most powerful and electrifying performances captured on tape. With host Lou Rawls, who began his career as a quartet singer, Living Legends of gospel covers a century of the music an history that have made the quartet style one of the most beloved styles of music.

This is one of those historic compilations with pages of history in 5-point type and lots of cool old photos, and wonderful music that we haven't heard before but want to hear more of! This is brought to us by the SMGA, Southern Gospel Music Association, whose purpose was to build a Southern Gospel Music Hall of Fame and Museum, which opened in Dollywood in Pigeon Forge, TN in 1999. We just have to love groups called Rebels Quartet featuring Big Jim Waits, singing 'Hide Me Rock of Ages,' the Chuck Wagon Gang, singing 'Lead Me On,' and the Homeland Harmony Quartet (has nothing to do with Homeland Security), singing 'Lead Me to that Rock.' The Rangers' Quartet's 'I've Found a Hiding Place,' and the Vaughan Sand Mountain Quartet's 'I'll Not Deny My Savior.' Authentic, pioneering Gospel by some truly amazing groups. Beautiful and fascinating!

An important collection of original recordings of some of the earliest Sacred Harp singing groups. Extensive liner notes makes this compilation a must have for people intested in the Shape Note tradition.

This ambitious 3-CD A Cappella Gospel set is produced, recorded and mixed by Steve Ivey of Nashville, TN's IMI Productions. Steve also sings duets with artists such as Laura Jewel, Maryline Blackburn, Jesse Lee Campbell Taryn Trexler, Steve Carpenter, G. Crew and Daniel J. Groups include The Jordanaires, and New Bethel; solo artists are Gianna Jessen, Lisa Bevril, Morgan Cryar, George McCullum, Rickey Payton, Rick Cua, Ferrell & Ferrell and others. Some favorites of the 50 are 'Dig A Little Deeper,' 'Angel Band,' 'Nothing But The Blood,' When The Roll Is Called Up Yonder' and 'Rock of Ages' by the Jordannaires; Gianna Jessen's 'It Is Well,' Maryling Blackburn & Steve Ivey's 'Mercy Me,' 'When It's Over,' 'Trust' and 'Loose My Chains;' New Bethel's 'Go Tell It On The Mountain,' Take Me To The Water,' 'There Is a Balm in Gilead' and 'Everytime I Feel The Spirit;' 'Brethren We Have Met to Worship' by Morgan Cryar and Jesse Lee Campbell's 'Doxology;' and Laura Jewel & Steve Ivey's 'For The Beauty of the Earth,' 'Sweet Hour of Prayer' and 'I Need Thee Every Hour. But there really isn't a weak cut here. Ivey has assembled a talented, deeply spiritual and spirited group here, and the result is wonderful heartfelt Gospel songs from the beginning of disc 1 to the end of disc 3!

The popularity of the Gospel Choir is one of the major reasons for the growth of the genre. Crystal Rose searched its vault and selected the best live performances ever for a visually exciting gospel music experience. This DVD compilation provides pure gospel in the form of Praise & Worship as well as contemporary and traditional gospel songs by some of today's most recognized choirs.

It's always a good idea to remember that jazz, together with cinema, has been the major form of artistic expression for the past hundred years. The intention of SAGAJAZZ is to relate its history, and explore it in a new, original way. Seen from a different angle, its historic figures - Louis Armstrong, Duke Ellington, Billie Holiday, Charlie Parker, etc. - can now be rediscovered through a series of records devoted to various aspects of their work. This journey through Jazz-land is also accompanied by albums that are thematic, dealing with subjects as serious as styles, instruments, repertoire, humor, love, dancing, trains, cats...

What we have here is a gospel lover's advanced degree, in 71 minutes of music made up of 28 songs. The CD includes the entire album entitled All Of My Appointed Time (Forty years of A Cappella Gospel Singing). But that's not all! Part II includes rare and unissued transcriptions by Jubilee-influenced groups of the l940's. Among the male groups are the Golden Gate Quartet, The Kings Of Harmony, The Blue Jay Singers and The Soul Stirerrs with the fabulous R.H. Harris who coached Sam Cooke. Sam went on to join the Soul Stirerrs which was the beginning of his career. Among the women singers you will hear The Georgia Peach (Clara Hudman) who first recorded with the Atlanta congregation of the Rev. J.M. Gates. Additionally, you will find recordings by Bessie Griffin, Jeanette Harris and The Golden Harps and Marion Williams. Just think, a musicology degree in 71 minutes!

If you're a fan of a cappella gospel from the 1930s and '40s, you won't want to miss this CD! Best known of the five groups is the Soul Stirrers, who are credited with reshaping gospel and paving the way for modern R&B. Their historic first recordings are here and have never before been rereleased on CD.

Leading up to the emergence of doo-wop was the tradition of black quartet singing. It is one of the major tributaries of our musical evolution which led to rock 'n roll and R&B which led to... But we digress. Let's go back to the quartets. Between the World Wars was a period during which this style evolved from the schoolyards and churches of the southern Atlantic seaboard to finally become the sophisticated sounds of groups like the Golden Gate Quartet and the Silver Leaf Quartet Of Norfolk. This recording traces that evolution with some early, raw recordings from quartets at the beginning of the movement and lots of the highly sophisticated groups of the later years. It is a historian's dream as well as a testament to the human spirit. The accompanying booklet has wonderful notes to leave you much richer for the experience.

While students of American a cappella history can find many re-issues of gospel groups from the 1930's and beyond, this import from Austria is one of the few that captures the music from the roaring '20s. Of the four groups represented here, The Sunset Four were most productive with 13 of the 25 songs on CD They have snippets of future bass imitation on 'Jerusalem Morn' and barbershop - like chord ringing on 'Didn't He Ramble.' But perhaps 'Barnum's Steam Calliope' is most notable, for its unique vocal imitation of the famed circus instrument. The audio quality reflects the fact that old (and sometimes scratched) '78s were used to make the CD, but anyone interested in early 20th Century a cappella will happily overlook those flaws because of the unique performances captured here, all but two are a cappella.

Subtitled 'Early Vocal Groups 1935-1944,' this CD presents the creme de la creme of talent with a unique twist: these recordings were made specifically for radio broadcast, and delivered on a sixteen inch record format designed to be played only once! Many of these radio programs were distributed to armed forces radio around the world. One particular such program was called 'Jubilee' and featured the best-known black vocal harmony groups: Ink Spots, Delta Rhythm Boys, Golden Gate Quartet and Deep River Boys. These were the first 'pop' artists and their songs convey the essence of the 1940's as much as anything could, though paradoxically, the sound they crafted (combining big band swing with gospel and blues), is timeless. Listen to the arrangement of the Charioteers' 'Slip Of The Lip': it's melodic subject, or hook, is simple, but it's developed so creatively that the song builds from start to finish. Added bonus is the announcer's voiceover introductions.

Bulgarian choral art is known the world over. On their tours abroad, Bulgarian choirs are always met with the approval of the audience. The third CD of the series BULGARIAN CHORAL ART features performances of choirs which are laureates of international competitions. These are studio and live recordings made within a period of 30 years, thus presenting a review of choral art development in Bulgaria. The program includes mainly 20th-century songs, composed chiefly by Bulgarian authors. Many of the pieces were written specially for the choir which performs them.

Thad Jones, a wonderful writer, left us the beautiful, sensitive piece, 'A Child Is Born.' With all due respect to the music, the arrangement is simple, sparse and, of course, a cappella. Vocalists must work wholeheartedly with breathing, phrasing, matching of vowel shapes, cutoffs and impeccable dynamics. Ellen Hoffman's arrangement of 'A Song For Christmas' is a fun jazzy tune for all who love the season. A knockout amalgam of jazz waltz/traditional carol moves 'Carol of the Bells' along at a rocket pace with phrases alternating between straight 8th and swing, and harmonic content between jazz and traditional. The middle section of the piece offers a brief slowdown before returning to the fast-paced crescendo to the climax. With an uptempo swinging groove, a rockin solo and gorgeous background vocals, 'Merry Christmas Baby' is sure to be an audience pleaser at your holiday concert.

'All On A Christmas Morning' is one of the least performed but most hauntingly beautiful of the Alfred Burt Christmas carols, this male chorus version features tight four-and five-part voicings and jazz reharmonizations throughout, a rare step-out solo for the second bass, followed by another step-out solo for the first tenor. Rangy, but worthy addition to any Christmas program. This arrangement of 'Away In A manger' seeks to give the lyrics their proper focus. It very effectively catches the mood that was intended with the lyrics, alternating shimmering harmonies with unison lines. Each member of the quartet is featured with one verse per person. This jazz waltz arrangement of 'We Wish You A Merry Christmas' is reminiscent of Blue Rondo a la Turk. The top tenor has the melody throughout, sung sweetly above the energetic rhythmic bed of the others. Other than a few slightly tongue twisting lines, this arrangement is not at all difficult, but it is very effective. 'What Are The Signs?' This little Alfred Burt Christmas carol is effective on its own or as a prelude to other carols in the program, especially other Burt carols. It begins with a Gregorian chant effect with all voices in a very quiet, low unison, then opens into a beautiful four-part male chorale in its second half. Requires good low range in the second bass part.

From the poignant unison opening phrase through the stunning unfolding of breath-taking choral warmth, ;'I'll Be Home For Christmas' is not to be missed! Lushly romantic harmonies will create an unforgettable musical spell. The happiness and glow of the holiday season is brought to life in this warm a cappella arrangement of '(There's No Place Like) Home For the Holidays' by Mac Huff. Sumptuous harmonies support the simple and expressive melody line. From its lush bell-tone opening to the lyrical harmonic treatment of the chorus, there's no doubt this a cappella setting of 'The Christmas Song' is a rare treat! Written with Lowell Everson, 'Vocal Jazz A Cappella Christmas, a collection of fourteen vocal jazz Christmas treats, is arranged with delightful harmonies and skillful voice leading. The songs are challenging, yet accessible for the high school or college level vocal jazz ensemble. Also fun to sing when you want to liven up your Christmas carol session or holiday season!

'Let it Snow' is written for an a cappella jazz group with sort of a Manhattan Transfer meets Take 6 approach. The SAATBB a cappella arrangement of 'Silent Night' starts simply and plaintively, then fills out harmonically over three verses. Provides a nice quiet moment for a Christmas concert. 'Santa Claus Is Comin To Town' is transformed into a hard-swingin', lighthearted arrangement. It features solos for a male and female, a half chorus scat solo, and a big shout chorus finish. Light vocal percussion and a strong bass singer are necessary. You will love this harmonically challenging, yet rewarding piece! Students, pros and parents alike will love the a cappella swing arrangement of 'Winter Wonderland. Fun to sing and has a big ending. Low bass has a written walking-bass line.

The touching Alfred Burt/Wihla Hutson Christmas carol, 'Some Children See Him' is a gentle but jazz-flavored arrangement. Some reharmonization, yet retains the sweet quality of the original. Features female and male solo spots. The arrangement of 'O Christmas Tree' is an upbeat a cappella version featuring close harmonies and key changes. A brief, warm rubato opening is followed by a swing scat duet, full group in major and minor keys, a foray into 3/4, then a final swing section under a scat solo. SSATTB requiring a strong bass. 'Winter Wonderland,' is written for unaccompanied voices in a heasy-swinging, Take 6 style. Though this chart features written solos for both male and female voices, the climatic point is the difficult big band style soli later in the chart. This rousing crowd-pleaser is also filled with quotes from other related songs and styles. Requires a group with a great sense of swing! 'Have Yourself a Merry Little Christmas' has a light and happy feel. Bass pedals, soprano descant, bass lines and rhythmic shots occur throughout. A modulation in the last A section is delightfully unexpected. It's a great chart to end the Christmas show.

Mandatory for fans of vintage vocal jazz, this delightful collection also documents the musical evolution of the genre with great groups such as the Mills Bros., Andrews Sisters and Dandridge Sisters, as well as many less famous but still important ensembles. 'Caravan,' 'Tuxedo Junction,' ' Java Jive' and 'Stormy Weather' are included, but it's equally a treat to hear 'That's My Weakness Now,' (The Rhythm Boys, who had Bing Crosby as a member) or the silly humor of 'The Girl In the Little Green Hat.' All tracks are accompanied.

A fine collection of traditional and modern spirituals that are bound to get your group swayin' and a prayin'. These stiring and heartfelt songs will inspire audience and singers alike.

There's nothing more enchanting than a great Broadway tune and here are some of the best! 'The Music Of The Night', the powerful and dramatic Andrew Lloyd Webber song from The Phantom of the Opera. in a brilliant a cappella setting by Kirby Shaw and exquisite harmonies and accessible vocal writing make the Rodgers and Hammerstein standard 'If I Loved You' a real classic. 'If Ever I Would Leave You' is one of the top Broadway love ballads of all time, this arrangement is a natural for a cappella women. Fantastic lyrics offer unique opportunities for lyric expression. This lyrical setting of the Camelot classic love song is sensitive, yet lightly contemporary in feel. Here is a touching standard 'Till There Was You' from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. This stunning new a cappella arrangement of the Leonard Bernstein West Side Story ballad 'Somewhere' was a featured selection for the 2002 Iowa All-State Choir. Destined to become a classic! 'What I Did for Love' is every performer's anthem! From the Broadway classic A Chorus Line, this a cappella setting will leave your audience spellbound!

'That's The Rhythm' is a delicious collection of 20 examples of Black vocal group harmony from the early 1930s to the early 1950s, all at least lightly accompanied. The watershed moment for these groups was the rise of network radio, which made immediate stars of the Mills Brothers and the Ink Spots. By 1945 there were three routes an aspiring group could take, the 'jubilee' gospel style of the Golden Gate Quartet, which enjoyed a crossover appeal, the jump/jive stylings of the Four Vagabonds, which had an almost entirely Black following, or going into the pop crossover stylings of the Ink Spots/Mills Brothers, whose huge success was due to the support of a vast white audience. So many treats: The Three Keys' cartoon-like 'Somebody Stole Gabriel's Horn,' Three Sharps and a Flat's wonderful title tune, the raunchy, double-entendre 'Garbage Man' by the Four Aces, the very funny 'Wig Blues' by The Melody Masters, who also star on 'Subway Cutie,' The Four Vagabonds' swinging 'Choo Choo,' The Four Blues' boogie-woogie anthem 'It Takes A Long Tall Brown Skinned Girl,' the Four Knights' sweet 'Wrapped Up In A Dream,' The Three Riffs' silly 'Cherry In My Lemon And Lime,' The Beavers' torch song 'I'd Rather Be Wrong Than Blue'-these are unknown musical treasures on many levels. Funny, poignant, hip, romantic-it's all here, and some of the sweetest leads and harmonies you could imagine. We love this collection!

For over 50 years, the Alfred Burt Carols have brought joy and good cheer to holiday celebrations around the world. Now for the first time ever, some of our greatest singers and beloved holiday voices have been brought together in this landmark collection. The diversity and caliber of these artists is testament to the respect that the Burt carols inspire with performances by Natalie Cole, Simon & Garfunkel, Johnny Mathis, Dave Grusin, Julie Andrews and a dozen others. With 24 brand new performances and remastered originals, this remarkable CD release is an instant classic!

This two CD collection is a great value, containing over 50 tracks from the top vocal groups of the 1940's. Some rare tracks here as well including The Stardusters, Snowflakes and The Song Spinners along with many of the big hits of the era. This is a well-put together compilation and listeners well really get the feel for this great period for vocal harmony groups.

These are some of the very earliest recordings Black vocal groups and is an outstanding example of the genre including vaudeville, blues and spirituals sung in both the 'old style' with its integrated parts blending smoothly as if sung by one person, and the 'new' with its foregrounding of wailing, blue notes and syncopation. The most well known groups here come from the incredibly fertile area of Norfolk Virginia, known for its astonishing number of vocal quartets in the 1920's and 30's. In all there is plenty of top-notch material here for lovers of pre-war vocal groups, with some churning quartet blues recordings that are irresistible.

This second volume moves us chronologically into the 1930's, a time when slicker, smoother, more polished and sophisticated vocal groups were gaining ascendancy in pop quarters. The groups included here show some of the barbershop stylings and imitations of instruments made popular at the time by groups such as the Mills Brothers. These groups were capturing the imaginations of popular fans and Harlem hipsters alike with their smooth, sweet and sometimes swinging harmonies.