Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space, with seventeen settings, including those by Byrd, Gibbons, Purcell, Walmisley, Stanford, Noble, Howells, Walton, and Tippett. Also included are settings of the Te Deum and Jubilate Deo, alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants by Howells, John Sanders's Good Friday Reproaches, and a written-out Order for Compline. Robert King has prepared completely new editions of all the pre-twentieth-century works, going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for the majority of unaccompanied items.

This songbook is part of the Oxford Choral Classics series and gathers in one volume sixteen of the finest motets and related pieces for the season of Christmas. The collection gives due space to the magnificant works of the Renaissance period, with well-known motets such as Victoria's O magnum mysterium and Sweeelink's Hodie Chritus natus est placed alongside works by Byrd, Palestrina and Mouton. There are also works from later peiods, including Bruckner's Virga Jesse, an estatic motet in praise of Christ's birth, and Cui's fervant and sonorous setting of the Magnificat. As such, the collection is an outstanding and richly varied survey of the repertoire, and provides a superb choice of pieces for all choirs seeking a broad selection of music for this season.

This is a selection of the best-loved carols and hymns for Advent, Christmas, Epiphany, and Easter: 74 of the most popular titles from Carols for Choirs 1, 2 and 3, plus 26 titles new to the series. There are carols suitable for both sacred and secular occasions, and both accompanied and unaccompanied material. The Order of Service for a Festival of Nine Lessons and Carols is included.

The Oxford Choral Classics gathers together over three hundred of the world's choral masterpieces into a unique series of seven volumes that span the whole of Western choral literature. Each volume contains all of the established classics of its genre under a single cover, in authoritative new editions and at a budget price. European Sacred Music is the second volume in the series and a fabulous value for money. From the Allegri Misereri to the Victora O vos omnes, John Rutter and co-editor Clifford Bartlett have researched the best available sources and provided excellent new English singing translations and sensible, practical keyboard reductions.

The Oxford Choral Classics series gathers together over three hundred of the world's choral masterpieces into a unique series of seven volumes. Each volume contains all of the established classics of its genre under a single cover, in authoritative new editions, at a budget price. Opera Choruses is the first volume in the series. Audiences will love these classic choruses, skillfully arranged as separate concert works and available for the first time together. Rutter has researched the best available sources and provided excellent English singing translations, as well as sensible and practical new keyboard reductions for rehearsal accompanists.

This choral collection includes settings of children's poems and nursery rhymes for SATB unaccompanied - with some divisi.

Full of joy and tenderness, John Rutter's carols illuminate and celebrate the Christmas story in works of great imagination and variety. This selection of his most popular carols forms an essential collection for all choirs. Includes 10 SATB carols, accompanied and unaccompanied.

Birthday Madrigals was written at the invitation of Brian Kay, conductor of the Cheltenham Bach Choir, to celebrate the seventy-fifth birthday of the great jazz pianist George Shearing. The first performance was given, in his presence, in Cheltenham Town Hall on June 3, 1995 by the Cheltenham Bach Choir with Neil Swainson (double bass), John Rutter conducting. The seed of the composition was 'It was a lover and his lass,' witten in 1975. The other four movements, their texts also drawn from the madrigal era (hence the work's title), were added in 1995 to make the present choral suite.

Featured on the Cambridge Singers' album of the same name, 'Fancies' is an exquisite cycle of choral settings for mixed voices and small orchestra.

In this collection we have a cycle of choral settings with words by Campion, Shakespeare, and anon. for SATB (with tenor solo) and small orchestra.

In this choral collection we have five settings of traditional songs, arranged by John Rutter for SATBB unaccompanied voices.

Composed by John Rutter, this vocal score for mixed voices and piano is a brilliant choral piece that your singers and audience members will love. The score comes with choral notation and piano reduction, the text language is Latin, with a total of 44 pages.

This excellent choral collection by John Rutter is written for mixed voices and keybord. The nine movements form a single choral work comprising seven pieces previously published separately and two new movements. A broad range of emotions all find their place with rich and varied musical settings. It features solos for soprano and tenor soloists - an excellent addition to your sacred choral program!

Featured on the Cambridge Singers' album of the same name, 'The Sprig of Thyme' is a beautiful cycle of folk-song settings, each setting giving plenty of opportunity for different voices in your choir the opportunity to shine!