Eric Whitacre's dedication to the beauty of sound, paired with exquisite texts, results in a poetic combination that creates a unique sonic experience. These works are existential choral moments, beautifully crafted, and harmonised to express a compressed moment in time. Such sublime sonorities transcend descriptions such as 'warm', 'glistening' or 'shimmering', although these features of his choral works do suggest affinities with the sound worlds of Arvo Part or John Tavener, for instance. However, Whitacre's fluid lines and blossoming harmonies give his music its own highly personal and irresistible magic.

Morten Lauridsen is America's preeminent composer of choral music. Characterized by long, arching and highly expressive lines, his works are enjoyed by performers and audiences worldwide. O nata lux, perhaps Lauridsen's most popular work, is a serene evocation of heavenly light, while the searingly intense and technically demanding Madrigali inhabit a more feverish and earthy realm. The refined Les Chansons des Roses employ a design reminiscent of the formal gardens, filled with roses, found in the grounds of the great French chateaux. The unforgettable final movement is the now-famous Dirait-on. The Mid-Winter Songs for chorus and piano are a stunning example of compositional virtuosity. O magnum mysterium, for a cappella chorus, is a setting of a Christmas text that has inspired composers from Victoria to Poulenc.

During the past 20 years, Arvo Part has consolidated his reputation as one of the most significant contemporary composers with a sequence of magnificent sacred choral works. Dating from between 1990 and 2001, the works on this recording exemplify Part's mature idiom at its most harmonically expressive. If Triodion represents his music at its starkest and most unadorned, Kanon Pokajanen, the composer's largest work after the 1982 St John Passion (Naxos 8.555860), is music of a dark-hued and intensely felt contemplation. Part's emotionally-charged Bogorditse Djvo, is a vibrant tribute to the Virgin Mary.