Diane Loomer, C.M. and Morna Edmundson, Artistic Director, co-founded the Elektra Women's Choir in 1987, giving it a mandate to lead and inspire in the choral art form through the creation, exploration and celebration of women's repertoire. Adding to a long tradition of honors and awards, Elektra once again won first place in the women's voices category of the 2010 NNational Competition for Canadian Amateur Choirs. The choir's many recordings are best sellers in the Singers.com catalog, and are in demand all over the world-the choir is also proud to offer ongoing programs that train and encourage young singers, conductors and composers. They have commissioned and premiered over 60 new works, many of which have become standards of women's choral literature. 'Chez Nous' (French for 'Our House') is a gorgeous Christmas collection of 20 songs, featuring such favorites as Michael Praetorius' 'Lo, How a Rose E'er Blooming,' Edward Henderson's lovely 'Star Song,' Benjamin Britten's wonderful 12-song 'A Ceremony of Carols,' Jeffrey Enns' 'Da Pacem,' Robert Buckley's 'December,' and 'Night of Silence' by Daniel Kantor. All of these songs are lightly accompanied by piano, but the focus is on the sweet, angelic leads, harmonies and rounds by the perfectly trained and led voices of Elektra. Simply beautiful!

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This much-acclaimed women's classical choir from Vancouver, British Columbia, performs a diverse, frequently modern, repertoire drawn from many cultures world over. The ethereal 'Hosanna,' combines a concise traditional text with a repetitive theme and mixed meter; 'The Snow,' by the Romantic English composer Edward Elgar, is accompanied by two violins and piano, a delicately melodic, tonally-centered work in sonata form. 'The Seeds Of Love,' begins with a jazzy, engaging piano intro, alternating with a cappella choir, gradually becoming homophonic in texture; a 'jazz/classical' fusion that is undeniably moving. Several Finnish composers, an Estonian, and Canadian composer Stephen Hatfield's interpretation of seven South African freedom songs, 'African Celebration,' round out this eclectic and adventurous recording.

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Since 1987 the Elektra Women's Choir has been an international ambassador for the Canadian choral legacy. Under the guidance of co-conductors Morna Edmundson and Diane Loomer, they are regarded as a leader, worldwide, of seeking out and performing music written specifically for women's choir, in addition to commissioning new works. You will be treated to a playlist which includes the works of six Canadian contemporary composers of great reknown. The technically demanding quality of this performance is breath-taking. You will never forget Malcolm Forsyth's composition 'Northern Journey.' From traditional to contemporary sounds of women's voices this is a virtuoso recording.

British Columbia's much-acclaimed Elektra Women's Choir is known for seeking out challenging music for women, and 'Skylark' is certainly no exception. It celebrates a wealth of outstanding choral repertoire for women from four areas of the world, Continental Europe, Canada, Britain and the Baltic Sea. The 13 selections are rich and varied, drawing its inspiration from nature, the church and folk traditions. For example we hear 'O Vivens Fons' by Medieval abbess Hildegard von Bingen, Canadian composer Richard Kidd's 'Wind Song,' Gustav Holst's 'Ave Maria' and Veljo Tormis' magical arrangement of the Estonian folk song 'Lauliku Lapsepoli.' Beautiful liner notes with the words and translations.

In our opinion, probably the top women's choir performing today (this of course is a matter of some debate) is the Elektra Women's Choir, and as proof we offer their latest, 'A Ceremony Of Carols,' a brilliant CD of choral Christmas classics. First we have 12 cuts from Benjamin Britten's 'Ceremony of Carols.' Then three selections from Paul Csonka's 'Concierto de Natividad,' Then John Rutter's 'Dancing Day, Parts I and II,' eight songs. Featured is Rita Costanzi on harp. Just settle back in your easy chair with a Christmas toddy, put this on the stereo and let the beautiful music take you to a Christmas of another time and place.

Founded in 1987, The 33-strong pride of Vancouver, British Columbia, this much-acclaimed women's classical choir, known for its adventurous programming, seeks out and commissions music written specifically for women. 'From The Heart' brings us 15 pieces from Elektra's touring repertoire. Eight of the selections are from Canada, most of them well-known folk songs, opening with David MacIntyre's electrifying 'Ave Maria,' which has captivated audiences since 1994. Fine works by European, and, in particular, British composers, and the 'Missa Brevis' by American composer Ron Jeffers round out a marvelous recording. All words and translations are there on the very nice liner notes.

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Founded in 1987, and co-directed by Diane Loomer, C.M. and Morna Edmundson, the 57-strong, Vancouver, BC-based Elektra is now regarded as a leader in the classical women's choir movement worldwide. Seeking out music written specifically for women and frequently commissioning new works, the singers are selected by audition--and share an enthusiasm for challenging repertoire. 'Child of Grace,' a Christmas CD, is the group's 5th, and contains 21 songs, some with light accompaniment, piano and drums. This is a stunningly lovely collection of beautiful, little-known carols and Christmas songs, like Eleanor Daley's 'What Sweeter Music' and 'I Sing of a Maiden,' and Knut Nystedt's 'Mary's Song.' There's a joyous group of 8 songs by Derick Holman called 'Sir Christemas.' Songs we've heard many times like 'I Saw Three Ships,' 'How Far Is It to Bethlehem' and Malcolm Edwards' 'Tomorrow Shall Be My Dancing Day' are the exceptions. Each song is a gem!

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Conductor, composer, organist and music teacher Josef Gabriel Rheinberger wrote many compositions for mixed, female and male voice ensembles. The majority of his secular part songs were written for male-voice choir while his sacred pieces featured female voices. In addition to the three masses, Rheinberger wrote twenty smaller pieces for two to four part female-voice choir. On this volume of Rheinberger's sacred music, the Elektra Women's Choir with soprano Lorraine Reinhardt sings many of his two and three part hymns and the Mass in E-flat for three part choir and organ.

Elektra Women's Choir unveils an eloquent collection of sacred works for treble voices. The repertoire encompasses contemporary settings by composers from Hungary, Canada, the United States, and Spain. The collection includes Gyorgy Orban's 'Mass No. 6', psalm settings by the late Srul Irving Glick, Eleanor Daley's assured 'Os Justi', the haunting lullaby 'Durme, Durme' arranged by Alice Parker; the glorious 'Set Me as a Seal' by Richard Nance, Eva Ugalde's dramatic 'Miserere' and Gwyneth Walker's 'I Thank You God'. This moving collection highlights the very essence of Elektra - complete with transcendent harmonies, thrilling melodies, and the full spectrum of the vocal palette.

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Elektra's Garden is a collection of secular music from many parts of the world, including Spain, France, England, the United States and Canada. The music, much of it recently written, evocatively explores the human experiences of nature and love. Canadian composers Allan Bevan, Eleanor Daley, Allison Girvan, Diane Loomer, and Stephen Smith offer works ranging from new compositions to lyrical texts to exceptional folk song arrangements. The disc also includes two major suites: the delicate and deservedly famous Five Hebrew Folk Songs by Eric Whitacre and Stories of the Wind from Spain's Alejandro Yague, which was written for Elektra.

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'Log Drivers' Waltz' is a showstopper of a piece! This work is a piece of classic Canadiana, is funny and exciting, and includes a coloratura soprano solo. 'Lullaby' wonderfully crafted work uses lullaby words from many different cultures of Canada including First Nations languages, French and English. It is atmospheric and evocative, soothing the listener with overlapping textures and sounds. 'O Canada' - A four part a cappella setting of Canada's national anthem with both French and English versions included.

'Adam Lay Ybounden' was written originally for a small church choir, this piece takes the ancient text and sets it with a mystical angularity, but maintaining a beautiful sense of line. Includes a small soprano solo. Written for Elektra Women's Choir, this piece is now heard around the world. Using only the words 'Ave Maria' this rhythmic and visionary work is suitable for women's or very advanced children's choir. 'Missa Brevis' is a short mass setting for unaccompanied women's or treble choir consists of Kyrie, Gloria, Sanctus and Agnus Dei. Although not technically demanding, the work requires sensitivity of phrasing and detailed attention to text and word stress. The heartfelt simplicity of expression underlines the inherent reverence and beauty of this liturgical text. Performance note: Missa Brevis can also be sung by a mixed chorus with tenors doubling sopranos and basses doubling altos. 'Salve Regina' is one of the Catholic Church's four Marian antiphons, is set for unaccompanied women's choir and solo flute or solo soprano. With thick, luscious harmonies, this is a challenging piece of music, at times requiring 8-part divisi. The work requires a good sense of flow, attention to word stress and a convincing understanding of the piece's structure.