| Three Steps to Improvisation |
| Step One: Changing Note Values |
| Improvising on the Great Standards |
| "Everything Happens to Me" |
| "Polka Dots and Moonbeams" |
| "Imagination" |
| "Aren't You Glad You're You?" |
| "Its the Talk of the Town" |
| Step Two: Adding Notes to a Melody |
| Approach Notes |
| C Scale with Approach Notes |
| Points to Remember |
| "Little Brown Jug" |
| "Everything Happens to Me" |
| "Polka Dots and Moonbeams" |
| "Imagination" |
| "Aren't You Glad You're You?" |
| "Its the Talk of the Town" |
| Two Additional Approach Notes |
| Half-Step Upper Approach Note |
| The Whole-Step Lower Approach Note |
| Passing Tones |
| Diatonic Passing Tones |
| Chromatic Passing Tones |
| "Everything Happens to Me" |
| "Polka Dots and Moonbeams" |
| "Imagination" |
| "Aren't You Glad You're You?" |
| "Its the Talk of the Town" |
| Step Three: How to Use Chord Tones |
| How to Form the Basic Chords |
| Points to Remember |
| "Everything Happens to Me" |
| "Polka Dots and Moonbeams" |
| "Imagination" |
| "Aren't You Glad You're You?" |
| "Its the Talk of the Town" |
| Appendix: Approach Tones in the Major Scale |
| Appendix: Chord Studies |
| In Conclusion |