In Celebration of the Human Voice - The Essential Musical Instrument
Founded in 1969 under the name Plymouth Music Series, VocalEssence is recognized internationally for innovative exploration of music for voices and instruments. Each year the organization presents an engaging collection of concerts featuring the 130-voice VocalEssence Chorus and its core group, the 32-voice professional mixed chorus called the Ensemble Singers, along with soloists and instrumentalists. There is no organization quite like VocalEssence in its range, variety and quality of performance.
The Plymouth Music Series was founded by Philip Brunelle, now one of Minnesota's most recognized musical entrepreneurs, as an arts outreach program of Plymouth Congregational Church in Minneapolis. The Series immediately established the marks of its future success: world, United States, and Midwest premieres; famous guest artists; commissions of new works (over 115 to date); and a reputation for surprise.
In the very first season Aaron Copland came to conduct his choral works for the Plymouth Music Series - the first time he had ever been asked to conduct his choral music.
By 1979, the Plymouth Music Series was incorporated as a nonprofit corporation governed by its own independent board of directors. In 1991, international recording successes convinced the board that the Series was ready for new artistic challenges. Over the next three years, the organization professionalized its performing ensemble, creating the Ensemble Singers, and hired its first full-time management staff.
Internationally recognized as a leader in choral performance and organizational management, the Plymouth Music Series hosted the annual Chorus America Conference in Minneapolis in June 1999. At the invitation of the Series and other Minnesota choral organizations, the Sixth World Symposium on Choral Music was held in the Twin Cities in August 2002. Philip Brunelle served as the president of this international event.
In 2002 the Plymouth Music Series changed its name to VocalEssence, capturing the essence of its mission to explore music for the human voice, from spoken word to choral singing.
In addition to championing lesser known works of the past, VocalEssence has an unwavering commitment to today's composers. It has received the ASCAP/ Chorus America Award for adventurous programming of contemporary music an unprecedented five times it has been eligible, and it was awarded the once-in-an-organizational lifetime Margaret Hillis Achievement Award for Choral Excellence.
Displaying 1-10 of 10 items.
Review: Your jazz, show, and concert choirs will all sound fantastic singing this classic Gershwin ballad "But Not for Me". This new a cappella arrangement offers beautiful lush harmonies with a female solo feature. Closes with one of Ira's most creative lyrics: "But there's no knot for me." The expressive ballad "When I Fall in Love" has been expertly arranged for a cappella mixed voices. A classic song plus a classic setting equals a memorable performance experience for all. Israel Kamakawiwo'ole's Hawaiian-style "Over the Rainbow" has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar. "The More I See You" - Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the rehearsal time! "Someone to Watch Over Me" - Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!
Songlist: But Not for Me, When I Fall in Love, Over the Rainbow, The More I See You, Someone to Watch Over Me
Review: Thie Olivia Newton-John hit from the '70s "Let Me Be There" translates perfectly as a gospel-edged pop piece for today's choirs. There's a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There's a brief hand clapping a cappella section as the piece builds toward the big finish. "Build Me Up Buttercup" - Think collegiate-style a cappella with a street corner, doo-wop twist! Great individual vocal lines layer to make this a full-sounding choral from start to finish. An excellent change of pace in any concert. Scat your way to success with this inventive vocal setting of the '70s favorite "Pick Up the Pieces", a soul classic by the Average White Band. "Your Smiling Face" - A show stopper, for sure! Arranged in a collegiate, street-corner a cappella-style, with a featured Tenor solo. A fantastic change of pace. Considered to be their farewell single, the 1983 ABBA hit "Thank You For The Music" gently grooves in this contemporary a cappella setting from Kirby Shaw. A great choice for smaller ensembles or concert groups. "Without a song or a dance, what are we?"
Songlist: Build Me Up Buttercup, Pick Up the Pieces, Let Me Be There, Your Smiling Face, Thank You For The Music
Review: VocalEssence and the American Composers Forum have joined forces to offer an annual contest encouraging the composition of new carols. Over the years hundreds of worthy carols have been submitted. "Behold This Heavenly Night" presents the world premiere of some of these contest-winning carols alongside outstanding arrangements of more familiar melodies. Also included is the U.S. premiere of John Rutter's new "Carol of the Magi" and a unique arrangement of "Rudolph, the Red-Nosed Reindeer" translated into Latin by Philip Brunelle and his son Christopher.
Songlist: Ding Dong! Merrily on High, What Child, The Piping Carol, Un Nacimento, A Mother's Carol, I Wonder as I Wander, Sweet Was the Song, Night of Silence, See Amid the Winter Snow, In the Bleak Midwinter, The Shepherd and the King, Carol of the Magi, Calm on the Listening Ear, The Darkest Midnight in December, Jingle Bells, Welcome the Kin, The Virgin's Cradle Hymn, Behold the Dark and Bitter Night, It Fell Upon the High Midnight, Rudolphus Rubrinasus
Review: Storyteller Garrison Keillor and conductor Philip Brunelle lead a harmonious celebration of all things Thanksgiving with the melodious voices of the VocalEssence Chorus & Ensemble Singers and their special guests, singer Jearlyn Steele and pianist Richard Dworsky. Along the way we learn that Thanksgiving really isn't all about the turkey - it's actually all about the pie.
Songlist: America, Comfort Ye, Let All Things Now Living, Egyptian Thanksgiving Song, Sonnet: Supper , All About Pie, I'll Be Home, More About Pie, Table Grace, The Final Word About Pie, Alleluia, Psalm, His Eye Is on the Sparrow, This Little Light of Mine
Review: VocalEssence WITNESS recordings showcase the music of trailblazing African American composers - the soul of American classical music. William Grant Still's music for chorus, orchestra and organ brings the blues into the concert hall, ragtime to the ballet stage and the Old World into a new era!
Songlist: Wailing Woman, Swanee River (Old Folks At Home), And The Lynched Him On A Tree, We've Swung Him Higher, Look Dere, Oh, Sorrow, He Was Her Baby, They Took Away His Freedom, They Left Him Hanging, Miss Sally's Party, Introduction, The Square Dance, Tia's Dance, Toby And Tip's Dance, The Country Dance, Miss Sally's Dance, Jim Slick's Dance, The Cake Walk Contest, Reverie, Elegy
Review: The world premiere recording of Carol Barnett and Marisha Chamberlain's bluegrass mass - a joyful affirmation of life expressed in sophisticated choral sound and jubilant bluegrass harmonies written especially for the VocalEssence Ensemble Singers and bluegrass band Monroe Crossing. In addition ten American masterworks spanning the centuries, originally recorded for the national radio program Saint Paul Sunday, from Billings to Bolcom and beyond. The composers represented here display a passion for voices and what they can convey through song. Each is among the most respected in blending American song and text.
Songlist: The World Beloved: A Bluegrass Mass, O Praise the Lord of Heaven, The Paper Reeds by the Brooks, Beneath These Alien Stars, The Day is Done, I Cannot Dance, O Lord, Sing, My Soul, His Wondrous Love, Heritage, Zuni Sunrise Song, Water Night, My Soul's Been Anchored
Review: In 1991 founder and artistic director Philip Brunelle and 24 mixed-voice VocalEssence presented "Witness," the first of an enduring series of concerts focused on the music of African American Composers. It was taken from "Witness: Six Original Compositions in a Spiritual Style," commissioned for Jubilant Sykes and VocalEssence. Visiting several area high schools while soloist Sykes was in Minneapolis for the premiere led VocalEssence to create an award-winning educational outreach program, bringing the talents of African Americans to thousands of Minnesota school students. A Woodwind Quintet and Jazz Ensemble perform with VocalEssence on the 18 pieces of "Dance Like The Wind," Undine Smith Moore's lovely "Mother to Son," "We Shall Walk Through the Valley" and "Tambourines to Glory," the title tune--William Banfield's beautiful instrumental, "My Soul Hath Found Refuge In Thee" (Psalm 91), by Evelyn Simpson-Curenton," Adolphus Hailstork's soaring "Nocturne," two selections from Billy Childs' "Piece for Stringed Orchestra" and David Baker's eclectic "Images, Shadows and Dreams: Five Vignettes." "Dance Like the Wind" is thought-provoking and moving music by eight modern, cutting-edge African American composers.
Songlist: Mother To Son , We Shall Walk Through the Valley , Lamentations: Black Folk Song Suite , An Old Black Woman, Homeless and Indistinct , Dance Like The Wind , Tambourines to Glory , My Soul Hath Found Refuge In Thee , Nocturne , Piece for String Orchestra , Images, Shadows and Dreams: Five Vignettes
Review: Reflecting the shared American heritage like a patchwork quilt, this is a charming collection of folksongs performed by conductor Philip Brunelle and the 32-voice VocalEssence Ensemble Singers with guitar, harmonica, accordion, bass and piano. Whether passed along by tradition or composed by a known songwriter, all of these songs have a melody that you can hum, sing and remember! Thanks to Norman Luboff, Edwin Fissinger, Jack Halloran, and the dynamic team of Alice Parker & Robert Shaw, there are wonderful arrangements that capture the atmosphere of each in choral settings.
Songlist: O, Dear, What Can the Matter Be?, Down in the Valley, Black is the Color, Skip to My Lou, Dixie, Camptown Races, Laura Lee, Oh Susanna, Gentle Annie, Goin' to Boston, Seeing Nellie Home, The Lonesome Valley, Shenandoah, Hooray for the Cowboys, Red River Valley, Tumblin' Tumbleweed, Riders in the Sky, Cool Water
Infant Holy, Infant Lowly
Review: The world premiere recording of Conrad Susa's beloved Carols & Lullabies: Christmas in the Southwest, plus a delightful collection of carols from around the world, tied together by their diversity and charm. Featuring the VocalEssence Ensemble Singers with woodwinds, cello, bass, harp, guitar and percussion under the direction of conductor Philip Brunelle.
Songlist: Carols & Lullabies: Christmas in the Southwest, What Sweeter Music, Sussex Carol, Sing Hallelu!, Pat-a-Pan!, Go Tell It on the Mountain, Christ Was Born on Christmas Day, O Little Town of Bethlehem, The Friendly Beasts, Infant Holy, Infant Lowly, Ding, Dong, Merrily on High, 'Tis Winter Now, It came Upon the Midnight Clear, Away in a Manger, The Holly and the Ivy
In Dat Great Gittin' Up Mornin'
Review: Philip Brunelle, founder and artistic director, leads 24 mixed-voice, MN-based VocalEssence in the "Witness" concert series-this one focused on African American spirituals and gospel music. Joining them are Moore by Four, an ensemble of Minneapolis-based jazz vocalists, and several accompanists on piano, drums and bass. 16 powerful, soulful tunes here: "Witness," "Hush, Somebody's Callin' My Name," "Death Is Gonna Lay His Cold Icy Hands On Me," the upbeat "Walk Together, Children," the powerful a cappella hymn "Were You There," the Moses Hogan-arranged "Elijah Rock," the Jester Hairston-arranged "In Dat Great Gittin' Up Mornin'," "Go Where I Send Thee," "Swing Low, Sweet Chariot" and the Michael Abels-arranged title tune, "What a Mighty God." This is a wonderful collection of spirituals and Gospel tunes, authentic and sung with soul and spirit by one of the best Choruses (and jazz ensembles) on the planet. Great stuff!
Songlist: Witness (Jack Halloran), Hush! Somebody's Callin' My Name (arr. Brazeal W. Dennard), Death Is Gonna Lay His Cold Icy Hands on Me (arr. Andre Thomas), Walk Together, Children (arr. William Henry Smith), Were You There? (arr. Robert Scholz), Elijah Rock (arr. Moses Hogan), This Train (arr. Sanford Moore), Jesus, Lover of My Soul (arr. Richard Smallwood), My Lord, What A Mornin' (arr. Harry T. Burleigh), Go Down, Moses (arr. Robert A. Harris), In Dat Great Gittin' Up Mornin' (arr. Jester Hairston), Crucifixion (Adolphus Hailstork), Go Where I Send Thee (arr. Andre Thomas), Swing Low, Sweet Chariot (arr. Dale Adelmann), Go, Tell It on the Mountain (arr. Sanford Moore), What A Mighty God (arr. Michael Abels)