Ball In The House
Ball in the House is five guys, five voices, that's it. This Boston-based group takes a cappella to the next stage, with vocal drums/beatbox and vocal bass under their pop harmonies to create a sound that's hard to believe. They've been astounding audiences nationally, both with their exciting live show (over 250 a year!) and with their recordings (their own CDs as well as the Cool Whip radio and TV ads). "Jaw-dropping a cappella brilliance, Top 10 song crafting skills, and genius arrangements make Ball in the House one of the best bands around bar none." (Songwriter's Monthly).
Like many bands, Ball in the House started out part-time, meeting a couple times each week to rehearse and then gigging wherever and whenever they could. Early performances were limited to coffee houses and other similar, small venues; but over time their vocal music reached out to and found Boston audiences. People began to embrace the energy and style of the band. Over the course of that next year, Ball in the House expanded by two more singers, bringing the total to five members. That decision resulted in the single most influential and important development in the history of the band. With the group's larger size, a vocal rhythm section materialized when Jon J. put his singing on hold to begin learning a complex series of vocal percussive beatbox sounds, becoming a "human drum machine" that continues to dumbfound audiences today. The true sounds of Ball in the House were beginning to emerge.
Then, in 1997, another pillar of Ball in the House’s unique and incredible sound came into the picture. Jon J., who at one time attended the Boston Boy’s Choir School, ran into an old friend from those younger days and asked him about joining the band. Dave, fifth grade friend of Jon J. and current tenor, came on board and Ball in the House decided it was time to take their combined talents to the next level and become a professional, full-time band. 1997 and 1998 were highlighted by performances at the Apollo Theater in New York, SUNFEST in West Palm Beach, Florida (opening for Paula Cole), and the winning of the 1998 National Harmony Sweepstakes - New England Region.
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Come Back To Me Get It Together Crawlin Out From Under Trust Me Your Love Addicted What More Do You Need Anyway Set The Mood Superstition Heavy On My Mind Let You Lead |
We well remember Boston-based, 5-man Contemporary a cappella group Ball in the House from their 1998 appearance at the Harmony Sweeps Finals in San Rafael. Since then they have wowing audiences with their dynamic live shows (over 250 a year!) and with excellent recordings ("Granite Ave." is their 4th). 12 cuts, many of them originals written and arranged by the group. Aaron Loveland, Dave Guisti, Jon Ryan, Dan Syzmczak and Tim Foust share credit for the words and music on "Come Back to Me," "Get It Together," "Crawlin' Out From Under," "Trust Me," "Your Love," "Addicted" "What More Do You Need," "Anyway," "Set The Mood," "Heavy On My Mind" and "Let You Lead." The only cover, arranged by the guys is Stevie Wonder's "Superstition," one of the best covers of this classic that we've heard. Strong vocal percussion throughout supplied by Jon. "Granite" shows Ball to be at the top of their game and among the elite Contemporary groups in the world. They are stars as a cappella performers, composers and recording artists, and the world is quickly discovering that!.
Listen to "Addicted" in Real Audio.
| 2408 CD $14.95 |
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Think About It Delivered How Can It Be Change Face Ashmont (You're Gone) Wreckage |
What happens when you put five amazingly talented guys in a recording studio? The amazing powerhouse of sound, Ball in the House, answered that question with their newest CD. That's right, Tim, Jon J., Aaron, Dave and Dan are back with six new original songs to add to their repertoire. They have delivered a great mix of upbeat music you could dance to as well as some very tender ballads with lush harmonies that could give any contemporary a cappella fan chills. While there are only six tracks, the awesome lyrics and the catchy melodies of each song are more than enough to keep you satisfied as well as hope for their next release to be out soon. From the opening vocal percussion solo on the first track till the triumphant, yet soothing sound in the final track, your ears are sure to be glued to your stereo..
| 7424 CD $9.98 |
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Home Don't Say Your Sorry Burned Fantasyland Should I Giving You Me The More That I Say Helen I Couldn't Run Crawlin' Ask Gravity Buster Try Get It On |
Ball In The House are at the forefront of the new contemporary vocal band sound. Distinguished by all original material, punchy vocal bass and drums, wailing guitar and a generally rawer, "rock" approach, the six young men of this Boston group get down more than most. "The More That I Say" builds up to a rambunctious outro that is a vocal percussion extravaganza. "Crawlin'" is bluesy roots rock with an updated seventies feel; "Try" an urban soul ballad, a modernized street corner harmony. In general, if you like a "heavier" sound with your a cappella, you'll be loving Ball In The House.
Listen to "The More That I Say" in Real Audio.
| 2153 CD $14.98 |
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