Libby Larsen - choral composer performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over twelve operas. Her music has been praised for its dynamic, deeply inspired, and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists, ensembles and orchestras around the world, Libby Larsen has established a permanent place for her works in the concert repertory. Larsen has been hailed as “the only English-speaking composer since Benjamin Britten who matches great verse with fine music so intelligently and expressively” (USA Today); as “a composer who has made the art of symphonic writing very much her own.” (Gramophone); as “a mistress of orchestration” (Times Union); and for “assembling one of the most impressive bodies of music of our time” (Hartford Courant). Her music has been praised for its “clear textures, easily absorbed rhythms and appealing melodic contours that make singing seem the most natural expression imaginable.” (Philadelphia Inquirer) “Libby Larsen has come up with a way to make contemporary opera both musically current and accessible to the average audience.” (The Wall Street Journal). “Her ability to write memorable new music completely within the confines of traditional harmonic language is most impressive.” (Fanfare) Libby Larsen has received numerous awards and accolades, including a 1994 Grammy as producer of the CD: The Art of Arlene Augér, an acclaimed recording that features Larsen’s Sonnets from the Portuguese. Her opera Frankenstein, The Modern Prometheus was selected as one of the eight best classical music events of 1990 by USA Today. The first woman to serve as a resident composer with a major orchestra, she has held residencies with the California Institute of the Arts, the Arnold Schoenberg Institute, the Philadelphia School of the Arts, the Cincinnati Conservatory, the Minnesota Orchestra, the Charlotte Symphony, and the Colorado Symphony. Larsen’s many commissions and recordings are a testament to her fruitful collaborations with a long list of world-renowned artists, including The King’s Singers, Benita Valente, and Frederica von Stade, among others. Her works are widely recorded on such labels as Angel/EMI, Nonesuch, Decca, and Koch International. As a past holder of the 2003-2004 Harissios Papamarkou Chair in Education at the Library of Congress and recipient of the Eugene McDermott Award in the Arts from the Massachusetts Institute of Technology as well as a Lifetime Achievement Award from the American Academy of Arts and Letters, Libby Larsen is a vigorous, articulate champion of the music and musicians of our time. In 1973, she co-founded (with Stephen Paulus) the Minnesota Composers Forum, now the American Composers Forum, which has been an invaluable advocate for composers in a difficult, transitional time for American arts. Consistently sought-after as a leader in the generation of millenium thinkers, Libby Larsen’s music and ideas have refreshed the concert music tradition and the composer’s role in it. composer, musician and educator

Libby Larsen

Libby Larsen (b. 24 December 1950, Wilmington, Delaware) is one of America’s most prolific and most performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over twelve operas. Her music has been praised for its dynamic, deeply inspired, and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists, ensembles and orchestras around the world, Libby Larsen has established a permanent place for her works in the concert repertory.

Larsen has been hailed as “the only English-speaking composer since Benjamin Britten who matches great verse with fine music so intelligently and expressively” (USA Today); as “a composer who has made the art of symphonic writing very much her own.” (Gramophone); as “a mistress of orchestration” (Times Union); and for “assembling one of the most impressive bodies of music of our time” (Hartford Courant). Her music has been praised for its “clear textures, easily absorbed rhythms and appealing melodic contours that make singing seem the most natural expression imaginable.” (Philadelphia Inquirer) “Libby Larsen has come up with a way to make contemporary opera both musically current and accessible to the average audience.” (The Wall Street Journal). “Her ability to write memorable new music completely within the confines of traditional harmonic language is most impressive.” (Fanfare)

Libby Larsen has received numerous awards and accolades, including a 1994 Grammy as producer of the CD: The Art of Arlene Augér, an acclaimed recording that features Larsen’s Sonnets from the Portuguese. Her opera Frankenstein, The Modern Prometheus was selected as one of the eight best classical music events of 1990 by USA Today. The first woman to serve as a resident composer with a major orchestra, she has held residencies with the California Institute of the Arts, the Arnold Schoenberg Institute, the Philadelphia School of the Arts, the Cincinnati Conservatory, the Minnesota Orchestra, the Charlotte Symphony, and the Colorado Symphony. Larsen’s many commissions and recordings are a testament to her fruitful collaborations with a long list of world-renowned artists, including The King’s Singers, Benita Valente, and Frederica von Stade, among others. Her works are widely recorded on such labels as Angel/EMI, Nonesuch, Decca, and Koch International.

As a past holder of the 2003-2004 Harissios Papamarkou Chair in Education at the Library of Congress and recipient of the Eugene McDermott Award in the Arts from the Massachusetts Institute of Technology as well as a Lifetime Achievement Award from the American Academy of Arts and Letters, Libby Larsen is a vigorous, articulate champion of the music and musicians of our time. In 1973, she co-founded (with Stephen Paulus) the Minnesota Composers Forum, now the American Composers Forum, which has been an invaluable advocate for composers in a difficult, transitional time for American arts. Consistently sought-after as a leader in the generation of millenium thinkers, Libby Larsen’s music and ideas have refreshed the concert music tradition and the composer’s role in it

Click here to read or listen to an interview with Libby Larsen.

Choral Works

Western Songs

Buffalo Gals
Green Grow the Lilacs
The Ol' Chilsholm Trail

SATB a cappella

There are three songs making up this cycle entitled ‘Western Songs’ - Buffalo Gals, Green Grow the Lilacs, and Ol’Chisholm Trail. The arrangements by turn spin contrapuntal and antiphonal textures then relax intomeltingly beautiful chords, while glissandi and yipping vocal slides evoke the sounds of the barn dance the cattle drive. Lots of fun!

9655 SHEET MUSIC $6.95

The Womanly Song of God

The Womenly Song of God

SSSSAAAA a cappella

When I first read Catherine de Vinck's jubilant celebration of birth, renewal, and life "The Womanly Song of God" (the complete poem appears on page 27), I heard it as a head-tossing, laughing, dancing first-person soliloquy. I was immediately drawn to its energy and set out to compose a work with exactly the same feeling. The Choir acts both as a singing group and as drumming group. The piece begins with a "call to the dance" consisting of an upward scale that builds to a diatomic nine-note chord. Following this, the choir becomes a drumming group, spinning sung rhythmic patterns into a buoyant accompaniment to the sung text. C major (Ionian mode) anchors the piece tonally. As the piece progresses, the choir, as drumming group, adds foot-stomping and hand-clapping, until the piece becomes a vibrant song-dance. - Libby Larsen

9654 SONGBOOK $5.50

Music For Upper Voices

Day Song
A Young Nun, Singing
The Witches’ Trio
Eine kleine Snailmusik
Jack’s Valentine

SSAA a cappella

As one of the most active and successful composers working today, Libby Larsen has produced a substantial body of important works for orchestra, dance, opera, choral, chamber and solo performance. Recognized for "her subtle and sophisticated harmony, revealing an extraordinary capacity for combining seemingly dissimilar elements with great ease" her works are widely performed and recorded. This is a fine collection of her arrangements that are challenging, rewarding and lots of fun to sing. "The Witches' Trio" from Hamlet is particularly interesting and the short and sweet "Jack's Valentine" (written for Jack Keroauc) is a gem.

9618 SHEET MUSIC $7.95

May Sky - A Collection of Haiku Kai

A collection of Haiku Kai. Commissioned for the 2002 World Choral Symposium, May Sky is based on haiku written by Japanese and Japanese-American detainees in camps in the American West.

9104 SHEET MUSIC $3.50

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