Amasong is an inclusive women's chorus that brings together women from all lifestyles and experience in the pursuit of choral excellence. Largely a cappella, though several of the tracks are judiciously accompanied (e.g., the horns, trombones and bells of "Ave: Meditation on Two Marian Chants"), this recording integrates works from a variety of cultures, be it from the World War II Jewish ghettoes of Lithuania ("Unter Dayne Vayse Shtern") or "Strange Fruit," written for Billie Holliday. The interpretation is exclusively Amasong's (as directed by Kristina Boerger, their founder), though thoroughly consistent with classical values in structure and arrangement. A 1998 GLAMA winner.

Listen to Strange Fruit in Real Audio.

"Amai", the title of Amasong's second CD release, means "mother" and "woman" from the Shona Language in Zimbabwe. Amasong is a 60 women strong Premier Lesbian/Feminist chorus from Champaign-Urbana, Illinois. Graced with traditional arrangements from around the world, this CD is both enjoyable and educational. Favorites include; "The Stove," a short and humorous Feminist composition, Four Russian Peasant Songs by Igor Stravinsky, and "Cradle Song," an Amasong original of prayer and inspiration. Intense emotion and sensitivity are generated through dynamic movement and rhythmic expression. Having chosen so many languages the degree of difficulty is incredible, yet these women sing with ease. Their diction and sympathetic perception of the music are right on the money, and their dedication is admirable.
Songlist

6456 CD $15.98

Here is a record to dispel the old myth that chant and early polyphony are really uniquely the province of male voices, men and boys. It is often forgotten that communities of nuns, within the walls of their enclosure, sang exactly the same liturgical repertoire as the monks, their male counterparts. Individual names of female singers do, in fact, emerge from time to time: the noble Blesilla in the fourth century, for example, commended by St Jerome for her excellent singing of the Alleluia, or Abbess Hildegard in the twelfth century, who composed ravishingly beautiful hymns and sequences. In our own century we have some good recordings of nuns' choirs, Argentan in Normandy is one, and St Cecilia's, on the Isle of Wight, another. But this disc represents something quite new: here is a professional all-female vocal quartet uniquely devoted to the performance of chant and early polyphony. Anonymous 4, whose very title recalls the authorship of a famous medieval music treatise, have brought to the early-music scene a new approach and a refreshingly new sound. They sing with clean, unpretentious voices a programme of music that follows the basic structure of the Lady Mass, once so popular in England. They fill it out with a well-chosen selection of thirteenth- and fourteenth-century pieces in honour of the Blessed Virgin Mary: chants and polyphonic items, mainly in Latin, but including two items in the vernacular, namely the charming early strophic song Edi beo thu and the gentle sequence Jesu Christes milde moder. There is a captivating simplicity and directness about their performance, which naturally avoids many of the pitfalls of an overstretched attempt at reconstruction.

6200 CD $15.98

The four female members of Anonymous 4 are dedicated to the preservation of Gregorian chant from medieval times, and this holiday selection of English plainchant, songs, motets and carols are all derived from this period. As one might expect, the texts are often sacred in nature, to be performed during religious rites and devotions, such as Advent (hymn, "Vox Clara, Ecce, intonat"). Carols often use the multiple verse and refrain format, that was a typical form ("Ther Is No Rose Of Swych Vertu," and others). Much more could be said about the historical and musical context of these works - and is, in the extensive liner notes - but this background, though fascinating, is not necessary to simply appreciate the supple grace and open sound of these gentle voices, which is more than enough.

Listen to "Hodie Christus natus est" in Real Audio.

The latest offering from Anonymous 4 is a selection of pieces dedicated to the Virgin Mary from medieval England. These span some 200 years from the thirteenth century to the early fifteenth. During this period, celebration of the Virgin increased with a gathering impetus until the Marian cult dominated devotional worship, and this is reflected in an outpouring of verse, in Latin and the vernacular, much of which was set to music. Many of the verses are glosses on established liturgical texts such as the Stabat mater or Salve regina, and it is the image of the grieving mother at the foot of the Cross which prevails here, hence the symbolism of the title: the virginal lily and the sacrificial lamb. Much of the poetry ‚ and the music ‚ is very fine, and fans of Anonymous 4's previous discs will not be disappointed. Their distinctive, all-female sound is as pure and clear as ever and exerts a powerful attraction, especially if one is plunged into it by hearing a track or two in isolation: very refreshing.

6223 CD $15.98

Susan Hellauer¼s lucid introduction to the contents of Jacobus, the Liber Sancti Iacobi (the Codex Calixtinus) makes fascinating reading. Following Christopher Hohler, she points out that this extraordinary collection of liturgical items, non-liturgical pilgrim songs, sermons, chants and lessons in honour of St James, was originally destined for the use of French schoolboys, presumably with voix blanches. That being so, this recording by a group of high female voices may be easily vindicated: Anonymous 4 bring to their performance that smooth, unsophisticated vocal blend we have come to expect from them. It is a lovely sound, and their intelligent and imaginative approach sticks resolutely to middle ground, avoiding excesses of orientation and extremes of interpretative theory.

6224 CD $15.98

Anonymous 4 are known for their scrupulous recordings of 13th and 14th century English chant and polyphony. „Lammas¾ refers to the Celtic festival of harvest, celebrating the Assumption of the Virgin Mary. Much of the music of the time-at least that still existing today-was written to accompany the Catholic Mass. Therefore each part of the service, which was and is very specifically structured, assumed a certain form, depending on the context: motet, Antiphon, Conductus, introit, hymn, etc. The four women of Anonymous 4 take these relics and give them new life, gently and sweetly entreating them into the present day.

6217 CD $15.98

1999 recording, celebrating the legend of St. Nicholas ("Jolly St Nick," or "Santa Claus"); as with most folk heroes, the actual biography of Nicholas, born in Turkey somewhere around 300 A.D., is much removed from present day interpretation. The New-York based classical women's quartet Anonymous 4, whose focus is medieval chant and polyphony, enliven these motets, hymns and conductus (medieval setting of Latin text) with an attention to historical realism that brings them very much to life. As the function of these chants was in the context of Catholic liturgy, they are by definition, an embodiment of all that is divine; neither rhythmically or harmonically complex, their appeal is their quiet beauty and distinctive texture.

6251 CD $15.98

This must be how the angels sound! That is the often evoked response of listeners to this exemplary quartet who explore, research, and bring to life medieval polyphony and chant. The blend of voices and virtuosity of creation is unparalleled by any other singers on earth. Once again, by research, the 4 have created a mass, this time "A Mass For The End Of Time." The end of time refers to the Last Judgement which is most strongly expressed in the liturgies of the Advent season, the Requiem mass, and the feast of Jesus's Ascension celebrated forty days after Easter. This work is based on the Ordinary and Proper chants of the Ascension mass with added tropes (newly written text and music) to enhance the feel of the music. Historically, the approach to the first millennium saw the collapse of Charlemagne's empire and alliances which yielded a tremendously unsettled period in European history. The church under the charismatic leadership of Pope Sylvester II created a spiritual anchor. Great cathedrals were begun and Christianity was seen as a primary civilizing influence. Musically, the traditional Roman plainchant was being renewed and greatly enlarged while developments in music such as staff line notation allowed these new creations to be rapidly learned and disseminated. Though the church provided a dynamic anchor, it also tended to foster a millennial belief in the end of time and that the Last Judgement was at hand. From this milieu, Anonymous 4 has recreated another incredibly beautiful liturgical testament.

6531 CD $15.98

"Second Circle" is the latest release from the acclaimed and prolific Anonymous 4, who are Johanna Maria Rose, Marsha Genensky, Jacqueline Horner and Susan Hellauer. These are 14th century Italian love songs by Francesco Landini, an early "renaissance man," left blind by smallpox, who became a master musician, composer and poet, becoming the chief musician at the church of San Lorenzo in Florence. Anon4 gives us 18 of his beautiful songs, and to deepen our appreciation of them, there is one of the most lovely and extensive liner notes we have seen, actually a 46-page full-color booklet with a number of incredible paintings from the period. Much more than a group of lovely, obscure songs, we are treated to a short course in music appreciation and art history of the composer and his fascinating times!

6658 CD $15.98

Ruth Cunningham, Marsha Genensky, Susan Hellauer and Johanna Maria Rose are the acclaimed, prolific a cappella group, Anonymous 4, and the beautiful polyphonic music in this CD almost didn¼t make it to us because of the invasion of Hungary by the Turks in 1541. The iconoclastic Turks destroyed artworks in all forms, including liturgical manuscripts. Fortunately some of the manuscripts were copied or carried away by fleeing monks, nuns and clerics. These plainchants are remarkably consistent, part of a major effort towards liturgical and musical uniformity. Ethereal, hauntingly beautiful, one can close one¼s eyes and be in the cathedral where the choir sent this perfect, sacred music heavenward‚as prayerful, meditative and joyful for the singers as for the worshippers. 20 sublime pieces.

6663 CD $11.98

The four beautiful, talented women who call themselves Anonymous 4 stun usonce again with a soaring collection of a cappella choral music from the early Christian church. One of the most respected and prolific choral groups(we like to think of them as an institution) performing today, Anon 4 discovers the timeless choral works that otherwise might never be heard, or heard by only a few, and brings them to us in perfect, bell-like tones and harmonies--an unexpected gift from centuries past. There are 17 songs here, all in Latin, and an amazing, comprehensive set of illustrated liner notes that tell us everything we want to know about the music. Put this CD on a really good music system, sit back and let the music of the angels wash over you.

6757 CD $16.98

Andrew Lawrence-King¼s virtuoso harp joins the voices of Anonymous 4 in a wealth of Yuletide music, favourite and rare, from the British Isles. Juxtaposing pagan and Christian traditions, the programme interweaves English, Irish, Scottish and Welsh ballads and carols with well-loved pieces by John Tavener (The Lamb), Benjamin Britten, and a newly commissioned work by Peter Maxwell Davies. Andrew Lawrence-King adds special colour playing a variety of instruments: psaltery, Baroque harp, and a remarkable Irish „Queen Mary¾ harp which sounds as if it contains its own peal of heavenly bells.

Listen to "A God and Yet A Man" in Real Audio.

Bulgaria is a musical empire of ancient times. This unknown style of female vocal singing is finally receiving the recognition it deserves after years of isolation. Demonstrating mastery in advanced harmony and developed breath control, these women will amaze you with tonality and resonance that suggests a deeper look into the oppression and humanity of this mystical land of the Rhodope Mountains. "There is a clarion purity to their singing which continues to express timeless sentiments of the human condition." Created by contemporary classic composers the music is rich with traditional melodies yet complex in harmony and texture, using the distinctive vocal timbres and techniques indigenous to Bulgaria. This is a fascinating introduction to a musical legacy.

6496 CD $15.98

Melody Rhythm & Harmony was recorded live by the Bulgarian Women's Choir during their 1993 tour in Norway. The songs presented here encompass the wide variety of styles from the various Bulgarian regions. Many of the arrangements include those of Philip Koutev, who was largely responsible for preserving the folk tradition. These songs are largely a cappella with a few accompanied by traditional Bulgarian instruments. The diverse history of the country has lent itself to produce music which requires great skill and feeling. And its rich culture continues to be preserved by this group.

9834 CD $11.98

Singing is an important tradition in Bulgaria, especially at Christmas, whether at church or caroling in people's homes. There is a unique sonority specific to Christmas within the incredibly rich musical palette. This recording contains Bulgarian folk carols, Orthodox Church music and more familiar Christmas tunes, such as "Silent Night." The simple melodies and sincere lyrics of these songs will bring joy and peace to your Christmas celebration.

Listen to Bogorodize Devo in Real Audio

Carmina Slovenika ("Slovenian songs") is a choral association that consists of children's, youth, girls' or chamber choirs, with an aim to offer musical education at the highest level, develop members' musical talent and interest in music, encourage friendship and community spirit, and to travel and meet people from other countries. In doing just that, all-girl concert choir Carmina Slovenika has won many international choir competitions in Canada, the US, Belgium and Denmark. "Music in the service of Peace" is an important objective of the group, through the performance of the the Slovenian and international musical heritage, which they have done to acclaim throughout the world. Citira includes works by distinguished Slovenian contemporary composers. Some of our (translated) favorites of the 13 songs are  the vocal suite "The Four Seasons, "Hope," "Ave Maria," Winter Song," "Evening," "Even the Flowers," "God Bless Us With A Good Evening" and "Ay, the green mountain." Some light accompaniment. There's a dramatically beautiful picture of the group in concert, dressed in striking white outfits. Just beautiful! 

Listen to Aj, zelena je vsa Gora in Real Audio.

International award-winning girls' concert choir Carmina Slovenika ("Slovenian songs"), under the direction of beautiful, talented conductor Karmina Silec, bring us another exquisite collection of songs. While "Citira" concentrated on works by Slovenian composers, Veljo Tormis' "Lauliku Lapsepoli" (The Bard's Childhood) and Randovan Gobec's Ne ouri, ne sejaj" are the only Estonian songs here. Instead we have Pablo Casals' "Nigra Sum," the spirited, rhythmic "Aires de Quisqueya" from the island of Santa Domingo, Herman Rechberger's eclectic "Postojna," Benjamin Britten's "This Little Babe," Stephen Hatfield's "African Celebration" and his Inuit chant "Nukapinguac," Eduardo Lakscehewitz' fiery Brazilian "Sambalele," Jean Sibelius' "Finlandia Hymn" and the lovely and timely "Let there be peace on earth." Some light accompaniment. There's a wonderful photo in the liner notes of the girls dressed as Greek maidens scanning the horizon for their loves' return. "Sledimo soncu" is a spirited treat from beginning to end by one of our favorite international girls' choirs.

Carmina Slovenika is devoted to stage performances—choral theatre, contemporary music and music written by women composers and repertoire of Southern European music. They incorporate dance, theatrical elements, traditional instruments and tape music into exciting artistic events. In their enthusiastic exploration of the international choral world they have come away with many awards. "Kraji in casi" begins with Daniel Bell's dramatic "Spring fjord," Lojze Lebic's Haiku art piece "Suita Stirje letni casi" (The Four Seasons, Donald Patriuquin's "World suite #1," which combines songs like the beautiful "Cabbage Tree Hat" from Australia, Finland's lovely "Taivas on sininen ja valkoinen," Ireland's lilting "The Stuttering Lovers," the Czech folk song "Ach! Synku Synku," the African-American spiritual "Deep River" and Canada's "I Went to the Market." Some generally light accompaniment. The recording closes with the traditional Zulu "Siyahamba" and the spirited traditional Xhosa tune, "Dubula." In the center of the extensive liner notes is an exciting double-spread photo of the girls in costume, in concert. "Kraji" is another winner from Carmina Slovenika, who, under the dynamic direction of Karmina Silec, are making some major waves on the international choir scene!

Listen to Dubula in Real Audio

Under the able direction of Karmina Silec, who has conducted the all-girl Carmina Slovenika choirs since 1987, "Drumlca" features the Concert Choir alternating songs with the older, elite Chamber Choir. Here are 20 songs, all in Slovenian, which are not described or translated in the liner notes, (although many seem to be Christian sacred songs) so we must simply enjoy them for the wonderfully sung pieces they are. Some favorites are the title tune, one of four by Radovan Gobec ("Ne ouri, ne sejaj," "Nmau cez izaro" and "Vse rozice rumene" are the others), several by Jacobus Gallus ("Benedictus, qui venit," "Praeparate corda vestra" and "Pueri Hebraeorum"), Two by Fran Gerbic, "Sirota" and Gondolirijeva pesem," Fran Ferjancic's lovely "Na morju" and a pair by Danillo Bucar, "Dve let in pol" and "Nocoj pa oh nocaj." Beautiful Slovenian music by rising international choral stars Carmina Slovenika!

The Philadelphia-based, 33-strong Anna Crusis Women's Choir has been pleasing audiences for over 25 years now. "Spaces Between the Stars" is a lyric from Track 12, "what I want," and it was chosen to honor departed member Pat Lowther, as a spiritual metaphor for the span of women's lives here on earth. 14 songs, some favorites: "Kaval Sviri," the traditional "My True Love's Hair," a jazzy arrangement of "How Do I Love Thee," "Crushes," "Kore Evohe," the rhythmic "Chompilche," "Warrior" and the final cut, "Higher Ground." Some light accompaniment, and lyrics and information in the large liner notes booklet.

7322 CD $15.98

The small country of Latvia on the Baltic Sea had been independent for 23 years in 1941 when it was forcibly incorporated into the Soviet Union. Today the Baltic states (Latvia, Estonia, Lithuania) have begun their struggle for independence.This struggle is often reflected and reinforced in folk song. Collections of Latvian folk music and song were made in the mid-to-late 19th century, and today the collection of the Latvian Academy of Sciences comprises 1 1/2 million texts and 30,000 melodies. Many choirs perform this material, some sticking to the traditional ways and others compose new settings of traditional texts. Dzintars, the Latvian word for amber, is Latvia's leading female choir, and they have won many competition awards: some favorites: the folk songs "Blow, Wind, Blow," "The Sun Moves Quickly," and "The Forest Shook From Dancing," Selga Mentse's "Where Have You Been, Brother" and "Orphan Girl In White," Peteris Vask's "Christmas Masquerade" and the Yiddish folk song, "Oi Hanuke." Marvelous, spirited music, sung with tremendous feeling by this 67-strong, brightly-costumed chorus! Some light accompaniment.

Listen to Di Raike in Real Audio.

This much-acclaimed women's classical choir from Vancouver, British Columbia, performs a diverse, frequently modern, repertoire drawn from many cultures world over. The ethereal "Hosanna," combines a concise traditional text with a repetitive theme and mixed meter; "The Snow," by the Romantic English composer Edward Elgar, is accompanied by two violins and piano, a delicately melodic, tonally-centered work in sonata form. "The Seeds Of Love," begins with a jazzy, engaging piano intro, alternating with a cappella choir, gradually becoming homophonic in texture; a "jazz/classical" fusion that is undeniably moving. Several Finnish composers, an Estonian, and Canadian composer Stephen Hatfield's interpretation of seven South African freedom songs, "African Celebration," round out this eclectic and adventurous recording.

Listen to El Grito in Real Audio

Founded in 1987, The 33-strong pride of Vancouver, British Columbia, this much-acclaimed women's classical choir, known for its adventurous programming, seeks out and commissions music written specifically for women. "From The Heart" brings us 15 pieces from Elektra1⁄4s touring repertoire. Eight of the selections are from Canada, most of them well-known folk songs, opening with David MacIntyre1⁄4s electrifying "Ave Maria," which has captivated audiences since 1994. Fine works by European, and, in particular, British composers, and the "Missa Brevis" by American composer Ron Jeffers round out a marvelous recording. All words and translations are there on the very nice liner notes.

Listen to "Ave Maria" or "Kyrie"

Since 1987 the Elektra Womenºs Choir has been an international ambassador for the Canadian choral legacy. Under the guidance of co-conductors Morna Edmundson and Diane Loomer, they are regarded as a leader, worldwide, of seeking out and performing music written specifically for womenºs choir, in addition to commissioning new works. You will be treated to a playlist which includes the works of six Canadian contemporary composers of great reknown. The technically demanding quality of this performance is breath-taking. You will never forget Malcolm Forsythºs composition "Northern Journey." From traditional to contemporary sounds of womenºs voices this is a virtuoso recording.

Listen to Meditating at Midnight in Real Audio

British Columbia¼s much-acclaimed Elektra Women¼s Choir is known for seeking out challenging music for women, and "Skylark" is certainly no exception. It celebrates a wealth of outstanding choral repertoire for women from four areas of the world, Continental Europe, Canada, Britain and the Baltic Sea. The 13 selections are rich and varied, drawing its inspiration from nature, the church and folk traditions. For example we hear "O Vivens Fons" by Medieval abbess Hildegard von Bingen, Canadian composer Richard Kidd¼s "Wind Song," Gustav Holst¼s "Ave Maria" and Veljo Tormis¼ magical arrangement of the Estonian folk song "Lauliku Lapsepoli." Beautiful liner notes with the words and translations.

6601 CD $15.98

In our opinion, probably the top women¼s choir performing today (this of course is a matter of some debate) is the Elektra Women¼s Choir, and as proof we offer their latest, "A Ceremony Of Carols," a brilliant CD of choral Christmas classics. First we have 12 cuts from Benjamin Britten¼s "Ceremony of Carols." Then three selections from Paul Csonka¼s "Concierto de Natividad," Then John Rutter¼s "Dancing Day, Parts I and II," eight songs. Featured is Rita Costanzi on harp. Just settle back in your easy chair with a Christmas toddy, put this on the stereo and let the beautiful music take you to a Christmas of another time and place.

6602 CD $15.98

Founded in 1987, and co-directed by Diane Loomer, C.M. and Morna Edmundson, the 57-strong, Vancouver, BC-based Elektra is now regarded as a leader in the classical women's choir movement worldwide. Seeking out music written specifically for women and frequently commissioning new works, the singers are selected by audition--and share an enthusiasm for challenging repertoire. "Child of Grace," a Christmas CD, is the group's 5th, and contains 21 songs, some with light accompaniment, piano and drums. This is a stunningly lovely collection of beautiful, little-known carols and Christmas songs, like Eleanor Daley's "What Sweeter Music" and "I Sing of a Maiden," and Knut Nystedt's "Mary's Song." There's a joyous group of 8 songs by Derick Holman called "Sir Christemas." Songs we've heard many times like "I Saw Three Ships," "How Far Is It to Bethlehem" and Malcolm Edwards' "Tomorrow Shall Be My Dancing Day" are the exceptions. Each song is a gem!

Listen to "How Far Is It To Bethlehem?" in Real Audio.

The 40-or-so-strong IWC is a joyful, magically inclusive family of women from all age groups, ethnicities, religions, sexual preferences and walks of life. Ably led since 1997 by Pamela Blevins Hinkle, the group has performed sweet songs, silly songs, sexy songs, fugues, music from Tibetan monasteries and from Broadway. All in all, they have big fun singing, and they like to spread it around! 20 songs, from the lovely hymn "Indiana," the inspirational "We Are," and a beautiful "The Small Difference," to a kazoo orchestra on the silly "Pink Pajamas" and the deeply felt prayer "Cradle Me," IWC defies being categorized while surprising and delighting their audiences. There is some accompaniment, and a large, interesting booklet with lyrics and information about the group.

7318 CD $15.98

Internationally acclaimed conductor, founder and composer Javier Busto directs his 18-strong women's choir in their 2^nd excellent CD, "Live." Created in 1995 with the goal of enjoying the music written for female choirs, which has been achieved to their complete satisfaction, Kanta now has among their repertoire a number of beautiful pieces created for them. These include Christian sacred music by Busto, including the 4 movements of the "Missa Augusta," and his "Alma Redemptoris Mater," "Responsorio de Navidad," and "Agur Maria." Eva Ugalde's "Tximeletak," "Uraren Besotik" and "Annbel Lee," some with piano accompaniment, are also lovely, as is Junkal Guerrero's "Ave Maria." These 20 lovely, soaring, mostly a cappella songs, highlighted by the bright, sweet, clear sound of KCK, are a treat to listen to. Close your eyes, settle back

Listen to Agur Maria in Real Audio.

This recording showcases material ranging from rousing Slavic folk carols and lush, meditative Eastern Orthodox sacred choral works, to pre-Christian incantations for the longest nights of the year and Hebrew folk songs for Chanukah. Highlights include Tec Peleite Zernju Zogtu, an ancient Latgalian (Eastern Latvian) Winter Solstice song invoking the god of the heavens and the goddess of the Sun; Koledni Pesni, a medley of Bulgarian folk carols recalling the nativity sung in the traditional antiphonal village style; and Byla Cesta, a poignant 19th-century Moravian carol. Other pieces include the sublime 12th-century Georgian hymn to the Virgin Shen Khar Venakhi; and a collection of joyful Shchedrivki, songs sung for the traditional Ukrainian New Year festival of Malanka. Wintersongs was recorded in the world-famous acoustic environment of the Skywalker Studios in Marin County by Leslie Ann Jones, and was produced by Grammy-nominated Bay Area vocalist and band leader Linda Tillery.

Listen to "Byla Cesta (Moravia)" in Real Audio.

Oakland-based 8-woman World/Folk group Kitka, founded in 1979, performs stunning, emotion-filled songs from the Eastern European folk tradition. Occasional accompaniment, in the form of harp, rebec & vielle, and percussion draws little attention from the voices of these women or their strong material. 19 songs, with text and explanations in the beautiful full-color liner notes, from Bulgaria, Macedonia, Ukraine, Russia, Hungary, Georgia and Bosnia. Kitka's first two releases, "Nectar" and "Voices on the Eastern Wind" are hard acts to follow, but "The Vine" is the group's best yet. Listen to powerful rhythms of the opening cut, the Bulgarian folk tune "Subrali Sa Se Subrali" or have your heart broken by the Croatian lament "Zaspo Janko"--it's all amazing. We loved Kitka's performance at the West Coast Summit, and their recordings are as bell-like and pure as any choral group we've heard. Recommended!

Listen to "Shen Khar Venakhi" and "Zaspo Janko" in Real Audio.

The remarkable women of Kitka-eight in number-perform Eastern European songs (occasionally accompanied by folk harp, lute and hand percussion) of unusual beauty. Though sung in their native languages (the subject matter is explained in the text) the fundamental essence of emotion is as immediate as the earth itself. The Russian "Na Gore, Na Gorinke" is placid and serene, the Bulgarian "Malo Selo," with it's plunging vocal descent, an alarm to the senses. Some, such as "Shto Mi E Milo," are derived from folk dances. A variety of textures and intervals (the use of drone notes on "Szerelem, Szerelem" for example) add distinction.
Songlist

9722 CD $14.98

1992 recording from this powerful, San Francisco Bay-Area based, ten-voice womenºs group. Founded in 1979, their material is derived from the Eastern European folk tradition, and is both aesthetically pure and emotionally wrenching. With exquisite control and flawless skill, Kitka imbues these frequently somber-sounding compositions with passion, realism and humanity. "Bratets Kosi," (Croatia) is a vital outburst, "Haydutin Stuyan," (Bulgaria) ascends to the tri-tone to establish its tragic theme. A solo period instrument minimally accompanies four tracks. With explanations in English of the native texts, these songs offer a unique glimpse into another world.
Songlist

9741 CD $14.98

This recording is the third in a trilogy which began with "A Circle is Cast" and "Fire Within." For the selections music was sought which reflects the cyclical nature of existence and which would soothingly resonate with the totality of existence. Themes of life, death, renewal and the connection which is the underlying theme of existence, love, are presented here in sixteen songs from the far and near corners of the world. The common thread which ties all these together is the peaceful effect of the songs all of which seem to have a circular quality. Libana has been singing these songs in moments of passage and times of transition for people from coast to coast, sharing grace, peace, and beauty in those moments of significance in other's lives. All the while this sharing is their own exploration into the divine mysteries within which our existence is rooted. So come and share with them the words of Rumi set to music, along side of which you'll find music from South Africa (Xhosa), Jewish traditions, American Shakers, Sweden, Sicily, West Africa (Yoruba), and a bevy of individuals who are inspired to craft music of peace. Some of the songs have a touch of instrumentation to enhance the feel sought by the musicians. The theme for the recording which Susan Robbins chose to grace the notes comes from Rumi. "...Whatever circles comes from the center."
Songlist

9752 CD $14.98

Libana was formed by twenty-five women in 1979 to investigate and perform cross-cultural music written for, by, and about women. By the release of this album in 1986, there were a dozen performing members under the artistic direction of Susan Robbins. A Circle Is Cast exemplifies the joyous spirit of singing in a community. The material is drawn from African, Israeli, European Renaissance, Native American and contemporary folk sources to create a collection of twenty-two rounds, chants and songs. It is a beautiful recording which engenders a feeling of peace and a meditative internal quiet, reflective of the seasons and cycles. It shares a sense of ritual and continuance which are vital for dynamic community. Besides, "Sisters, Now Our Meeting Is Over" gives one a thrill of exquisite beauty.
Songlist

2774 CD $14.98

Fire Within is a collection of 18 songs, chants and rounds with origins which span seven centuries and come from many cultures. The unifying spirit of such a collection is the reverence and respect for Earth's elemental power and sensual beauty. It is truly no exaggeration to use the description of the vocal qualities of the eleven women as crystalline and hauntingly beautiful. If you open your heart to their music, we guarantee the literal phenomena of thrills moving up the spine. Your spiritual tour will begin with a new round by Marytha Paffrath, "Fire Within." "Hotaru Koi" is a traditional Japanese piece of music in which the voices float and dance as lightly as the firefly whom they address. Wonderful! We haven't time to do descriptive justice to equally wonderful songs from Renaissance Spain, Hawaiian traditions, Native American, 14th century Spain, Sweden, Shaker, Jewish, Kenya and all those written by the members of this excellent group. You will have to do that for yourself!
Songlist

2775 CD $14.98

'Ritual' is an unusual recording for the Bulgarian State Television Female Vocal Choir. For one thing, two male guest artists make appearances on two of the songs and a measure of instrumentation on half a dozen tunes includes one instrumental (gasp!). It's a wonderful dance tune which only enhances the feel of the recording dealing mostly with tunes meant for St. Lazar's Day and also Christmas carols. This recording (1994) is the first studio album since the group's two Le Mystere anthologies of the late 1980's. The tradition established by Philip Koutev in the 1950's of applying the compositional methods of concert practice to folk material is still the origin of the famous sound of this choir, now directed by Dora Hristova. Another fascinating aside on this recording is the group singing "A Jewish Triptych (Sephardic)" composed and arranged by Nikolai Kaufmann. This is glorious music that anyone literate in world music should know.
Songlist

9205 CD $14.98

The distinctive sounds of Bulgarian folk singing come from many cultural influences, as a country that was under the rule of the Tartar from central Asia and the Ottoman Turks. Many Asian elements can be heard in the use of modal scales, dissonant harmonies and rhythmical and metrical variety. The diaphonic singing tradition of two voices moving in parallel seconds, sevenths or ninths along with the metallic vocal timbres is preserved in the many arrangements. To western ears, this style of singing seems very strange. The a cappella singing is occasionally accompanied by traditional instruments. On this recording can be heard the flute-like kaval (Pritouritze Planinata), and the fiddle-like gadulka (Brei Yvane). The Bulgarian State Radio and Television Female Vocal Choir is led by Philip Koutev and Krasimir Kyurkchiyski who were the forefathers of the Bulgarian folk movement. From the dissonance of "Pilentze Pee¾ to the beautiful melody of "Polegnala e Todora" this music is simple and enormously diverse.

9201 CD $14.98

This second volume of Le Mystere des voix Bulgares features performances by the Bulgarian State Radio and Televison Female Choir and the Female Vocal Choir, Sofia. This dynamic music comes from an oral tradition. Though the true folk style is dying out, these songs are preserved in modern versions which combine folk with classical elements creating a new art form. Bulgarian vocal music is usually sung by women who are picked for the natural beauty of their voices. The performances on this CD were recorded in the 70's and 80's. "Ovdoviala Lissitchkatka" recorded in 1957, however, sounds closer to the original folk style than the more artfully arranged pieces. All of these pieces are truly fascinating. GRAMMYwinner in 1990.

9202 CD $14.98

"The Best of the Mediaeval Baebes" is their 7th CD in our catalog, all notable for their surreal photos of 8 to 13 beautiful, stunningly-attired women who sing like angels. The Baebes love 13th century a cappella (or very lightly accompanied) music, and Medieval poetry set to original compositions by group member Katherine Blake and others. This combination of classical music, sexy-looking women and costumes has made the Baebes big sellers in the a cappella and classical genres, because they sing, arrange and compose remarkably. We've listened to these songs before on previous CDs, but they haven't lost any of their power to enthrall and touch us. "Gaudette," "Ah Si Mon Moine," "Salva Nos" (lightly accompanied title tune of their debut album), "La Volta," "Love Me Broughte," "Kinderley," "Swete Sone," "Pearl," "Earthe Upon Erthe" and "How Death Comes" are particularly fine, but there's not a weak track here. Powerful, memorable and lovely.

8314 CD $16.98

Nine lovely young women, clad in incredible Mediaeval costumes, look up at us from the extensive, beautiful, full-color liner notes of "The Rose," and we may say that they sound every bit as fine as they appear! Most songs are lightly accompanied by period instruments. 17 songs, of which we particularly enjoyed: "Glass Window," the a cappella "Slay Me Suddenly," the powerful "The Snake," "The Circle of the Lustful," the joyful "Laude Novella," the rhythmic "Dringo Bell," the title tune, "The Woods and The Rivers Are Silent," and the strange, but compelling "Spiriti" and "The Sour Grove." The Baebes carry us away to another time and reality, as impermanent as the Rose, and as beautiful!

7069 CD $15.98

The Mediaeval Baebes are 12 stunning young women who share with us their love of 11th to 16th century folk and sacred music (and the instruments and costumes of that period) on "Undrentide," their 4th excellent CD. Particularly noteworthy are the full-color, extensive liner notes, which are as beautifully designed and graphically exciting as any we've seen. 19 songs, some of which are mediaeval words put to music by Musical Director Katharine Blake. Some of our favorites: the title tune, "Quon vey la louzeta," the 15th century English "Besse Bunting," "Summerisle" (The Maypole Song), "Secreit Nicht," the raucous "Omnes gentes plaudite" (The Drinking Song), the poignant "Lanquan Li Jorn," "Dance of the Trolls" (instrumental) and the solemn "Palastinalied." Most songs are lightly accompanied. Another Baebes winner!

7072 CD $15.98

Eugene, OR's Motet Singers, founded in 1982 as a vocal sight-reading group under Hannelore Good, grew from friends who sang together for enjoyment to the fine 10-woman ensemble it is today. Unique for their pure sound, seamless harmonic blend and eclectic repertoire, the group sings a cappella music from classical, folk and popular genres, ranging from medieval to contemporary. "After" has 21 vocal gems, ranging from John David's bright "You Are the New Day," Weelkes' "To Shorten Winter's Sadness" and the Kirby Shaw-arranged "Java Jive" and "My Funny Valentine" to the sacred "O Sacrum Convivium" and "Jesu Dulcis." The traditional spirituals "Swing Low, Sweet Chariot" and "Down By The Riverside" segue easily into Billy Joel's classic "And So It Goes." Some light percussion accompaniment; beautiful liner notes have all the lyrics. "After" is a fine, confident collection from a very talented ensemble.

There are 20 tracks here, from a fine "Salve Regina" by Javier Busto and several other contemporary and 20th century pieces, to short sacred works by Renaissance composers Morales and Palestrina, to some very nice 19th and 20th century arrangements of Spanish carols from various periods. Some of our favorites: "A la Puerta del Cielo," "Jesus Christ the Apple Tree" and "Ave Maria." There are drums on at least one cut. Everything relates to the Nativity theme, and there is a nice mix of unfamiliar winners with familiar favorites. An exceptional, beautifully sung CD!

Listen to "Deck The Hall" in Real Audio.

These selections are as distinct as the members of MUSE. The traditional Zulu song "Babethandaza," "Let Us Now Hold Hands," by Jennifer E. Stasack and Pat Mora, and "La Andina ‚ Woman of the Andes," by Libby Harding and "Mountain Songs" by Holly Near are among many which are sure to become favorites. This recording reflects MUSE's commitment to a diverse, exciting repertoire, musical excellence and social change.

7251 CD $15.98

This CD is a collection of live recordings of Balkan chants to Appalachian songs. Four songs come from the MUSE concert honoring people of Appalachian descent (Will the Circle Be Unbroken, Mountain Song/Kentucky Woman, Carry It On). "Take Heart," "Git On Board/The Gospel Train," "Yes,You" and "We'll Understand It Better By and By" come from several of their New Spirituals concerts which feature music from the African American tradition by contemporary arrangers and composers. This 2002 recording captures MUSE's diverse concert experience.

7253 CD $15.98

Just the treble voices of the Oxford Camerata sing the important 16th century collection of Finnish songs known as "The Piae Cantiones". In 1592, exactly three hundred years before the founding of the modern Finnish musical establishment, the headmaster of Turku Cathedral School compiled and edited a collection of 74 songs which he entitled "Piae Cantiones" (Devout Church). As a protestant he was at odds with the catholic publisher and this religious tension is evident throughout. The melodies originated at various times and features songs up to five parts. The song now known as Good King Wenceslasis is most enjoyable and this all a cappella recording is certainly interesting. The beautiful, uniform purity of sound the singers achieve make this recording an essential addition to any collection.

Established in 1966, the 73-strong PWC has been ably led since 1975 by renowned Director Patricia Hennings, Director of Choral Activities at Skyline College. The group has performed at numerous ACDA conventions, toured internationally and appeared on NPR and television both here and abroad. Josephine Gandolfi supplies gentle accompaniment, placing the focus on the angelic voices of the group. The group's repertoire includes contemporary sacred music like Agneta Skold's "Gloria," Hakan Olsson's "Da Pacem," David Conte's "Hosanna," Libby Larsen's "Who Cannot Weep, Come Learn of Me," Michael Cleveland's "Pie Jesu," Brian Holmes' Christmas carol "Good Cheer, and Nancy Telfer's lovely "The Blue Eye of God." Also included are de Victoria's 16th century sacred song, "Domaine, Non Sum Dignus," Gustav Holst's 19th century masterpiece, "Hymn to the Waters," Knut Nystedt's "Shells" and "Suoni," and finally, "In Praise of Music," written by David Conte to celebrate the PWC's 25th anniversary. "Treasures" is exactly that, soaring, beautiful and uplifting!

6841 CD $15.98

Music strengthens your inner-self, whether in times of joy or sorrow. Songs of Spirit features music from the documentary Song of Survival. This music is from the collection of vocal orchestral pieces which were sung by Dutch, English and American women in a Japanese prison camp during World War II. Among the pieces sung were, "Largo" from the New World Symphony by Dvorak, the "Pastoral Symphony" from Handel's Messiah and the steadfast "Captive's Hymn" written in 1942 by one of the music's arrangers Margaret Dryburgh. These pieces were first performed by the Peninsula Women's Chorus for the documentary "Song of Survival" and featured in the movie Paradise Road. Also featured is the song cycle "Indian Singing," based on poetry by Gail Tremblay, composed by Ron Jeffers. This piece was written specifically for the Peninsula Women's Chorus. This CD contains some very powerful music

6577 CD $15.98

The 61-strong Peninsula Women's Chorus was established in 1966, and has been under the direction of Dr. Patricia Hennings since 1975, and the Christmas CD "Carols" is their fourth CD. The first 10 songs are a marvelous group called "Carols and Lullabies, Christmas in the Southwest" by Conrad Susa. A friend of Susa's showed him a collection of traditional Spanish carols he had sung as a boy in Arizona, and Susa put them together to form a narrative. combining homey, artful simplicity with Renaissance music, Songs like "Alegria" and the Andalusian song "Chiquirriquitin," with their lilting, dancing marimbas, and the lovely "A La Nanita Nana," are the gems of the CD. The second half of the CD takes us more in the direction of the sacred (Karai's "Hodie Christus natus est" and Missa Brevis' "Kyrie," "Sanctus" and "Agnus Dei"). Throw in "The Carol of the Rose," "Alleluia" and others, and you have a surprising, delightful Christmas CD!

6842 CD $15.98