Whatever the thematic material, Chanticleer's approach is the most erudite; indeed, their analysis of each song's history and composition meets the highest critical standard. It is this absolute musical integrity that then informs the quality of the performance. On "Wondrous Love," a cache of international folk songs, sung a cappella, is the basis for this meticulous study. Folk songs, by definition, are "for the people"; Chanticleer maintains this focus while also seizing the opportunity to enrich the original arrangements with new complexity and depth, as heard on "Arirang," a Korean song utilizing the pentatonic scale with elements of western harmony, or "La Petenera," which begins with a soloist and then gradually incorporates twelve voices into an ever-expanding confluence of countermelody. A Robert Shaw/Alice Parker arrangement graces the fifteenth-century French tune, "L'Amour De Moy."

Chor Greek for choir, Leoni, (Italian for Lions) was formed in 1992 by director Diane Loomer to give skilled male singers an opportunity to gather and sing challenging repertoire. Quality a cappella singing, strong arrangements and a willingness to "try anything once" have led these 46 men to the upper echelons of the Canadian choral world. This CD is a treat for us fans of folk music, 20 better- and lesser-known Canadian folk songs, from "Fogarty's Cove" ("She cries when I'm away to sea, nags me when I'm with her, She'd rather I'd a government job or maybe go on the dole"), "Vive L'Amour," and "Away From The Roll of the Sea" to the Nova Scotia folk song "The Carrion Crow," "Northwest Passage," "Wood River," the British Columbia tune "Grand Hotel" and "Make and Break Harbor," this is all great stuff. Some light accompaniment here and there by piano, clarinet, bass, harmonica, guitar and spoons, but make no mistake?the focus is one of the best male choruses we've heard, and folk music is their meat. From the deep bass harmonies to sweet, soaring tenor solos, "Safari" is cut after cut of achingly lovely, heartstrings-tugging stuff!

Goin' Home is Chor Leoni's sixth CD - each one we rave about, and each one is better than the last! Internationally acclaimed conductor Diane Loomer's flawless direction and song selection keep the Vancouver, BC-based all-male choir going in the right direction. As Canada is composed of citizens from every corner of the world, the object of "Goin'" was to collect and present folk songs from many of these countries, in the hope that CL's audience would experience "the bittersweet tightness in the throat and tear in the eye that only comes when you are goin' home." 18 richly textured a cappella songs, beginning with 3 dramatic Ainu folk tunes, "Bear Festival," "Piraka" and "Whale Festival," and continuing with "Fenyang Ge" and "Minoi, Minoi," Anhui and Samoan folk songs, respectively. Following are the Lapp folk song, "Dalvi duoddar luohti," and one of the best covers of the Zulu tune "The Lion Sleeps Tonight" we've heard. German, English, Irish, Estonian, and Welsh folk songs delight the crowd (this is a live performance, although the audience is almost edited out). A couple of nice American songs, the Appalachian folk song "Bright Morning Star" and "Shenandoah," precede the title tune by Antonin Dvorak, the Scottish tune "Loch Lomond" and "Christmas Angel." Sweet harmonies and what we can only call "personality" pour forth from CL like water from a Canadian stream. Recommended!

Listen to "Fengyang Ge" in Real Audio.

This fifth release from Vancouver's pride of lions features a mostly sacred and deeply moving program of works ranging from the 12th to the 20th centuries. Canadian baritone Bret Polegato guests on one of the few non-sacred pieces, Schubert's beautiful Stnchen for soloist and men's choir. Other highlights include 12th century organum by Pérotin, Beata Viscera, excerpts from Caplet's Messe û trois voix, a beautiful and seamless performance of Faure's Cantique de Jean Racine transcribed for men's voices, and Michael Head's stunning How Sweet the Moonlight Sleeps.

Carry me home is an assortment of folk songs arranged for male voices including "Londonderry Air" and "O Waly Waly". Collegium Regale, which is composed of the choral scholars from the King's College Choir, explores the traditional songs of Britain, America, France and Hungary. Many of these familiar tunes, such as "Molly Malone" and "Shenandoah" were arranged by Keith Roberts who serves as the group's artistic consultant. The spirituals arranged by Robert Rice stray from the traditional style. His versions lean toward the lighter sounds of doo-wop and barbershop, particularly in "Sometimes I feel like a motherless child." Though, all pieces and especially the solos are sung beautifully.

The incomparable sound of the men of King¹s College is unleashed on everything from chant to Rudolph, the Red-nosed Reindeer. Close harmonies, impeccable tuning, and perfect programming make this a "must-have" CD for connoisseurs of the very best in choral singing. 22 songs: Handl¹s "Ante luciferum gentus," Byrd¹s "O magnum mysterium," "Puer natus est," "Ecce advenit," "The Coventry Carol," "Es ist ein Ros¹ entsprungen," "There is no rose of such virtue," "Beata es, Virgo Maria," "Quem vidistis, pastores?," "Hodie Christus natus est"... the Scholars make each song a lovely gem.

Founded as the Copenhagen Boys' Choir in 1924, the Choir was permanently connected with the Christiansborg Slotskirke (Chapel of Christiansborg Castle) in 1959. With a repertoire ranging from commissioned works by the leading composers of our time to the earliest polyphony, the choir has earned a reputation over the years of being one of the finest of its type, giving concerts all over the world. Here are 14 sacred songs and hymns, favorites are Carl Nielsen's "Benedictus," Lewkowitch's "Salve Regina" and "Alma redemptoris," Norgard's "Agnus Dei II," and Ruders' "I sne star urt." Sublime, soaring, magnificent music from one of Denmark's oldest and most respected men's choirs.

The Cwmbach Male Choir was formed in 1921, and has survived to the present day even though it was severely tested by periods of hardship, depression and World War 2. During its 83 years it has flourished and built up an enviable record of success in competitions and concert performances. The musical repertoire of the Choir is wide and varied. It includes music for all tastes, ranging from operatic choruses, spirituals, hymns, folk music and popular ballads. The Choir, from the Cynon Valley, maintains the great Welsh tradition of male singing and this recording of holiday favourites is a treat.

The six German men who call themselves Die Singphoniker are virtuosos who specialize in very difficult pieces, from Gregorian chant to the Avantgarde, in this case bringing us some rarely-heard works of Romantic European music, partsongs by Richard Strauss and Max Reger. New interpreters of vocal chamber music of the 19th century, the group's success is measured in many awards and rave reviews: its last five CDs have received prizes. Included are 20 pieces, favorites are "Frohlich im Maien," "Hut du dich!," "Liebe op. 42,1," and Der Brauttanz op. 45,3" by Strauss; and "Liebchens Bote," Frohsinn op. 38,5," "Hochsommernacht op. 83,5" and "Minnelied op. 83,7" by Reger. Difficult, eclectic choral music, effortlessly and beautifully performed.

Their repertoire ranges from Gregorian chant to contemporary music – all the way to easy listening. After 25 years in the limelight, the six-voice vocal ensemble can look back on over 1000 concerts throughout the world. For the first time, however, the Singphoniker are releasing a CD with German folksongs. Their program consists of works by Silcher, Brahms and Reger, each of whom had a completely different approach to handling old tunes. Their common goal, however, was a desire to reacquaint their contemporar-ies with the vast treasures in the folk repertoire. The Singphoniker’s CD will contribute to making known as well as unknown folksongs – which are not very at-home in the concert hall – resound again in the private environment: singing or humming along is expressly desired!

Former choristers from Bach's own church make up this German version of The King's Singers. This contemporary a cappella program ranges from Billy Joel to Supertramp to a Cuban love song, and a superb cover of Sinéad O'Connor's "In This Heart". These are great male choral interpretations of popular songs that are sure to delight.

Veljo Tormis is best known for his preservation of folk songs and folklore in his music. On Vision of Estonia, his concern for the oppression of the Estonian people is mixed with this aspect. These pieces for male choir are fantastic. The title piece "Vision of Estonia" was written during the fall of the Soviet Union and finished when Estonian independence was declared. Tormis is also known for his orchestral choral sounds. In "Incantation for the Sea" and "Litany to Thunder" he translates the dramatic images depicted in the poetry into massive choral sounds. "Incantation for the Sea" comes from the epic poem Kalevala. Due to international interest in his music, Tormis uses a Latin translation to make his piece widely accessible to non-Estonian speaking choirs. The Estonian National Male Choir, led by Ants Soots, is dynamic in this music which honors their country.

Towards the end of the 14th century, England saw the rise of a pleasingly consonant musical style that was admired abroad as the "English manner." Paul Hillier and the Hilliard Ensemble are heard in a selection of the most beautiful polyphonic songs and carols from this rich period. "The performances? match the beauty of the music? a sound of remarkable purity. Their ensemble singing is perfection itself, and each part is exquisitely phrased." - Stereo Review

Of all the north European composers who made their careers writing beautiful secular madrigals in sixteenth-century Italy, Josquin Desprez is regarded as the greatest. Fusing learned polyphony with rhythmic gaity, the madrigal was hugely popular in Italy and England. The brilliant British male octet The Hilliard Ensemble, sounding very much like angels, are one of few groups who can do justice to this difficult, soaring material. From the sacred "Ave Maria? Virgo serena," "Veni Sancti Spiritus," and "De profundis clamavi" to the secular "Petite camusette," "Je me complains" and "Je ne me puis tenir d'aimer," this is wonderful music. 13 songs. Extensive liner notes give lyrics and translations.

The talented Hungarian choral group Honved Ensemble Male Choir" brings us a rare treat, choral works written for male voices by Ferenc Liszt (1811-1886). First of the 7 movements are the dramatic "Les Quatre Elemens," written for the poems by Joseph Autran, and first performed in 1844 with piano accompaniment by Liszt, "Titan," written in Berlin in 1842 and based on the Franz von Schober poem, the politically controversial "Arbeitercho/A Munka Himnusza," and the heroic "Le Forgeron," (the Blacksmith) based on the Lamennais's poem. This is moving, all accompanied, passionately-sung music that stirs and touches us still, across the centuries!

If you like The King's Singers, you'll love this CD! Gesualdo: Tenebrae Responsories for Maundy Thursday offers a small slice from the liturgy used for Holy Week. All tracks are superbly performed. The voices weave together to form a solid fabric of stunning polyphony. The responsories, here, are divided into three sets beginning with lessons from the Lamentations of Jeremiah. Gesualdo, an eccentric Italian prince and one of the Renaissance's more innovative composers, is best remembered for killing his wife and her lover while they were in bed together. His guilt over this shocking and passionate act is said to be mirrored in his music with its chromatic and often indulgent lines. The music is liturgical in nature, but this recording can be appreciated inside and out of the sanctuary.