In Celebration of the Human Voice - The Essential Musical Instrument
This is a list of choral directors whose recordings we carry in our extensive catalog. These choral directors are conductors of the many of the finest choirs performing choral music around the world today. These choir directors are of university, college, community and professional choirs and include a wide variety of styles and genres.
Displaying 201 - 250 of 263 items.
John Rutter's compositional career has embraced both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children's operas, music for television, and specialist writing for such groups as the Philip Jones Brass Ensemble and the King's Singers. His most recent larger choral works, Requiem (1985), Magnificat (1990) and Psalmfest (1993) have been performed many times in Britain, North America, and a growing number of other countries. He co-edited four volumes in the Carols for Choirs series with Sir David Willcocks, and, more recently, has edited the first two volumes in the new Oxford Choral Classics series, Opera Choruses (1995) and European Sacred Music (1996).
Paul Salamunovich is in his final season as director of music at St. Charles Borromeo Church in North Hollywood, California. Under his direction, the choir has risen to preeminence among American church choirs. Salamunovich has been recognized for his contributions to sacred music with a Papal Knighthood in the Order of St. Gregory. His career has been marked by the highest achievements in professional, educational and liturgical music. He conducted the choruses at Loyola Marymount University for 27 years, was music director of the Los Angeles Master Chorale for ten years, and guest conductor throughout the United States, Canada, the Bahamas, South America, Europe, Australia, and the Far East. He has conducted choral segments for such movie soundtracks as First Knight, A.I., Air Force One, Snow Falling on Cedar, and Independence Day. Salamunovich has been honored by ACDA for lifetime achievements at the state, division, and national levels.
Steven Sametz has earned increasing renown in recent years as both composer and conductor. He is the Ronald J. Ulrich Professor of Music and director of Lehigh University Choral Arts, one of the country's premiere choral programs. He also serves as Artistic Director for the elite a cappella ensemble, The Princeton Singers and is the founding director of The Lehigh University Choral Composer Forum, a summer course of study designed to mentor emerging choral composers.
Recent guest conducting appearances include the Taipei Philharmonic Foundation, the Berkshire Music Festival, the New York Chamber Symphony, and the Netherlands Radio Choir. Dr. Sametz' compositions have been heard throughout the world at the Tanglewood, Ravinia, Salzburg, Schleswig-Holstein, and Santa Fe music festivals. His in time of appears on the recent Grammy award-winning CD by Chanticleer, "Colors of Love," and his work may be heard on six other Chanticleer CDs.
Jo-Michael Scheibe chairs the Thornton School of Music's Department of Choral and Sacred Music at the University of Southern California, where he conducts the USC Chamber Singers, teaches choral conducting and choral methods, and supervises the graduate and undergraduate choral program. In 2008, he assumed a new post as National President Elect of the American Choral Directors' Association.
No stranger to the ACDA, Scheibe previously served as the organization's Western Division President (1991-1993), as well as National Repertoire and Standards Chairperson for Community Colleges (1980-1989). Ensembles under his leadership have sung at six national ACDA conventions (1985, 1991, 1993, 1997, 2003, 2007), as well as two national conventions of the Music Educators National Conference (1996, 2000), and various regional and state conventions.
Born in Chicago, and educated in the Lutheran School system there, Robert Scholz sang in school choirs and was inspired to become a choral director by the example of Gerhard Schroth. He studied piano beginning at age eight, and later took up organ. As a student at St. Olaf College from 1957-1961 he sang under Olaf Christiansen and Kenneth Jennings, and studied voice and piano.
He continued his education at the University of Illinois where he earned a Master of Music degree in musicology in 1967 and a Doctor of Musical Arts in choral conducting in 1969. While at Illinois, Scholz conducted the University Chamber Choir and was Minister of Music at First United Presbyterian Church of Urbana.
Gary R. Schwartzhoff is Professor of Music and Director of Choral Activities at the University of Wisconsin-Eau Claire where he conducts Concert Choir, Chamber Choir, The Singing Statesmen and teaches conducting. Schwartzhoff received his Bachelor of Arts Degree from Central College in Pella, Iowa and a Master of Music Degree in Choral Conducting from the University of Northern Iowa, Cedar Falls, Iowa. A recipient of the Helen Kemper Doctoral Fellowship Award, he received a Doctor of Musical Arts Degree in Conducting at the University of Missouri, Kansas City, Missouri, where he studied conducting with Dr. Eph Ehly.
Schwartzhoff has been active throughout his professional career in the American Choral Directors Association (ACDA) where he served as President of the North Central Division from 1992-94. In 2010, the Wisconsin Choral Directors Association (WCDA) bestowed the Morris Hayes Award to Schwartzhoff for lifetime achievement in the choral art.
Tim Seelig has been making music as a conductor, singer, teacher for 35 years. He is currently the Director of Art for Peace & Justice, Artistic Director in Residence for GALA Choruses and on the adjunct music faculty Southern Methodist University's Meadows School of the Arts since 1996. In addition, he continues an extremely busy guest conducting schedule throughout the U.S., Canada and Europe. His the Conductor Emeritus of the Turtle Creek Chorale which he conducted for 20 years.
Dr. Seelig holds four degrees, including the DMA from the University of North Texas and the Diploma from the Mozarteum in Salzburg, Austria. He has three books and two DVDs on choral technique including the best-sellers The Perfect Blend and The Perfect Rehearsal, and the brand new The Perfect Choral Workbook. The fourth book, Quick Choral Fixes will be on sale in February, 2009.
Tim Sharp is Executive Director of the American Choral Directors Association. An active choral conductor as well as writer, Dr. Sharp came to ACDA from Rhodes College, Memphis, TN, where he conducted the Rhodes Singers and MasterSingers Chorale. Before his appointment at Rhodes, he was Director of Choral Activities at Belmont University in Nashville, TN.
Dr. Sharp's research and writing focuses pedagogically in conducting and score analysis as evidenced by his publications Precision Conducting, Achieving Choral Blend and Balance, and Up Front! Becoming the Complete Choral Conductor. Dr. Sharp has served ACDA in many capacities, including conducting state honor choirs, as a Choral Journal Editorial Board member, and as a member of ACDA's Research and Publications Committee.
Dr. Martha Shaw. Lester Harbin Chair of Conducting, is Professor of Music and Director of Choral Activities. She joined the faculty in 1999. Her fifteen years of experience as a public school music specialist contribute significantly to her work at Shorter where she teaches music education methods classes, supervises student teachers, and conducts the Shorter Chorale.
Dr. Shaw is the founding director of the Spivey Hall Children's Choir. Under her direction, the choir has been featured in performances for state, regional, and national conventions of the American Choral Directors Association and on NPR's "Performance Today" and "From the Top." Dr. Shaw continues to work extensively as a clinician and guest conductor.
The late Robert Shaw, called "the Dean of American choral conductors," died in January, 1999. His long and fruitful relationship with Telarc International spanned twenty years and produced 41 recordings, eleven of which have won Grammy Awards.
Shaw became Music Director Emeritus and Conductor Laureate of the Atlanta Symphony Orchestra in 1988 after serving as Music Director of the Orchestra for 21 years. During his tenure as Music Director, he built the Atlanta Symphony Orchestra into a major American orchestra, garnering widespread acclaim through national and international tours and award-winning recordings.
A regular guest conductor of major orchestras in this country and abroad, Mr. Shaw was also in demand as a teacher and lecturer at leading U. S. colleges and universities. The Robert Shaw Institute was founded in recent years to foster excellence in music-making, especially in the choral arts. Now affiliated with Ohio State University, the Institute's summer festivals in southwest France and the U.S. attracted admiring attention from the international press and produced a number of recordings from the Robert Shaw Festival Singers.
Nigel began his musical life as a chorister at Solihull Parish Church going on to study singing and piano at the Royal College of Music. He began his career as a soloist in opera and oratorio and as a member of specialist vocal ensembles such as The Tallis Scholars whilst maintaining a regular involvement in church music, firstly as a member of Westminster Abbey Choir then Westminster Cathedral. He joined the King's Singers when he was 27 and stayed with them for seven years.
After a short break of about one ski season in the Swiss Alps he set about founding his own group, Tenebrae, aiming to bring together what he loved best as a singer - namely the more passionate sounds of large Cathedral choirs and the precision of ensembles like The King's Singers - to create a new kind of choral group. Whilst embracing an eclectic repertoire he wanted to have some 'signature' works that would make Tenebrae different, adding a theatrical element that would involve singers moving around as if on stage. To that end he wrote 'The Dream of Herod', with a central role for baritone Colin Campbell, and commissioned Joby Talbot to write Path of Miracles, premiered in July 2005. Since its debut performance in 2001 Tenebrae has given concerts in Spain, Italy, Germany, France, Switzerland, UK, USA and Bermuda.
Karmina Silec has brought freshness and speciality for opening new spaces of expression, persuasiveness, intensity of experience and communication into world of music. As conductor she has projects with various ansambles: Carmina Slovenica choir, Symphony orchestra of National Radio of Slovenia, National Opera and ballet in Maribor Slovenia, Slovenian National Project Choir, ansamble !Kebataola!, Orchestra Chorus Instrumentalis and many ansambles worldwide.
In "Choregie - vocal theatre", with innovative interventions, she opened wider space to trend of complex many-type artistic events. Her staged productions incorporate music, drama, movement and other stage elements.Such latest stage produductions were: From time immemorial, Drum cafe, CS Light, Scivias, Stripsody, Vampirabile, Adiemus, Slovenian sounds - award winning productions performed on many international festivals and broadcasted by EBU and Eurovison.
With extended vocal technique and interdisciplinary performance, Karmina Silec create performances that thrive at the intersection of music and movement, sound and light, image and object, in an effort to discover and weave together new modes of perception.
Vijay Singh is an active performer, composer, teacher, conductor, and clinician residing in Ellensburg, Washington where he is Professor of Music at Central Washington University. A graduate of Willamette University (B. M. Ed/Clarinet & Voice) and Portland State University (Masters in Choral Conducting/Vocal Performance), he has been rapidly gaining international attention for his eclectic musical compositions, performances, workshops, and conducting appearances. Vijay's teaching experiences have included work at public secondary schools, community college, and university levels.
Known for his compelling musicianship and leadership, Mark Singleton has become one of New England's most sought-after conductors. He serves as director of music at Immanuel Congregational Church in Hartford and as artistic director of voice and choirmaster of the Eastern Connecticut Symphony Chorus.
Singleton holds an undergraduate degree in cello performance and church music from William Jewell College and a master of music degree in choral conducting from the University of Connecticut. He has pursued additional conducting studies at the Robert Shaw Festival, the Dennis Keene Choral Festival and the Conductors Institute of South Carolina. His principal conducting teachers include Peter Bagley, Charles Bruffy and Phillip C. Posey.
The English choral conductor, Jeffrey Skidmore, Jeffrey read music at Magdalen College, Oxford, before returning to his native Birmingham when he was 18 to found and develop Ex Cathedra into the internationally-acclaimed choral group it has become today. He subsequently studied music with David Wulstan at Magdalen College, Oxford, where he was a Choral Scholar under Bernard Rose. As Artistic Director and Conductor of Ex Cathedra he has pioneered historically informed performances of Renaissance and Baroque music in Birmingham and the West Midlands, and directed the first performances of many new editions, including two French Baroque operas, Zaide by Royer and Isis by Lully. He has prepared his own editions of Monteverdi's Spiritual Madrigals and was recently awarded Honorary Fellowships from the University of Birmingham and the University of Central England.
David Skinner is known primarily for his combined role as a researcher and performer of early music, and is Fellow, Tutor, and Osborn Director of Music at Sidney Sussex College, Cambridge, and an affiliated lecturer in the faculty of music. He teaches historical and practical topics from the medieval and Renaissance periods. From 1997 to 2001 he was a Postdoctoral Fellow of the British Academy at Christ Church, Oxford (where he was a Choral Scholar from 1989 to 1994), and was the Lecturer in Music at Magdalen College, Oxford, from 2001 to 2006.
At Cambridge he conducts the Choir of Sidney Sussex College, with whom he has toured and made professional recordings. He has published widely on music and musicians of early Tudor England, and his most recent projects include the collected works of Nicholas Ludford and The Arundel Choirbook (Duke of Norfolk: Roxburghe Club, 2003). He is currently editing the Latin church music of John Sheppard for publication in 2009, and co-authoring a book on Foundations of the English Choral Tradition.
Dr Brenda Smith teaches studio voice, diction and vocal pedagogy. She has been widely recognized for her contributions to the concept of lifelong singing through proper voice care. Dr. Smith is a lyric soprano with special interests in the recital and concert repertoire. In addition, Dr Smith was translator, collaborator and assistant to Dr Wilhelm Ehmann and Dr Frauke Haasemann, the pedagogues whose work in Germany and the United States developed the concept of voice building for choirs. She is the translator of the book Voice Building for Choirs by Wilhelm Ehmann and Frauke Haasemann (Chapel Hill, NC: Hinshaw Music, Inc.; 1980).
Dr Smith works regularly as consultant, clinician, and conductor with amateur and professional choirs throughout the world. She has been associated with the choirs of St. Ignatius Loyola, the Central City Chorus, and the Dessoff Choirs in New York City, the Mendelssohn Club of Philadelphia, the Cathedral Choral Society of the National Cathedral in Washington, D.C., as well as the choirs of the Epiphany Cathedral in Venice, Fla.
I am told by various relatives that I was actually composing at the age of five. The story they tell is that when called to dinner I would always procrastinate, asking for just a few minutes more to write out some additional notes. But my real memories of myself as a composer start around the age of 17. Having heard Milhaud's Suadedos de Brazil, I wanted to write a couple of South American piano pieces of my own. The result was a suite called From the Rio. It was a very good effort for a 17 year old.
Soon after, I moved to California where I enrolled at UCLA and also joined an amateur adult choir conducted by a fine high school director named Jim Burt. He was very encouraging of me as a composer, trying out a few things of mine with his adult choir and then performing two Keats settings with his High School group. It was my first real public performance.
Meagan Johnson Smith is a choral conductor and soprano soloist with a passion for teaching. Known for her innovative programming and captivating performances, Ms. Smith has appeared as a concert and oratorio soloist, most recently with the Baroque Artists of Champaign-Urbana (BACH). Since her move to Urbana in 2005, Ms. Smith has enjoyed working with private voice students of all ages. She received her Master of Music in Voice Performance and Bachelor of Music in Performance and Music Education from Ithaca College in Ithaca, New York. Ms. Smith is music director and conductor of Amasong, the award-winning lesbian/feminist women's chorus based in Champaign-Urbana. She is in her second year of teacher-training at Alexander Technique Urbana.
Sandra Snow enjoys a national reputation as conductor, pedagogue, and educator. Snow is associate professor of music at Michigan State University, where she conducts the Michigan State University Women's Chamber Ensemble and interacts with undergraduate and graduate students in areas of conducting study, choral pedagogy, and teacher education.
Snow is in demand as a guest conductor and clinician, engaging teachers in professional development and conducting all-state, honor choir, and choral festivals across the United States and Canada. Under her direction, the MSU Women's Chamber Ensemble performed atthe 2008 ACDA Central Division Convention in Grand Rapids, Michigan. Snow is a recipient of the MSU Teacher-Scholar award, a campus-wide peer-reviewed honor.
Artistic Director of Choral Artists since 1995, Dr. Solomon has avidly cultivated engagements with living composers to bridge the gulf between composer, performer, and audience. Under her leadership, SFCA established the Composer-in-Residence program in 1999, the Bi-annual Composer's Invitational in 2001, and the New Voices Competition to help launch the artistic careers of young composers in 2005.
Under her leadership, San Francisco Choral Artists has premiered over 130 choral works, performed for the 2008 and 1998 Western Division conventions of the American Choral Directors Association, and released two CDs, Music Among Friends (2005) and So Gracious Is the Time (1999).
An innovative teacher and musician, Dr. Solomon joined the choral conducting faculty of the University of Southern California in 2004. She has also taught and conducted at Smith and Mount Holyoke colleges, and University of Wisconsin-Madison, and Santa Clara University, and she has studied conducting with Robert Fountain, Richard Pittman, David Becker, and Helmuth Rilling.
The English choral conductor and organist, Murray Forbes Somerville, was born in London and raised in Rhodesia. He studied studied under Karl Richter in Munich, Germany, at the Oxford University (where he was Organ Scholar of New College, under Sir David Lumsden), under Robert Baker at the School of Sacred Music at Union Theological Seminary in New York, and at the New England Conservatory of Music.
Murray Forbes Somerville is noted as choral and orchestral conductor, organ recitalist on three continents, workshop leader and scholar. He served St. James's Church in West Hartford, Connecticut, and the Cathedral of St. Luke in Orlando, Florida, where he also founded the Orlando Deanery Boychoir. In 1990 he was appointed as the Harvard's sixth University Organist and Choirmaster, a post he held until 2003. In this post he presented regular recitals, directed the University Choir and played for services in Memorial Church.
Robert Spano is recognized as one of the brightest and most imaginative conductors of his generation. Now in his ninth season as Music Director of the Atlanta Symphony Orchestra, he has enriched and expanded its repertoire through his characteristically innovative programming, and elevated the ensemble to new levels of international prominence and acclaim.
In his distinguished career, Robert Spano has conducted the greatest orchestras of North America, including those in Boston, Chicago, Cleveland, Los Angeles, Montreal, New York, Philadelphia and San Francisco. Abroad he has led the Royal Concertgebouw Orchestra, Orchestra Filarmonica della Scala (Milan), Czech Philharmonic, Berlin Radio Sinfonie Orchestra, BBC Scottish and BBC Symphony Orchestras, City of Birmingham Symphony Orchestra, New Japan Philharmonic, and Oslo Philharmonic, among others.
Richard Sparks is a conductor. He's just taken a position as Professor of Music at the University of North Texas, where he conducts the Chamber Choir and Collegium Singers, and teaches a variety of academic courses. He is also Artistic Director and Conductor of Pro Coro Canada in Edmonton, Alberta--a professional chamber choir; and a free-lance conductor/clinician working in the US, Canada, and Europe. He spent considerable time working with the Swedish Radio Choir in 2007 and 2008. He's Conductor Emeritus of Choral Arts in Seattle, WA (which he founded and conducted from 1993-2006) and was Director of Choral Activities at Pacific Lutheran University from 1983-2001.
Paul Spicer began his musical training as a chorister at New College, Oxford. He studied with Herbert Howells and Richard Popplewell (organ) at the Royal College of Music in London, winning the Walford Davies Organ Prize in his final year (the top award). He taught music for ten years from 1974 at Uppingham School and Ellesmere College before becoming a Producer for BBC Radio 3 in 1984. In 1990 he became Artistic Director of the Lichfield International Arts Festival, and also Director of the Abbotsholme Arts Society, he relinquished these posts in July 2001 in order to pursue a completely freelance musical career.
Paul Spicer is best-known for his work as a choral conductor. He has conducted Bach Choirs in Chester and Leicester (and the Chester Festival Chorus), and in September 1992 took over the conductorship of the Birmingham Bach Choir, one of the leading amateur choirs of the Midlands. He is also the founder and director of the Finzi Singers. This well known professional London-based chamber choir of 18 singers has achieved an international reputation principally through their many recordings on the Chandos label, and also through their concerts at Festivals, in London and elsewhere, and through the many broadcasts they do for the BBC.
Debra Spurgeon is associate professor of music at the University of Mississippi where she conducts the Women's Glee and teaches choral methods and conducting. She has conducted high school and collegiate honor choirs in Oklahoma, Tennesse, Georgia, and Texas. In 2011 she conducted the Louisiana Music Educators All State Women's Choir. Prior to moving to Ole Miss she taught at Southwestern Oklahoma State University for eighteen years and in 1999 was named Oklahoma Choral Directors Association's "Director of Distinction." Her choirs have performed on state and division conventions; recently the Women's Glee performed on the southern division ACDA conference in Louisville, Kentucky.
She has been actively involved in leadership roles in the American Choral Directors Association. From 2007-2010 she served as the National Chair for women's choirs repertoire and standards with the American Choral Directors Association. She was president of the Oklahoma Choral Directors Association and president-elect of the Southwestern Division of ACDA before moving to Ole Miss in 2001. Dr. Spurgeon's numerous articles have appeared in the Choral Journal, Teaching Music, The Journal of Singing, and The Journal of Music Teacher Education. She is the editor, compiler, and co-author of the 2012 GIA publication Conducting Women's Choirs: Strategies for Success, which features the writing of many conductors and composers.
At Brigham Young University, Dr. Ronald Staheli is the Choral and Conducting Division Coordinator and the Director of Graduate Studies in Choral Music. He also appears regularly as conductor in performances involving the combined choirs and orchestra of Brigham Young University. He has traveled widely as a clinician and guest conductor, and has become known for what a colleague calls a profound sense of phrasing and articulation, which informs all his work. In July of 2001, Dr. Staheli conducted an all-Mozart concert with choirs of the Zimriya International Choral Festival. Dr. Staheli was a guest lecturer at the Fourth International Choral Symposium in Sydney, Australia, where the BYU Singers also performed concerts in the world-famous Opera House and Town Hall. Travels have also taken him and the choir to the Middle East, Russia, Western and Eastern Europe, the South Pacific, and West Africa. Dr. Staheli is a fine pianist and regularly arranges many selections performed by the BYU Singers, several of which are now published.
In 1999, Mr. Georg Stangelberger joined the Phoenix Boys Choir as Artistic Director with unparalleled international experience with the Vienna Choir Boys, in the latter years as Deputy Artistic Director.
Now in his tenth season with the boys, he recalls many memorable performances. He led the Choir to its Carnegie Hall debut, to France and Spain where the choir was named "Cultural Ambassador" to the European Union and to Germany, Switzerland and Austria where they sang side-by-side with the Vienna Choir Boys in the famous Court Chapel. In June of 2007 he led the boys to victory when they won 1st place at the Summa Cum Laude International Youth Choir Festival in the Musikverein in Vienna, Austria.
In the fall of 2004, Mr. Stangelberger made his debut with the Phoenix Symphony conducting the orchestra and Phoenix Boys Choir in the Requiem by W. A. Mozart. He is regular guest conductor at the Maurice Ravel Conservatory in Levallois, Paris, conducting it's ancient music instrumental ensemble and the chamber choir.
Royal Waltz Stanton, was a nationally known choral conductor and teacher whose students included opera star Marilyn Horne. Born in Santa Monica and educated at UCLA, Stanton began his career directing music at Long Beach Polytechnic High School and then became chairman of the music department at Long Beach City College. In 1953, he founded the Long Beach Schola Cantorum, a symphonic choir that sang with Miss Horne among others. He was director of the prestigious Los Angeles Bach Festival for two years. Moving to the San Francisco Bay Area in 1961, Stanton chaired the fine arts departments of Foothill College in Los Altos and then De Anza College in Cupertino. Stanton founded and for 18 years directed the bay area's Schola Cantorum, which performed with the San Francisco, Peninsula and San Jose symphonies. A widely published composer and arranger for choirs, Stanton also wrote two books, "The Dynamic Choral Conductor" and "Steps to Singing for Voice Classes."
Francis D.C. Stockwell, born in New Zealand, began his musical career at a very early age. At age six he was studying piano and later violin. He was also a soloist in a local church choir. At age 15 he received his first concert diploma for piano from the Trinity College of Music, London. In 1968 he gained two further concert diplomas for piano: one from the Royal Schools of Music, London, the other a Fellowship from the Trinity College of Music, London. In the same year he graduated from the University of Canterbury with a Bachelor of Arts degree in music and languages. In 1969 he left New Zealand for Switzerland to continue his piano studies at the Conservatoire de Musique in Geneva. At the same time he accepted a teaching position in Zug, Switzerland at Institut Montana, a renowned international boys' school. There he taught English, music and Latin.
Founded in 1993, the choir's founder and director was Mary Alice Stollak. Stollak led the MSU Children's Choir in performances at such prestigious venues as Carnegie Hall, Detroit's Orchestra Hall, and Chicago's Symphony Center. In 2002, Stollak and the MSU Children's Choir were the official U.S. representative to the 6th World Symposium on Choral Music.
Ms. Storck is responsible for the MCC's artistic leadership and supervises all education and performance operations. She also directs MCC's Jubilate and created and oversees MCC's Harmony Choir program, which reaches more than 200 children attending school in the City of Milwaukee. Ms. Storck succeeded founder Emily Holt Crocker as Artistic Director in July 2009. She originally worked for Milwaukee Children's Choir from 2000-2002, then returned to the organization in the summer of 2008. From that time until her appointment as artistic director, Ms. Storck was a Prelude Director and also coordinated the organization's Prelude program. In 2010, she was honored with the Civic Music Association Award for Excellence in Youth Music Instruction.
A native of the Los Angeles area, he received his undergraduate degree in Music and International Relations from the University of California, Davis, and holds graduate degrees from the University of Southern California and Cornell University, with research interests in the sacred and secular music of the sixteenth century. He has conducted the University Chorus, Chamber Singers and Early Music Ensemble of U.C. Davis, as well as the Cornell Chorale.
In addition to leading the Glee Club, he also presently serves as conductor of the Notre Dame Symphony Orchestra and the Notre Dame Collegium Musicum. He is a founding member of the plainchant ensemble Schola Musicorum and has appeared in Notre Dame Opera productions of Wolfgang Amadeus Mozart's The Marriage of Figaro, Don Giovanni, and Cosi fan tutte. Mr. Stowe contributed articles on Renaissance, Baroque and 20th-century Latin American composers to the Harvard Biographical Dictionary of Music.
Z. Randall Stroope is one of the most active choral conductors and composers working today, with recent conducting engagements at the American School in Singapore, Canterbury Cathedral (England), Salzburger Dom (Austria), Kennedy Center for the Performing Arts (Washington, D.C.), Vancouver Symphony (British Columbia), and three performances at the Vatican in the past two years. He also is Artistic Director for summer international choral festivals in Berlin, Germany and Rome, Italy. Stroope has toured 15 countries with ensembles under his direction, as well, including China and South Africa. In the United States, Dr. Stroope has conducted 35 all-state choirs (Kentucky, New Hampshire and Delaware in 2011), and does many clinics a year for professional choirs, universities, and state music organizations across the country.
Marie Stultz is a nationally-acclaimed music educator, composer, conductor, workshop leader, and choral consultant. Her expertise is in the area of training young singers for choral and solo performances. She has more than 30-years of experience in selecting appropriate literature and music for choirs to practice and perform. Marie is an authority on training the young voice, and has devoted most of her life to training young singers in the classics. Over her more than 30-year musical career, she has trained thousands of accomplished students ranging in age from five to 18. Twenty-one of her private voice students have participated in the prestigious Tanglewood Institute. Many have gone on to highly successful careers in music as conductors, teachers, and performers. Her own original works and adaptations are performed throughout the United States, Canada, and Europe.
Jeremy Summerly is Head of Academic Studies at the Royal Academy of Music in London. As well as a conductor and lecturer he is a writer / presenter for BBC Radio and an editor for Faber Music. He graduated from Oxford University with First Class Honours in Music and thereafter undertook musicological research at King's College, London, while also working as a Studio Manager for BBC Radio. He founded the Oxford Camerata in 1984 and between 1990 and 1996 he was conductor of Schola Cantorum of Oxford. He has conducted over forty commercial recordings of music spanning nine centuries and he made his conducting debut at the BBC Proms in 1999 and at the Berlin Philharmonie in 2005. He has given concert tours throughout Europe and the United States as well as in Israel, Japan, Indonesia, Hong Kong, South Africa, and Botswana. He has conducted Ligeti for Ligeti, Kagel for Kagel, and Part for Part.
In 1995 he was a recipient of a European Cultural Prize from the European Association for the Encouragement of the Arts (Basel, Switzerland) and in 2007 he was made an honorary associate of the Royal Academy of Music in London.
Sund sings, plays, arranges, composes and conducts. His multi-faceted gift has given him a prominent position both on the Swedish and the international scene.
He was for many years artistic director and conductor of the mixed choir Allmanna Sången and the male choir Orphei Drangar (OD) and he founded and was the leader of both the women`s choir La Cappella and the youth choir Uppsala Musikskolas Kammarkor. Since 2004 he has also directed the Robert Sund Chamber Choir. As singer he has been a member in Eric Ericsons Chamber Choir and the legendary Kvintetten Olsson.
For 17 years he has been teaching conducting and ensemble leadership at the Royal Academy of Music in Stockholm. He is in great demand to lead courses for both choral singes and conductors in Scandinavia, Europe, the USA, South America, Africa and Asia. He has been guest conductor all over the world, from the Radio Choirs in Vienna and Stockholm to the Coro Nacional in Cuba and he has also conducted the WYC 1994 and 1997. He has been workshop leader at several World Symposia and he is a guest lecturer and a diligent jury member at choral competitions and festivals worldwide.
The Estonian National Opera Boys' Choir Artistic Director and Main Conductor, Hirvo Surva, was born in Kohtla-Jarve (Estonia) in 1963. After graduating from the Georg Ots Music School in Tallinn, he studied conducting with Professor Ants Uleoja at the Estonian Music Academy, where he is now working for a Master's Degree. Hirvo Surva is the Main Conductor of the Virumaa Boys` Choir, , the Estonian Men's Choral Society Boys` Choir and the Revalia Male Choir. Since 1993 he has been actively involved in conducting Estonian Song Festivals, assuming the responsibility of Artistic Director for the VIII and IX Youth Song Festivals. Hirvo Surva serves as a board member in the Estonian Men's Choral Society. From 2002 he has been appointed Chairman of the Estonian Choral Conductors' Association.
Joan Szymko (b.1957) was born in Chicago into a family that placed a high value on education and the arts - especially music. She studied choral conducting and music education at the University of Illinois (Urbana, 1978). Immediately following graduation, she moved to the Pacific Northwest where she began composing choral music to fill the repertoire needs of the church and women's choirs she directed in Seattle, WA in the 1980's.
Szymko moved to Portland, Oregon in 1993 upon the invitation to lead Aurora Chorus, a 100+ voice community women's chorus, which she continues to serve as Artistic Director. Szymko founded a select women's choir, Viriditas Vocal Ensemble in 1994. Leading Viriditas served as inspiration, as she composed prolifically during her years leading this group (1994-2002). Equally inspiring was her collaboration with Robin Lane and Do Jump! Movement Theater. She has been a resident composer with Do Jump! since 1995, performing her music with the company at their home theater in Portland and on tour, including runs on Broadway, at the Kennedy Center in Washington D.C.
Robert Taylor is the director of choral activities at the College of Charleston, director of the Charleston Symphony Orchestra Chorus, and the founding artistic director of the Taylor Festival Choir. Taylor's ensembles have performed throughout the United States and Europe, and have been featured in numerous festivals and special concerts, including 2004 ACDA Southern Division Convention in Nashville, the 2005 ACDA National Convention in Los Angeles, American Guild of Organists regional conventions, and annual appearances in Charleston's Spoleto and Piccolo Spoleto Festivals. Taylor holds a D.M.A. in choral conducting from Louisiana State University, a M.M. in vocal performance from Sam Houston State University, and a B.M.E. from the University of Central Arkansas. He has studied conducting with Kenneth Fulton, B. R. Henson, John Erwin, and his late father, Bob Taylor.
Nancy Telfer is a Canadian composer who has been a choral clinician and guest conductor for many provincial, national, and state organizations throughout Canada and the United States. For many years she has presented workshops on vocal production to both choral conductors and singers.
Since 1979 Telfer has composed over 300 works for choirs, soloists, chamber ensembles, orchestras, bands, and pianists; many of which are published in Canada and the United States. Her music ranges from beginning to virtuoso levels and she has been commissioned to compose music for many fine performers. She believes that all music should delight the ears, capture the imagination of the mind, and feed the soul. Successful Sight-Singing, Books 1 & 2 and Successful Warmups, Books 1 & 2 (published by the Neil A. Kjos Music Company), her reputable method books for singers, choirs, and vocal classes, provide innovative systematic teaching materials for sight-singing and every aspect of good vocal production. Her more recent publications, Singing In Tune and Singing High Pitches with Ease, focus on strategies and solutions for conductors, conductors-in-training, and voice teachers. Nancy Telfer's newest book, Successful Performing, focuses on ideas to ensure an outstanding choral performance.
Lori Tenenhouse formed the Grand Rapids Women's Chorus in 1996 and has been the artistic director since it's inception. A member of the American Choral Directors's Association, the Sister Singer Network and a 2006 YWCA Tribute Awards honoree for performing arts, Lori is an advocate for women's choral music.
Lori studied jazz improvisation at the University of Michigan and performed in various rock and jazz bands in Ann Arbor and later in the Boston area. Lori was a string bassist with the New England Women's Symphony under the direction of Kay Gardner, and had the incredible experience of performing under the direction of Antonia Brico in 1979. During the early 1990's in Grand Rapids, she collaborated with local musicians and friends to form The Carla Tee Band and later the jazz band, Women at Play, which played exclusively original and improvisational music . Renewing her high school love of choral singing, Lori sang with the Grand Rapids Symphony Chorus and with the Shir Shalom Choir at Temple Emmanuel.
Karen P. Thomas, composer and conductor, is the artistic/executive director and conductor of the Seattle Pro Musica. With Seattle Pro Musica she has produced seven critically-acclaimed commercial CD recordings, has received the Margaret Hillis Award for Choral Excellence and the ASCAP-Chorus America Award for Adventurous Programming of Contemporary Music, and is currently a finalist for The American Prize for choral conducting.
Ms. Thomas's compositions have been performed at several festivals, including the International Festival Donne in Musica in Italy, the Bergen International Festival in Norway, International Congresses on Women in Music in England and Spain, the Oregon Bach Festival, the Alliance World Festival of Women's Singing, and the Goodwill Arts Festival in the United States. Her compositions are also regularly broadcast on radio and television throughout the United States, Europe, and Latin America. Her choral works are performed by groups such as The Hilliard Ensemble and have been praised as "superb work of the utmost sensitivity and beauty."
Anne Tomlinson, Artistic Director of the Los Angeles Children's Chorus, conducts the Concert Choir and Chamber Singers and is responsible for the educational and artistic development of the Chorus. She is also Children's Chorus Mistress for Los Angeles Opera. Over the last ten years, she has prepared children for major operatic works including the world premiere of Tobias Picker's children's opera Fantastic Mr. Fox, based upon the story by Roald Dahl. In these productions, Tomlinson has worked with Placido Domingo, Andrew Litton, and Julius Rudel, among others. She has also prepared children's choirs for Los Angeles Philharmonic performances of Stavinsky's Persephone, John Adams' El Nino, Mahler's Symphony No. 3, Orff's Carmina Burana, and a fully staged production of Bernstein's Mass at the Hollywood Bowl in the summer of 2004. Los Angeles Master Chorale presentations include Orff's Carmina Burana under the direction of Grant Gershon and Paul Salamunovich. Live broadcasts include the January 2005 Chamber Singers performance on NPR's nationally syndicated radio program, "From the Top."
Donald Trott received his Bachelor of Music Education degree cum laude from Westminster Choir College in Princeton, New Jersey. He obtained both the Master of Music degree and Doctor of Musical Arts degree in choral conducting from the University of Oklahoma under the guidance of Dennis Shrock. Following degree work he taught at Lawton Senior High School in Lawton, Oklahoma, Rogers State College (now Rogers University) in Calremore, Oklahoma, and Longwood College (now Longwood University) in Farmville, Virginia.
His research in performance practice of the late eighteenth century resulted in two articles published in the Choral Journal and two lectures at regional and national College Music Society conventions. More recently he produced a third article for the Choral Journal based on interviews with Alexander Bernstein, son of Leonard Bernstein. His most recent publication is a monograph sponsored and published by ACDA.
Gail Walton held the position of Director of Music at the Basilica of the Sacred Heart at the University of Notre Dame from 1988 until her death in 2010 after a long battle with leukemia.
Dr. Walton holds degrees from Westminster Choir College and the Eastman School of Music, where she earned the Doctor of Musical Arts degree in Organ Performance. The Eastman School also awarded her the prestigious Performer's Certificate in Organ. She has studied with David Craighead, Russell Saunders, William Hays and Andre Marchal.
Dr. Walton has performed throughout the Midwestern United States and in the summer of 1991 played concerts in the German cities of Bonn, Heidenheim, Mainz and Rottenburg/Neckar. In the summer of 1995 she took the Notre Dame Liturgical Choir on a tour of Italy, including appearances in Florence, Milan, Assisi and Rome.
Robert J. Ward currently serves as Director of Choral Studies at The Ohio State University where he conducts the Men's Glee Club and Chorale. He also teaches courses in conducting and choral literature. Prior to his appointment at Ohio State, Dr. Ward was for sixteen years a member of the music faculty at Oklahoma State University. He has been honored with invitations to present concerts and lectures for National ACDA, National Collegiate Choral Organization. North Central Division ACDA, Central Division ACDA, International Kodaly Educators, Organization of American Kodaly Educators, Texas Music Educators Association, Texas Choral Directors Association, as well as Oklahoma, Kansas, Missouri, Mississippi, Ohio, Utah, Arkansas, Louisiana, and West Virginia Choral Directors Associations.
Fred Waring's career in the music business spanned more than sixty years. Though his early orchestra was highly successful with its novelty effects and collegiate dance music, it was his later vocal chorus that is best remembered today. The Fred Waring Glee Club was organized in the 1930s and quickly set the standard for choral groups to come. Waring is often called ''The Man Who Taught America How to Sing.''
Raised in his father's Harrisburg, Pennsylvania, music store, Waring studied violin as a youth and was a member of his high school glee club. He formed his first professional band around 1916, a six-man string outfit called Waring's Banjazztra. After graduating from college he took the group to Detroit, where it began to attract the attention of the local music crowd. He later dropped banjo from the line-up and changed the name of the group to the Pennsylvanians.
Dale Warland, celebrated American musician, has made an indelible impression on the landscape of contemporary choral music both nationally and internationally. During his time with the Dale Warland Singers, he shaped a vocal ensemble known for its exquisite sound, technical finesse, and stylistic range. From that platform, Warland not only mastered the traditional repertoire, but also commissioned 270 new choral works.
The music world has responded by bestowing its highest honors on Warland, including the 2006 Choral Arts Society of Philadelphia's Individual Leadership in Choral Music Award, the Champion of New Music Award from the American Composers Forum (2005). a Distinguished Master Artist Award from the University of South Florida (2004), a Grammy nomination of Walden Pond for best choral performance (2003), the prestigious ASCAP (American Society of Composers, Authors and Publishers) Victor Herbert Award (2003) and a special award from Chorus America and ASCAP for Warland's "pioneering vision, leadership and commitment to commissioning and performing new choral works at the highest level of artistry".
Jon Washburn is the Conductor and Artistic Director of Canada's outstanding professional vocal ensemble, the Vancouver Chamber Choir. Well known internationally for his mastery of choral technique and interpretation, Washburn travels widely as guest conductor, lecturer, clinician, and master teacher. In addition to Canada and the United States, he has performed in Russia, Finland, Estonia, Ukraine, Latvia, Lithuania, Poland, France, Germany, the Czech Republic, China, Hong Kong, Korea, Taiwan, Japan, Mexico, and Brazil.
Washburn's early musical experience was wide-ranging and eclectic. As a teenager, he was a jazz bass player and band leader. At university, he became heavily involved in musical theatre, specifically acting, singing, conducting, and stage directing. He earned a choral conducting degree at the University of Illinois and proceeded to pursue musicological studies at Northwestern and the University of British Columbia.
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