In Celebration of the Human Voice - The Essential Musical Instrument
This is a list of choral directors whose recordings we carry in our extensive catalog. These choral directors are conductors of the many of the finest choirs performing choral music around the world today. These choir directors are of university, college, community and professional choirs and include a wide variety of styles and genres.
Displaying 51 - 100 of 262 items.
Joseph Crnko joined Seattle Symphony as the Associate Conductor for Choral Activities in September 2007. He is in his 25th year as Music Director of the Northwest Choirs, the Northwest's premier youth choral organization, which includes both the Northwest Boychoir and Vocalpoint! Seattle. In addition to his work with the Northwest Choirs, Crnko regularly conducts professional orchestral and choral recording sessions for movie and video game soundtracks, including those for the films Millions, O, Boondock Saints and The Celestine Prophecy, and video games Halo, Medal of Honor and The Age of Mythology. Crnko served as Music Director for Civic Light Opera in Seattle and for productions with Alaska Light Opera Theatre, Evergreen Theatre Conservatory, Seattle Children's Theatre and the Professional Actors Training Program at the University of Washington.
Emily Holt Crocker, founder and artistic director of the Milwaukee Children's Choir is recognized nationally as a leading expert in children's choirs. The Milwaukee Children's Choir has received acclaim for performances with the Milwaukee Symphony Orchestra, the Milwaukee Chamber Orchestra, the Milwaukee Youth Symphony Orchestra, the American Choral Directors Association, the Chiba People's Festival in Japan and the Canterbury (England) International Children's Choir Festival.
As a composer, Ms. Crocker's works have been performed around the world and she has received ASCAP awards for concert music since 1986. She is well known for her work in developing choral instructional materials and is an author of Experiencing Choral Music, choral textbook series for grades 6-12, published by McGraw-Hill/Glencoe. As a guest conductor, she led the Midwinter Children's Choral Festival in Carnegie Hall in 1999 and 2001 and has conducted the Milwaukee Symphony Pops Orchestra and the Milwaukee Chamber Orchestra in performances with the Milwaukee Children's Choir. In 2002 she was awarded the Excellence in Youth Music award from the Civic Music Association of Milwaukee.
In 2000, Scottish-born conductor and organist Joseph Cullen was appointed director of The Academy of St. Martin-in-the-Fields Chorus. Since then, the amateur choir, which ranges in size from sixteen to sixty and whose members come from all walks of life, has not only maintained its preeminent reputation but has increased its versatility still further, covering new repertoire and augmenting its a cappella appearances.
In 2001 Cullen also became director of the London Symphony Chorus. He has appeared as a guest chorusmaster and conductor with the BBC Symphony and BBC Concert orchestras, the BBC Symphony Chorus, the Philharmonia Chorus, and the BBC Singers
Matthew Culloton serves as Artistic Director and Conductor for The Singers - Minnesota Choral Artists (www.singersmca.org), a professional forty-voice choir based in the Twin Cities. Prior to that appointment, Matthew was a member of The Dale Warland Singers, having served as Artistic Advisor to Dale Warland, Assistant Conductor, Bass Section Leader, and Music Librarian. Matthew is also Director of Choral Activities at Hopkins High School, overseeing a choral program of six performing ensembles. His Hopkins Concert Choir performed at the 2002 and 2004 MN ACDA Fall Conventions. The Concert Choir has held masterclasses with The King's Singers, Alice Parker, and numerous visiting composers.
Carol Cymbala was born in Chicago, IL. She is the wife of Pastor Jim Cymbala and serves as the director of the Brooklyn Tabernacle Choir and is also the daughter of the church founder, the late Rev. Clair Hutchins. She has three grown children, 2 girls and a boy.
Carol began the choir with a group of 9 people in the early 1980's. Since then, the choir has grown to 250 voices. When she had trouble finding enough appropriate songs, she began writing them. Although she cannot read or write music, the Lord has given her a special gift that helps her to play from her heart through the power of the Holy Spirit. Twenty years and many albums later, recordings and live performances continue to carry the choir's sound and the Gospel's message to people all over the world. Carol has written hundreds of songs, 51 of them recorded throughout her 23 album recording history. The choir is a mixture of ethnic and economic backgrounds; there are attorneys and former street people, nurses and ex-crack addicts.
Stephen Darlington is one of England's leading choral conductors. His links with Christ Church began in the early 1970s, as Organ Scholar under Simon Preston. After four years as Assistant Organist at Canterbury Cathedral, he was appointed Master of the Music at St. Albans Abbey, and a year later, became Artistic Director of the world-famous International Organ Festival in succession to Peter Hurford. In 1985 he returned to Christ Church as Organist and Tutor in Music. Since then he has divided his time between establishing the college as an acknowledged centre of academic musical excellence, and maintaining the highest choral traditions of the Church of England in Christ Church Cathedral. His outstanding strength is in his performances of choral music of the 16th century, and of modern sacred music. An extensive discography comprising over 50 CD's, includes several award-winning recordings such as: Ralph Vaughan Williams's An Oxford Elegy (nominated for a Grammy Award), Giovanni Pierluigi da Palestrina's Missa Dum Complerentur and William Walton's Choral Works. Recent releases, Haydn's Stabat Mater and De Monte's Masses and Motets have received Gramophone magazine recommendations.
Brazeal Dennard attended Detroit Public Schools as a youngster and began private music study with such notables as the late Johnnie Reid, Professor S. A. Ratliff, Dean Robert Nolan, Lloyd Murphy, and Virginia Persons. He completed his formal education at Wayne State University, earning a Masters Degree in Music Education. Throughout his career, Brazeal has served in many roles, such as guest conductor, clinician, lecturer, and church choirmaster.His numerous professional affiliations include National Endowment of the Arts, Department of Cultural Affairs for the city of Detroit, former trustee and member of the Advisory Committee of the Detroit Community Music School, former Chairman of the Music Advisory Committee for the Michigan Council for the Arts, and President of the National Association of Negro Musicians, Inc.
David P. DeVenney has established a wide reputation as a conductor and scholar. His choirs have toured throughout the United States, Canada, and Europe, receiving acclaim for their carefully prepared and musically exciting performances from audiences and critics alike. The WCU Concert Choir has sung to sold-out audiences in venues like St. Severin in Paris, and was invited to close the prestigious Viareggio, Italy Choral Festival in 2004. His conducting repertory includes over one hundred major choral works with orchestra and two dozen operas and musicals, and he has commissioned and premiered new choral works by noteworthy composers such as David Conte, Robert Maggio, Jennifer Higdon, Emma Lou Diemer, Marvin Hamlisch, and Robert Page. His choirs appear commercially on the Albany label as well as on several private CDs with his university ensembles, and have appeared at state and regional conferences of the Ohio Choral Directors Association and the College Music Society. Dr. DeVenney regularly collaborates with professional ensembles, conducting the Reading Symphony Orchestra, the Philadelphia Classical Symphony, the Brandywine Ballet, and others. He received the 2003 Dean's Award for Artistic Excellence from West Chester University and the 2006 Distinguished Music Alumnus award from Iowa State University, and has several times been named Outstanding Teacher by the WCU Honors College.
David Dickau (b. 1953) is a choral conductor and composer residing in Mankato, Minnesota where he has been serving as Director of Choral Activities at Minnesota State University, Mankato since 1991. As a part of his duties, Dr. Dickau conducts the Concert Choir and Chamber Singers and teaches conducting and composition. He recently received the Distinguished Faculty Scholar award from his university.
Dr. Dickau holds advanced degrees in Choral Music from Northwestern University (Evanston, IL) and the University of Southern California (Los Angeles, CA.) He has taught choral music on both the high school and college levels and has conducted community and church choirs. He also served for thirteen years as music director of Magnum Chorum, a Twin Cities-based chamber choir.
Peter Dijkstra is artistic director of the Choir of the Bavarian Radio in Munich and the Swedish Radio Choir. He co-operates with conductors such as Mariss Jansons, Nikolaus Harnoncourt, Riccardo Muti and Claudio Abbado but also conducts many Choir-Symphonic concerts next to his main series of a cappella concerts. In the Netherlands, Peter Dijkstra is the first guest conductor of the Nederlands Kamerkoor, artistic leader of vocal ensemble MUSA, a mixed choir based in Utrecht, and founder of vocal ensemble The Gents in Holland. With this all-male ensemble he won many prizes on international festivals and toured in Japan, Spain, Sweden and Great-Britain.
Currently, Dijkstra is regularly invited to conduct all major choirs such as the Netherlands Chamber Choir, BBC singers, RIAS Chamber Choir Berlin, Collegium Vocale Gent, Danish National Choir, Estonian Philharmonic Chamber Choir, Radio Choir of Berlin and the Netherlands Radio Choir. With these fine ensembles he performs a broad repertoire, from early music to premiers of newly composed works. Alongside Choir conducting, Peter Dijkstra quickly became a well sought after guest conductor with orchestras such as the Munich Radio Orchestra, Munich Symphony Orchestra, DSO Berlin, Gavle Symphony Orchestra, Tokyo Philharmonic Orchestra, the North Netherlands Philharmonic, The Residentie Orchestra of The Hague, The Bochum Symphonic Orchestra, the Netherlands Radio Chamber Philharmonic, etc.
Rollo Dilworth is assistant professor of music, director of the bachelor of music education program, and director of the choral program at North Park University, Chicago, IL, where he has taught since 1996. In 2003 the University honored him with the 2003 Zenos Hawkinson Award for Teaching and Campus Leadership. Dilworth has a bachelor of science in music education from Case Western Reserve University; a M.Ed. from University of Missouri-St. Louis; and a D.M.A. from Northwestern University.
In addition to his teaching responsibilities, Dilworth serves as conductor of the North Park University Gospel Choir and the University Choir. He is an oft-published composer of choral music, with emphasis in the areas of spirituals and gospel inspired works.
He is an award-winning composer and his work has taken him to the continents of Europe, Asia, Africa and Australia. In addition to his research in African-American music, he also serves as Minister of Music at Martin Temple African Methodist Episcopal Zion Church in Chicago.
Noel Edison is well established as one of the most versatile and charismatic conductors in the world today. As conductor and artistic director of two world-class Canadian ensembles, the large-scale Toronto Mendelssohn Choir (TMC) and the chamber-sized Elora Festival Singers, Mr. Edison is widely recognized and appreciated for his skillful interpretive blending of rigorous musical purity together with warm emotional content. In addition to full seasons with the TMC and the Elora Festival Singers, he is in demand for guest engagements with such orchestras as the Winnipeg Symphony, Toronto Symphony and Symphony Nova Scotia. His recording on the Naxos label, featuring the choral music of Eric Whitacre, has just been nominated for a Grammy.
Morna Edmundson is one of Canada's best-known choral conductors, with special interests in the areas of tone colour, language, and interpretation. As a conductor, singer, and administrator, her professional music career spans over twenty-five years, including eight years as a professional singer in the Vancouver Chamber Choir. Ms. Edmundson is best known for her 22 years of accomplishment as Co-Founder and Co-Conductor of Elektra's Women's Choir, with which she has received numerous honours and awards. At the end of the 2008/2009 season, Morna was appointed Artistic Director of Elektra at the same time as her long-time colleague Diane Loomer, C.M. stepped into the Conductor Emeritus role.
Rodney Eichenberger, Florida State University Professor Emeritus, continues to maintain a busy professional schedule elsewhere. He has conducted 80 US All State Choirs and guest conducted or lectured at more than 85 US, Australian and New Zealand Universities. International appearances include guest conducting the Korean National Chorus in Seoul, the Pusan, Korea City Choir, International High School Honor Choirs in Tokyo and Berlin and leading conducting workshops in Argentina, Brazil, France, Norway, Sweden, Scotland, Austria, Korea, Australia and New Zealand. His instructional videos on Choral Conducting," What They See Is What You Get," published by Hinshaw Music and "Enhancing Musicality Through Movement," Santa Barbara Press, are widely used in collegiate conducting classes. A graduate of St. Olaf College with advanced study at the Universities of Denver, Washington and Iowa, he taught at the University of Washington and the University of Southern California prior to his appointment at Florida State University.
Randi Von Ellefson has been director of choral activities and professor of music at Oklahoma City University and the artistic director of Canterbury Choral Society in Oklahoma City since the autumn of 2004. He holds a BA in music education and church music from Texas Lutheran University, an MFA in conducting from the University of Minnesota, and a DMA in choral music from Arizona State University.
He has taught choral music in various colleges and universities since 1977 including Bethany Lutheran College (MN), Whitworth College (WA) and the University of Chicago (IL). Ellefson also was artistic director of the Elgin Choral Union (IL), the Spokane Symphony Chorale (WA) and was a founding member of Spokane Opera Company and served that organization as resident conductor from 1989 until 1996. He also served St. Mark's Lutheran Church as director of music and is currently choir director at Chapel Hill United Methodist Church.
Bradley Ellingboe has been on the faculty of the University of New Mexico since 1985, where he is Professor of Music and Regents Lecturer. He has served as Chairman of the Department of Music. In the fall of 2005 Ellingboe stepped down from his post as Head of the Voice Area and assumed the title of Director of Choral Activities. He is a graduate of Saint Olaf College and the Eastman School of Music and has done further study at the Aspen Music Festival, the Bach Aria Festival, the University of Oslo and the Vatican.
Ellingboe is well known as a composer of choral music, with over 110 pieces in print. His choral music is widely sung and is published by Oxford, Augsburg, Walton, Hal Leonard, Mark Foster, Choristers Guild, Concordia, and particularly the Kjos Music Company, for whom he edits two series of choral octavos. His largest work, the Requiem for choir and orchestra, was premiered in 2002. Since its premiere it has been performed over 200 times across the United States, including its Carnegie Hall debut, with Ellingboe conducting a festival choir of nearly 300 singers from across the U.S., in June of 2010.
Ms. Ellsworth has been Artistic Director of Anima since 1996. She has prepared the Chorus for performances with the Chicago Symphony Orchestra and Chorus of Mahler's symphonies No. 8 and No. 3 with Christoph Eschenbach, Stravinsky's Symphony of Psalms with Sir Georg Solti, and Mahler's Symphony No. 3 with Claudio Abbado and the Berlin Philharmonic. She has conducted the young singers in performances with Julia Roberts, Garth Brooks, Dennis DeYoung, Chicago area orchestras, featured broadcasts on WFMT, five CD recordings, and appearances at national conventions for Chorus America (2004 & 2005) and the American Choral Director's Association (1999 & 2003) as well as concert tours of Italy, Australia/New Zealand, Brazil, Canada, Hong Kong, mainland China and South Africa.
Ms. Ellsworth has served on the Music Panel for the National Endowment for the Arts, received the YWCA's Outstanding Leader for Arts and Culture Award for DuPage County (1999), and is in demand both nationally and internationally as a guest clinician.. She is also the editor of the Opera Workshop series for Boosey and Hawkes Publishing.
Dr. Karle Erickson, Artistic Director and Conductor of World Voices, the Twin Cities based choral ensemble that specializes in performing exclusively global music , is internationally known for his excellence as a choral conductor, clinician and educator. He has conducted over 475 choral festivals and clinics, all-state and honors choirs and church music festivals across the United States and internationally.
He has been one of two American conductors for the Prague International Choral Festival and Competition in the Czech Republic, and is the Choir Director at St. Andrew Lutheran Church, Eden Prairie, Minnesota. When asked what continues to provide the excitement in working with World Voices , Dr. Erickson responded: "It is the professional energy and artistic stimulation that comes from working with singers, collaborators and instrumentalists representing the different cultures and countries. Each concert presents new artistic and educational opportunities as well as unique challenges."
The distinguished Swedish choral conductor and pedagogue, Eric Ericson, acquired his widespread musical education in the Stockholm Musikhogskolan (1941-1943), Schola Cantorum of Basel in Switzerland (1943-1949), Germany, England and the USA. After finishing his studies he was appointed in 1949 as Cantor of Jakobskirch in Stockholm, and professor in the conservatory of the city in 1953.
Eric Ericson was the conductor of three excellent chamber choirs. He formed the Stockholm Chamber Choir in 1945 (renamed in 1988 to be called the Eric Ericson Chamber Choir). This group has remained his main instrument for developing the art of a capella singing ever since. In 1951 the Swedish Radio Choir was formed on his initiative, and the post as its principal conductor and artistic leader was held by him until 1982. During the years 1951-1991 he was also principal conductor and artistic leader of the noted male choir Orphei Drangar, based in Uppsala Sweden.
Oscar Escalada selects the pieces for the series of Latin American Choral Music, and often contributes to it as composer or arranger. He is Professor of Conducting and Composition at the Conservatory of La Plata, and a researcher at the University of La Plata (Argentina). He is the founder and conductor of Coral del Nuevo Mundo (New World's Chorale), a group that was invited to perform at the 1998 ACDA Central Division Convention in Detroit, and to sing Misa Criolla by Ariel Ramirez at St. Peter's Basilica in Rome in the Jubilee of 2000. He also founded the Children's Choir of Teatro Argentino of La Plata in 1988.
Professor Escalada has been invited to give lectures and workshops, and to adjudicate all over Argentina, the United States, Venezuela, Cuba, Spain, England, Greece, and Germany. He is Vice President of the Argentine Association for Choral Music, a member of the Musical Committee of the America Cantat Festivals, and the Choral Festival of Munich, Germany. In recognition of his choral achievements, he received one of three hundred medals coined for the Tercentennial Anniversary of the foundation of Yale University.
Pianist, orchestral and choral conductor, Mr. Espinal has been recognized as one of the most talented young conductors, pianists and musicians in his native country of Mexico . Mr. Espinal moved to Los Angeles invited to work with Maestro Esa-Pekka Salonen as his Apprentice in 2000. He is also a regular guest conductor for orchestras in Mexico.
Mr. Espinal was granted Permanent Resident Visa as an "artist of extraordinary abilities" in year 2007 for his contribution to the development of the arts and his work with the youth in his now home, Los Angeles . This contribution was more than evident with his extraordinary achievements reached in a few years with his own organization: HARMONIES GIRLS CHOIR.
Los Angeles has become the place to expand his musical activities since then, becoming an indispensable "cultural ambassador" in this City. Not only his personals achievements has been widely recognized, but his talents as an educator and "discoverer" of new talents in the Angeleno Youth has been internationally admired, since he has toured internationally eight times to Mexico and Europe with Harmonies Girls choir.
Harold Farberman has conducted many of the world's leading orchestras, including the London Symphony, Royal Philharmonic, Philharmonia, BBC Symphony, English Chamber Orchestra, Bournemouth Symphony, Stockholm Philharmonic, Danish Radio Orchestra, Swedish Radio Orchestra, Hessischer Rundfunk, BRT Orchestra (Brussels), Orchestre National de Lille, RAI in Rome, Mozarteum Orchestra, Hong Kong Philharmonic, KBS (Korea), Sydney and Melbourne Symphonies (Australia), and the Puerto Rico Symphony.
Farberman is also a tireless advocate on behalf of conductors. In the 1970s, while serving as a member of the American Symphony Orchestra League, he established countrywide workshops for young conductors. At the 1975 American Symphony Orchestra League Conference, he proposed the creation of an association of conductors; the following year the Conductors Guild became a reality, and Farberman served two terms as its first president. He is the founder and director of the acclaimed Conductors Institute, a summer conducting program at Bard College, where he is also a co-director of the Graduate Conducting Program of the Bard College Conservatory of Music.
Dr. Larry L. Fleming, founder and long-time music director of the National Lutheran Choir, was a noted conductor and composer of both choral and instrumental music.
Fleming, Founder A native of Cut Bank, Montana, Fleming attended Concordia College in Moorhead, Minnesota on a $50 music scholarship. After his graduation in 1960 he became the first full-time director of music at University Lutheran Church of Hope in Minneapolis, where he conducted a 65-voice choir for six years. During the same period, he taught music and liturgy at Luther Seminary in St. Paul, and served as an editorial consultant and clinician for Augsburg Publishing House.
In 1966, Fleming accepted the position of Director of Choral Activities and Director of Chapel Music at Valparaiso University in Valparaiso, Indiana, where he taught until 1974. He left there to study in Europe and pursue a number of composition commissions and appointments as guest conductor. In 1976, he returned to teaching, at Concordia College for three years, and then in 1979 at Augsburg College in Minneapolis.
Musical America's 2004 Conductor of the Year, Joseph Flummerfelt's musical artistry has been acclaimed in many of the world's concert halls for nearly 40 years. He is founder and musical director of the New York Choral Artists, is an artistic director of Spoleto Festival USA, and for 33 years was conductor of the world-renown Westminster Choir.
A gifted orchestral conductor, Maestro Flummerfelt has conducted over 50 performances with the Spoleto Festival Orchestra in Italy and in the U.S. He has also appeared as guest conductor with the New Jersey Symphony Orchestra, Orchestra of St. Luke's, the Juilliard Symphony Orchestra, and the San Antonio and Phoenix Symphonies. In 1988 he made his New York Philharmonic debut with a performance of Haydn's Creation, and in 2001 he conducted the world premiere of Stephen Paulus' Voices of Light with the Philharmonic and the Westminster Choir.
Guy Forbes is recognized across the country as a gifted composer and conductor. Dr. Forbes joined the Millikin University School of Music faculty in 1995 as the Associate Conductor of Choirs where he conducts the Millikin Chamber Chorale, one of the top two auditioned university choirs. Created for the study and performance of standards from the choral cannon, the group has been widely acclaimed for its musicianship and musical sensitivity. As the founding director of the Chamber Chorale, Dr. Forbes has conducted nine performance tours across the Midwest, as well as choir tours in Florida, Texas, Louisiana, and Ontario Canada. The Chamber Chorale cut its first CD in 2006 - From the Heart - available through First Step Records.
In addition to his work with the Chamber Chorale, he also directs the Millikin Madrigal Singers and serves as one of the conductors of the Millikin Vespers program - a 50 year choral/orchestral event with an annual attendance of over 6000.
Mr Fox has been involved with boys choirs since the age of eight. He holds degrees in Music (with Honors) and Economics from Wesleyan University, Connecticut, where he studied voice with tenor Wayne Rivera, conducting with Mel Strauss, composing with Neely Bruce, and received the Lipsky Prize for outstanding scholarship in choral studies. He studied music at Oxford University, England, with Edward Higginbottom, and choral conducting at Westminster Choir College in Princeton with Jim Jordan and Vincent Metallo. He has served as Proctor for the American Boychoir, working with Jim Litton and Craig Denison, and has sung with the choirs of Trinity Church in New Haven, Trinity Church in Princeton, American Bach Soloists, the Philharmonia Baroque Chorale, and the Grace Cathedral Choir of Men and Boys in San Francisco, where he also worked as Interim Assistant Choirmaster.
Patrick Freer is associate professor of choral music education at Georgia State University in Atlanta. He holds degrees from Westminster Choir College and Teachers College, Columbia University. Freer is a frequent guest conductor for all-state choruses and has made over 100 presentations at regional, national and international conferences. He has guest conducted or presented in 35 states, Australia, Belgium, Brazil, Canada, England, Finland, Germany, Greece, Ireland, Japan, Mexico, The Netherlands, and Spain.
Freer has conducted several concerts in Carnegie Hall and made his Lincoln Center debut in June, 2012 with a concert in Avery Fisher Hall. He currently conducts the Georgia State University Men's Chorus and Choral Union. The Men's Chorus performed for the 2012 national meeting of Intercollegiate Men's Choruses, Inc., and was a national semi-finalist for the 2012 American Prize in Choral Performance. Patrick Freer is Academic Editor and Chair of the Editorial Board for Music Educators Journal. He has published several books and nearly 100 articles, with his most recent contributions appearing in the Bulletin of the Council for Research in Music Education, Choral Journal, Arts Education Policy Review, Music Education Research, Revista Internacional de Educacion Musical, and Visions of Research in Music Education.
Dr. Paul French received the Bachelor of Arts in Music from the University of California at Berkeley and Doctor of Musical Arts in Choral Music from the University of Southern California. After teaching and singing in the Los Angeles area for twelve years, French joined the music faculty at Southern Oregon University in 1990, where he is currently Director of Choral/Vocal Studies and Artistic Director/Conductor for Southern Oregon Repertory Singers.
French has extensive experience as singer, conductor and teacher. Ensembles under his direction have performed to acclaim at prestigious six-state conventions such as the American Choral Directors Association Northwest Convention (1994, 2002), the American Guild of Organists Northwest Convention (1997) and the Oregon Music Educators National Conference (2002). In 2003, French made his National Public Radio debut with the Southern Oregon Repertory Singers performing on "West Coast Live" for an estimated one million households nationally and Internationally. In 2006, French conducted the west coast premiere of the Robert Levin completion of Mozart's great "Mass in c minor" and toured Mexico with the SOU Chamber Choir.
Doug Fullington received his Bachelor of Arts/Bachelor of Music (concurrent degree in Music History), Masters Degree (Music History) and Juris Doctor from the University of Washington Seattle, where he has since served as guest faculty teaching undergraduate and graduate music history and performance courses. Mr. Fullington is an inactive member of the Washington State Bar.
As a dance historian, Mr. Fullington is an fluent reader of Stepanov notation, a classical ballet notation system developed in Russia and used in the Imperial Theatres, St. Petersburg, between about 1895 and 1915. The Stepanov notations are now housed at the Harvard Theatre Collection as part of the Sergeev Collection. Mr. Fullington, with his colleague Manard Stewart, has reconstructed dances from Petipa's The Daughter of Pharaoh (1862/c.1905) for the Bolshoi Ballet's revival, restaged by Pierre Lacotte (2000). He has also worked with Donald Byrd/The Group to restage dances from Petipa's Sleeping Beauty and La Bayadere and has worked privately with dancers to restage excerpts from ballets choreographed by Marius Petipa from Stepanov notation.
Robert Geary, founder of Volti and the internationally acclaimed Piedmont East Bay Children's Choirs, also holds directorial positions with the San Francisco Choral Society and the Golden Gate International Children's Choral Festival. For fourteen years, Geary was the director of the Baroque Choral Guild, and served for thirteen years as the Music Director of the First Unitarian Universalist Church in San Francisco.
A champion of contemporary music, Geary and his choirs have won numerous international and national awards. Among Volti's honors are ASCAP's award for "Adventurous Programming of Contemporary Music" in 2009, 2007, 2005, 2002, 1998 and 1995. The Piedmont East Bay Children's Choirs won three gold prizes and a coveted first prize for Contemporary Music at the Choral Olympics in Linz, Austria (July, 2000), the grand prize at the Miedzyzdroje Choral Festival in Poland (July, 1998), gold medal at the Giessen (Germany) International Children's and Youth Choir Festival (1997, and where Geary received a special award for "Outstanding Conductorial Achievement"), two gold medals a silver medal and the "Best of the Choirs" award at the Des Moines International Children's Choral Festival (1997), and first prize for Contemporary Music at the Kathaumixw Festival in British Columbia in 1996 and 1992.
Conductor Grant Gershon, entering his 10th season as music director of the Los Angeles Master Chorale, is equally at home with symphonic and choral music, opera and musical theater. In 2001 he was appointed Music Director of the Los Angeles Master Chorale, which the Los Angeles Times has proclaimed "the most exciting chorus in the country under Gershon's leadership." Opera News calls him "a first-rate conductor." Composer John Adams declares, "Grant Gershon is one of those rarities we call 'the complete musician.' My respect for his musicality-for his conducting, his extraordinary musical intuition and his formidable ear-knows no bounds." In addition to his post with the Chorale, Mr. Gershon was named Associate Conductor/Chorus Master of the LA Opera beginning in the 2007|08 Season.
An ardent champion of new music, Mr. Gershon, who has led more than 75 performances with the Chorale at Disney Hall, has given numerous world premiere performances, including such major works as You Are (Variations) by Steve Reich; Requiem by Christopher Rouse.
Joan Gregoryk, the Founder and Artistic Director of the Children's Chorus of Washington, is internationally recognized as a leader in the field of children's vocal music. Ms. Gregoryk prepared the singers for their debut at the Kennedy Center in November 1996 with The Washington Chorus (formerly The Oratorio Society of Washington) in a performance of Ralph Vaughan Williams' A Sea Symphony. She was invited by Music Director Leonard Slatkin to prepare the Chorus for four performances of Gabriel Piers's The Children's Crusade with the National Symphony Orchestra and The Washington Chorus at the Kennedy Center and at Carnegie Hall in November of 1997.
Ms. Gregoryk has also prepared members of CCW for a performance of Tchaikovsky's Pique Dame directed by former NSO Music Director Mstislav Rostropovich, and performances with the National Symphony Orchestra of Mahler's Symphony No. 3 conducted by Music Director Leonard Slatkin.
Leslie Guelker-Cone is director of Choral Activities and Coordinator of Vocal Studies at Western. In addition to conducting the Concert Choir and the Western Voices chamber ensemble, she teaches graduate and undergraduate courses in choral conducting and choral music education. In June 2009, she conducted Western's Concert Choir on tour in Argentina and Uruguay; other tours have taken the choir to France, Germany, Austria, Italy, the Czech Republic, Poland, and Bulgaria. Under her direction, the choir has performed at national and divisional conventions of the American Choral Directors Association (ACDA) and the Music Educators National Conference (MENC). Dr. Guelker-Cone received her Doctor of Musical Arts degree from the University of Colorado, Boulder in choral conducting and literature. She has served as a Repertoire and Standards chair for the American Choral Directors Association at both the national and local levels and on the boards of both the California and Washington Music Educators Associations. She is a past president of Washington ACDA and is in frequent demand as a choral adjudicator, honor choir conductor, and guest clinician throughout the United States and Canada. Current research includes study of the incorporation of the movement theories of Dalcroze and Laban into the teaching of choral conducting as well as the use of collaborative teaching techniques in the choral rehearsal.
George Guest is generally regarded among the finest British choral conductors of his time. Some musicologists have attributed the endurance, if not the very survival, of the English cathedral choir to him. He made more than 60 recordings with St. John's Choir (Cambridge), covering a broad range of repertory (Palestrina and Mozart to Tippett and Lennox Berkeley) and garnering consistent critical acclaim.
Guest was born in Bangor, Wales, on February 19, 1924. He attended the Friars school in his hometown and became a chorister by age 9 at the local cathedral. At 11 he sang in the choir at Chester Cathedral while taking private lessons to develop his keyboard skills. After serving four years in the Royal Air Force during World War II, he returned to Chester Cathedral as sub-organist in 1946. The following year he enrolled at St. John's under an organ scholarship, studying with Thurston Dart and Boris Ord. In 1951 the choir director, Robin Orr, resigned to focus on composition, leaving the post to Guest.
John Black Haberlen is Professor of Music and served as Director of the School of Music from 1996 to 2007. Prior to his appointment as Director, Dr. Haberlen served as Associate Dean for the Fine Arts in the College of Arts and Sciences and as Director of Choral Activities for over 20 years. John Haberlen began his professional career at the age of 16 as a percussionist in the Wheeling Symphony Orchestra. Upon receiving his Bachelor of Science and Master of Music degrees from Pennsylvania State University, he performed as principal timpanist with the Florida Symphony Orchestra. He earned his Doctor of Musical Arts degree in choral conducting with a minor in music literature from the University of Illinois. Dr. Haberlen studied choral music and opera in Ludwigsburg, Germany and completed a year of choral study in London with the London Bach Society. The Penn State Alumni Board of Directors chose Haberlen to receive the 1994 Alumni Achievement award.
Joshua Habermann, appearing in TRANSCENDENCE with Sandra Lopez, is associate professor and program director of choral studies at the University of Miami Frost School of Music, where he conducts the Frost Chorale and other choral ensembles. He is music director of the Miami Master Chorale and the Desert Chorale (Santa Fe, NM). He is a graduate of Georgetown University and the University of Texas at Austin, where he completed doctoral studies in conducting with Craig Hella Johnson. He has also studied under Helmuth Rilling (conducting), Scott Fogelsong (piano) and David Jones (voice). He has appeared in conferences and festivals, including international engagements in Cuba, Germany, Czech Republic, China and France. As a singer (tenor) he performs with the Oregon Bach Festival Chorus, where he can be heard on the Grammy-Award-winning recording of Krzystof Penderecki's Credo and others. Dr. Habermann also maintains an interest in the Hawaiian choral tradition, and sings periodically with Kawaiolaonapukanileo, an ensemble dedicated to performing and preserving this unique repertoire. Other research interests include Latin American and Nordic music. His dissertation on the a cappella works of Finnish composer Einojuhani Rautavaara was a Julius Herford Prize finalist for music research in 1997.
Actor, Musician. An arranger, composer, traveling choir leader, actor and story teller, his career took him all over the world. Best remebered for his TV role as Rolly Forbes on the TV show "Amen." The grandson of slaves, he was born in 1901 in Belews Creek, North Carolina. A star athlete in high school and college, he graduated as a Cum Laude music major from Tufts University and then furthered his studies at Julliard School of Music in New York.
In 1936 he came to Hollywood with Hall Johnson to help with arranging the chorous music for "Green Pastures." In 1937 he became a founding member of the Screen Actors Guild. In 1943 he formed his own choir and arranged the choral background music for many of Hollywood's outstanding films, among them "Carmen Jones." As an actor he played a number of character roles on television and motion pictures. He played on "Amos and Andy" for 15 years and also played 'Wildcat' on the 1970s TV show "That's My Mama." He died in Los Angeles one year before reaching his 100th birthday.
Rosalind Hall is the current director of the BYU Men's Chorus and BYU Concert Choir.
Hall is a native of Wales. She was educated at the University of London, the University of Edinburgh and London's Royal Academy of Music. She received a bachelors of music degree from the Royal Academy in 1977.
Hall came to the US in 1989 to study at Brigham Young University (BYU). While she was a grad student she also directed the BYU Women's Chorus. Hall received her Masters of music degree in 1993 from BYU. From 1992-1999 she was chair of the music department at Waterford School. She has been the director of the BYU Men's Chorus and Concert Choir since Mack Wilberg became an assistant director of the Mormon Tabernacle Choir in the fall of 1999. In addition to conducting these two choirs at BYU, Hall teaches undergraduate courses in choral conducting and graduate courses in choral literature at the BYU College of Fine Arts and Communications.
Paul Halley was born in Romford, England in 1952, received his early musical training in Ottawa, Canada, and at the age of sixteen was made an Associate of the Royal Conservatory of Toronto. Having been awarded the organ scholarship at Trinity College, Cambridge, Halley received his M.A., and was made a Fellow of the Royal College of Organists.
From 1977 to 1989, Paul Halley was Organist and Choirmaster at the Cathedral of St John the Divine in New York City. He transformed the Cathedral's music programme into a rich combination of classical and contemporary music. He was also a principal member of the Paul Winter Consort, and earned three Grammy Awards for his contributions as a featured writer and performer on many Consort recordings. Halley's music has been performed and recorded by many notable artists and ensembles, including the New Jersey Symphony, and John Williams and the Boston Pops Orchestra.
Gerre Hancock, one of America's most highly acclaimed concert organists and choral directors, has recently been appointed to the faculty of The University of Texas at Austin where he is developing a curriculum for the study of Sacred Music. Prior to this appointment, Dr. Hancock held the position of Organist and Master of Choristers at Saint Thomas Church Fifth Avenue in New York City, where, for more than thirty years he set a new standard for church music in America. Previous to his time at Saint Thomas Church, he held positions as Organist and Choirmaster of Christ Church Cathedral in Cincinnati, where he also served on the Artist Faculty of the College-Conservatory of Music, University of Cincinnati, and as Assistant Organist at St. Bartholomew's Church, New York City.
Dr. Hancock received his Bachelor of Music degree from the University of Texas and his Master of Sacred Music degree from Union Theological Seminary in New York from which he received the Unitas Distinguished Alumnus Award. A recipient of a Rotary Foundation Fellowship, he also studied in Paris and during this time was a finalist at the Munich International Music Competitions.
Sharon A. Hansen is the Founder and Music Director of the Milwaukee Choral Artists, one of only five professional women's vocal ensembles in the country. Founded in 1998, The Milwaukee Choral Artists has been named to the Milwaukee Journal Sentinel's Top Ten Milwaukee Performances list in four consecutive years, most recently being named "Milwaukee's #1 Performing Arts Event for 2007." The ensemble has sung in more than 40 languages from some twenty-six world cultures, and is a champion of new music, regularly commissioning new works. MCA frequently collaborates with Present Music, Milwaukee's internationally acclaimed contemporary music ensemble. Equally well versed in early music, the Milwaukee Choral Artists has appeared twice with the Boston Camerata, and performed with KITKA professional women's ensemble in May 2009. In August 2009, at the invitation of the National Association of Lutheran Church Musicians, MCA performed for their biennial conference at the Milwaukee Art Museum. MCA has also performed for the National Convention of Catholic Cathedral Musicians; as part of the Cathedral of St. John the Evangelist's Fine Arts Series (Milwaukee); as part of the Cathedral of St. James Fine Arts Series (Chicago); at the French Mass at Milwaukee's Bastille Days; and in state and regional conventions of the American Choral Directors' Association.
Stephen Hatfield is a resident of Vancouver Island, where he composes for the theatre * Has taught band, chorus, stage band, vocal jazz, guitar, keyboard, steel drum and music appreciation, as well as university English and graduate courses in teaching techniques * Noted for his exciting arrangements of world music, and for his original works which weave influences from diverse cultures into a fresh and distinctive idiom * His choirs have earned gold medals in national festivals, and he has received various awards for his work in education, music and poetry, including the Governor General's Gold Medal * Often featured as a guest conductor and workshop leader throughout the world.
Kent E. Hatteberg is Director of Choral Activities at the University of Louisville, where he conducts the Collegiate Chorale, Cardinal Singers, and University Chorus, and teaches graduate and undergraduate conducting and literature courses. He received the Bachelor of Music degree in piano and voice summa cum laude from the University of Dubuque and the master's and doctorate in choral conducting from The University of Iowa, where he studied conducting with Don V Moses and conducted the renowned Old Gold Singers.
Named a Fulbright Scholar in 1990, Dr. Hatteberg studied conducting and choral-orchestral literature in Berlin, Germany with Uwe Gronostay (conductor of the Berlin Philharmonic Choir and Professor for Conducting at the Hochschule der Kunste), pursued research on the works of Felix Mendelssohn, and sang in the Berlin Philharmonic Choir. His doctoral thesis contains urtext editions of Mendelssohn's Gloria and Grobe Festmusik zum Durerfest, two previously unpublished works for chorus and orchestra. In 1997 he conducted the world premiere of the Gloria on the University of Louisville campus. The Grobe Festmusik was given its first modern performance at the Konzerthaus in Berlin on November 10, 2000, with the score provided by Dr. Hatteberg. He has lectured on Mendelssohn's early works in the United States and Germany.
Mary Kay Henderson is a vocalist and women's retreat speaker. Her ministry is focused on encouraging the local church, the importance of praise and worship, and victorious day-to-day living through Jesus Christ. In addition to her personal ministry, she travels throughout the United States and abroad with CHIEF (Christian Hope Indian-Eskimo Fellowship), a Phoenix based international ministry to indigenous people. She is also employed by the Cherokee Nation of Oklahoma as the director of the Cherokee National Youth Choir, based in Tahlequah, Oklahoma.
Mary Kay's musical career and ministry began as a teenager at First Baptist, Muskogee, Oklahoma, where she was a leader in her youth group and choir. She later served as that church's Staff Soloist and began ministering in many local churches as well as associational and statewide events.
In l980-81 and l981-82, Mary Kay served as a goodwill ambassador for her tribe as Miss Cherokee. She is the only person to have served two consecutive terms in this position.During this time, she was recognized as an Outstanding Young Woman of America.
Patricia Farris Hennings, 51, died peacefully in her home in Palo Alto, California on December 20, 2001 after a life made rich by music. She had battled breast cancer for nearly four years. Hennings, best known as conductor of the Peninsula Women's Chorus since 1975, touched many lives through her work as a conductor, educator, and performer. As Director of Choral Activities at Skyline College, Hennings gathered students from diverse backgrounds into a musical community, performing standard choral works as well as new works by living composers.
Under Hennings' direction, the Peninsula Women's Chorus (PWC) issued four CDs, toured internationally, and performed three times at national conferences of the American Choral Directors Association (ACDA). In 1999, the PWC won the prestigious American Society of Composers, Authors, and Publishers (ASCAP) Award for Adventurous Programming. In 2000, for the twenty-fifth anniversary of her tenure as Artistic Director of the PWC, Hennings gathered a panel of composers who had written works for the chorus; the panel members demonstrate the quality and variety of composers Hennings had engaged during her career: Libby Larsen, Kirke Mechem, Michael Cleveland, David Conte, Joan Szymko, Brian Holmes, David Meckler, and Ron Jeffers.
The English conductor, Richard (Sidney) Hickox, studied at the Royal Academy of Music in London from 1966 to 1967, and was an organ scholar at Queen's College Cambridge from 1967 to 1970.
In 1971 Richard Hickox founded in London the Richard Hickox Singers & Orchestra, with which he gave programs of works ranging from the 14th century to the present era. He also founded the City of London Sinfonia in 1971 and is its Music Director, and following a long association with the London Symphony Orchestra he is their Associate Guest Conductor. From 1982 to 1990 he was Artistic Director of the Northern Sinfonia, and is now Conductor Emeritus. In 1990 he formed a new period instrument group together with Simon Standage: Collegium Musicum 90. His contract as Principal Conductor of the BBC National Orchestra of Wales starts in September 2000.
Edward Higginbottom's early years were marked by distinction as a keyboard player. He gained his Fellowship of the Royal College of Organists before leaving school, winning the Harding and Read prizes for the most outstanding candidate of the year. A long association with Corpus Christi College Cambridge followed, beginning with an organ scholarship (winning the John Stewart of Rannoch university prize in Sacred Music), continuing with graduate work and a doctoral thesis on French baroque music, and ending with a research fellowship (1973-76).
While at Cambridge, he gained recognition at home and abroad as director of the Cambridge University Purcell Society, one of the very first English early music groups to perform regularly in France. Graduate work in Paris from 1970 to 1972 deepened his contacts abroad as he studied organ with Marie-Claire Alain while writing his doctoral thesis. His love of French culture has borne fruit in editions of Francois Couperin's chamber music, many recording projects featuring French music, and frequent invitations for New College Choir to sing in Europe and further afield. He is sought after as president of international music competitions, and as a consultant. The French Ministry of Culture has rewarded him with the honour 'Commandeur de l'Ordre des Arts et des Lettres' for his role in the revival of choir schools in France and support of French cultural activities.
Allen Hightower is a professor of music and conductor of the renowned Nordic Choir. He serves as director of choral activities, giving leadership to a choral program that includes four choral conductors, six choirs, and over 500 singers.
Prior to joining the faculty at Luther, Dr. Hightower served as professor of music and director of choral activities at Sam Houston State University in Huntsville, Texas. During his tenure, the SHSU Chorale performed for the 2007 National Convention of the American Choral Directors Association, the 2010 Southwestern Division of ACDA, and the 2003, 2006, and 2010 conventions of the Texas Music Educators Association.
Before joining the faculty at Sam Houston, Allen served on the faculty of California State University, Long Beach, conducting the CSULB Chamber Singers. His high school teaching experience includes teaching at Klein High School in Houston, Texas and at Odessa Permian High School. Under Allen's direction, the Permian High School Kantorei performed for the 1996 Texas Music Educators Association convention.
David Hill (born on 13 May 1957 in Carlisle, Cumberland), is a choral conductor and organist. His most high profile roles are as Chief Conductor of the BBC Singers from September 2007, and Musical Director of The Bach Choir from April 1998. He was previously Organist and Director of Music at St John's College, Cambridge, in succession to Christopher Robinson from 2002. He formerly held the same title at Winchester Cathedral from 1987 - 2002 and at Westminster Cathedral from 1982 - 1987.
Hill was educated at Chetham's School of Music. He also holds the positions Chief Conductor of the Southern Sinfonia, and Music Director of the Leeds Philharmonic Society. He took up the position of Chief Conductor of the BBC Singers in summer 2007, succeeding Stephen Cleobury, and assumed the presidency of the Incorporated Association of Organists, succeeding Catherine Ennis. He was succeeded at St John's by Andrew Nethsingha.
Paul Hillier was born in Dorchester and sang in the local church choir. In his early teens he became a devotee of pop music, deeply immersing himself in the weekly pop charts and listening to Radio Luxembourg under the bedcovers. He discovered the early music of Elvis Presley, whose fan club he joined around the time of Return to Sender. He won a dance competition doing the twist. He discovered the local poet, Thomas Hardy. He joined a folksong trio, who performed here and there and included the Beach Boys in their repertoire, but at the same time he began to switch his main interests to classical music. He heard Tallis and Byrd, and read T.S. Eliot's Four Quartets. He went up to London to study singing and acting at the Guildhall School of Music and Drama. He discovered medieval music. Together with two fellow-students he formed a music-theatre ensemble called Travelling Music Theatre, performing both contemporary and early music. He formed the Hilliard Ensemble in 1973. He lived for a while in Windsor Castle before moving into a tiny flat in Islington.
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