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Displaying 351-400 of 1117 items.
Giles Swayne : Giles Swayne Choral SongbookReview: A first retrospective of Giles Swayne's challenging but rewarding liturgical settings. This album brings together five short religious choral settings, for mixed voices unaccompanied or with organ. Songlist: O Magnum Mysterium, Veni Creator I, Veni Creator II, Beatus Vir, Missa Brevissima 
Review: Described by the composer as 'a prayer for sanity, a cry in the wilderness to a god who may or may not be there', this unconventional Mass (with new words) is written in the context of a world where millions of people die of hunger every year, where 10% of living species are under threat of extinction. The Mass is angrily critical of the intolerance, injustice and corruption of our world and those who control it. Duration c. 24 mins. For SATB chorus, a cappella. Vocal score.
Review: The human heart was written in February 2009, after I heard a performance of John Tavener's haunting setting of The Lamb which made me want to see what I could do with Blake's Songs of Innocence and Experience. I had made an elaborate choral setting of The Tiger in 1995 for the National Youth Choir of Great Britain; but this time I wanted to keep things simpler and stick to four-part SATB choir, with a few small solos.
The human heart is a genuine song-cycle, in that each song leads to the next, and there is an overall theme which is aptly summed up by the title: beneath Blake's mystical and socially subversive language (which are very much the product of his time) his abiding concern seems to me the co-existence of good and evil within the human heart, and the violent contradictions which this causes. Musically, these songs are quite simple: all of them except The Fly are mainly in two real parts, with sopranos and tenors singing one line in octaves, and altos and basses the other, in varying forms of canon.
Giles Swayne : Three Shakespeare SongsReview: A re-engraved and re-edited copy of the 1969 set of pieces for unaccompanied mixed voices, including Where The Bee Sucks and Full Fathom Five. Songlist: Full Fathom Five, Hark Hark the Lark, Where the Bee Sucks
Review: This is the best known of Rossini's Péchés de vieillesse or 'Sins of Old Age'. Although a sacred work, the mass is characteristically lyrical and effervescent, and it affirms the composer's optimistic and deeply felt faith. The work was premiered in 1864. Although Rossini also produced an orchestrated version of the work in 1867, it is reported that he preferred the original scoring, and indeed much of the work's appeal lies in the idiomatic keyboard parts. This edition is based on the autograph manuscript of this original 1864 version, and every effort has been made to honour Rossini's intentions and produce a performing score that is authentic, accurate, and practical.
Review: Latin/English. SATB and soloists.
Review: Latin Only. SATB and soloists. Songlist: Stabat Mater Doloros, Cujus Animam, Quis Est Homo, Pro Peccatis, Eia Mater, Sancta Mater, Fac Ut Portem, Inflammatus Et Accensus, Quando Corpus, In Sempiterna Saecula
Giovanni de Palestrina : Sicut CervusReview: A setting of the Tract for the Blessing of the Font. Motet for SATB Choir A Cappella, edited by J. Steele.
Giovanni Palestrina : MotetsReview: This is part of a series of short volumes, each devoted to a single composer or appropriate group of composers, thoroughly exploring the unlimited resources of Renaissance sacred polyphony.
Review: The authorship of this work is sometimes attributed to (or shared with) Pergolesiis teacher, Francesco Durante. There are editorial notes included by Clayton Westermann. The Latin text also has an English translation directly underneath, in italics, and the voices are written out on separate staves over a piano reduction of the orchestral part. Includes: Magnificat * Et Misericordia * Deposuit * Suscepit Israel * Sicut Locutus Est * Sicut Erat in Principio.
Review: Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat Mater which reveals the infusion, into church composition, of the operatic style. Pergolesi's grand work features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. The original version was for two soloists and small ensemble; this version has been arranged by Desmond Ratcliffe to include SATB chorus, organ and strings - but here the accompaniment is replaced by a piano reduction.
Review: Palestrina first published his 29 five-part motets, to words from King Soloman's Song of Songs, in 1583-1584 in Rome. These are most rewarding and challenging pieces for ensembles looking to add to their repertoire. Songlist: Osculetur me, Trahe me, Nigra sum, sed formosa, Vineam meam non custodivi, Si ignoras te, Pulchrae sunt genae tuae, Fasciculus myrrhae, Ecce tu pulcer es, Tota pulchra es, Vulnerasti cor meum, Sicut lilium inter spinas, Introduxit me rex, Laeva eius, Vox dilecti mei, Surge, propera amica mea, Surge, amica mea, Dilectus meus mihi, et ego illi, Surgam et circuibo civitatem, Adiuro vos, Capet eius, Dilectus meus descendit, Puchra es, amica mea, Qua est ista, Descendi in hortum nucum, Quam pulchri sunt, Duo ubera tua, Quam pulchra es, Guttur tuum, Veni, veni dilecte mi
Review: Missa Papae Marcelli, or Pope Marcellus Mass, is Palestrina's most well-known and most often-performed mass, and is frequently taught in university courses on music. The mass is freely composed, not based upon a cantus firmus or parody. It is a six-voice mass, though the use of the full forces is reserved for specific climactic portions in the text, and voice combinations are varied throughout the piece. It is set primarily in a homorhythmic, declamatory style, with little overlapping of text and a general preference for block chords such that the text, unlike many polyphonic masses of the 16th century, can clearly be heard in performance. Songlist: Kyrie, Gloria, Gloria: Qui tollis, Credo, Credo: Crucifixus, Credo: Et in spiritum sanctum, Sanctus, Sanctus: Hosanna in excelsis, Sanctus: Benedictus, Agnus Dei I & II
Review: Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of group singing, bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be! Songlist: Chasing Cars, Help!, I Say A Little Prayer, Somethin' Stupid, Nobody's Fault But Mine
Review: A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of group singing, bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be! Gitika Partington is a singer/songwriter, vocal arranger, teacher and choral director. She has an MA in choral education and holds many other musical qualifications. She runs regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged. One of Gitika's major loves is a cappella vocal arranging, which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely. Songlist: All I Have To Do Is Dream, Happy Together, Lovely Day, House of the Rising Sun
Review: A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of group singing, bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be! Songlist: Ain't No Sunshine, Black Is The Colour of my True Love's Hair, Never Gonna Give You Up, Rolling In The Deep, Sway (Quien Sera)
Review: Verdi's select output of choral music is little known, but contains much of the dramatic boldness and harmonic invention of his operatic choruses. The Pater Noster is an unusual and interesting work of moderate difficulty, ranging in mood from meditative, devotional stillness to dramatic contrasts of a more extrovert nature. This scholarly edition has been carefully prepared by Judith Blezzard, and includes a keyboard reduction for rehearsal purposes and an English singing translation by Professor Brian Trowell.
Review: Verdi's Requiem, in an updated edition by Michael Pilkington. Scored for soprano, mezzo-soprano, tenor and bass soli, SATB chorus and orchestra. Vocal score with piano accompaniment. Introduction in English, French, German and Italian. Latin text only. Verdi's only masterpiece which was not intended for the stage.
Gordan Hamilton : The Facebook SongReview: Made popular on Toy Story 3 = Awesome this humorous piece simultaneously ridicules and celebrates user-generated content. The lyrical main theme rolls around in vibrant familiarity, always rocking between the major keys of C# and E. This tension between genuine and mock exuberance is the central irony of the piece.
Greg Gilpin : I Can Feel The RhythmReview: This vocal speech collection contains eight chorals that are fun to learn, interesting to teach and entertaining for both performer and listener. You'll find something for holidays and patriotic celebrations, as well as a piece that teaches how to sing softly and to "sing" musical rests. Your singers will learn how rhythms look, sound and feel and will be able to use their own musicianship skills throughout each piece by adding dynamics and vocal expression. Drum parts are included! Songlist: Do You Feel The Rhythm?, Rock, Rhythm and Roll, Yankee Doodle Rhythm, Sshh, Rhythm and Dance, Yuletide Rhythm, Big Band Rhythm, Life is Full of Rhythm
Greg Gilpin : Partner Songs for the Developing ChoirReview: The developing choir is a unique ensemble and ranges in size from many to just a few, in age from younger to older and from the experienced to brand new singers. Both male and female are a part of these groups with ever-changing vocal challenges. Educators who teach this wide group of musicians know there is a need for many tools of repertoire that build bridges to the art of choral singing. Partner Songs for the Developing Choir is designed to help teach harmonic singing through sophisticated melodies and distinguished texts, appealing to singers from upper elementary through middle school and early high school, and can even continue for the less-experienced or smaller adult choir. Some of the choral works are very basic in form and melodic writing, while others might include a bridge or B section or more intricate melodies, expanding the harmonic learning. This REPRODUCIBLE collection with helpful rehearsal suggestions and online access to Full Performance and Accompaniment Only audio recordings and Singer PDF parts can be used all year long with spirituals, Latin settings, multicultural, patriotic, Christmas and holiday selections. Songs include: Akatonbo, Bethlehem Lullaby, Et in Terra Pax, Jingle All the Way, Joshua Fit the Battle, Keep Your Lamps Trimmed and Burning, Musica Dei, Skatin' and Sleighin', Swing Low Sweet Chariot, You're a Grand Old Flag. Suggested for Grades 3-9. Songlist: Swing Low, Sweet Chariot, Jingle All The Way, You're A Grand Old Flag, Skatin' And Sleighin', Akatonbo, Bethlehem Lullaby, Musica Dei Donum, Joshua Fit The Battle, Keep Your Lamps Trimmed and Burning, Et In Terra Pax
Review: Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion. VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events! VoiceDance IV Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral. Songlist: Voicedance, Voicedance II, Voicedance III, Voicedance IV, Voicedance V
Gregg Smith : Christmas TimeReview: Gregg Smith, a choral conductor and composer whose ensemble, the Gregg Smith Singers, established new standards for professional choral singing and championed the work of contemporary American composers in performance and on recordings. Here is a collection of his arrangements for Christmas. Songlist: Christmas Time Book 1, Christmas Time Book 2
Review: This set comprises many of Holst's lesser known choral settings. Her eyes the glow worm lend me and Come to Me are published here for the first time and the others were previously out of print. The selection will offer choirs a varied selection of pieces that will prove both interesting and rewarding. Repertoire well worth exploring. Songlist: Dream Tryst, Ye Little Birds, Her Eyes the Glow-Worm Lend Thee, Now Is The Month Of Maying, Come to Me
Review: These four early and unperformed part-songs are among a number of vocal works which Imogen Holst edited shortly before her death in 1984. A cappella. Songlist: O Lady, Leave That Silken Thread, Soft and Gently, The Autumn is Old, Winter and the Birds
Gustav Mahler : The Great Call (from Symphony No. 2)Review: This score is the choral portion ("The Great Call") from Mahleris Symphony No. 2, known as the Resurrection, written between 1888 and 1894. Along with Mahleris 8th Symphony, this was his most successful work. The score presents the choral passages in German and English, with each voice on a separate staff, including solos and a piano reduction of the orchestral portion for accompaniment or rehearsal. 8 full size pages.
Gwyn Arch : Fly Me to the MoonReview: Five classic jazz standards superbly arranged in a vocal jazz style for upper voices and piano by Gwyn Arch. This is a must-have collection for any choir hoping to extend their repertoire beyond the traditional. The lively, fun to sing arrangements will please both choirs and audiences time and again. Songlist: All The Things You Are, Caravan, Fly Me To The Moon, Moonglow
Review: Go Down, Moses is a collection of three spirituals - the dramatic Go Down, Moses, a jauntry arrangement of Oh Mary, Don't You Weep, and the ever-popular He's Got the Whole World in His Hands. Liven up any concert programme with these classic songs, arranged by the talented Gwyn Arch. Songlist: Go Down Moses, Oh Mary, Don't You Weep, He's Got the Whole World in His Hands
Review: I Got a Robe is a collection of three upbeat spirituals - I Got a Robe, Peter, Go Ring Them Bells and Ride On, King Jesus. These imaginative arrangements for choir and piano by well-loved arranger Gwyn Arch will inspire and delight both audiences and performers, and make any concert go with a swing. Songlist: I Got a Robe, Go Ring Them Bells, Ride On, King Jesus
Review: Our Dream of Freedom is a set of four songs presenting four different statements about the dream of freedom. Songlist: Our Dream of Freedom: 1. Freedom Will Not Come Today & 2. Hold Fast to Dreams, Our Dream of Freedom: 3. The Dream Keeper, Our Dream of Freedom: 4. Dream of Freedom
Gwyneth Walker : Sing Evermore! Songs in Celebration of SingingReview: These are separate songs, which can be performed individually, yet are ordered for a cohesive flow. The texts span many centuries (1598-1919) and all celebrate music, specifically the joys of singing. Performance options include flute and string quartet, or flute and string orchestra, or piano only, perhaps adding flute where written. Duration 30:00 Songlist: Merlin's Song, In Praise of Music and Poetry, The Lost Chord, Refuge, The Caged Bird Sings, The Gift to Sing, I Hear America Singing, Sky-Born Music, Everyone Sang Voicing: Soprano
Gyorgy Ligeti : Hortobagy - Three Hungarian FolksongsReview: For unaccompanied mixed voice choir. English translation inlcuded. Songlist: Hortobagy
Review: Hall Johnson was a noted violinist, conductor and arranger of spirituals. The slave songs and spirituals that he heard his grandmother sing were a catalyst for him founding the Hall Johnson Choir in 1925. Here are 7 of his beautiful a cappella arrangements. Songlist: Fix me, Jesus, Oh, Freedom!, I've Been Buked, I Couldn't Hear Nobody Pray, When I Was Sinkin' Down, Ain't Got Time To Die, Elijah Rock
Hans Werner Henze : 3 Sonnets (Drei Sonette)Review: The Drei Sonette (Three Sonnets) were among the last works of Germany's leading post-war composer, Hans Werner Henze (1926-2012), settings of words by theologian and poet Christian Lehnert (b. 1926). The set was an adaptation by the composer of choruses heard originally in his music theatre piece Gisela!, first performed in Dresden in 2010. Songlist: Der Sperling und das Gluck, Die Schmetterlinge, Pfauenspinner
Harrison Birtwistle : Three Latin Motets from 'The Last Supper'Review: The 'Three Latin Motets' were written as choral 'Visions' in the dramatic tableaux 'The last Supper.' The Visions cut across the physical action of the drama, taking us through Christ's Passion in reverse order: The Crucifixion (O bone Jesu), The Stations of the Cross (Pange lingua) and The Betrayal (In supremae nocte cenae). In the opera, the motets are pre-recorded, but are here available for separate concert performance. Songlist: O bone Jesu, Pange lingua, In supremae nocte cenae
Hartsmen : Close Harmony Collection Vol 3Review: This collection off original glad and sad songs are geared for S.A.T.B. mixed chorus. Voice parts are modified in comfortable range. The close harmony arrangements should please your listening public and satisfy the need for additional material in the chorus and quartet repertoire. Songlist: A Smile From My Love, Bitter Beer, Changeable You, If I Were a Magician, If You Should Ever Say Good-bye, Keep a Smile in Your Heart, Keep My Love, Let's Concentrate on Love, Life Goes On, Like a Puppet on Strings, My Love, Nobody Knew, Wake Up in the Morning, You Are My Love
Review: From the composer of The Mercy Testament comes a new work that shines the light of joy and hope throughout your Easter and post-Easter worship celebrations. Incorporating jubilant contemporary Christian songs and newly arranged classic hymns, this work is a splendid choice for congregations exploring a blended approach to their music ministries. The brief performance time makes this a flexible yet effective choice for Easter worship gatherings. Well-planned moments of congregational participation are a highly desirable feature. With memorable tunes and well-crafted narrations, this work leaps from the page and into the hearts of your singers. Titles include: Christ is Risen (Matt Maher), Beautiful One (Tim Hughes), In Christ Alone (Keith Getty/Stuart Townend), He Is Exalted (Twila Paris), Christ the Lord is Risen Today (Traditional). Available separately: SATB, Split/StudioTrax CD, Listening CD, Preview Pack (Book/CD), 10-Pack CDs, RehearsalTrax CDs, Orchestration CD-ROM (Score and parts for Trumpets 1-3, Horn 1&2, Trombones 1-3, Tuba, Chimes, Glockenspiel, Percussion, Timpani, Rhythm, Violin 1&2, Viola, Cello, Double Bass). Duration: ca. 16:00. Songlist: In Christ Alone, Christ The Lord Is Risen Today, Beautiful One, Christ Is Risen, He Is Exalted
Heather Sorenson : The Silence and the SoundReview: More than just a re-telling of the nativity, this work explores both the mystery and the majesty of Christ's birth. Filled with original sacred songs and beloved carols, this innovative cantata is not only a beautiful concert moment, but it is a true worship experience. The richness of both contemporary and traditional elements, along with thoughtful narrations, make this work an excellent choice for blended worship styles, and Keith Christopher's stunning orchestrations complete the package. The perfect blending of artistry and ministry! Songs include: Let All Mortal Flesh Keep Silence; Come to Us; Luke 2 (with Silent Night); Sleeping Adonai; Angels Sing; Unto Us; Shout! Sing Hallelujah!; Worship Christ the King; A Tribute of Carols. Score and Parts (fl/pic, ob, cl, bn, tpt 1-3, hn, tbn 1-2, tbn3/tba, perc, hp, vn 1-2, va, vc, db, ksr, rhy) available as a digital download. For the Rehearsal (Part Dominant) Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Songlist: Angels We Have Heard On High, Joy To The World, What Child Is This?, O Come, All Ye Faithful, O Worship The King, Let All Mortal Flesh Keep Silence, Come To Us, Shout! Sing Hallelujah, Unto Us, Angels Sing, Luke 2, Sleeping Adonai
Heather Sorenson : These Ancient WordsReview: This six-movement extended work is built on foundational Scripture passages that ground and guide us in life. Using her trademark rich chords and soaring melodies, Heather Sorenson delivers an all-original work that inspires, compels, and encourages us in our faith journey. Optional Scripture readings and narrations are included.
Heather Sorenson : What Wondrous HopeReview: Following the success of The Thrill of Hope for the Christmas season comes What Wondrous Hope for Lent, Holy Week and Eastertide. Mingling traditional and contemporary elements, this cantata tells the story of Christ's ministry, passion and resurrection with thoughtful narration by Pamela Stewart. Great hymnody and modern worship songs are woven together in a way that is especially useful for the traditional/transitional church. Bringing the various services of the season into community, this work provides for two distinct endings for optimal programming flexibility. A full line of support products is available to assist learning and performance. This outstanding balance of ancient and modern music is a thoughtful choice for churches exploring a diversity of musical styles in worship. Songlist: All Glory, Laud And Honor, Behold The Lamb (Communion Hymn), Come, Ye Seekers, Easter Song Hear The Bells Ringing, Gethsemane Hymn, Home (The Arms Of God), Hosanna, Mercy Tree, Speak O Lord, What Wondrous Love
Review: Birthday Ode for Queen Mary, 1694. Songlist: Overture, Come, Ye Sons Of Art, Sound The Trumpet, Strike The Viol (Purcell), Day That Such A Blessing Gave, Bid The Virtues, Bid The Graces, These R The Sacred Charms-Shield, See Nature Rejoicing (Purcell)
Henry Purcell : Five Anthems (Collection)Review: From the Faber Choral Programme Series. Includes: I Was Glad When They Said unto Me; Remember Not, Lord, Our Offences; Lord, How Long Wilt Thou Be Angry?; Jehova, quam multi sunt hostes mei; Hear My Prayer, O Lord. Available: SATB.
Review: The tercentenary of the death of world-famous English Baroque composer Henry Purcell (most widely known for his opera "Dido and Aeneas") will be celebrated everywhere. This volume offers an opportunity to choral associations to join the celebration. With Purcell's expertise in setting the English language, ten of the eleven anthems are in English (one in Latin). The editor, secretary to the Purcell Society, has selected those most representative and most useful, from among the composer's prodigious output. Songlist: Hear My Prayer, O Lord, I Was Glad, O God, the King Of Glory, Remember not, Lord, Our Offences, Thou Knowest, Lord, The Secrets Of Our Hearts, Jehova, Quam Multi Sunt Hostes Mei!, Lord. How Long Wilt Thou Be Angry, O God, Thou Art My God, Thy Word Is A Latern, O Sing unto The Lord, Rejoice In The Alway
Henry Purcell : Te Deum and Jubilate Deo in DReview: Written for St Cecilia's Day 1694, Purcell's popular Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. This new edition by Robert King has been prepared using the earliest available source material, combining up-to-date scholarship with a clear and practical layout. The edition includes an organ reduction for rehearsal purposes.
Henry Purcell : Te Deum Laudamus and Jubilate DeoReview: English. Songlist: We Praise Thee (Te Deum) Purcell, The Father Of An Infinite (Purcell), When Thou Took'st (Purcell), Vouchsafe, O Lord (Purcell), O Lord, In Thee Have I Trusted (Purcell), O Be Joyful (Jubilate Deo) Purcell, Be Ye Sure (Purcell), O Go Your Way (Purcell), For The Lord Is Gracious (Purcell), Glory Be To The Father (Purcell)
Henry Washington : Missa BrevisReview: Giovanni Palestrina's Missa Brevis for four unaccompanied voices, has been edited and arranged for modern usage, by Henry Washington. This edition also contains a piano reduction for practice purposes. Songlist: Missa Brevis
Review: A collection of Polish folk songs for unaccompanied mixed chorus with piano accompaniment for rehearsal purposes. Songlist: A ta nasza Narew (Our River Narew), Oj, kiedy na Powislu (When in Pwisle), Oj, Janie, Janie (Oh, Johnny, Johnny), Polne roze rwala (She picked wild roses), Szeroka Woda (Broad Waters
Review: Arrangement of folk texts and melodies from Wladyslaw Skierkowski's collection Kurpian Forest in Song. Suitable for intermediate standard choirs. Songlist: Hey, down the hill, down the hill!, Dark is the night, how dark, Yesterday, my dear, not today, I am a farm-hand from Torun, The storm is coming, it will rain
Review: Selection of five songs from Jan Siedlecki's Church Hymn-book (1878: 1928 edition), in four of which Gorecki faithfully sets the original melodies. Polish text. Suitable for intermediate standard choirs Songlist: Mother of the Heavenly Lord, Most Holy Mother, Hail Mary, Oh! How sad it is to part, We shall sing your praises for ever and ever |
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