For the conductor Peter Dijkstra, 'these works are among Bach's greatest compositions for vocal ensemble. The rhetorical power of Komm, Jesu, komm, the thrilling double-choir passages in Singet dem Herrn ein Neues Lied, the musical signature B-A-C-H at the end of Fürchte dich nicht, every one of these demonstrates Bach's mastery and his ability to bring a text to vivid life.' This analysis of the relationship between text and music is of great importance to Dijkstra, who leads The Netherlands Chamber Choir in thrilling new performances of the six Motets