Grammy-nominated vocal ensemble Stile Antico returns with its second recording for harmonia mundi. Heavenly Harmonies juxtaposes the highly expressive Latin motets of William Byrd (c. 1540Ð1632) with the austere, homophonic psalm tunes of Thomas Tallis (c.1505Ð1585) in a performance notable for the British group's 'staggeringly beautiful singing' (The Sunday Times) and recorded in a fittingly majestic acoustic. At the heart of the religious disputes which ravaged 16th-century England, the towering figures of the Catholic Tallis and Protestant Byrd embody two opposing tendencies. What is sometimes overlooked is how much the motets from Byrd's Cantiones sacrae I and II (1589 and 1591) owe to the concise and expressive language pioneered by Tallis a generation earlier, when he also contributed the nine psalm tunes to a new psalter by Archbishop Matthew Parker (1567) Ð printed but regrettably never offered for sale. The program also includes Byrd's Mass Propers for Pentecost from his Gradualia of 1607.