A beautiful disc of (mostly) World Premiere recordings, this first-ever CD to be devoted solely to his choral music will act as a herald to next year's Rubbra centenary celebrations. The earliest are the Five Motets of 1934, settings of 16th century metaphysical poems. It was madrigalist Thomas Campion whose poems provided the basis for two delightful sets of Madrigals, and charming too are the group of four simple Carols. It is for his liturgical music that Rubbra is perhaps best known today, and the four substantial works included here demonstrate why. There is his largest a cappella piece, Lauda Sion, a magnificent Aquinas setting, plus his second setting of The Beatitudes. Two settings of the mass are featured, his third, written in medieval style, and his fifth. This is the focal point of the whole collection, the Mass in Honour of St Teresa of Avila of 1981 which was Rubbra's last major choral work, and summarises the composer's mature harmonic language.