The German-born Brahms (1833-1897) is considered one of the greatest Romantic composers, while the Danish National Radio Choir (Stefan Parkman, Chief Conductor) is one of the most respected European Choirs performing today. Their pure yet robust sound is a fine complement to the mastery of form that Brahms' works display. Indeed, one of the distinguishing characteristics of his style was his fascination with the contrapuntal forms so often identified with the Baroque and pre-Baroque era: canon, motet, fugue, and the variations thereof. It was accepted at that time to use a folk song or other well-known melody as the basis for the composer's own originality, which was demonstrated through his technical facility and manipulation of accepted idioms. A series of 'Marienlieder' comprise a third of the recording, along with seven motets and three compositions commissioned for the Hamburg Industrial Exhibition of 1889. A recording of excellent virtue.