The latest offering from Anonymous 4 is a selection of pieces dedicated to the Virgin Mary from medieval England. These span some 200 years from the thirteenth century to the early fifteenth. During this period, celebration of the Virgin increased with a gathering impetus until the Marian cult dominated devotional worship, and this is reflected in an outpouring of verse, in Latin and the vernacular, much of which was set to music. Many of the verses are glosses on established liturgical texts such as the Stabat mater or Salve regina, and it is the image of the grieving mother at the foot of the Cross which prevails here, hence the symbolism of the title: the virginal lily and the sacrificial lamb. Much of the poetry ­ and the music ­ is very fine, and fans of Anonymous 4's previous discs will not be disappointed. Their distinctive, all-female sound is as pure and clear as ever and exerts a powerful attraction, especially if one is plunged into it by hearing a track or two in isolation: very refreshing.